How To Write Jokes for Fun & ProfitThis comprehensive joke writing masterclass has been devised for beginners and experienced joke writers alike. The techniques you will learn can be used again and again to write funny and original material for: Stand-u

"Pulpy, peppery and sinister, served up in a comic deadpan...This scorpion-tailed little thriller leaves a response, and a sting, you will remember."--NEW YORK TIMES"The wittiest and most fun murder party you've ever been invited to."--MARIE CLAIREWINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR MYSTERY/THRILLERSHORTLISTED FOR THE 2019 WOMEN'S PRIZEA short, darkly funny, hand grenade of a novel about a Nigerian woman whose younger sister has a very inconvenient habit of killing her boyfriends"Femi makes three, you know. Three and they label you a serial killer."Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead.Korede's practicality is the sisters' saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her "missing" boyfriend. Not that she gets any credit.Korede has long been in love with a kind, handsome doctor at the hospital where she works. She dreams of the day when he will realize that she's exactly what he needs. But when he asks Korede for Ayoola's phone number, she must reckon with what her sister has become and how far she's willing to go to protect her.Sharp as nails and full of deadpan wit, Oyinkan Braithwaite's deliciously deadly debut is as fun as it is frightening.

Learn (and love) the language of the landlocked in this bitingly funny illustrated guide to the common phrases and sentiments of the American Heartland, from the author of the McSweeney’s series “A Guide to Midwestern Conversation.”If you end an evening by slapping your thighs and saying, “Welp, I’ll go ahead and get outta your hair,” then you don’t need this guide, but you sure as heck might like it. Full of common Midwestern phrases (and what they really mean behind the friendly facade), A Guide to Midwestern Conversation is an affectionate, self-deprecating look at the language of a people long defined by their kindness and reduced to their voting patterns. Written by born-and-bred Midwesterner Taylor Kay Phillips, it’s a wink, a hug, and a firm handshake (with eye contact) to the millions of Americans who say soda and pop interchangeably and grew up doing tornado drills in school.Discover Midwestern conversational staples like:How to announce that you hate something beyond comprehension (“I didn’t really care for it”) What counts as “a short drive” (less than eight hours) Sports talk (starts early, doesn’t end till we’re six feet under) Describing the ultimate dream home (“It’s got a finished basement”) An ode to the Garage FridgeIncluding an array of guides, tips, and profiles of all the states included, A Guide to Midwestern Conversation is guaranteed to make Midwesterners (and their friends) laugh out loud, nod their heads, and ask if “anyone needs anything real quick while I’m up.”

NEW YORK TIMES BESTSELLER“An inspiring story that manages to be painful, honest, shocking, bawdy and hilarious.” —The New York Times Book ReviewFrom stand-up comedian, actress, and breakout star of Girls Trip, Tiffany Haddish, comes The Last Black Unicorn, a sidesplitting, hysterical, edgy, and unflinching collection of (extremely) personal essays, as fearless as the author herself.Growing up in one of the poorest neighborhoods of South Central Los Angeles, Tiffany learned to survive by making people laugh. If she could do that, then her classmates would let her copy their homework, the other foster kids she lived with wouldn’t beat her up, and she might even get a boyfriend. Or at least she could make enough money—as the paid school mascot and in-demand Bar Mitzvah hype woman—to get her hair and nails done, so then she might get a boyfriend.None of that worked (and she’s still single), but it allowed Tiffany to imagine a place for herself where she could do something she loved for a living: comedy.Tiffany can’t avoid being funny—it’s just who she is, whether she’s plotting shocking, jaw-dropping revenge on an ex-boyfriend or learning how to handle her newfound fame despite still having a broke person’s mind-set. Finally poised to become a household name, she recounts with heart and humor how she came from nothing and nowhere to achieve her dreams by owning, sharing, and using her pain to heal others.By turns hilarious, filthy, and brutally honest, The Last Black Unicorn shows the world who Tiffany Haddish really is—humble, grateful, down-to-earth, and funny as hell. And now, she’s ready to inspire others through the power of laughter.

Winner of the Whitbread Book of the Year. 'Outstanding...a stunningly good read' Observer. 'Mark Haddon's portrayal of an emotionally dissociated mind is a superb achievement...Wise and bleakly funny' Ian McEwan. The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's Syndrome. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than the end of the road on his own, but when he finds a neighbour's dog murdered he sets out on a terrifying journey which will turn his whole world upside down.

Want to learn the improv techniques that helped Mike Myers, Chris Farley, John Belushi, and many others along the road to TV and film stardom? Then let two esteemed founders of long-form improvisational theatre, Del Close and Charna Halpern, teach you the "Harold." This groundbreaking acting exercise emphasizes pattern recognition and subversion of the audience s expectations, which are important factors for making people laugh without ever telling a joke. It involves six to seven players and many kinds of scenes: games, monologues, songs, skits and more, all of which are bound to keep both actors and audience members guessing. The Harold is non-linear entertainment that remembers everything and wastes nothing the key to successful improvising and has become a standard in comedy clubs and improv theatres around the globe.

The "brilliant, funny, meaningful novel" (The New Yorker) that established J. D. Salinger as a leading voice in American literature--and that has instilled in millions of readers around the world a lifelong love of books."If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth."The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caufield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days.

Judy Carter, guru to aspiring comedy writers and stand-up comics, tells all about the biz of being funny and writing funny in this bright, entertaining, and totally practical guide on how to draw humor from your life and turn it into a career.Do you think you’re funny? Do you want to turn your sense of humor into a career? If the answer is yes, then Judy Carter’s The Comedy Bible is for you. The guru to aspiring stand-up comics provides the complete scoop on being—and writing—funny for money.If you’ve got a sense of humor, you can learn to make a career out of comedy, says Judy Carter. Whether it’s creating a killer stand-up act, writing a spec sitcom, or providing jokes for radio or one-liners for greeting cards, Carter provides step-by-step instructions in The Comedy Bible. She helps readers first determine which genre of comedy writing or performing suits them best and then directs them in developing, refining, and selling their work. Using the hands-on workbook format that was so effective in her bestselling first book, Stand-Up Comedy: The Book, Carter offers a series of day-by-day exercises that draw on her many years as a successful stand-up comic and the head of a nationally known comedy school. Also included are practical tips and advice from today’s top comedy professionals—from Bernie Brillstein to Christopher Titus to Richard Lewis. She presents the pros and cons of the various comedy fields—stand-up, script, speech and joke writing, one-person shows, humor essays—and shows how to tailor your material for each. She teaches how to find your “authentic” voice—the true source of comedy. And, perhaps most important, Carter explains how to take a finished product to the next level—making money—by pitching it to a buyer and negotiating a contract. Written in Carter’s unique, take-no-prisoners voice, The Comedy Bible is practical, inspirational, and funny.

Reading books is a kind of enjoyment. Reading books is a good habit. We bring you a different kinds of books. You can carry this book where ever you want. It is easy to carry. It can be an ideal gift to yourself and to your loved ones. Care instruction keep away from fire.

Love in a Cold Climate is the sequel to Nancy Mitford's bestselling novel The Pursuit of Love. 'How lovely - green velvet and silver. I call that a dream, so soft and delicious, too.' She rubbed a fold of the skirt against her cheek. 'Mine's silver lame, it smells like a bird cage when it gets hot but I do love it. Aren't you thankful evening skirts are long again?' Ah, the dresses! But oh, the monotony of the Season, with its endless run of glittering balls. Even fabulously fashionable Polly Hampton - with her startling good looks and excellent social connections - is beginning to wilt under the glare. Groomed for the perfect marriage by her mother, fearsome Lady Montdore, Polly instead scandalises society by declaring her love for her uncle 'Boy' Dougdale, the Lecherous Lecturer, and promptly eloping to France. But the consequences of this union no one could quite expect . . . Love in a Cold Climate is the wickedly funny follow-up to The Pursuit of Love. 'Entirely original, inimitable and irresistible' Philip Hensher, Spectator

NEW YORK TIMES BESTSELLER • In this hilarious instant classic, the creator of The Mindy Project and Never Have I Ever invites readers on a tour of her life and her unscientific observations on romance, friendship, and Hollywood.“[Kaling is] like Tina Fey’s cool little sister. Or perhaps . . . the next Nora Ephron.”—The New York TimesMindy Kaling has lived many lives: the obedient child of immigrant professionals, a timid chubster afraid of her own bike, a Ben Affleck–impersonating Off-Broadway performer and playwright, and, finally, a comedy writer and actress prone to starting fights with her friends and coworkers with the sentence “Can I just say one last thing about this, and then I swear I’ll shut up about it?”Perhaps you want to know what Mindy thinks makes a great best friend (someone who will fill your prescription in the middle of the night), or what makes a great guy (one who is aware of all elderly people in any room at any time and acts accordingly), or what is the perfect amount of fame (so famous you can never get convicted of murder in a court of law), or how to maintain a trim figure (you will not find that information in these pages). If so, you’ve come to the right book, mostly!With several conveniently placed stopping points for you to run errands and make phone calls, Is Everyone Hanging Out Without Me? proves that Mindy Kaling really is just a Girl Next Door—not so much literally anywhere in the continental United States, but definitely if you live in India or Sri Lanka.Praise for Is Everyone Hanging Out Without Me?“Where have you been all our lives, Mindy?”—Glamour“Who wouldn’t want to hang out with Mindy Kaling? . . . [Is Everyone Hanging Out Without Me?] is like a mash note to comedy nerds.”—Time Out New York“Very funny.”—Boston Globe

In this comprehensive approach to Jewish humor focused on the relationship between humor and American Jewish practice, Jennifer Caplan calls us to adopt a more expansive view of what it means to "do Jewish," revealing that American Jews have turned, and continue to turn, to humor as a cultural touchstone. Caplan frames the book around four generations of Jewish Americans from the Silent Generation to Millennials, highlighting a shift from the utilization of Jewish-specific markers to American-specific markers.Jewish humor operates as a system of meaning-making for many Jewish Americans. By mapping humor onto both the generational identity of those making it and the use of Judaism within it, new insights about the development of American Judaism emerge. Caplan's explication is innovative and insightful, engaging with scholarly discourse across Jewish studies and Jewish American history; it includes the work of Joseph Heller, Larry David, Woody Allen, Seinfeld, the Coen brothers films, and Broad City. This example of well-informed scholarship begins with an explanation of what makes Jewish humor Jewish and why Jewish humor is such a visible phenomenon. Offering ample evidence and examples along the way, Caplan guides readers through a series of phenomenological and ideological changes across generations, concluding with commentary regarding the potential influences on Jewish humor of later Millennials, Gen Z, and beyond.

10th Anniversary of hit TV show. A Sunday Times Number One BestsellerMiranda Hart will carry you along with the sheer force of her charm, bumbling cheer and charisma. - Sunday ExpressWell hello to you dear browser. Now I have your attention it would be rude if I didn't tell you a little about my literary feast. So, here is the thing: is it just me or does anyone else find that adulthood offers no refuge from the unexpected horrors, peculiar lack of physical coordination and sometimes unexplained nudity, that accompanied childhood and adolescence?Does everybody struggle with the hazards that accompany, say, sitting elegantly on a bar stool; using chopsticks; pretending to understand the bank crisis; pedicures - surely it's plain wrong for a stranger to fondle your feet? Or is it just me?I am proud to say I have a wealth of awkward experiences - from school days to life as an office temp - and here I offer my 18-year-old self (and I hope you too dear reader) some much needed caution and guidance on how to navigate life's rocky path.Because frankly where is the manual? The much needed manual to life. Well, fret not, for this is my attempt at one and let's call it, because it's fun, a Miran-ual. I thank you.

DID YOU HEAR THE ONE ABOUT ? Every great joke has a punch line, and every great humor writer has an arsenal of experiences, anecdotes, and obsessions that were the inspiration for that humor. In fact, those who make a career out of entertaining strangers with words are a notoriously intelligent and quirky lot. And boy, do they have some stories. In this entertaining and inspirational book, you'll hear from 21 top humor writers as they discuss the comedy-writing process, their influences, their likes and dislikes, and their experiences in the industry. You?ll also learn some less useful but equally amusing things, such as: \n\nHow screenwriter Buck Henry came up with the famous "plastics" line for The Graduate. \nHow many times the cops were called on co-writers Sacha Baron Cohen and Dan Mazer during the shooting of Borat. \nWhat David Sedaris thinks of his critics. \nWhat creator Paul Feig thinks would have happened to the Freaks & Geeks crew if the show had had another season. \nWhat Jack Handey considers his favorite Deep Thoughts.? \nHow Todd Hanson and the staff of The Onion managed to face the aftermath of 9/11 with the perfect dose of humor. \nHow Stephen Merchant and Ricky Gervais created the original version of The Office. \nWhat it's really like in the writers? room at SNL. \n Funny and informative, And Here's the Kicker is a must-have resource - whether you're an aspiring humor writer, a fan of the genre, or someone who just likes to laugh.

From “weird, scary, ingenious” (The New York Times) stand-up comedian Maria Bamford, an instant New York Times bestselling, brutally honest, and “laugh-out-loud funny” (Jennette McCurdy, #1 New York Times bestselling author) memoir about show business, mental health, and the comfort of rigid belief systems—from Dale Carnegie’s How to Win Friends and Influence People, to Richard Simmons, to 12-step programs.Maria Bamford is a comedian’s comedian (an outsider among outsiders) and has forever fought to find a place to belong. From struggling with an eating disorder as a child of the 1980s, to navigating a career in the arts (and medical debt and psychiatric institutionalization), she has tried just about every method possible to not only be a part of the world, but to want to be a part of it.In Bamford’s “trademark blend of disarming intimacy and dark whimsy” (Publishers Weekly), Sure, I’ll Join Your Cultbrings us on a quest to participate in something. With sincerity and transparency, she recounts every anonymous fellowship she has joined (including but not limited to: Debtors Anonymous, Sex and Love Addicts Anonymous, and Overeaters Anonymous), every hypomanic episode (from worrying about selling out under capitalism to enforcing union rules on her Netflix TV show set to protect her health), and every easy 1-to-3-step recipe for fudge in between.Packed with “Bamford’s brilliance, relentless humor, and insatiable instinct for survival (Library Journal), this memoir explores what it means to keep going, and to be a member of society (or any group she’s invited to) despite not being very good at it. In turn, she hopes to transform isolating experiences into comedy that will make you feel less alone (without turning into a cult following).

This is an hilarious collection of email exchanges starring the anti-hero of spam, Bob Servant, now republished with previously unreleased material. Spam is the plague of the electronic age, comprising 90% of all emails sent and conning over GBP150m a year from British victims. Into this wave of corruption steps the brave figure of Bob Servant - a former window cleaner and cheeseburger magnate with a love of wine, women and song as well as a keen sense of fair play. This wickedly funny and original book features the anarchic exchanges between Bob and the hapless spam merchants. As they offer Bob lost African millions, Russian brides and get-rich-quick scams he responds by generously offering some outlandish schemes of his own. The spammers may have breached his firewall, but they have met their match as Bob Servant rises heroically to the challenge, and sows confusion in his wake.

A NEW YORK TIMES BESTSELLERNAMED A BEST BOOK OF THE YEAR BY NPR Amy Poehler, Mel Brooks, Adam McKay, George Saunders, Bill Hader, Patton Oswalt, and many more take us deep inside the mysterious world of comedy in this fascinating, laugh-out-loud-funny book. Packed with behind-the-scenes stories—from a day in the writers’ room at The Onion to why a sketch does or doesn’t make it onto Saturday Night Live to how the BBC nearly erased the entire first season of Monty Python’s Flying Circus—Poking a Dead Frog is a must-read for comedy buffs, writers and pop culture junkies alike.

So funny it will make you sick-Time OutFor several years, Robin Cooper has been plaguing department stores, hotels, associations, fan clubs and a certain children's book publisher with his letters.From Prince Charles to the Peanut Council, Harrods to the British Halibut Association - no one is safe.So who is Robin Cooper?Architect, thimble designer, trampoline tester and wasp expert, Robin Cooper is all of these things - it just depends on the person he's writing to...

“One of my favorite books of all time.” ―Amy SchumerA tour de force of comedy and reflection about the perilous journey from kindergarten to twelfth grade and beyond―from the beloved stand-up comic and creator of The Great DepreshFor years, Gary Gulman had been the comedian’s comedian, acclaimed for his delight in language and his bracing honesty. But after two stints in a psych ward, he found himself back in his mother’s house in Boston―living in his childhood bedroom at age forty-six, as he struggled to regain his mental health.That’s where Misfit begins. Then it goes way back.This is no ordinary book about growing older and growing up. Gulman has an astonishing memory and takes the reader through every year of his childhood education, with obsessively detailed stories that are in turn alarming and riotously funny. We meet Gulman’s family, neighbors, teachers, heroes, and antagonists, and get to know the young comedian-in-the-making who is his own worst―and most persistent―enemy.From failing to impress at grade school show-and-tell to literally fumbling at his first big football game―in settings that take us all the way from the local playground to the local mall, from Hebrew School to his best (and only) friend’s rec room, young Gary becomes a stand-in for everyone who grew up wondering if they would ever truly fit in. And that’s not all: the book is also chock-full of ‘80s nostalgia (Scented Markers, indifference to sunscreen, mall culture).Misfit is a book that only Gary Gulman could have written: a brilliant, witty, poignant, laugh-until-your-face-hurts memoir that speaks directly to the awkward child in us all.

Comedian and musician Reggie Watts shares his story of growing up in Montana as a biracial oddball struggling to navigate life, girls, drugs, and his own identity in America’s heartland—and having a blast doing it.Reggie Watts is weird. But you knew that. Anyone who’s seen his multifaceted, entirely improvised comedy and music shows knows that. Reggie Watts is also from the town of Great Falls, MT.These two facts are not unrelated.Watts grew up in Montana in the ‘80s, half French, half American, half white, half Black, speaking a bunch of different languages and slipping between the orchestra geeks and the football jocks until he finally found a squad of fellow misfits with an affinity for trouble. It was a wide-open time and place that invited freedom and exploration—as well as car theft and the not infrequent use of recreational cough syrup. And it helped him become the uniquely strange creative voice he is today.In Great Falls, MT, Watts takes us through his story, hitting on the culture shock he experienced after moving from Europe to the heart of America, where he was called racial slurs by neighbors but wasn’t Black enough for his father’s extended family. Where he fought with his authoritarian dad, built a new family of antiestablishment, post-punk oddballs—and ultimately knew he had to leave. But after Watts’s career exploded in Seattle and New York, ultimately scoring him a nightly place next to James Corden on The Late Late Show, he found himself drawn back to his hometown after the deaths of his parents. This is his love letter to the town that made him. But like love itself, it’s messy and complicated and dirty and beautiful—and as weird and wonderful as Watts himself.

FIRST SCRIBNER EDITION. 2007 hardcover, Steve Martin (Picasso at the Lapin Agile and Other Plays). The riveting, mega-bestselling, beloved and highly acclaimed memoir of a man, a vocation, and an era named one of the ten best nonfiction titles of the year by Time and Entertainment Weekly. In the mid-seventies, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. This book is, in his own words, the story of "why I did stand-up and why I walked away." Emmy and Grammy Award-winner, author of the acclaimed New York Times bestsellers Shopgirl and The Pleasure of My Company, and a regular contributor to The New Yorker, Martin has always been a writer. The memoir of his years in stand-up is candid, spectacularly amusing, and beautifully written. - Amazon

A few light marks to the page edges. Orders received by 3pm Sent from the UK that weekday.

NEW YORK TIMES BESTSELLER • “Driving, wild and hilarious” (The Washington Post), here is the incredible “memoir” of the legendary actor, gambler, raconteur, and Saturday Night Live veteran.When Norm Macdonald, one of the greatest stand-up comics of all time, was approached to write a celebrity memoir, he flatly refused, calling the genre “one step below instruction manuals.” Norm then promptly took a two-year hiatus from stand-up comedy to live on a farm in northern Canada. When he emerged he had under his arm a manuscript, a genre-smashing book about comedy, tragedy, love, loss, war, and redemption. When asked if this was the celebrity memoir, Norm replied, “Call it anything you damn like.”

Lambda Literary Award Winner for LGBTQ+ Nonfiction2024 Stonewall Book Honor Award Winner—Israel Fishman Non-Fiction Book AwardFeatured on NPR's Books We Love 2023One of Vulture's Best Comedy Books of 2023"This book is a triumph and everyone should read it."—Dan Savage, journalist and author, on the "Savage Lovecast""Hi Honey, I’m Homo is a heartbreaking historical document, but ultimately one that will leave the reader feeling proud of how something as maligned and disposable as the network sitcom used comedy to bring about such profound and important social progress."—Vulture"[A] well-curated compendium of prime time broadcasting . . . Baume is a companionable guide."—Shelf AwarenessBehind the scenes of the most popular sitcoms of the 20th century, a revolution was brewing.For decades, amidst the bright lights, studio-audience laughs, and absurdly large apartment sets, the real-life story of American LGBTQ+ liberation unfolded in plain sight in front of millions of viewers, most of whom were laughing too hard to mind.From flamboyant relatives on Bewitched to closely-guarded secrets on All in the Family, from network-censor fights over Soap to behind-the-scenes activism on the set of The Golden Girls, from Ellen’s culture clash and Will & Grace’s mixed reception to Modern Family’s primetime power-couple, Hi Honey, I’m Homo! is the story not only of how subversive queer comedy transformed the American sitcom, from its inception through today, but how our favorite sitcoms transformed, and continue to transform, America.Accessible, entertaining, and informative, Hi Honey, I’m Homo! features commentary and interviews from celebrities, behind-the-scenes creators, and more.

*Vulture's Best Comedy Book of 2023*From the author of Generation Friends, featuring brand-new interviews with Will Ferrell and Adam McKay, a surprising, incisive, and often hilarious book about the film that changed comedy, Anchorman.It’s been nearly twenty years since Ron Burgundy burst into movie fans’ lives, reminding San Diego to “stay classy” while lampooning a time gone by—although maybe not as far gone as we might think? In Kind of a Big Deal, comedy historian Saul Austerlitz tells the history of how Anchorman was developed, written, and cast, and how it launched the careers of future superstars like Will Ferrell, Steve Carell, and Paul Rudd, also setting the stage for a whole decade of comedy to come and influencing films like The 40-Year-Old Virgin, Talladega Nights, Knocked Up, Superbad, and so many more.But Kind of a Big Deal isn’t only a celebration of Anchorman—it’s also a cultural analysis of the film’s significance as a sly commentary on feminism, the media, fragile masculinity, 1970s nostalgia, and more. Featuring brand-new interviews with stars such as Will Ferrell, director Adam McKay, and other key players, the book includes insider commentary alongside updated pop-culture analysis. And it also shares surprising stories and facts: from the film’s original conception as a plane crash/cannibal comedy mashup to the surprising, real-life newscaster who inspired the character of Veronica.Overall, this is a celebration of a movie that millions love—but it’s also an unsparing look back at what has and hasn’t changed, since the 1970s and since 2004. Perfect for fans of the film and anyone who cares about comedy today, Kind of a Big Deal proves that the movie was, and is, exactly that.

Spirited and whip-smart, these laugh-out-loud autobiographical essays are "a masterpiece" from the Emmy Award-winning actress and comedy writer known for 30 Rock, Mean Girls, and SNL" (Sunday Telegraph). Before Liz Lemon, before "Weekend Update," before "Sarah Palin," Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV. She has seen both these dreams come true. At last, Tina Fey's story can be told. From her youthful days as a vicious nerd to her tour of duty on Saturday Night Live; from her passionately halfhearted pursuit of physical beauty to her life as a mother eating things off the floor; from her one-sided college romance to her nearly fatal honeymoon -- from the beginning of this paragraph to this final sentence. Tina Fey reveals all, and proves what we've always suspected: you're no one until someone calls you bossy. Includes Special, Never-Before-Solicited Opinions on Breastfeeding, Princesses, Photoshop, the Electoral Process, and Italian Rum Cake!

Fans devoted to the master of comic fiction P. G. Wodehouse are legion. He represents an antic high point in the world of farce and social satire. Best known for the creation of two fictional worlds based on Blandings Castle and the Wooster-Jeeves gentleman-valet duo, Wodehouse is appreciated the world over for his exceedingly clever and comically savvy send-ups of the idle rich in Edwardian England.\nThe series begins with two Wooster-Jeeves novels and one Blandings Castle novel. In The Code of the Woosters, it takes all the ingenuity of Jeeves, the "gentleman's gentleman" extraordinaire, to rescue his hapless and hopelessly obtuse young employer, Bertie Wooster, from the pickle of a plot to steal a silver jug from the home of an irascible magistrate. In Right Ho, Jeeves Bertie's old friend Gussie Fink-Nottle has fallen in love and, as usual, makes a hash of the affair until Jeeves comes to his rescue. Pigs Have Wings takes us to Blandings Castle, where a romantic comedy unfolds alongside the intrigue of the Fat Pig competition in Shropshire.\nWith each volume edited and reset and printed on Scottish cream-wove, acid-free paper, sewn and bound in cloth, these novels are elegant additions to any Wodehouse fan's library.

From the brilliantly demented minds behind The Eric Andre Show and Bad Trip, an insane illustrated compendium about the art of pranking.Eric André is a master of the art of pranking—“an Andy Kaufman for the Four Loko generation,” as Spin magazine once hailed him. For over a decade, he and longtime collaborator Dan Curry have dreamed up and performed a cornucopia of outrageous, often illegal, and always death-defying hijinks for the Adult Swim series The Eric Andre Show, as well as in the hit movie Bad Trip. Now, in their very first book, Eric and Dan reveal the secret fuel behind their surrealistic prank machine. Get ready to gorge your thirsty peepers on epic stories of shame, redemption, and glory behind pranks so dumb they’re brilliant…and beyond the realm of criticism.But wait, there’s more! This pranktastic potpourri includes:-Tips for prankers of any skill level, from the importance of a “safe word” to why you should always keep the camera rolling, even after the prank is over.-All new pranks to try at home such as “Jell-O Surprise,” “Benadryl Steaks,” “Amateur Graverobber” and “The Jim Morrison.”-Wild behind-the-scenes stories about the most classic pranks from The Eric Andre Show and Bad Trip.-Learn about the dark existential dread behind everyone’s favorite mac-and-cheese-spurting DJ, Kraft Punk.-Discover how Eric avoided getting stabbed when a penis-in-a-finger-trap prank went horribly wrong.-Exclusive never-before-filmed pranks deemed too hot for TV.-Inspirational quotes from philosophers so obscure that they might not even exist.Artfully designed, loaded with funny photos, and a gracious foreblurb by Jack Black, Dumb Ideas is an essential manual for getting a laugh out of friends, family, and complete strangers—and staying out of jail while doing it.

The Definitive Joke Writing HandbookLearn comedy writing and how to write a joke with a simple comedy-writing and joke-writing formula you can use right now to write your own jokes. See why Amazon reviewers call How to Write Funny "one of the best books on comedy writing" and "one of the best books on humor writing."Author Scott Dikkers will show you how to write jokes. He’s a master joke writer, founder of the world’s most popular humor site TheOnion.com, #1 New York Times and #1 Amazon best-selling humor author, professional public speaker, and successful cartoonist. Scott created and leads the “Writing with The Onion” training center at the famed Second City in Chicago. His students have been hired for the top comedy writing jobs in TV and won dozens of Emmy Awards. He’s consulted with top entertainment companies like NBC, Comedy Central, and Pixar.This easy-to-follow guide lays out a clear system and simple formula for how to write a joke that will get big, milk-coming-out-of-your-nose laughs, reliably and repeatably. You'll learn...• The 3 sure-fire ways to generate funny text• The 11 different “Funny Filters” and how to use them to write jokes• The secret to getting rid of writer's block—permanently• And many more humor writing tips, tricks, and techniquesTable of Contents1 IntroductionUse the techniques in this book to reliably create top-notch humor writing (page 11)2 Your Brain’s Comedy EngineAccess both hemispheres of your brain to eliminate writer’s block and tap an endless reserve of comedy ideas (page 21)3 The Humor Writer’s Biggest ProblemOvercome this one devastating obstacle to reach the widest possible audience (page 29)4 How To Get LaughsUnderstand the different kinds of laughs, and how to generate the best one (page 43)6 The Secret IngredientInfuse your humor with this vital component to create writing that makes people laugh (page 57)6 The 11 Funny FiltersCreate any joke using the 11 fundamental building blocks of humor (page 67)Funny Filter 1: Irony (page 68)Funny Filter 2: Character (page 70)Funny Filter 3: Shock (page 76)Funny Filter 4: Hyperbole (page 80)Funny Filter 5: Wordplay (page 83)Funny Filter 6: Reference (page 88)Funny Filter 7: Madcap (page 92)Funny Filter 8: Parody (page 90)Funny Filter 9: Analogy (page 100)Funny Filter 10: Misplaced Focus (page 104)Funny Filter 11: Metahumor (page 106)7 Using The Funny FiltersLayer the building blocks to create increasingly hilarious jokes (page 113)8 Process OverviewMaster this simple system to become a prolific humor writer (page 137)If you've wondered how you can start writing jokes, how to tell jokes to your friends, how to add humor to your writing, how to add jokes in a speech, or how to add humor to your presentation, this book spells out the simple joke writing formula professionals use.How to Write Funny is for you whether you want to find a comedy writing job or just want to learn how to tell a joke.Click "Look inside" to see more!

Evelyn Waugh's acidly funny and formally daring satire, Vile Bodies reveals the darkness and vulnerability that lurks beneath the glittering surface of the high life. In the years following the First World War a new generation emerges, wistful and vulnerable beneath the glitter. The Bright Young Things of twenties' Mayfair, with their paradoxical mix of innocence and sophistication, exercise their inventive minds and vile bodies in every kind of capricious escapade - whether promiscuity, dancing, cocktail parties or sports cars. In a quest for treasure, a favourite party occupation, a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the fulfilment of unconscious desires. If you enjoyed Vile Bodies, you might like Waugh's A Handful of Dust, also available in Penguin Modern Classics. 'The high point of the experimental, original Waugh' Malcolm Bradbury, Sunday Times 'This brilliantly funny, anxious and resonant novel ... the difficult edgy guide to the turn of the decade' Richard Jacobs 'It's Britain's Great Gatsby' Stephen Fry, director of Vile Bodies film adaptation Bright Young Things

Learn How to Write a Funny Story\nCan you learn how to write comedy? Absolutely—anyone can.\nScott Dikkers will tell you how. He’s co-founder and longest-serving editor-in-chief of The Onion, the world’s most popular humor publication, and founder of The Onion Training Center at the Second City in Chicago. He’s also a #1 best-selling humor author and winner of the Thurber Prize for American Humor.\nIn How to Write Funnier, he tells you everything you need to know to start writing funny stories, how to write funny scenes, and how to write funny sketches.\nBut that’s just the beginning. How do you get a job in comedy? How do you write for The Onion? How do you write for the New Yorker? How do you get published in McSweeney’s? How do you write for money? How do you become a career comedy writer?\nIt's all in How to Write Funnier, the followup to How to Write Funny\nWriters Scott has mentored, trained, or hired for their very first comedy-writing job have gone on to win several Emmy Awards, written movies nominated for an Academy Award, and become best-selling authors themselves.\nOne student said this about How to Write Funny (Book 1)\n“This book is one of my very favorite books on comedy. It's helped me get published on satire sites like Reductress.com and helped me get admitted to comedy festivals. The fact that all comedy writers don't know about this book is (1) unfortunate but also (2) fantastic, because it will give the people who do read it a big advantage.”\nHow to Write Funnier gives you the step-by-step writing process professinoals use for creating hilarious comedy articles, prose pieces, and stories that will jump off the page, grab readers by the sphincter and make them LOL, spit-take, make other passengers on the bus look at them like they’re crazy because they’re laughing so hard reading your story.\nThe first book in this series, How To Write Funny, showed you how to write a joke. How to Write Funnier (Book 2) shows you how to stack up those jokes the right way to make funny articles, stories, listicles or prose pieces that will make people remember you.\nInside:\n• The 13 Most Common Mistakes in Humor Writing\n• The 11 Different Ways to Structure a humor piece\n• How to get ideas for writing a great story\n• 8 steps for how to get feedback on your writing that will truly make it funnierTap the “Pre-order with 1-click” button to get it now!

The movie High Fidelity is sacred ground for music lovers and cinephiles alike. Through the story of hapless record store owner Rob Gordon and his coterie of vinyl snobs, the 1997 film made it cool to let your geek flag fly and embrace your irrational enthusiasms. In Top Five, journalist Andrew Buss offers a rollicking oral history of the making of the film and its continued influence on popular culture.When a book is as universally praised as Nick Hornby’s original novel, adapting it for screen can be a tricky prospect. Top Five examines the difficulties that went into writing the movie: although the book was set in London, the screenwriting team (which included star John Cusack) transplanted the story to Chicago, drawing on their own experiences growing up there. Fears that the film would be an Americanized dilution of the source material evaporated when fans of the book saw just how true the film stayed to Rob’s story.Buss draws on interviews with actors like Cusack, Jack Black, and Iben Hjejle, along with all the key principals behind the scenes, including director Stephen Frears and the movie’s screenwriter, producers, and composer. Together they offer a multi-perspectival account that captures the legacy of the film, showing how it created an indelible snapshot of ’90s culture while anticipating our current era of media surfeit and content overload.

Winner, Susan Koppleman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren't funny. But today's funny women aren't a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher's daredevil stunts, Mae West's linebacker walk, Lucille Ball's manic slapstick, Carol Burnett's athletic pratfalls, Ellen DeGeneres's tomboy pranks, Whoopi Goldberg's sly twinkle, and Tina Fey's acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women's bodies and behaviors.Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field's leading authorities, introducing a new framework for women's comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women's comedy.

"A boisterous debut … the authors are as funny as one would expect … this is a hoot.” ―Publishers Weekly“Will entice fans of Key & Peele … a fun and funny primer on the art form.” ―BooklistAuthors Keegan-Michael Key and Elle Key build on the popularity of their 2022 Webby Award–winning podcast and delve deeper into the world of sketch, helped along with new essays created expressly for the book by comedy greats.The History of Sketch Comedy will appeal to all kinds of comedy fans as well as fans of Keegan-Michael Key, whether they know him from his Emmy and Peabody-winning work on Key & Peele; his roles in Fargo, The Prom, Schmigadoon!, The Bubble, and the upcoming Wonka; voiceover work in The Lion King; or as President Barack Obama's anger translator, Luther.With epic personal tangents and hilarious asides, the Keys take you on an illuminating journey through all facets of comedy from the stock characters of commedia del arte in the 16th century, to the rise of vaudeville and burlesque, the golden age of television comedy, the influence of the most well-known comedy schools, and the ascension of comedy films and TV specials—all the way through to a look at the future of sketch on social media platforms. Along the way, we hear tales of Keegan's childhood, his comedy influences, and the vicissitudes of his career path. As the New York Times said in its review of their podcast, "this comedy nerd history is filtered through memoir, with Key relating stories of his budding fandom, training and rise from improv comic to television sketch artist."Part memoir, part masterclass, and hilariously embellished with priceless commentary, The History of Sketch Comedy highlights the essential building blocks of sketch comedy while interweaving Keegan's personal career journey and the influence of his comedy heroes. The text is complemented by original art by Elle Key and exclusive essays compiled from conversations with influential performers, sketch writers, and uber comedy fans including Mel Brooks, Julia Louis-Dreyfus, Mike Myers, Chris Rock, John Oliver, Tracy Morgan, Carol Burnett, Jim Carrey, Jordan Peele, and many more. This book is as entertaining as it is enlightening—a must-read for fans of comedy and all who aspire to comic greatness.EXPANDING THE HIT PODCAST: With content from the #1 trending, NAACP-award-nominated and Webby-Award-winning Audible podcast, and featuring new-for-the-book material as well as never-before-heard stories and essays, this book will be a hit for newcomers and avid listeners of the podcast alike.MASTER OF THE MEDIUM: Keegan-Michael Key is a bona fide maestro of comedy, with the chops, experience, and love for the history of the medium that make him the perfect expert on all things sketch. As co-writer Elle Key likes to say, "If Keegan-Michael Key was a guest lecturer at NYU teaching a course called 'The History of Sketch Comedy,' it would be a very popular class."EXCLUSIVE ESSAYS: Keegan and Elle interviewed over a dozen comedy legends exclusively for this book, and got their takes on topics ranging from the influence of Saturday Night Live, to women in comedy, to the mathematics of sketch. Hear, in their own words, from Mel Brooks, Mike Myers, Jordan Peele, Julia-Louis Dreyfus, John Oliver, Tracy Morgan, Stephen Colbert, Carol Burnett, Chris Rock, Bob Odenkirk, Mike Birbiglia, Matt Lucas, Ken Jeong, Christopher Guest, Gary Oldman, Kevin Nealon, Laraine Newman, and Jim Carrey.GIFTABLE VOLUME OF COMEDY GOLD: Original illustrations and personal photographs throughout make this unique comedy book as visually entertaining as it is enlightening. The perfect gift for comedy fans of all ages as well as anyone aspiring to write, perform, or produce comedic art.Perfect for: Comedy lovers of all kinds Fans of Key & Peele Fans of improv, sketch, stand-up, and shows like SNL, MadTV, Monty Python, and Mr. Show Gift giving or self-purchase for established and aspiring comedians Readers of such bestse

From the veteran comedian and actor from The Wrestler and Louie comes a hilarious book of travel essays from his time on tour through secondary markets in the US, Canada, and Israel.Hello. It’s Todd Barry. Yes, the massively famous comedian. I have billions of fans all over the world, so I do my fair share of touring. While I love doing shows in the big cities (New York, Philadelphia), I also enjoy a good secondary market (Ithaca, Bethlehem). Performing in these smaller places can be great because not all entertainers stop there on tour; they don’t expect to see you. They’re appreciative. They say things like “Thank you for coming to Hattiesburg” as much as they say “Nice show.” And almost every town has their version of a hipster coffee shop, so I can get in my comfort zone. My original plan was to book one secondary market show in all fifty states, in about a year, but that idea was funnier than anything in my act. So, instead of all fifty states in a year, my agent booked multiple shows in a lot of states, plus Israel and Canada.Thank You For Coming to Hattiesburg is part tour diary, part travel guide, and part memoir (Yes, memoir. Just like the thing presidents and former child stars get to write). Follow me on my journey of small clubs, and the occasional big amphitheater. Watch me make a promoter clean the dressing room toilet in Connecticut, see me stare at beached turtles in Maui, and see how I react when Lars from Metallica shows up to see me at a rec center in Northern California. I’d love to tell you more, but I need to go book a flight to Evansville, Indiana.

Why do we laugh? The answer, argued Freud in this groundbreaking study of humor, is that jokes, like dreams, satisfy our unconscious desires. The Joke and Its Relation to the Unconscious explains how jokes provide immense pleasure by releasing us from our inhibitions and allowing us to express sexual, aggressive, playful, or cynical instincts that would otherwise remain hidden. In elaborating this theory, Freud brings together a rich collection of puns, witticisms, one-liners, and anecdotes, which, as Freud shows, are a method of giving ourselves away.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The legendary Deep Thoughts and New Yorker humorist Jack Handey is back with his very first novel-a hilarious, absurd, far-flung adventure tale.THE STENCH OF HONOLOLUAre you a fan of books in which famous tourist destinations are repurposed as unlivable hellholes for no particular reason? Read on!Jack Handey's exotic tale is full of laugh-out-loud twists and unforgettable characters whose names escape me right now. A reliably unreliable narrator and his friend, who is some other guy, need to get out of town. They have a taste for adventure, so they pay a visit to a relic of bygone days-a travel agent-and discover an old treasure map. She might have been a witch, by the way. Our heroes soon embark on a quest for the Golden Monkey, which takes them into the mysterious and stinky foreign land of Honolulu. There, they meet untold dangers, confront strange natives, kill and eat Turtle People, kill some other things and people, eat another thing, and discover the ruins of ancient civilizations. As our narrator says, "The ruins were impressive. But like so many civilizations, they forgot the rule that might have saved them: Don't let vines grow all over you."

A VULTURE BEST COMEDY BOOK OF 2023From the star of the “deeply funny, unexpectedly informative” (The Daily Beast) Netflix mockumentary Cunk on Earth, a helpful guide covering every single topic in the known universe, from Adam and Eve to Top Gun.Once in a blue moon, a book comes along that changes the world. The Origin of Species. War and Peace. 1984. And now, Cunk on Everything: The Encyclopedia Philomena, by Philomena Cunk.Philomena Cunk is one of the greatest thinkers of the 21st century, and in Cunk on Everything she turns her attention to our biggest issue: why are there so many books? Wouldn't it be better if there was just one? This is that book — an encyclopedia of all human knowledge, delving into not only life's greatest mysteries but our most important political figures and cultural touchstones.Read it, and you'll never have to read another book again.

WINNER OF THE 2024 AUDIE AWARD FOR HUMORA NEW YORK TIMES BESTSELLERA BARNES AND NOBLE'S BEST BOOKS OF THE YEARA TOWN & COUNTRY BEST CELEBRITY MEMOIR OF 2023A VULTURE BEST COMEDY BOOK OF 2023Hey you guys, it’s Leslie. I’m excited to share my story with you.Now, I’m gonna be honest: Some of the details might be vague because a b*tch is fifty-five and she’s smoked a ton of weed. But while bits might be a touch hazy, I can promise you the underlying truth is REAL. Whether I’m talking about my childhood growing up in the South, my early stand-up days driving from gig to gig through the darkest parts of our country and praying I wouldn’t get murdered, what Chris Rock told Lorne Michaels, that time I wanted to shoot Whoopi Goldberg on SNL, and yeah, I’ll tell you all about Ghostbusters and the nudes and Supermarket Sweep and The Daily Show . . . I’m sharing it all in these pages. It’s not easy being a woman in comedy, especially when you’re a tall-*ss Black woman with a trumpet voice. I have to fight so that no one takes me for granted, and no one takes advantage. These are the stories that explain why. (Cue the Law & Order theme.)

Jack Handey is one of America's favorite humorists, from his New Yorker pieces to his Deep Thoughts books and Saturday Night Live sketches. Now, in What I'd Say to the Martians, Handey regales readers with his incredible wit and wacky musings.

The New Yorker Best Books of 2023NPR's Books We Love 2023“A deeply honest and funny look at how exhausting it can be to live a human life, Unreliable Narrator is a book for anyone who wants to laugh and feel less alone.”—Amy PoehlerA hilarious and insightful collection of essays exploring impostor syndrome, from the inside and out, by the most successful fraud in comedyAparna Nancherla is a superstar comedian on the rise—a darling of Netflix and Comedy Central’s comedy special lineups, a headliner at comedy shows and music festivals, a frequenter of late night television and the subject of numerous profiles. She’s also a successful actor who has written a barrage of thoughtful essays published by the likes of the New York Times. If you ask her, though, she’s a total fraud. She’d hate to admit it, but no one does impostor syndrome quite like Aparna Nancherla.UNRELIABLE NARRATOR is a collection of essays that uses Aparna’s signature humor to illuminate an interior life, one constantly bossed around by her depression (whom she calls Brenda), laced with anxiety like a horror movie full of jump-scares, and plagued by an unrepenting love-hate relationship with her career as a painfully shy standup comedian. But luckily, crippling self-doubt comes with the gift of keen self-examination. These essays deliver hilarious and incredibly insightful meditations on body image, productivity culture, the ultra-meme-ability of mental health language, and who, exactly, gets to make art “about nothing.” Despite her own arguments to the contrary, UNRELIABLE NARRATOR is undeniable proof that Aparna is a force—as a comedian and author alike—to be reckoned with.

From stand-up comedian, actress, and host of The Netflix Afterparty, London Hughes, comes an uplifting and raucously funny memoir to show you how to ditch the self-loathing, start the self-loving, and engage with your inner winner.London Hughes has come a long way from secretly writing Frasier fan fiction alone in her bedroom. Between her breakout Netflix comedy special, To Catch a D*ck, her dating podcast “London, Actually,” and her award-winning TV performances, London the South Londoner has taken the entertainment world by storm. And now, in this sassy, brash, fearless, and funny memoir, London is ready to inspire women of all ages and races with her story—because London is absolutely the best person in the whole wide world to take you on a wild journey of self-discovery. As she herself puts it: “I’ve always been funny. I’ve always been cute. I’ve always been confident. I was born to do this shit.”All her life, London longed to be a badass—an awesome bullet-proof woman who nobody could mess with. At a young age, she made sure she was ready to become a star, developing her own living-room popstar training regimen to prepare for her future life. But London also had her fair share of disastrous experiences in terms of friendships, relationships, and career choices. Each of the fiascos in London’s life has, with hindsight, proved to be a formative life lesson, and helped her grow into the fearless person she is today. You'll definitely be grateful these setbacks happened to her and not you, but you'll also learn that however bad things get, you can always build your self-worth, think long-term, and emerge triumphant, no matter what the world throws at you.From starring in a school sex education video called “Swings and Roundabouts” to being gushed over by a fan while standing next to the Renee Zellweger, London leaves no stone unturned in Living My Best Life, Hun. It took London some time to find her voice and her people, but now that she has, she's mentally high-fiving her 14-year-old self every day.

NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE A.V. CLUB • From the writer and director of Knocked Up and the producer of Freaks and Geeks comes a collection of intimate, hilarious conversations with the biggest names in comedy from the past thirty years—including Mel Brooks, Jerry Seinfeld, Jon Stewart, Roseanne Barr, Harold Ramis, Louis C.K., Chris Rock, and Lena Dunham. Before becoming one of the most successful filmmakers in Hollywood, Judd Apatow was the original comedy nerd. At fifteen, he took a job washing dishes in a local comedy club—just so he could watch endless stand-up for free. At sixteen, he was hosting a show for his local high school radio station in Syosset, Long Island—a show that consisted of Q&As with his comedy heroes, from Garry Shandling to Jerry Seinfeld. They talked about their careers, the science of a good joke, and their dreams of future glory (turns out, Shandling was interested in having his own TV show one day and Steve Allen had already invented everything).Thirty years later, Apatow is still that same comedy nerd—and he’s still interviewing funny people about why they do what they do.Sick in the Head gathers Apatow’s most memorable and revealing conversations into one hilarious, wide-ranging, and incredibly candid collection that spans not only his career but his entire adult life. Here are the comedy legends who inspired and shaped him, from Mel Brooks to Steve Martin. Here are the contemporaries he grew up with in Hollywood, from Spike Jonze to Sarah Silverman. And here, finally, are the brightest stars in comedy today, many of whom Apatow has been fortunate to work with, from Seth Rogen to Amy Schumer. And along the way, something kind of magical happens: What started as a lifetime’s worth of conversations about comedy becomes something else entirely. It becomes an exploration of creativity, ambition, neediness, generosity, spirituality, and the joy that comes from making people laugh.Loaded with the kind of back-of-the-club stories that comics tell one another when no one else is watching, this fascinating, personal (and borderline-obsessive) book is Judd Apatow’s gift to comedy nerds everywhere.Praise for Sick in the Head“I can’t stop reading it. . . . I don’t want this book to end.”—Jimmy Fallon “An essential for any comedy geek.”—Entertainment Weekly “Fascinating . . . a collection of interviews with many of the great figures of comedy in the latter half of the twentieth century.”—The Washington Post “Open this book anywhere, and you’re bound to find some interesting nugget from someone who has had you in stitches many, many times.”—Janet Maslin, The New York Times “An amazing read, full of insights and connections both creative and interpersonal.”—The New Yorker “Fascinating and revelatory.”—Chicago Tribune “For fans of stand-up, Sick in the Head is a Bible of sorts.”—Newsweek“These are wonderful, expansive interviews—at times brutal, at times breathtaking—with artists whose wit, intelligence, gaze, and insights are all sharp enough to draw blood.”—Michael Chabon “Anyone even remotely interested in comedy or humanity should own this book. It is hilarious and informative and it contains insightful interviews with the greatest comics, comedians, and comediennes of our time. My representatives assure me I will appear in a future edition.”—Will Ferrell

“Many have tried, and many will try, to capture the sweet, innocent insanity of life as a young girl during the ’90s and 2000s. None have come close to the comedic perfection Lillian Stone nails again and again in Everybody’s Favorite.” —Glamour, Best Nonfiction Books of 2023From one of the Internet’s favorite self-deprecating commentators comes Everybody’s Favorite, a laugh-out-loud essay collection that tackles the relentless pursuit of perfection while navigating growing up in the early 2000s.Lillian Stone—childhood evangelical, AOL girlfriend, and professional nail biter is always living on the edge of anxiety. From the pitfalls of a girl plagued by religious trauma, the incomprehensible yet unforgiving need for perfection, and a poorly-behaved twenty-pound beagle, Everybody’s Favorite is a refreshing story of what it means to pick yourself when the world is telling you otherwise. Still navigating the ins and outs of adulthood, accompanied by an obsessive-compulsive disorder that’s become an exercise in self-acceptance and thus compassion, Lillian has become an expert in fighting the urge to be someone else’s idea of perfect. In this laugh-out-loud essay collection, replete with cringe-inducing touchstones of an early-aughts girlhood, Lillian Stone recounts her quest to be everybody’s favorite.Set largely during the early 2000s Ozarks, and peppered with Stone’s biting satire and gloriously self-deprecating personal anecdotes, Everybody’s Favorite is a wry, empathetic look at the chaos that ensues when we contort ourselves into an ever-changing assortment of socially acceptable shapes —only to fall out of place, twist an ankle, pee your pants a little, and realize that the pursuit of perfection isn’t really all that interesting.

An exciting history of the improv group you've never heard of that changed comedy in America―this is the story of Boom Chicago in Amsterdam as told by its founders and most famous alumni."It’s kind of crazy, the impact on culture so many Boom Chicago alums have had. Boom was where I became my best comedic self: the excitement of Amsterdam, the freedom of that environment, the letting loose―it's magic. There's no better training ground." ―Jordan Peele"Boom Chicago should have ended up on the scrap heap of 'Terrible Ideas Americans Have While Stoned in Amsterdam.' But when you stubbornly love one thing (comedy) as much as another thing (Amsterdam), you just believe they should be together. And here we are―thirty years later, Boom Chicago is alive and kicking." ―Seth Meyers"Working at Boom Chicago was an unbelievable experience. Thank goodness someone was smart enough to write it all down! You're lucky 'cause you get to read about THE most exciting, fun, and illegal time I've ever had!" ―Amber RuffinFeaturing interviews with: Meyers, Peele, Ruffin, Jason Sudeikis, Ike Barinholtz, Greg Shapiro, Kay Cannon, and many more; and a sixteen-page, full-color insert with both behind-the-scenes snapshots and images from live performances.What do Ted Lasso, Get Out, Late Night with Seth Meyers, 30 Rock, A Black Lady Sketch Show, Breaking Bad, Saturday Night Live, Girls5Eva, The Colbert Report, Inside Amy Schumer, Pitch Perfect, Key & Peele, The Daily Show, MADtv, Rick and Morty, The Amber Ruffin Show, Horrible Bosses, Portlandia, It's Always Sunny in Philadelphia, Suicide Squad, Superstore, How I Met Your Mother, Wicked, The Pee-Wee Herman Show, Brooklyn Nine-Nine, and Broad City all have in common? They all feature writers, creators, directors, or stars who got their start at Boom Chicago.Having risen roughly to the middle of Chicago's cutthroat comedy scene, Andrew Moskos and Pep Rosenfeld decamped the Midwest for Amsterdam, Netherlands in 1993 to start their own improv comedy troupe, Boom Chicago. In a foreign land with zero tradition of English-language humor, Moskos and Rosenfeld unwittingly created the finishing school for some of today's most groundbreaking comedic talents. They (along with coauthors Matt Diehl and Saskia Maas) document this journey in the definitive oral history Boom Chicago Presents the 30 Most Important Years in Dutch History.From its stages, Boom Chicago went on to launch cultural game changers like Seth Meyers, Jordan Peele, Amber Ruffin, Jason Sudeikis, Brendan Hunt, Ike Barinholtz, Kay Cannon, and Tami Sagher (and that's just a partial list). At Boom, these young upstarts honed their craft in front of unsuspecting foreign audiences and visiting dignitaries like Burt Reynolds, Run-DMC's Jam Master Jay, Dutch royalty, and the Netherlands's prime minister―all while navigating a world with legal weed and prostitution, annual holiday celebrations involving blackface, cookies with weird racist names, and football that has nothing to do with the NFL. From this culture shock, this collective created a more topical, inclusive, tech-savvy humor that would become the dominant comedy style of our time.

Analyzes the logical structure of various types of mathematical proofs and jokes, showing how humor and mathematics are related by common creative processes and discussing Thom's "catastrophe theory" to describe how switches, reversals, and jumps in meaning are used in humor

While other books give you tips on how to “write funny,” this book offers a paradigm shift in understanding the mechanics and art of comedy, and the proven, practical tools that help writers translate that understanding into successful, commercial scripts. The Hidden Tools of Comedy unlocks the unique secrets and techniques of writing comedy. Kaplan deconstructs sequences in popular films and TV that work and don’t work, and explains what tools were used (or should have been used).

A biting humor collection about the cult of productivity and the feeling of impending doom that comes with it, from Reductress.Juggling careers, maintaining relationships, managing side gigs, and sustaining an engaging social media presence is hard––and we're expected to do it all while battling the ever-present feeling of existential dread against the backdrop of climate catastrophe, an ongoing pandemic, and social isolation.From the editors and most popular writers of Reductress, the only satirical women’s magazine in publication, How to Stay Productive When the World is Ending is a collection of essays, how-tos, and “inspirational” graphics to help you laugh when staying both sane and productive in a commodified world feels impossible. From “’Doing What You Love’ and Why That’s Bad,” to "Why I'm Prioritizing My Career Over Finding a Better Career," this collection perfectly skewers the indignities, big and small, of living through late-stage capitalism.

No matter how many times female comedians buck the conventional wisdom, people continue to ask: "Are women funny?" The question has been nagging at women off and on (mostly on) for the past sixty years. It's incendiary, much discussed, and, as proven in Yael Kohen's fascinating oral history, totally wrongheaded.\nIn We Killed, Kohen pieces together the revolution that happened to (and by) women in American comedy, gathering the country's most prominent comediennes and the writers, producers, nightclub owners, and colleagues who revolved around them. She starts in the 1950s, when comic success meant ridiculing and desexualizing yourself; when Joan Rivers and Phyllis Diller emerged as America's favorite frustrated ladies; when the joke was always on them. Kohen brings us into the sixties and seventies, when the appearance of smart, edgy comedians (Elaine May, Lily Tomlin) and the women's movement brought a new wave of radicals: the women of SNL, tough-ass stand-ups, and a more independent breed on TV (Mary Tyler Moore and her sisters). There were battles to fight and preconceptions to shake before we could arrive in a world in which women like Chelsea Handler, Sarah Silverman, and Tina Fey can be smart, attractive, sexually confident―and, most of all, flat-out funny.\nAs the more than 150 people interviewed for this riveting oral history make clear, women have always been funny. It's just that every success has been called an exception and every failure an example of the rule. And as each generation of women has developed its own style of comedy, the coups of the previous era are washed away and a new set of challenges arises. But the result is the same: They kill. A chorus of creative voices and hilarious storytelling, We Killed is essential cultural and social history, and―as it should be!―great entertainment.

“To sit with George Schlatter and hear his stories is a gift.” ― Billy CrystalIn 1967, producer George Schlatter pitched an idea for a quirky new television show: one inspired by the hippie counterculture, which would take the idea of sit-ins, love-ins, and be-ins, and manifest that politicized, sexualized, consciousness-raising energy into pure comedy. Much to the surprise of NBC executives, Laugh-In soon became the #1 show on American TV, and the careers of beloved stars like Lily Tomlin and Goldie Hawn were born. 

Still Laughing features never-before-told stories from the creation of one of the most groundbreaking shows in television history. It also recounts the coming-of-age of one of Hollywood’s most iconic producers, from his early nightclub days rubbing elbows with mob figures like Mickey Cohen and John Stompanato, to his influential friendships with Judy Garland and Frank Sinatra, for whom George was asked to deliver a eulogy at his funeral decades later. 

An inside look at Hollywood in the wake of the cultural upheaval of the ‘60s and ‘70s, Still Laughing demonstrates the crucial, deeply creative role a working producer plays in bringing a show (and its stars) to life. With spit-fire humor, tireless wit and keen perception, Still Laughing tells of the rise of some of comedy’s greatest talents, and reveals the actual people cloistered inside larger-than-life celebrity.

In The Comedians, comedy historian Kliph Nesteroff brings to life a century of American comedy with real-life characters, forgotten stars, mainstream heroes and counterculture iconoclasts. Based on over two hundred original interviews and extensive archival research, Nesteroff’s groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years.Starting with the vaudeville circuit at the turn of the last century, Nesteroff introduces the first stand-up comedianan emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the Civil Rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century.

A New York Times BestsellerFrom Scott Aukerman and the comedic geniuses who created the Comedy Bang! Bang! podcast comes a book that brings the chaotic, hilarious, and outrageous characters of the pod to the page.Foreword by Patton Oswalt and Bob OdenkirkPreface by Jack Quaid and Tatiana MaslanyIntroduction by Lin-Manuel Miranda and “Weird Al” YankovicIn Comedy Bang! Bang!: The Podcast: The Book, Scott Aukerman transports readers into the zany world of the popular podcast. The book features anecdotes and opinions from the show’s wild cast of recurring characters, matching the show in tone and wackiness, with essays, lists, plays, nods to running bits, and four-color illustrations throughout, helping to bring the wacky, satirical, undefinable world of Comedy Bang! Bang! to life in new and surprising ways!Curated by Aukerman, the book also features pieces from Bobby Moynihan, Paul F. Thompkins, Ben Schwartz, Mary Holland, Andy Daly, Lauren Lapkus, Paul Brittain, Jessica McKenna, Ego Nwodim, and many more, all reprising roles of characters they’ve created for the podcast, taking readers even deeper inside the lives of these off-the-wall personalities. If you’ve ever enjoyed a Solo Bolo or wondered what makes Bob Ducca tick, this book is chock-full of inside jokes, character studies, and hilarity!

Part road-trip comedy and part social science experiment, a scientist and a journalist detail their epic quest to discover the secret behind what makes things funny.Two guys. 19 experiments. Five continents. 91,000 miles. And a book that will forever change the way you think about humor.Part road-trip comedy and part social science experiment, a scientist and a journalist detail their epic quest to discover the secret behind what makes things funny.Dr. Peter McGraw, founder of the Humor Research Lab at the University of Colorado Boulder, teamed up with journalist Joel Warner on a far-reaching search for the secret behind humor. Their journey spanned the globe, from New York to Japan, from Palestine to the Amazon. Meanwhile, the duo conducted their own humor experiments along the way—to wince-worthy, hilarious, and illuminating results.In their quixotic search, they questioned countless experts, from comedians like Louis C.K. to rat-tickling researchers, and answered pressing (and not-so-pressing) questions such as, “What’s the secret to winning The New Yorker cartoon caption contest?”; “Who has the bigger funny bone—men or women, Democrats or Republicans?”; and “Is laughter really the best medicine?” As a final test, McGraw uses everything they learned to attempt stand-up—at the largest comedy festival in the world.Funny, surprising, and often touching, The Humor Code is a revealing exploration of humor, society, and an unusual friendship.

From Lane Moore, the award-winning, critically acclaimed author of How to Be Alone, comes a searingly intimate, yet wildly funny, exploration of the frustrating, messy, and, at times, deeply joyful experience of learning how to make meaningful friendships as an adult.Part memoir, part self-help, You Will Find Your People uncovers the complex, frightening, and often vulnerable process of building real, healthy friendships and finally creating your chosen family. Lane Moore takes readers on a journey that examines and challenges the ideas of friendship we’ve seen in pop culture, answers every question you’ve ever had about friend breakups, and teaches us how to fearlessly ask for what we want in friendships once and for all.Full of Moore’s hilarious personal anecdotes, advice on how to identify your attachment style, and real tools to create better communication and boundaries, this book is your personal guide on how to heal from your past friendships, improve your current ones, and finally have the friendships we know we deserve.

NATIONAL BESTSELLERBest Book of the Year —NPR, Vulture, Book Riot, B&N"America the Beautiful? is so funny and special and illuminating that it makes even me, a person who cannot tolerate trees or weather, wish I could've tagged along in the back seat." — Samantha Irby, author of Wow, No Thank You. and We Are Never Meeting in Real Life.The author of How to Date Men When You Hate Men examines Americans’ obsession with freedom, travel, and the open road in this funny, entertaining travelogue that blends the humorous observations of Bill Bryson with the piercing cultural commentary of Jia Tolentino.For writer and comedian Blythe Roberson, there are only so many Mary Oliver poems you can read about being free, and only so many times you can listen to Joni Mitchell’s travel album Hejira, before you too, are itching to take off. Canonical American travel writers have long celebrated the road trip as the epitome of freedom. But why does it seem like all those canonical travel narratives are written by white men who have no problems, who only decide to go the desert to see what having problems feels like?To fill in the literary gaps and quench her own sense of adventure, Roberson quits her day job and sets off on a Great American Road Trip to visit America’s national parks.America the Beautiful? is a hilarious trip into the mind of one of the Millennial generation’s funniest writers. Borrowing her Midwestern stepfather’s Prius, she heads west to the Loop of mega-popular parks, over to the ocean and down the Pacific Coast Highway, and, in a feat of spectacularly bad timing, through the southwestern desert in the middle of July. Along the way she meets new friends on their own personal quests, learns to cope with abstinence while missing the comforts of home, and comes to understand the limits—and possibilities—of going to nature to prove to yourself and your Instagram followers that you are, in fact, free.The result is a laugh-out-loud-while-occasionally-raging-inside travelogue, filled with meditations and many, many jokes on ecotourism, conservation, freedom, traffic, climate change, and the structural and financial inequalities that limit so many Americans’ movement. Ultimately, Roberson ponders the question: Is quitting society and going on the road about enlightenment and liberty—or is it just selfish escapism?

NATIONAL BESTSELLER“In fact very funny.” —Cosmopolitan“[A] hilarious and much-needed book.” —Samantha Bee, Emmy Award–winning comedian, author, and host of Full Frontal with Samantha BeeFor fans of the perceptive comedy of Hannah Gadsby, Lindy West, and Sarah Silverman, Academy Award–nominated and acclaimed stand-up comedian Jena Friedman presents a witty and insightful collection of essays on the cultural flashpoints of today.Growing up, Jena Friedman didn’t care about being likable. And she never wanted to be a comedian, either. A child of the 90s, she wouldn’t discover her knack for the funny business until research for her college thesis led her to take an improv class in Chicago.That anthropology paper, written on race, class, and gender in the city’s comedy scene, was, in Jena’s own words, “just as funny as it sounds.” But it did lay the groundwork for a career that has seen her write and produce for The Daily Show with Jon Stewart, the Late Show with David Letterman, and the Oscar nominated Borat Subsequent Moviefilm.Friedman’s debut collection, Not Funny, takes on the third rails of modern life in Jena’s bold and subversive style, with essays that explore cancel culture, sexism, work, celebrity worship, and…dead baby jokes.In a moment where women’s rights are being rolled back, fascism is on the rise, and so many of us could use a breather as we struggle to get by, Jena applies her unique gifts to pull a laugh from things deemed too raw, too precious, and too scary to joke about. She shares her stories of taking on those who told her she was too brash, too edgy, and too “unlikable” to make it. She deftly dissects how we get coerced into silence on the issues that matter most, until they’ve gone too far afield to be turned back around again. And she shares her struggles to make it (-ish) in a world that, more often than not, would rather tune out than listen to a woman confronting the indignities we’ve been told to bear.

An insider’s look at the power of comedy to effect social changeFrom Trevor Noah’s The Daily Show and Hasan Minhaj’s Patriot Act, to Issa Rae’s Insecure and Corey Ryan Forrester’s Twitter feed, today’s multi-platform comedy refuses to shy away from the social issues that define our time.As more comedians lean into social justice activism, they help reshape the entertainment industry and offer creative, dynamic avenues for social change.The Revolution Will Be Hilarious offers a compelling insider’s look at how comedy and social justice activists are working together in a revolutionary media moment. Caty Borum invites readers into an expanding, enterprising arena of participatory culture and politics through in-depth interviews with comedians, social justice leaders, and Hollywood players. Their insights shed light on questions such as: What role does comedy play in helping communities engage the public with challenging social issues? How do social justice organizations and comedians co-create entertaining comedy designed to build the civic power of marginalized groups? And how are entertainment industry leaders working with social justice organizations to launch new comedy as both entertainment and inspiration for social change?Through this exploration, Borum argues that building creative power is crucial for marginalized groups to build civic power. The Revolution Will Be Hilarious positions the rise of social justice comedy as creative, disruptive storytelling that hilariously invites us to agitate the status quo and re-imagine social realities to come closer to the promise of equity and justice in America.