A black comedy of manners about vast wealth and a woman who can define herself only through the perceptions of others. The beautiful Lily Bart lives among the nouveaux riches of New York City – people whose millions were made in railroads, shipping, land speculation and banking. In this morally and aesthetically bankrupt world, Lily, age twenty-nine, seeks a husband who can satisfy her cravings for endless admiration and all the trappings of wealth. But her quest comes to a scandalous end when she is accused of being the mistress of a wealthy man. Exiled from her familiar world of artificial conventions, Lily finds life impossible.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Madame de Treymes, Edith Wharton's first publication after the highly successful The House of Mirth, is a captivating portrait of turn-of-the-century American and French culture. Inspired by Wharton's own entré into Parisian society in 1906 and reminiscent of the works of Henry James, it tells the story of two young innocents abroad: Fanny Frisbee of New York, unhappily married to the dissolute Marquis de Malrive, and John Durham, her childhood friend who arrives in Paris intent on convincing Fanny to divorce her husband and marry him instead. A subtle investigation of the clash of cultures and the role of women in the social hierarchy, Madame de Treymes confirms Edith Wharton's position, as Edmund Wilson wrote, as "an historian of the American society of her time." This Scribner edition of Madame de Treymes also includes three novellas: The Touchstone, Sanctuary, and Bunner Sisters. These short works are rich in the social satire and cunning insight that characterized Wharton's highly acclaimed novels The Age of Innocence and The House of Mirth.

A masterwork From the Pulitzer Prize-winning author Nineteenth-century New England villager Ethan Frome is tormented by his love for his ailing wife's cousin. Trapped, he may ultimately be destroyed by that which offers his greatest chance at happiness...

"I put most of myself into that opus," Edith Wharton said of The Reef, possibly her most autobiographical novel. Published in 1912, it was, Bernard Berenson told Henry Adams, "better than any previous work excepting Ethan Frome." A challenge to the moral climate of the day, The Reef follows the fancies of George Darrow, a young diplomat en route from London to France, intent on proposing to the widowed Anna Leath. Unsettled by Anna's reticence, Darrow drifts into an affair with Sophy Viner, a charmingly naive and impecunious young woman whose relations with Darrow and Anna's family threaten his prospects for success. For its dramatic construction and acute insight into social mores and the multifaceted problem of sexuality, The Reef stands as one of Edith Wharton's most daring works of fiction.

Wharton’s sly and delicious novel about the ambitious social ascent of Undine Spragg, now in a Penguin Vitae edition, with a foreword by Sofia Coppola\\nA Penguin Classics Deluxe Edition\\nConsidered by many to be her masterpiece, Edith Wharton’s second full-length work is a scathing yet personal examination of the exploits and follies of the modern upper class. As she unfolds the story of Undine Spragg, from New York to Europe, Wharton affords us a detailed glimpse of what might be called the interior décor of this America and its nouveau riche fringes. Through a heroine who is as vain, spoiled, and selfish as she is irresistibly fascinating, and through a most intricate and satisfying plot that follows Undine’s marriages and affairs, she conveys a vision of social behavior that is both supremely informed and supremely disenchanted.

'Can't you see that I don't care what anybody says?' Charity Royall lives in the small New England village of North Dormer. Born among outcasts from the Mountain beyond, she is rescued by lawyer Royall and lives with him as his ward. Never allowed to forget her disreputable origins Charity despises North Dormer and rebels against the stifling dullness of the tight-knit community surrounding her. Her boring job in the local library is interrupted one day by the arrival of a young visiting architect, Lucius Harney, whose good looks and sophistication arouse her passionate nature. As their relationship grows, so too does Charity's conflict with her guardian; darker undercurrents start to come to the surface.Summer is often compared to Wharton's other New England story, Ethan Frome, and it shares the same intensity of feeling and repression. Wharton regarded it as one of her best works, and its compelling story of burgeoning sexuality and illicit desire has a strikingly modern and troubling ambiguity.About the Series:For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Edith Wharton’s Pulitzer Prize-winning novel, The Age of Innocence, is both a poignant story of frustrated love and an extraordinarily vivid, delightfully satirical record of a vanished world.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by award-winning novelist, Rachel Cusk.As the scion of one of New York’s leading families, Newland Archer has been born into a life of sumptuous privilege and strict duty. But the arrival of the Countess Olenska, a free spirit who breathes clouds of European sophistication, makes him question the path on which his upbringing has set him. As his fascination with her grows, he discovers just how hard it is to escape the bonds of the society that has shaped him.

In 1922, two years after publication of the Pulitzer Prize-wining classic The Age of Innocence, Edith Wharton published a novel that was acclaimed by The New York Times and quickly became an international bestseller. Set in the 1920s, The Glimpses of the Moon details the romantic misadventures of Nick Lansing and Susy Branch, a couple with the right connections but not much in the way of funds. They devise a shrewd bargain: they'll marry and spend a year or so sponging off their wealthy friends, honeymooning in their mansions and villas. As Susy explains, "We should really, in a way, help more than we should hamper each other. We both know the ropes so well; what one of us didn't see the other might - in the way of opportunities, I mean. And then we should be a novelty as married people. We're both rather unusually popular - why not be frank? - and it's such a blessing for dinner-givers to be able to count on a couple of whom neither one is a blank." The other part of the plan is that if either one of them meets someone who can advance them socially, they're each free to dissolve the marriage. How their plan unfolds is a comedy of eros that will charm all fans of Wharton's work. Out of print for decades, The Glimpses of the Moon is a welcome addition to the literary achievement of one of our most enduring authors.

'The war went on; life went on; Paris went on.' In A Son at the Front, her only novel dealing with World War I, Edith Wharton offers a vivid portrait of American expatriate life in Paris, as well as a gripping portrayal of a complex modern family. The painter John Campton is divorced from the mother of his son, George, and although Julia's second husband, Anderson Brant, a wealthy banker, has been a devoted stepfather to George, Campton resents his presence in George's life. This family drama is ruptured by the outbreak of fighting, which requires George, born in France, to report for military service despite his parents' belief that he should be exempted. Reflecting Wharton's own experiences, A Son at the Front documents the shock of the outbreak of war, the early hope of a quick victory for the Allies, the terrible human cost of the war, and the relief when, belatedly, the United States enters the conflict. The novel's tone reflects the realities of life in Paris, and the profound disillusionment of the post-war period, standing as not only an important part of Wharton's oeuvre, but a landmark in the literature of the First World War.

Originally serialized in The Red Book Magazine in 1922, The Old Maid is an examination of class and society as only Edith Wharton could undertake. The story follows the life of Tina, a young woman caught between the mother who adopted her—the beautiful, upstanding Delia—and her true mother, her plain, unmarried “aunt” Charlotte, who gave Tina up to provide her with a socially acceptable life. The three women live quietly together until Tina’s wedding day, when Delia’s and Charlotte’s hidden jealousies rush to the surface. Says Roxana Robinson in her Introduction, “Wharton weaves her golden, fine-meshed net about her characters with inexorable precision.” This Modern Library Paperback Classic is set from the text of the original magazine publication.

The four short novels in this collection by the author of The Age of Innocence are set in the New York of the 1840s, '50s, '60s, and '70s, each one revealing the tribal codes and customs that ruled society, portrayed with the keen style that is uniquely Edith Wharton's. Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society. Included in this remarkable quartet are False Dawn, which concerns the stormy relationship between a domineering father and his son; The Old Maid, the best known of the four, in which a young woman's secret illegitimate child is adopted by her best friend -- with devastating results; The Spark, about a young man's moral rehabilitation, which is "sparked" by a chance encounter with Walt Whitman; and New Year's Day, an O. Henryesque tale of a married woman suspected of adultery. Old New York is Wharton at her finest.

Opening on the French Riviera among a motley community of American expatriates, The Mother's Recompense tells the story of Kate Clephane and her reluctant return to New York society after being exiled years before for abandoning her husband and infant daughter. Oddly enough, Kate has been summoned back by that same daughter, Anne, now fully grown and intent on marrying Chris Fenno, a war hero, dilettante, and social opportunist. Chris's questionable intentions toward her daughter are, however, the least of Kate's worries since she was once, and still is, deeply in love with him. Kate's moral quandary and the ensuing drama evoke comparison with Oedipus and Hamlet and lead to an ending that startled the mores of the day.

Out of print for several decades, here is Edith Wharton's superb satirical novel of the Jazz Age, a critically praised best-seller when it was first published in 1927. Sex, drugs, work, money, infatuation with the occult and spiritual healing -- these are the remarkably modern themes that animate Twilight Sleep. The extended family of Mrs. Manford is determined to escape the pain, boredom and emptiness of life through whatever form of "twilight sleep" they can devise or procure. And though the characters and their actions may seem more in keeping with today's society, this is still a classic Wharton tale of the upper crust and its undoing -- wittily, masterfully told.

A bestseller when it was first published in 1928, Edith Wharton's The Children is a comic, bittersweet novel about the misadventures of a bachelor and a band of precocious children. The seven Wheater children, stepbrothers and stepsisters grown weary of being shuttled from parent to parent "like bundles," are eager for their parents' latest reconciliation to last. A chance meeting between the children and the solitary forty-six-year-old Martin Boyne leads to a series of unforgettable encounters. Among the colorful cast of characters are the Wheater adults, who play out their own comedy of marital errors; the flamboyant Marchioness of Wrench; and the vivacious fifteen-year-old Judith Wheater, who captures Martin's heart. With deft humor and touching drama, Wharton portrays a world of intrigues and infidelities, skewering the manners and mores of Americans abroad.