“Trapped in their cozy catacombs, the couples have made sex by turns their toy, their glue, their trauma, their therapy, their hope, their frustration, their revenge, their narcotic, their main line of communication and their sole and pitiable shield against the awareness of death.”—TimeOne of The Atlantic’s Great American Novels of the Past 100 YearsOne of the signature novels of the American 1960s, Couples is a book that, when it debuted, scandalized the public with prose pictures of the way people live, and that today provides an engrossing epitaph to the short, happy life of the “post-Pill paradise.” It chronicles the interactions of ten young married couples in a seaside New England community who make a cult of sex and of themselves. The group of acquaintances form a magical circle, complete with ritualistic games, religious substitutions, a priest (Freddy Thorne), and a scapegoat (Piet Hanema). As with most American utopias, this one’s existence is brief and unsustainable, but the “imaginative quest” that inspires its creation is eternal.Praise for Couples“Couples [is] John Updike’s tour de force of extramarital wanderlust.”—The New York Times Book Review“Ingenious . . . If this is a dirty book, I don’t see how sex can be written about at all.”—Wilfrid Sheed, The New York Times Book Review

Outlander

“Locascio’s story of a young American abroad is unflinching in its portrayal of sex, desire, racism, and the excitement and confusion of youth. Infused with erotics and politics, this is a novel that will haunt you.”―Viet Thanh Nguyen, Pulitzer Prize-winning author of The SympathizerRoxana Olsen has always dreamed of going to Paris, and after high school graduation finally plans to travel there on a study abroad program―a welcome reprieve from the bruising fallout of her parents’ divorce. But a logistical mix-up brings Roxana to Copenhagen instead, where she’s picked up at the airport by Søren, a twenty-eight year old guide who is meant to be her steward. Instantly drawn to one another, Roxana and Søren’s relationship turns romantic, and when he asks Roxana to accompany him to a small coastal town for the rest of the summer, she doesn’t hesitate to accept. There, Roxana’s world narrows and expands as she experiences fantasy, ritual, and the pleasures of her body, a thrilling realm of erotic and domestic bliss. Seduced by this newfound connection, Roxana doesn’t object when Søren requests that she spend her days alone in the apartment while he goes to the library to work.As their relationship deepens, Søren’s temperament darkens, and Roxana finds herself increasingly drawn to a local outsider, Zlatan, whom she learns is a Muslim refugee from the Bosnian War. The cycle of awakenings sparked by these two relationships challenge and open Roxana in ways she never imagined.A coming-of-age like no other, from a magnetic new voice in fiction, Open Me is a daringly original and darkly compelling portrait of a young woman discovering her power, her sex, and her voice; and a propulsive exploration of estrangement and what it means to belong.

The discovery of the fascinating and richly documented story of Sister Benedetta Carlini, Abbess of the Convent of the Mother of God, by Judith C. Brown was an event of major historical importance. Not only is the story revealed in Immodest Acts that of the rise and fall of a powerful woman in a church community and a record of the life of a religious visionary, it is also the earliest documentation of lesbianism in modern Western history. Born of well-to-do parents, Benedetta Carlini entered the convent at the age of nine. At twenty-three, she began to have visions of both a religious and erotic nature. Benedetta was elected abbess due largely to these visions, but later aroused suspicions by claiming to have had supernatural contacts with Christ. During the course of an investigation, church authorities not only found that she had faked her visions and stigmata, but uncovered evidence of a lesbian affair with another nun, Bartolomeo. The story of the relationship between the two nuns and of Benedetta's fall from an abbess to an outcast is revealed in surprisingly candid archival documents and retold here with a fine sense of drama.