#1 NEW YORK TIMES BESTSELLER • A chorus of extraordinary voices tells the epic story of the four-hundred-year journey of African Americans from 1619 to the present—edited by Ibram X. Kendi, author of How to Be an Antiracist, and Keisha N. Blain, author of Set the World on Fire.FINALIST FOR THE ANDREW CARNEGIE MEDAL • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post, Town & Country, Ms. magazine, BookPage, She Reads, BookRiot, Booklist • “A vital addition to [the] curriculum on race in America . . . a gateway to the solo works of all the voices in Kendi and Blain’s impressive choir.”—The Washington Post“From journalist Hannah P. Jones on Jamestown’s first slaves to historian Annette Gordon-Reed’s portrait of Sally Hemings to the seductive cadences of poets Jericho Brown and Patricia Smith, Four Hundred Souls weaves a tapestry of unspeakable suffering and unexpected transcendence.”—O: The Oprah MagazineThe story begins in 1619—a year before the Mayflower—when the White Lion disgorges “some 20-and-odd Negroes” onto the shores of Virginia, inaugurating the African presence in what would become the United States. It takes us to the present, when African Americans, descendants of those on the White Lion and a thousand other routes to this country, continue a journey defined by inhuman oppression, visionary struggles, stunning achievements, and millions of ordinary lives passing through extraordinary history.Four Hundred Souls is a unique one-volume “community” history of African Americans. The editors, Ibram X. Kendi and Keisha N. Blain, have assembled ninety brilliant writers, each of whom takes on a five-year period of that four-hundred-year span. The writers explore their periods through a variety of techniques: historical essays, short stories, personal vignettes, and fiery polemics. They approach history from various perspectives: through the eyes of towering historical icons or the untold stories of ordinary people; through places, laws, and objects. While themes of resistance and struggle, of hope and reinvention, course through the book, this collection of diverse pieces from ninety different minds, reflecting ninety different perspectives, fundamentally deconstructs the idea that Africans in America are a monolith—instead it unlocks the startling range of experiences and ideas that have always existed within the community of Blackness.This is a history that illuminates our past and gives us new ways of thinking about our future, written by the most vital and essential voices of our present.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NEW YORK TIMES BESTSELLER • In this beautifully written masterwork, the Pulitzer Prize–winnner and bestselling author of Caste chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life.“Profound, necessary and an absolute delight to read.” —Toni MorrisonFrom 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves.With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties.Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic.

In Her Groundbreaking And Essential Debut The Three Mothers, Scholar Anna Malaika Tubbs Celebrates Black Motherhood By Telling The Story Of The Three Women Who Raised And Shaped Some Of America's Most Pivotal Heroes: Martin Luther King, Jr., Malcolm X, And James Baldwin. Much Has Been Written About Berdis Baldwin's Son James, About Alberta King's Son Martin Luther, And Louise Little's Son Malcolm. But Virtually Nothing Has Been Said About The Extraordinary Women Who Raised Them, Who Were All Born At The Beginning Of The 20th Century And Forced To Contend With The Prejudices Of Jim Crow As Black Women. Berdis, Alberta, And Louise Passed Their Knowledge To Their Children With The Hope Of Helping Them To Survive In A Society That Would Deny Their Humanity From The Very Beginning—from Louise Teaching Her Children About Their Activist Roots, To Berdis Encouraging James To Express Himself Through Writing, To Alberta Basing All Of Her Lessons In Faith And Social Justice. These Women Used Their Strength And Motherhood To Push Their Children Toward Greatness, All With A Conviction That Every Human Being Deserves Dignity And Respect Despite The Rampant Discrimination They Faced. These Three Mothers Taught Resistance And A Fundamental Belief In The Worth Of Black People To Their Sons, Even When These Beliefs Flew In The Face Of America’s Racist Practices And Led To Ramifications For All Three Families’ Safety. The Fight For Equal Justice And Dignity Came Above All Else For The Three Mothers. These Women, Their Similarities And Differences, As Individuals And As Mothers, Represent A Piece Of History Left Untold And A Celebration Of Black Motherhood Long Overdue.

#1 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • “An instant American classic and almost certainly the keynote nonfiction book of the American century thus far.”—Dwight Garner, The New York TimesThe Pulitzer Prize–winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions.#1 NONFICTION BOOK OF THE YEAR: TimeONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, The New York Times, Los Angeles Times, The Boston Globe, O: The Oprah Magazine, NPR, Bloomberg, The Christian Science Monitor, New York Post, The New York Public Library, Fortune, Smithsonian Magazine, Marie Claire, Slate, Library Journal, Kirkus ReviewsWinner of the Carl Sandberg Literary Award • Winner of the Los Angeles Times Book Prize • National Book Award Longlist • National Book Critics Circle Award Finalist • Dayton Literary Peace Prize Finalist • PEN/John Kenneth Galbraith Award for Nonfiction Finalist • PEN/Jean Stein Book Award Longlist • Kirkus Prize Finalist“As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.”In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched, and beautifully written narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings.Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their outcasting of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.Original and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of American life today.

WINNER OF THE 2022 NATIONAL BOOK AWARD FOR NONFICTIONINSTANT NEW YORK TIMES BESTSELLER“An elegant meditation on the complexities of the American South—and thus of America—by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration.” —Isabel WilkersonAn essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand AmericaWe all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life.Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.A Recommended Read from: The New Yorker • The New York Times • TIME • Oprah Daily • USA Today • Vulture • Essence • Esquire • W Magazine • Atlanta Journal-Constitution • PopSugar • Book Riot • Chicago Review of Books • Electric Literature • Lit Hub

Between the World and Me

The Color Purple is a classic. With over a million copies sold in the UK alone, it is hailed as one of the all-time 'greats' of literature, inspiring generations of readers.Set in the deep American South between the wars, The Color Purple is the tale of Celie, a young black girl born into poverty and segregation. Raped repeatedly by the man she calls 'father', she has two children taken away from her, is separated from her beloved sister Nettie and is trapped into an ugly marriage. But then she meets the glamorous Shug Avery – and magic-maker – a woman who has taken charge of her own destiny. Gradually, Celie discovers the power and joy of her own spirit, freeing her from her past and reuniting her with those she loves.

“In her long and extraordinary career, Cicely Tyson has not only succeeded as an actor, she has shaped the course of history.” –President Barack Obama, 2016 Presidential Medal of Freedom ceremony“Just as I Am is my truth. It is me, plain and unvarnished, with the glitter and garland set aside. In these pages, I am indeed Cicely, the actress who has been blessed to grace the stage and screen for six decades. Yet I am also the church girl who once rarely spoke a word. I am the teenager who sought solace in the verses of the old hymn for which this book is named. I am a daughter and a mother, a sister and a friend. I am an observer of human nature and the dreamer of audacious dreams. I am a woman who has hurt as immeasurably as I have loved, a child of God divinely guided by his hand. And here in my ninth decade, I am a woman who, at long last, has something meaningful to say.” –Cicely Tyson

Instant #1 New York Times bestseller A New York Times 10 Best Books of 2021 A Time 10 Best Nonfiction Books of 2021 Named a Best Book of 2021 by The New York Times, The Washington Post, The Boston Globe, The Economist, Smithsonian, Esquire, Entropy, The Christian Science Monitor, WBEZ's Nerdette Podcast, TeenVogue, GoodReads, SheReads, BookPage, Publishers Weekly, Kirkus, Fathom Magazine, the New York Public Library, and the Chicago Public Library One of GQ's 50 Best Books of Literary Journalism of the 21st Century Longlisted for the National Book Award Los Angeles Times, Best Nonfiction Gift One of President Obama's Favorite Books of 2021 Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks--those that are honest about the past and those that are not--that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view--whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Informed by scholarship and brought to life by the story of people living today, Smith's debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

Named one of the most important nonfiction books of the 21st century by Entertainment Weekly‚ Slate‚ Chronicle of Higher Eduction‚ Literary Hub, Book Riot‚ and Zora A tenth-anniversary edition of the iconic bestseller—“one of the most influential books of the past 20 years,” according to the Chronicle of Higher Education—with a new preface by the author “It is in no small part thanks to Alexander’s account that civil rights organizations such as Black Lives Matter have focused so much of their energy on the criminal justice system.” —Adam Shatz, London Review of Books Seldom does a book have the impact of Michelle Alexander’s The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it helped inspire the creation of the Marshall Project and the new $100 million Art for Justice Fund; it has been the winner of numerous prizes, including the prestigious NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list. Most important of all, it has spawned a whole generation of criminal justice reform activists and organizations motivated by Michelle Alexander’s unforgettable argument that “we have not ended racial caste in America; we have merely redesigned it.” As the Birmingham News proclaimed, it is “undoubtedly the most important book published in this century about the U.S.” Now, ten years after it was first published, The New Press is proud to issue a tenth-anniversary edition with a new preface by Michelle Alexander that discusses the impact the book has had and the state of the criminal justice reform movement today.

Product Description \n#1 NEW YORK TIMES BESTSELLER • A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New Origin Story offers a profoundly revealing vision of the American past and present.\\nNAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • Marie Claire\nIn late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States.\\nThe New York Times Magazine’s award-winning “1619 Project” issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This new book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself.\\nThis is a book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation’s founding and construction—and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life.\\nFeaturing contributions from:\nLeslie Alexander • Michelle Alexander • Carol Anderson • Joshua Bennett • Reginald Dwayne Betts • Jamelle Bouie • Anthea Butler • Matthew Desmond • Rita Dove • Camille T. Dungy • Cornelius Eady • Eve L. Ewing • Nikky Finney • Vievee Francis • Yaa Gyasi • Forrest Hamer • Terrance Hayes • Kimberly Annece Henderson • Jeneen Interlandi • Honorée Fanonne Jeffers • Barry Jenkins • Tyehimba Jess • Martha S. Jones • Robert Jones, Jr. • A. Van Jordan • Ibram X. Kendi • Eddie Kendricks • Yusef Komunyakaa • Kevin M. Kruse • Kiese Laymon • Trymaine Lee • Jasmine Mans • Terry McMillan • Tiya Miles • Wesley Morris • Khalil Gibran Muhammad • Lynn Nottage • ZZ Packer • Gregory Pardlo • Darryl Pinckney • Claudia Rankine • Jason Reynolds • Dorothy Roberts • Sonia Sanchez • Tim Seibles • Evie Shockley • Clint Smith • Danez Smith • Patricia Smith • Tracy K. Smith • Bryan Stevenson • Nafissa Thompson-Spires • Natasha Trethewey • Linda Villarosa • Jesmyn Ward\n Review \n“Pleasingly symmetrical . . . [a] mosaic of a book, which achieves the impossible on so many levels—moving from argument to fiction to argument, from theme to theme, and backward and forward in time, so smoothly.”\n—Slate\\n“A wide-ranging, landmark summary of the Black experience in America: searing, rich in unfamiliar detail, exploring every aspect of slavery and its continuing legacy . . . Again and again,\nThe 1619 Project brings the past to life in fresh ways . . . multifaceted and often brilliant.”\n—The New York Times Book Review\\n“The groundbreaking project from\nThe New York Times, which created a new origin story for America based on the very beginnings of American slavery, is expanded into a very large, very powerful full-length book.”\n—Entertainment Weekly\\n“The ambitious project that got Americans rethinking our racial history—and sparked inevitable backlash—even before the reckoning that followed George Floyd’s murder, is expanded into a book incorporating essays from pretty much everyone you want to hear from about the country’s great topic and great shame.”\n—LA Times\\n“This fall’s required reading.”\n—Ms. Magazine\\n“[A] groundbreaking compendium . . . These bracing and urgent works, by multidisciplinary visionaries ranging from Barry Jenki

NOW A MAJOR TV SERIES BY BARRY JENKINS (COMING MAY 2021)\\nWINNER OF THE PULITZER PRIZE FOR FICTION 2017\nWINNER OF THE ARTHUR C. CLARKE AWARD 2017\nLONGLISTED FOR THE BOOKER PRIZE 2017\nNATIONAL BOOK AWARD WINNER 2016\\n'Whitehead is on a roll: the reviews have been sublime' Guardian\\n'Luminous, furious, wildly inventive' Observer\\n'Hands down one of the best, if not the best, book I've read this year' Stylist\\n'Dazzling' New York Review of Books\\nPraised by Barack Obama and an Oprah Book Club Pick, The Underground Railroad by Colson Whitehead won the National Book Award 2016 and the Pulitzer Prize for Fiction 2017.\\nCora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.\\nIn Whitehead's razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.\\nAt each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman's ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.

"You cannot fix a problem you do not know you have." So begins Emmanuel Acho in his essential guide to the truths Americans need to know to address the systemic racism that has recently electrified protests in all fifty states. "There is a fix," Acho says. "But in order to access it, we're going to have to have some uncomfortable conversations."In Uncomfortable Conversations With a Black Man, Acho takes on all the questions, large and small, insensitive and taboo, many white Americans are afraid to ask - yet which all Americans need the answers to, now more than ever. With the same open-hearted generosity that has made his video series a phenomenon, Acho explains the vital core of such fraught concepts as white privilege, cultural appropriation, and "reverse racism." In his own words, he provides a space of compassion and understanding in a discussion that can lack both. He asks only for the reader's curiosity - but along the way, he will galvanize all of us to join the antiracist fight.

Author Of The Underground Railroad, Colson Whitehead, Brilliantly Dramatizes Another Strand Of American History Through The Story Of Two Boys Sentenced To A Hellish Reform School In 1960s Florida. Praise For Pulitzer Prize-winning The Underground Railroad: 'my Book Of The Year By Some Distance . . . Luminous, Furious, Wildly Inventive' Observer 'an Engrossing And Harrowing Novel' Sunday Times 'tells One Of The Most Compelling Stories I Have Ever Read' Guardian Whitehead Is A Superb Storyteller . . . [he] Brilliantly Intertwines His Allegory With History . . . Writing At The Peak Of His Game' Telegraph ________________________________________________________________________ Elwood Curtis Has Taken The Words Of Dr Martin Luther King To Heart: He Is As Good As Anyone. Abandoned By His Parents, Brought Up By His Loving, Strict And Clearsighted Grandmother, Elwood Is About To Enroll In The Local Black College. But Given The Time And The Place, One Innocent Mistake Is Enough To Destroy His Future, And So Elwood Arrives At The Nickel Academy, Which Claims To Provide 'physical, Intellectual And Moral Training' Which Will Equip Its Inmates To Become 'honorable And Honest Men'. In Reality, The Nickel Academy Is A Chamber Of Horrors, Where Physical, Emotional And Sexual Abuse Is Rife, Where Corrupt Officials And Tradesmen Do A Brisk Trade In Supplies Intended For The School, And Where Any Boy Who Resists Is Likely To Disappear 'out Back'. Stunned To Find Himself In This Vicious Environment, Elwood Tries To Hold On To Dr King's Ringing Assertion, 'throw Us In Jail, And We Will Still Love You.' But Elwood's Fellow Inmate And New Friend Turner Thinks Elwood Is Naive And Worse; The World Is Crooked, And The Only Way To Survive Is To Emulate The Cruelty And Cynicism Of Their Oppressors. The Tension Between Elwood's Idealism And Turner's Skepticism Leads To A Decision Which Will Have Decades-long Repercussions. Based On The History Of A Real Reform School In Florida That Operated For One Hundred And Eleven Years And Warped And Destroyed The Lives Of Thousands Of Children, The Nickel Boys Is A Devastating, Driven Narrative By A Great American Novelist Whose Work Is Essential To Understanding The Current Reality Of The United States.

Now a Hulu Original SeriesINSTANT NEW YORK TIMES BESTSELLERA Good Morning America and Read with Marie Claire Book Club Pick and a People Best Book of SummerNamed a Most Anticipated Book of 2021 by Time, The Washington Post, Harper’s Bazaar, Entertainment Weekly, Marie Claire, Bustle, BuzzFeed, Parade, Goodreads, Fortune, and BBCNamed a Best Book of 2021 by Time, The Washington Post, Esquire, Vogue, Entertainment Weekly, The Boston Globe, Harper’s Bazaar, and NPRUrgent, propulsive, and sharp as a knife, The Other Black Girl is an electric debut about the tension that unfurls when two young Black women meet against the starkly white backdrop of New York City book publishing.Twenty-six-year-old editorial assistant Nella Rogers is tired of being the only Black employee at Wagner Books. Fed up with the isolation and microaggressions, she’s thrilled when Harlem-born and bred Hazel starts working in the cubicle beside hers. They’ve only just started comparing natural hair care regimens, though, when a string of uncomfortable events elevates Hazel to Office Darling, and Nella is left in the dust.Then the notes begin to appear on Nella’s desk: LEAVE WAGNER. NOW.It’s hard to believe Hazel is behind these hostile messages. But as Nella starts to spiral and obsess over the sinister forces at play, she soon realizes that there’s a lot more at stake than just her career.A whip-smart and dynamic thriller and sly social commentary that is perfect for anyone who has ever felt manipulated, threatened, or overlooked in the workplace, The Other Black Girl will keep you on the edge of your seat until the very last twist.

Zami: A Carriacou name for women who work together as friends and lovers“Zami is a fast-moving chronicle. From the author’s vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde’s work is cyclical. It especially relates the linkage of women who have shaped her . . . Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page.”—Off Our Backs“Among the elements that make the book so good are its personal honesty and lack of pretentiousness, characteristics that shine through the writing bespeaking the evolution of a strong and remarkable character.”—The New York Times

NEW YORK TIMES BESTSELLER • “A powerful study of how to bear witness in a moment when America is being called to do the same.”—TimeJames Baldwin grew disillusioned by the failure of the civil rights movement to force America to confront its lies about race. What can we learn from his struggle in our own moment?One of the Best Books of the Year: Time, The Washington Post, Chicago Tribune • One of Esquire’s Best Biographies of All Time • Winner of the Stowe Prize • Shortlisted for the Goddard Riverside Stephan Russo Book Prize for Social Justice“Not everything is lost. Responsibility cannot be lost, it can only be abdicated. If one refuses abdication, one begins again.”—James BaldwinBegin Again is one of the great books on James Baldwin and a powerful reckoning with America’s ongoing failure to confront the lies it tells itself about race. Just as in Baldwin’s “after times,” argues Eddie S. Glaude Jr., when white Americans met the civil rights movement’s call for truth and justice with blind rage and the murders of movement leaders, so in our moment were the Obama presidency and the birth of Black Lives Matter answered with the ascendance of Trump and the violent resurgence of white nationalism.In these brilliant and stirring pages, Glaude finds hope and guidance in Baldwin as he mixes biography—drawn partially from newly uncovered Baldwin interviews—with history, memoir, and poignant analysis of our current moment to reveal the painful cycle of Black resistance and white retrenchment. As Glaude bears witness to the difficult truth of racism’s continued grip on the national soul, Begin Again is a searing exploration of the tangled web of race, trauma, and memory, and a powerful interrogation of what we must ask of ourselves in order to call forth a new America.

from The Era Of Slavery To The Present Day, The First Full History Of Black America’s Shocking Mistreatment As Unwilling And Unwitting Experimental Subjects At The Hands Of The Medical Establishment.medical Apartheid Is The First And Only Comprehensive History Of Medical Experimentation On African Americans. Starting With The Earliest Encounters Between Black Americans And Western Medical Researchers And The Racist Pseudoscience That Resulted, It Details The Ways Both Slaves And Freedmen Were Used In Hospitals For Experiments Conducted Without Their Knowledge—a Tradition That Continues Today Within Some Black Populations. It Reveals How Blacks Have Historically Been Prey To Grave-robbing As Well As Unauthorized Autopsies And Dissections. Moving Into The Twentieth Century, It Shows How The Pseudoscience Of Eugenics And Social Darwinism Was Used To Justify Experimental Exploitation And Shoddy Medical Treatment Of Blacks, And The View That They Were Biologically Inferior, Oversexed, And Unfit For Adult Responsibilities. Shocking New Details About The Government’s Notorious Tuskegee Experiment Are Revealed, As Are Similar, Less-well-known Medical Atrocities Conducted By The Government, The Armed Forces, Prisons, And Private Institutions.the Product Of Years Of Prodigious Research Into Medical Journals And Experimental Reports Long Undisturbed, medical Apartheid Reveals The Hidden Underbelly Of Scientific Research And Makes Possible, For The First Time, An Understanding Of The Roots Of The African American Health Deficit. At Last, It Provides The Fullest Possible Context For Comprehending The Behavioral Fallout That Has Caused Black Americans To View Researchers—and Indeed The Whole Medical Establishment—with Such Deep Distrust. No One Concerned With Issues Of Public Health And Racial Justice Can Afford Not To Read medical Apartheid, A Masterful Book That Will Stir Up Both Controversy And Long-needed Debate.publishers Weeklythis Groundbreaking Study Documents That The Infamous Tuskegee Experiments, In Which Black Syphilitic Men Were Studied But Not Treated, Was Simply The Most Publicized In A Long, And Continuing, History Of The American Medical Establishment Using African-americans As Unwitting Or Unwilling Human Guinea Pigs. Washington, A Journalist And Bioethicist Who Has Worked At Harvard Medical School And Tuskegee University, Has Accumulated A Wealth Of Documentation, Beginning With Thomas Jefferson Exposing Hundreds Of Slaves To An Untried Smallpox Vaccine Before Using It On Whites, To The 1990s, When The New York State Psychiatric Institute And Columbia University Ran Drug Experiments On African-american And Black Dominican Boys To Determine A Genetic Predisposition For Disruptive Behavior. Washington Is A Great Storyteller, And In Addition To Giving Us An Abundance Of Information On Scientific Racism, The Book, Even At Its Most Distressing, Is Compulsively Readable. It Covers A Wide Range Of Topics The History Of Hospitals Not Charging Black Patients So That, After Death, Their Bodies Could Be Used For Anatomy Classes; The Exhaustive Research Done On Black Prisoners Throughout The 20th Century And Paints A Powerful And Disturbing Portrait Of Medicine, Race, Sex And The Abuse Of Power. (dec. 26) Copyright 2006 Reed Business Information.

One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.\nKilling Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the "killing rage"―the fierce anger of black people stung by repeated instances of everyday racism―finding in that rage a healing source of love and strength and a catalyst for positive change.\nbell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.

A NEW YORK TIMES BESTSELLER“The fights against hunger, homelessness, poverty, health disparities, poor schools, homophobia, transphobia, and domestic violence are feminist fights. Kendall offers a feminism rooted in the livelihood of everyday women.”—Ibram X. Kendi, #1 New York Times-bestselling author of How to Be an Antiracist, in The Atlantic“One of the most important books of the current moment.”—Time“A rousing call to action... It should be required reading for everyone.”—Gabrielle Union, author of We’re Going to Need More WineA potent and electrifying critique of today’s feminist movement announcing a fresh new voice in black feminismToday's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

From the acclaimed Nobel Prize winner, a passionate, profound story of love and obsession that brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of Black urban life. With a foreword by the author.“As rich in themes and poetic images as her Pulitzer Prize–winning Beloved.... Morrison conjures up the hand of slavery on Harlem’s jazz generation. The more you listen, the more you crave to hear.” —GlamourIn the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe’s wife, Violet, attacks the girl’s corpse. This novel “transforms a familiar refrain of jilted love into a bold, sustaining time of self-knowledge and discovery. Its rhythms are infectious” (People)."The author conjures up worlds with complete authority and makes no secret of her angst at the injustices dealt to Black women.” —The New York Times Book Review

Drawing on both her roots in Kentucky and her adventures with Manhattan Coop boards, Where We Stand is a successful black woman's reflection--personal, straight forward, and rigorously honest--on how our dilemmas of class and race are intertwined, and how we can find ways to think beyond them.

A PBS Great American Read Top 100 Pick“A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don’t know how to live properly.” —Zadie SmithOne of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.

Activist, Teacher, Author And Icon Of The Black Power Movement Angela Davis Talks Ferguson, Palestine, And Prison Abolition.

The National Book Award winning history of how racist ideas were created, spread, and deeply rooted in American society.Some Americans insist that we're living in a post-racial society. But racist thought is not just alive and well in America--it is more sophisticated and more insidious than ever. And as award-winning historian Ibram X. Kendi argues, racist ideas have a long and lingering history, one in which nearly every great American thinker is complicit.In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-black racist ideas and their staggering power over the course of American history. He uses the life stories of five major American intellectuals to drive this history: Puritan minister Cotton Mather, Thomas Jefferson, abolitionist William Lloyd Garrison, W.E.B. Du Bois, and legendary activist Angela Davis.As Kendi shows, racist ideas did not arise from ignorance or hatred. They were created to justify and rationalize deeply entrenched discriminatory policies and the nation's racial inequities.In shedding light on this history, Stamped from the Beginning offers us the tools we need to expose racist thinking. In the process, he gives us reason to hope.Praise for Stamped from the Beginning:"We often describe a wonderful book as 'mind-blowing' or 'life-changing' but I've found this rarely to actually be the case. I found both descriptions accurate for Ibram X. Kendi's Stamped from the Beginning... I will never look at racial discrimination again after reading this marvellous, ambitious, and clear-sighted book." - George Saunders, Financial Times, Best Books of 2017"Ambitious, well-researched and worth the time of anyone who wants to understand racism." - Seattle Times"A deep (and often disturbing) chronicling of how anti-black thinking has entrenched itself in the fabric of American society." - The Atlantic- Winner of the 2016 National Book Award for Nonfiction- A New York Times Bestseller- A Washington Post Bestseller- Finalist for the 2016 National Book Critics Circle Award for Nonfiction- Named one of the Best Books of the Year by the Boston Globe, - Washington Post, Chicago Review of Books, The Root, Buzzfeed, Bustle, and Entropy

Fill the void. Lift your voice. Say Her Name. Since the movement's founding in 2014, #SayHerName has gained international attention and has served as both a rallying cry and organizing principle in the aftermath of police killings of Black women, including, most recently, the police killing of Breonna Taylor. Black women, girls, and femmes as young as seven and as old as ninety-three have been killed by the police, though we rarely hear their names or learn their stories. Breonna Taylor, Alberta Spruill, Rekia Boyd, Shantel Davis, Shelly Frey, Kayla Moore, Kyam Livingston, Miriam Carey, Michelle Cusseaux, and Tanisha Anderson are among the many lives that should have been. The #SayHerName campaign lifts up the stories of these women and girls in order to build a gender-inclusive framework for understanding, discussing, and combating police violence. Without this knowledge, we cannot have a full understanding of the wide-ranging circumstances that make Black bodies disproportionately subject to police violence, and we cannot understand the ways in which racialized policing and gendered violence intersect and produce lethal consequences. #SayHerName provides an analytical framework for understanding Black women's susceptibility to police brutality and state-sanctioned violence, and it explains how--through black feminist storytelling and ritual--we can effectively mobilize various communities and empower them to advocate for racial justice. Including Black women in police violence and gender violence discourses sends the powerful message that, in fact, all Black lives matter and that the police cannot kill without consequence.This is a powerful story of Black feminist practice, community-building, enablement, and Black feminist reckoning.

winner Of The Nobel Prize In Literature, The Bluest Eye (1970) Is The First Novel Written By Toni Morrison. It Is The Story Of Eleven-year-old Pecola Breedlove--a Black Girl In An America Whose Love For Its Blond, Blue-eyed Children Can Devastate All Others--who Prays For Her Eyes To Turn Blue: So That She Will Be Beautiful, So That People Will Look At Her, So That Her World Will Be Different. This Is The Story Of The Nightmare At The Heart Of Her Yearning And The Tragedy Of Its Fulfillment.john Leonard, New York Times - John Leonardtoni Morrison's the Bluest Eye Is An Inquiry Into The Reasons Why Beauty Gets Wasted In This Country. The Beauty In This Case Is Black. [ms. Morrison's Prose Is] So Precise, So Faithful To Speech, And So Charged With Pain And Wonder That The Novel Becomes Poetry I Have Said 'poetry,' But the Bluest Eye Is Also History, Sociology, Folklore, Nightmare, And Music.

THE TOP 5 SUNDAY TIMES BESTSELLER FOYLES NON-FICTION BOOK OF THE YEAR BLACKWELL'S NON-FICTION BOOK OF THE YEAR WINNER OF THE JHALAK PRIZE SHORTLISTED FOR THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION LONGLISTED FOR THE ORWELL PRIZE SHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today.

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of our literature. At once a powerful evocation of his childhood in Harlem and a disturbing examination of the consequences of racial injustice, The Fire Next Time, which galvanized the nation in the early days of the Civil Rights movement, stands as one of the essential works of our literature. (Vintage)February

'An indispensable resource for white people who want to challenge white supremacy but don't know where to begin' Robin DiAngelo, author of New York Times bestseller WHITE FRAGILITY\\n'It should be mandatory reading ... Buy the book, do the work and then push more copies into the hands of everyone you know' Emma Gannon\\n'Confrontational and much-needed' Stylist\\n'She is no-joke changing the world and, for what it's worth, the way I live my life.'\nAnne Hathaway\\n___________\\nMe and White Supremacy shows readers how to dismantle the privilege within themselves so that they can stop (often unconsciously) inflicting damage on people of colour, and in turn, help other white people do better, too.\\nWhen Layla Saad began an Instagram challenge called #MeAndWhiteSupremacy, she never predicted it would spread as widely as it did. She encouraged people to own up and share their racist behaviours, big and small. She was looking for truth, and she got it. Thousands of people participated, and over 90,000 people downloaded the book.\\nThe updated and expanded Me and White Supremacy takes the work deeper by adding more historical and cultural contexts, sharing moving stories and anecdotes, and including expanded definitions, examples, and further resources.\\nAwareness leads to action, and action leads to change. The numbers show that readers are ready to do this work - let's give it to them.

National Book Award-winner Jesmyn Ward Takes James Baldwin's 1963 Examination Of Race In America, The Fire Next Time, As A Jumping Off Point For This Groundbreaking Collection Of Essays And Poems About Race From The Most Important Voices Of Her Generation And Our Time. In Light Of Recent Tragedies And Widespread Protests Across The Nation, The Progressive Magazine Republished One Of Its Most Famous Pieces: James Baldwin's 1962 Letter To My Nephew, Which Was Later Published In His Landmark Book, The Fire Next Time. Addressing His Fifteen-year-old Namesake On The One Hundredth Anniversary Of The Emancipation Proclamation, Baldwin Wrote: You Know And I Know, That The Country Is Celebrating One Hundred Years Of Freedom One Hundred Years Too Soon. Award-winning Author Jesmyn Ward Knows That Baldwin's Words Ring As True As Ever Today. In Response, She Has Gathered Short Essays, Memoir, And A Few Essential Poems To Engage The Question Of Race In The United States. And She Has Turned To Some Of Her Generation's Most Original Thinkers And Writers To Give Voice To Their Concerns. The Fire This Time Is Divided Into Three Parts That Shine A Light On The Darkest Corners Of Our History, Wrestle With Our Current Predicament, And Envision A Better Future. Of The Eighteen Pieces, Ten Were Written Specifically For This Volume. In The Fifty-odd Years Since Baldwin's Essay Was Published, Entire Generations Have Dared Everything And Made Significant Progress. But The Idea That We Are Living In The Post-civil Rights Era, That We Are A Post-racial Society Is An Inaccurate And Harmful Reflection Of A Truth The Country Must Confront. Baldwin's Fire Next Time Is Now Upon Us, And It Needs To Be Talked About. Contributors Include Carol Anderson, Jericho Brown, Garnette Cadogan, Edwidge Danticat, Rachel Kaadzi Ghansah, Mitchell S. Jackson, Honoree Jeffers, Kima Jones, Kiese Laymon, Daniel Jose Older, Emily Raboteau, Claudia Rankine, Clint Smith, Natasha Trethewey, Wendy S. Walters, Isabel Wilkerson, And Kevin Young-- The Tradition / By Jericho Brown -- Introduction / By Jesmyn Ward -- Part I: Legacy -- Homegoing, Ad / By Kima Jones -- The Weight / By Rachel Ghansah -- Lonely In America / By Wendy S. Walters -- Where Do We Go From Here? / By Isabel Wilkerson -- The Dear Pledges Of Our Love: A Defense Of Phillis Wheatley's Husband / Honoree Fanonne Jeffers -- White Rage / By Carol Anderson -- Cracking The Code / By Jesmyn Ward -- Part Ii: Reckoning -- Queries Of Unrest / By Clint Smith -- Blacker Than Thou / By Kevin Young -- Da Art Of Storytellin' (a Prequel) / By Kiese Laymon -- Black And Blue / By Garnette Cadogan -- The Condition Of Black Life Is One Of Mourning / By Claudia Rankine -- Know Your Rights! / By Emily Raboteau -- Composite Pops / By Mitchell Jackson -- Part Iii: Jubilee -- Theories Of Time And Space / By Natasha Trethewey -- Far: Notes On Love And Revolution / By Daniel Jose Older -- Message To My Daughters / By Edwidge Danticat. Edited By Jesmyn Ward.

NATIONAL BOOK AWARD WINNER * A renowned historian traces the life of a single object handed down through three generations of Black women to craft an extraordinary testament to people who are left out of the archives. KIRKUS PRIZE FINALIST * LONGLISTED FOR THE PEN/JOHN KENNETH GALBRAITH AWARD * ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Slate, Vulture, Publishers Weekly * ONE OF THE BEST BOOKS OF THE YEAR: NPR, Time, The Boston Globe, Smithsonian Magazine, Book Riot, Library Journal, Kirkus Reviews "Deeply layered and insightful . . . [a] bold reflection on American history, African American resilience, and the human capacity for love and perseverance in the face of soul-crushing madness."--The Washington Post "A history told with brilliance and tenderness and fearlessness."--Jill Lepore, author of These Truths: A History of the United States In 1850s South Carolina, an enslaved woman named Rose faced a crisis, the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few precious items as a token of love and to try to ensure Ashley's survival. Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley's granddaughter Ruth embroidered this family history on the bag in spare yet haunting language--including Rose's wish that "It be filled with my Love always." Ruth's sewn words, the reason we remember Ashley's sack today, evoke a sweeping family story of loss and of love passed down through generations. Now, in this illuminating, deeply moving book inspired by Rose's gift to Ashley, historian Tiya Miles carefully unearths these women's faint presence in archival records to follow the paths of their lives--and the lives of so many women like them--to write a singular and revelatory history of the experience of slavery, and the uncertain freedom afterward, in the United States. The search to uncover this history is part of the story itself. For where the historical record falls short of capturing Rose's, Ashley's, and Ruth's full lives, Miles turns to objects and to art as equally important sources, assembling a chorus of women's and families' stories and critiquing the scant archives that for decades have overlooked so many. The contents of Ashley's sack--a tattered dress, handfuls of pecans, a braid of hair, "my Love always"--are eloquent evidence of the lives these women lived. As she follows Ashley's journey, Miles metaphorically unpacks the bag, deepening its emotional resonance and exploring the meanings and significance of everything it contained. All That She Carried is a poignant story of resilience and of love passed down through generations of women against steep odds. It honors the creativity and fierce resourcefulness of people who preserved family ties even when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today.

From Jackie Robinson to Muhammad Ali and Arthur Ashe, African American athletes have been at the center of modern culture, their on-the-field heroics admired and stratospheric earnings envied. But for all their money, fame, and achievement, says New York Times columnist William C. Rhoden, black athletes still find themselves on the periphery of true power in the multibillion-dollar industry their talent built. Provocative and controversial, Rhoden's Forty Million Dollar Slaves weaves a compelling narrative of black athletes in the United States, from the plantation to their beginnings in nineteenth-century boxing rings and at the first Kentucky Derby to the history-making accomplishments of notable figures such as Jesse Owens, Althea Gibson, and Willie Mays. Rhoden makes the cogent argument that black athletes' "evolution" has merely been a journey from literal plantations-where sports were introduced as diversions to quell revolutionary stirrings-to today's figurative ones, in the form of collegiate and professional sports programs. Weaving in his own experiences growing up on Chicago's South Side, playing college football for an all-black university, and his decades as a sportswriter, Rhoden contends that black athletes' exercise of true power is as limited today as when masters forced their slaves to race and fight. The primary difference is, today's shackles are often of their own making. Every advance made by black athletes, Rhoden explains, has been met with a knee-jerk backlash-one example being Major League Baseball's integration of the sport, which stripped the black-controlled Negro League of its talent and left it to founder. He details the "conveyor belt" that brings kids from inner cities and small towns to big-time programs, where they're cut off from their roots and exploited by team owners, sports agents, and the media. He also sets his sights on athletes like Michael Jordan, who he says have abdicated their responsibility to the community with an apathy that borders on treason. Sweeping and meticulously detailed, Forty Million Dollar Slaves is an eye-opening exploration of a metaphor we only thought we knew.The New York Times - Warren GoldsteinIn his provocative, passionate, important and disturbing book - part memoir, part history, part journalism - William C. Rhoden, a sports columnist for The New York Times, builds a historical framework that both accounts for the varieties of African-American athletic experience in the past and continues to explain them today.

Review "You could not ask for a more judicious, comprehensive and highly readable survey of a part of British history that has been so long overlooked or denied. David Olusoga, in keeping with the high standards of his earlier books, is a superb guide.' - Adam Hochschild, author, King Leopold's Ghost “He has a real gift for telling stories straight and winning people to seeing things in a different way. It is a very rare gift.” —Mary Beard 'Groundbreaking.' —Observer '[A] comprehensive and important history of black Britain . . . Written with a wonderful clarity of style and with great force and passion. It is thoroughly researched and there are many interesting anecdotes.' - The Sunday Times 'A radical reappraisal of the parameters of history, exposing lacunae in the nation’s version of its past.' - Guardian Product Description '[A] comprehensive and important history of black Britain . . . Written with a wonderful clarity of style and with great force and passion.' – Kwasi Kwarteng, Sunday TimesIn this vital re-examination of a shared history, historian and broadcaster David Olusoga tells the rich and revealing story of the long relationship between the British Isles and the people of Africa and the Caribbean. This edition, fully revised and updated, features a new chapter encompassing the Windrush scandal and the Black Lives Matter protests of 2020, events which put black British history at the center of urgent national debate. Black and British is vivid confirmation that black history can no longer be kept separate and marginalized. It is woven into the cultural and economic histories of the nation and it belongs to us all. Drawing on new genealogical research, original records, and expert testimony, Black and British reaches back to Roman Britain, the medieval imagination, Elizabethan ‘blackamoors’ and the global slave-trading empire. It shows that the great industrial boom of the nineteenth century was built on American slavery, and that black Britons fought at Trafalgar and in the trenches of both World Wars. Black British history is woven into the cultural and economic histories of the nation. It is not a singular history, but one that belongs to us all. Unflinching, confronting taboos, and revealing hitherto unknown scandals, Olusoga describes how the lives of black and white Britons have been entwined for centuries.Winner of the 2017 PEN Hessell-Tiltman Prize.Winner of the Longman History Today Trustees’ Award.A Waterstones History Book of the Year.Longlisted for the Orwell Prize.Shortlisted for the inaugural Jhalak Prize. About the Author David Olusoga is a British-Nigerian historian, author, presenter and BAFTA winning film-maker. He is Professor of Public History at the University of Manchester, the author of several books and a columnist for the Observer, The Voice and BBC History Magazine, also writing forthe Guardian and the New Statesman. Hepresents the long-running BBC history series A House Through Time and wrote and presented the multi-award winning BBC series Britain’s Forgotten Slave Owners. He is a contributor to the Oxford Companion to Black British History and in 2019 was awarded an OBE for services to history and community integration. Black and British was longlisted for the Orwell Prize, shortlisted for the inaugural Jhalak Prize and won the PEN Hessell-Tiltman Prize. A children's edition, Black and British: A Short, Essential History was published in 2020.

Finalist for the National Book Award for PoetryWinner of the Forward Prize for Best Collection“[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy.”―The New Yorker Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality―the dangers experienced in skin and body and blood―and a diagnosis of HIV positive. “Some of us are killed / in pieces,” Smith writes, “some of us all at once.” Don’t Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America―“Dear White America”―where every day is too often a funeral and not often enough a miracle.

THE INSTANT NEW YORK TIMES BESTSELLER. New York Times Editor’s Pick. Library Journal Best Books of 2019. TIME Magazine's "Best Memoirs of 2018 So Far."O, Oprah’s Magazine’s “10 Titles to Pick Up Now.” Politics & Current Events 2018 O.W.L. Book Awards Winner The Root Best of 2018"This remarkable book reveals what inspired Patrisse's visionary and courageous activism and forces us to face the consequence of the choices our nation made when we criminalized a generation. This book is a must-read for all of us." - Michelle Alexander, New York Times bestselling author of The New Jim Crow\nA poetic and powerful memoir about what it means to be a Black woman in America―and the co-founding of a movement that demands justice for all in the land of the free.\nRaised by a single mother in an impoverished neighborhood in Los Angeles, Patrisse Khan-Cullors experienced firsthand the prejudice and persecution Black Americans endure at the hands of law enforcement. For Patrisse, the most vulnerable people in the country are Black people. Deliberately and ruthlessly targeted by a criminal justice system serving a white privilege agenda, Black people are subjected to unjustifiable racial profiling and police brutality. In 2013, when Trayvon Martin’s killer went free, Patrisse’s outrage led her to co-found Black Lives Matter with Alicia Garza and Opal Tometi.\nCondemned as terrorists and as a threat to America, these loving women founded a hashtag that birthed the movement to demand accountability from the authorities who continually turn a blind eye to the injustices inflicted upon people of Black and Brown skin. \nChampioning human rights in the face of violent racism, Patrisse is a survivor. She transformed her personal pain into political power, giving voice to a people suffering inequality and a movement fueled by her strength and love to tell the country―and the world―that Black Lives Matter.\n When They Call You a Terrorist is Patrisse Khan-Cullors and asha bandele’s reflection on humanity. It is an empowering account of survival, strength and resilience and a call to action to change the culture that declares innocent Black life expendable.

A distinguished psychiatrist from Martinique who took part in the Algerian Nationalist Movement, Frantz Fanon was one of the most important theorists of revolutionary struggle, colonialism, and racial difference in history. Fanon’s masterwork is a classic alongside Edward Said’s Orientalism or The Autobiography of Malcolm X, and it is now available in a new translation that updates its language for a new generation of readers. The Wretched of the Earth is a brilliant analysis of the psychology of the colonized and their path to liberation. Bearing singular insight into the rage and frustration of colonized peoples, and the role of violence in effecting historical change, the book incisively attacks the twin perils of postindependence colonial politics: the disenfranchisement of the masses by the elites on the one hand, and intertribal and interfaith animosities on the other. Fanon’s analysis, a veritable handbook of social reorganization for leaders of emerging nations, has been reflected all too clearly in the corruption and violence that has plagued present-day Africa. The Wretched of the Earth has had a major impact on civil rights, anticolonialism, and black consciousness movements around the world, and this bold new translation by Richard Philcox reaffirms it as a landmark.

*Named a Best Book of 2018 by The New York Times, Publishers Weekly, NPR, Broadly, Buzzfeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics**WINNER of the Andrew Carnegie Medal and FINALIST for the Kirkus Prize *In this powerful and provocative memoir, genre-bending essayist and novelist Kiese Laymon explores what the weight of a lifetime of secrets, lies, and deception does to a black body, a black family, and a nation teetering on the brink of moral collapse.Kiese Laymon is a fearless writer. In his essays, personal stories combine with piercing intellect to reflect both on the state of American society and on his experiences with abuse, which conjure conflicted feelings of shame, joy, confusion and humiliation. Laymon invites us to consider the consequences of growing up in a nation wholly obsessed with progress yet wholly disinterested in the messy work of reckoning with where we’ve been.In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.A personal narrative that illuminates national failures, Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family that begins with a confusing childhood—and continues through twenty-five years of haunting implosions and long reverberations.

Essays Study The History And Position Of Black Women In America, Discussing Such Topics As Racism, Black Feminism, And Black Women's Literature. Women / Alice Walker -- Foreword / Mary Berry -- Introduction : The Politics Of Black Women's Studies / Akash (gloria T.) Hull, Barbara Smith -- Visions And Recommendations -- A Black Feminist's Search For Sisterhood / Michele Wallace -- A Black Feminist Statement / The Combahee River Collective -- Selected Bibliography On Black Feminism / Patricia Bell-scott -- One Child Of One's Own : A Meaningful Digression Within The Work(s)-- An Excerpt / Alice Walker -- Racism-- A White Issue / Ellen Pence -- Racism And Women's Studies / Barbara Smith -- Face-to-face, Day-to-day-- Racism Cr / Tia Cross, Freada Klein, Barbara Smith, Beverly Smith -- Studying Slavery : Some Literary And Pedagogical Considerations On The Black Female Slave / Erlene Stetson -- Debunking Sapphire : Toward A Non-racist And Non-sexist Social Science / Patricia Bell-scott -- Two Representative Issues In Contemporary Sociological Work On Black Women / Elizabeth Higginbotham -- Black Women's Health : Notes For A Course / Beverly Smith -- Three's A Crowd : The Dilemma Of The Black Woman In Higher Education / Constance M. Carroll -- Slave Codes And Liner Notes / Michele Russell -- Black Women And The Church / Jacquelyn Grant -- Toward A Black Feminist Criticism / Barbara Smith -- This Infinity Of Conscious Pain : Zora Neale Hurston And The Black Female Literary Tradition / Lorraine Bethel -- Researching Alice Dunbar-nelson : A Personal And Literary Perspective / Akasha (gloria T.) Hull -- Black-eyed Blues Connections: Teaching Black Women / Michele Russell -- Teaching Black-eyed Susans : An Approach To The Study Of Black Women Writers / Mary Helen Washington -- Afro-american Women 1800-1910 : Excerpts From A Working Bibliography / Jean Fagan Yellin -- Afro-american Women Poets Of The Nineteenth Century : Guide To Research And Bio-bibliographies Of The Poets / Joan R. Sherman -- On The Novels Written By Selected Black American Women : A Bibliographical Essay / Rita B. Dandridge -- Black Women Playwrights From Grimké To Shange : Selected Synopses Of Their Works / Jeanne-marie A. Miller -- American Black Women Composers : A Selected Annotated Bibliography / Ora Williams, Thelma Williams, Dora Wilson, Ramona Matthewson -- A Listing Of Non-print Materials On Black Women / Martha H. Brown -- Afterword / Brittney Cooper. Edited By Akasha (gloria T.) Hull, Patricia Bell-scott & Barbara Smith ; New Afterword By Brittney Cooper. Includes Bibliographical References And Index.

Updated and expanded edition of the foundational text of women of color feminism.Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to, and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world.“Immense is my admiration for the ongoing dialogue and discourse on feminism, Indigenous feminism, the defining discussions in women of color movements and the broader movement. I have loved this book for thirty years, and am so pleased we have returned with our stories, words, and attributes to the growing and resilient movement.” — Winona LaDuke (Anishinaabe), Executive Director, Honor the EarthPraise for the Third Edition“This Bridge Called My Back … dispels all doubt about the power of a single text to radically transform the terrain of our theory and practice. Twenty years after its publication, we can now see how it helped to untether the production of knowledge from its disciplinary anchors—and not only in the field of women’s studies. This Bridge has allowed us to define the promise of research on race, gender, class and sexuality as profoundly linked to collaboration and coalition-building. And perhaps most important, it has offered us strategies for transformative political practice that are as valid today as they were two decades ago.” — Angela Davis, University of California, Santa Cruz“This Bridge Called My Back … has served as a significant rallying call for women of color for a generation, and this new edition keeps that call alive at a time when divisions prove ever more stubborn and dangerous. A much-cited text, its influence has been visible and broad both in academia and among activists. We owe much of the sound of our present voices to the brave scholars and feminists whose ideas and ideals crowd its pages.” — Shirley Geok-lin Lim, University of California, Santa Barbara

A Classic Work Of Feminist Scholarship, Ain't I A Woman Has Become A Must-read For All Those Interested In The Nature Of Black Womanhood. Examining The Impact Of Sexism On Black Women During Slavery, The Devaluation Of Black Womanhood, Black Male Sexism, Racism Among Feminists, And The Black Woman's Involvement With Feminism, Hooks Attempts To Move Us Beyond Racist And Sexist Assumptions. The Result Is Nothing Short Of Groundbreaking, Giving This Book A Critical Place On Every Feminist Scholar's Bookshelf.

A Stonewall Honor Book * A Time Magazine Best YA Book of All TimeFrom Stonewall and Lambda Award–winning author Kacen Callender comes a revelatory YA novel about a transgender teen grappling with identity and self-discovery while falling in love for the first time.Felix Love has never been in love—and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle....But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.Felix Ever After is an honest and layered story about identity, falling in love, and recognizing the love you deserve."Felix is attending an ultracompetitive arts summer program to have a better shot at a full scholarship to Brown when someone posts Felix’s dead name beside photos of him, pre-transition, in the school’s lobby. Felix’s plot to get revenge throws him onto the path of love and self-discovery." (Publishers Weekly, "An Anti-Racist Children's and YA Reading List")

• Winner of the 2023 Anisfield-Wolf Book Award in Nonfiction• A New York Times Notable Book• A Best Book of the Year from TIME, Publishers Weekly, Booklist, Washington Independent Review of Books, and more!The definitive history of World War II from the African American perspective, written by civil rights expert and Dartmouth history professor Matthew Delmont“Matthew F. Delmont’s book is filled with compelling narratives that outline with nuance, rigor, and complexity how Black Americans fought for this country abroad while simultaneously fighting for their rights here in the United States. Half American belongs firmly within the canon of indispensable World War II books.”—Clint Smith, #1 New York Times bestselling author of How the Word Is Passed: A Reckoning with the History of Slavery Across AmericaOver one million Black men and women served in World War II. Black troops were at Normandy, Iwo Jima, and the Battle of the Bulge, serving in segregated units and performing unheralded but vital support jobs, only to be denied housing and educational opportunities on their return home. Without their crucial contributions to the war effort, the United States could not have won the war. And yet the stories of these Black veterans have long been ignored, cast aside in favor of the myth of the “Good War” fought by the “Greatest Generation.”Half American is American history as you’ve likely never read it before. In these pages are stories of Black heroes such as Thurgood Marshall, the chief lawyer for the NAACP, who investigated and publicized violence against Black troops and veterans; Benjamin O. Davis, Jr., leader of the Tuskegee Airmen, who was at the forefront of the years-long fight to open the Air Force to Black pilots; Ella Baker, the civil rights leader who advocated on the home front for Black soldiers, veterans, and their families; James Thompson, the 26-year-old whose letter to a newspaper laying bare the hypocrisy of fighting against fascism abroad when racism still reigned at home set in motion the Double Victory campaign; and poet Langston Hughes, who worked as a war correspondent for the Black press. Their bravery and patriotism in the face of unfathomable racism is both inspiring and galvanizing. In a time when the questions World War II raised regarding race and democracy in America remain troublingly relevant and still unanswered, this meticulously researched retelling makes for urgently necessary reading.

By August 1974, The Black Panthers Were A National Organization To Be Reckoned With, Supported By Millions Of Blacks As Well As White Liberals. How Brown Came To Leadership In This Paramilitary, Male-dominated Organization, And What She Did With That Power, Is An Unsparing Story Of Self-discovery. Brown's Account Of Her Life At The Highest Levels Of The Black Panther Party's Hierarchy. More Than A Journey Through A Turbulent Time In American History, This Is The Story Of A Black Woman's Battle To Define Herself. Assumption -- York Street -- We Are The Girls Who Don't Take No Stuff -- Some Other Life -- Child Has Died -- Getting Black -- Living For The People -- January 17th -- Postmortem -- Dying For The People -- Where Is The Love? -- Becoming Huey's Queen -- Kiss Of The Panther -- Sanctuary -- New Wave To Ride -- Chairman -- Woman's Revolution -- Alpha And Omega -- Friends And Enemies -- Enemies And Friends -- I'll Change The World For You. Elaine Brown. Originally Published: New York : Pantheon Books, C1992.

New York Times Bestseller A Major Literary Event: A Newly Published Work From The Author Of The American Classic Their Eyes Were Watching God, With A Foreword From Pulitzer Prize-winning Author Alice Walker, Brilliantly Illuminates The Horror And Injustices Of Slavery As It Tells The True Story Of One Of The Last-known Survivors Of The Atlantic Slave Trade—abducted From Africa On The Last Black Cargo Ship To Arrive In The United States. In 1927, Zora Neale Hurston Went To Plateau, Alabama, Just Outside Mobile, To Interview Eighty-six-year-old Cudjo Lewis. Of The Millions Of Men, Women, And Children Transported From Africa To America As Slaves, Cudjo Was Then The Only Person Alive To Tell The Story Of This Integral Part Of The Nation’s History. Hurston Was There To Record Cudjo’s Firsthand Account Of The Raid That Led To His Capture And Bondage Fifty Years After The Atlantic Slave Trade Was Outlawed In The United States. In 1931, Hurston Returned To Plateau, The African-centric Community Three Miles From Mobile Founded By Cudjo And Other Former Slaves From His Ship. Spending More Than Three Months There, She Talked In Depth With Cudjo About The Details Of His Life. During Those Weeks, The Young Writer And The Elderly Formerly Enslaved Man Ate Peaches And Watermelon That Grew In The Backyard And Talked About Cudjo’s Past—memories From His Childhood In Africa, The Horrors Of Being Captured And Held In A Barracoon For Selection By American Slavers, The Harrowing Experience Of The Middle Passage Packed With More Than 100 Other Souls Aboard The Clotilda, And The Years He Spent In Slavery Until The End Of The Civil War. Based On Those Interviews, Featuring Cudjo’s Unique Vernacular, And Written From Hurston’s Perspective With The Compassion And Singular Style That Have Made Her One Of The Preeminent American Authors Of The Twentieth-century, Barracoon Masterfully Illustrates The Tragedy Of Slavery And Of One Life Forever Defined By It. Offering Insight Into The Pernicious Legacy That Continues To Haunt Us All, Black And White, This Poignant And Powerful Work Is An Invaluable Contribution To Our Shared History And Culture.

Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Her life story is told in the documentary film And Still I Rise, as seen on PBS’s American Masters.Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide.Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned.Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read.“I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin

Finalist • National Book Critics Circle Award [Biography]New York Times Book Review • 100 Notable Books of 2022Winner of the American Historical Association's Joan Kelly Memorial PrizeShortlisted for the Phi Beta Kappa Society's Ralph Waldo Emerson AwardPublishers Weekly • 10 Best Books of 2022Best Books of 2022: NPR, Oprah Daily, Smithsonian, Boston Globe, Chicago Public LibraryA stunning counternarrative of the legendary abolitionist Grimke sisters that finally reclaims the forgotten Black members of their family. Sarah and Angelina Grimke―the Grimke sisters―are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.That the Grimke sisters had Black relatives in the first place was a consequence of slavery’s most horrific reality. Sarah and Angelina’s older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers’ trials and exploits in the North, where Archibald and Francis became prominent members of the post–Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis’s wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald’s daughter, Angelina Weld Grimke, who channeled the family’s past into pathbreaking modernist literature during the Harlem Renaissance.In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental―an emblem of the limits of progressive white racial politics.A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy―both traumatic and generative―of those myths, which reverberate to this day. 12 black-and-white illustrations

A TIME BEST BOOK OF THE YEAR • The first major biography of one of our most influential judges—an activist lawyer who became the first Black woman appointed to the federal judiciary—that provides an eye-opening account of the twin struggles for gender equality and civil rights in the 20th Century. • “Timely and essential."—The Washington Post“A must-read for anyone who dares to believe that equal justice under the law is possible and is in search of a model for how to make it a reality.” —Anita HillWith the US Supreme Court confirmation of Ketanji Brown Jackson, “it makes sense to revisit the life and work of another Black woman who profoundly shaped the law: Constance Baker Motley” (CNN). Born to an aspirational blue-collar family during the Great Depression, Constance Baker Motley was expected to find herself a good career as a hair dresser. Instead, she became the first black woman to argue a case in front of the Supreme Court, the first of ten she would eventually argue. The only black woman member in the legal team at the NAACP's Inc. Fund at the time, she defended Martin Luther King in Birmingham, helped to argue in Brown vs. The Board of Education, and played a critical role in vanquishing Jim Crow laws throughout the South. She was the first black woman elected to the state Senate in New York, the first woman elected Manhattan Borough President, and the first black woman appointed to the federal judiciary.Civil Rights Queen captures the story of a remarkable American life, a figure who remade law and inspired the imaginations of African Americans across the country. Burnished with an extraordinary wealth of research, award-winning, esteemed Civil Rights and legal historian and dean of the Harvard Radcliffe Institute, Tomiko Brown-Nagin brings Motley to life in these pages. Brown-Nagin compels us to ponder some of our most timeless and urgent questions--how do the historically marginalized access the corridors of power? What is the price of the ticket? How does access to power shape individuals committed to social justice? In Civil Rights Queen, she dramatically fills out the picture of some of the most profound judicial and societal change made in twentieth-century America.

Mules And Men Is A Treasury Of Black America's Folklore As Collected By A Famous Storyteller And Anthropologist Who Grew Up Hearing The Songs And Sermons, Sayings And Tall Tales That Have Formed An Oral History Of The South Since The Time Of Slavery. Returning To Her Hometown Of Eatonville, Florida, To Gather Material, Zora Neale Hurston Recalls A Hilarious Night With A Pinch Of Everything Social Mixed With The Storytelling. Set Intimately Within The Social Context Of Black Life, The Stories, Big Old Lies, Songs, Vodou Customs, And Superstitions Recorded In These Pages Capture The Imagination And Bring Back To Life The Humor And Wisdom That Is The Unique Heritage Of African Americans. -- Publisher's Website. Folk Tales -- Hoodoo -- Glossary -- Appendix: I. Negro Songs With Music ; Ii. Formulae Of Hoodoo Doctors ; Iii. Paraphernalia Of Conjure ; Iv. : Prescriptions Of Root Doctors -- Chronology -- In Search Of Zora Neale Hurston / Alice Walker -- Wrestling With Mules And Men : The Story Behind The Book. Zora Neale Hurston ; With A Preface By Franz Boas ; A Foreword By Arnold Rampersad ; An Afterword By Henry Louis Gates, Jr. ; And Illustrations By Miguel Covarrubias. Originally Published: J.b. Lippincott, C1935. Includes Bibliographical References (p. 299-302).

Winner of the National Book AwardAn Atlantic Great American Novel of the Last 100 Years"A taut, wily novel, smartly plotted and voluptuously written . . . Jesmyn Ward makes beautiful music, plays deftly with her reader’s expectations." ―Parul Sehgal, New York TimesThe National Book Award-winning novel from the author of Let Us Descend and Men We Reaped―a gritty but tender story of family and poverty in the days leading up to Hurricane Katrina.A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.As the twelve days that make up the novel's framework yield to their dramatic conclusion, this unforgettable family--motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce--pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory, and real.

Sharp, Comic, Disruptive, Tender, Raven Leilani's Debut Novel, Luster, Sees A Young Black Woman Fall Into Art And Someone Else's Open Marriage Edie Is Stumbling Her Way Through Her Twenties—sharing A Subpar Apartment In Bushwick, Clocking In And Out Of Her Admin Job, Making A Series Of Inappropriate Sexual Choices. She's Also, Secretly, Haltingly Figuring Her Way Into Life As An Artist. And Then She Meets Eric, A Digital Archivist With A Family In New Jersey, Including An Autopsist Wife Who Has Agreed To An Open Marriage—with Rules. As If Navigating The Constantly Shifting Landscapes Of Contemporary Sexual Manners And Racial Politics Weren't Hard Enough, Edie Finds Herself Unemployed And Falling Into Eric's Family Life, His Home. She Becomes Hesitant Friend To His Wife And A De Facto Role Model To His Adopted Daughter. Edie Is The Only Black Woman Young Akila May Know. Razor Sharp, Darkly Comic, Sexually Charged, Socially Disruptive, Luster Is A Portrait Of A Young Woman Trying To Make Her Sense Of Her Life In A Tumultuous Era. It Is Also A Haunting, Aching Description Of How Hard It Is To Believe In Your Own Talent And The Unexpected Influences That Bring Us Into Ourselves Along The Way.

NEW YORK TIMES BEST SELLER • A TODAY SHOW #ReadWithJenna BOOK CLUB PICK! • Finalist for the WOMEN'S PRIZEYaa Gyasi's stunning follow-up to her acclaimed national best seller Homegoing is a powerful, raw, intimate, deeply layered novel about a Ghanaian family in Alabama.Gifty is a sixth-year PhD candidate in neuroscience at the Stanford University School of Medicine studying reward-seeking behavior in mice and the neural circuits of depression and addiction. Her brother, Nana, was a gifted high school athlete who died of a heroin overdose after an ankle injury left him hooked on OxyContin. Her suicidal mother is living in her bed. Gifty is determined to discover the scientific basis for the suffering she sees all around her. But even as she turns to the hard sciences to unlock the mystery of her family's loss, she finds herself hungering for her childhood faith and grappling with the evangelical church in which she was raised, whose promise of salvation remains as tantalizing as it is elusive.Transcendent Kingdom is a deeply moving portrait of a family of Ghanaian immigrants ravaged by depression and addiction and grief—a novel about faith, science, religion, love. Exquisitely written, emotionally searing, this is an exceptionally powerful follow-up to Gyasi's phenomenal debut.

#1 NEW YORK TIMES BESTSELLER • PULITZER PRIZE WINNER • NATIONAL BOOK AWARD WINNER • A magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South. • Now an original Amazon Prime Video series directed by Barry Jenkins.Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.Look for Colson Whitehead’s new novel, Crook Manifesto, coming soon!

A Novel About A Young African-american Woman Coming Of Age... Raised In Pennsylvania, Zinzi Clemmons's Heroine Thandi Views The World Of Her Mother's Childhood In Johannesburg As Both Impossibly Distant And Ever Present. She Is An Outsider Wherever She Goes, Caught Between Being Black And White, American And Not. She Tries To Connect These Dislocated Pieces Of Her Life, And As Her Mother Succumbs To Cancer, Thandi Searches For An Anchor - Someone, Or Something, To Love.-- Zinzi Clemmons. Includes Bibliographical References (page 209).