Be taken back to a time that is half history, half myth, and wholly magical First published in 2008, Chitra Banerjee Divakaruni's The Palace of Illusions has received wide acclaim for giving a woman's take on the timeless tale that is the Mahabharata. Narrated by Panchaali, wife of the five Pandava brothers, the novel traces her life from fiery birth and lonely childhood, where her beloved brother is her only true companion; through her complicated friendship with the enigmatic Krishna; to marriage, motherhood and her secret attraction to the mysterious man who is her husbands most dangerous enemy. This tenth anniversary edition, complete with a new authors note, celebrates once again a remarkable and deeply human story about a woman born into a mans world.

An epic tale of victory and defeat.The story of the Ramayana had been told innumerable times. The enthralling story of Rama, the incarnation of God, who slew Ravana, the evil demon of darkness, is known to every Indian. And in the pages of history, as always, it is the version told by the victors, that lives on. The voice of the vanquished remains lost in silence. But what if Ravana and his people had a different story to tell? The story of the Ravanayana had never been told.Asura is the epic tale of the vanquished Asura people, a story that has been cherished by the oppressed outcastes of India for 3000 years. Until now, no Asura has dared to tell the tale. But perhaps the time has come for the dead and the defeated to speak. For thousands of years, I have been vilified and my death is celebrated year after year in every corner of India. Why? Was it because I challenged the Gods for the sake of my daughter? Was it because I freed a race from the yoke of caste-based Deva rule? You have heard the victor's tale, the Ramayana. Now hear the Ravanayana, for I am Ravana, the Asura, and my story is the tale of the vanquished. I am a non-entity, invisible, powerless and negligible. No epics will ever be written about me. I have suffered both Ravana and Rama ? the hero and the villain or the villain and the hero. When the stories of great men are told, my voice maybe too feeble to be heard. Yet, spare me a moment and hear my story, for I am Bhadra, the Asura, and my life is the tale of the loser. The ancient Asura empire lay shattered into many warring petty kingdoms reeling under the heel of the Devas. In desperation, the Asuras look up to a young saviour; Ravana. Believing that a better world awaits them under Ravana, common men like Bhadra decide to follow the young leader. With a will of iron and a fiery ambition to succeed, Ravana leads his people from victory to victory and carves out a vast empire from the Devas. But even when Ravana succeeds spectacularly, the poor Asuras find that nothing much has changed for them. It is when Ravana, by one action, changes the history of the world.

'I am not sure that I am a man,' said Yuvanashva. 'I have created life outside me as men do. But I have also created life inside me, as women do. What does that make me? Will a body such as mine fetter or free me?'Among the many hundreds of characters who inhabit the Mahabharata, perhaps the world's greatest epic and certainly one of the oldest, is Yuvanashva, a childless king, who accidentally drinks a magic potion meant to make his queens pregnant and gives birth to a son. This extraordinary novel is his story.It is also the story of his mother Shilavati, who cannot be king because she is a woman; of young Somvat, who surrenders his genitals to become a wife; of Shikhandi, a daughter brought up as a son, who fathers a child with a borrowed penis; of Arjuna, the great warrior with many wives, who is forced to masquerade as a woman after being castrated by a nymph; of Ileshwara, a god on full-moon days and a goddess on new-moon nights; and of Adi-natha, the teacher of teachers, worshipped as a hermit by some and as an enchantress by others.Building on Hinduism's rich and complex mythology-but driven by a very contemporary sensibility-Devdutt Pattanaik creates a lush and fecund work of fiction in which the lines are continually blurred between men and women, sons and daughters, husbands and wives, fathers and mothers. Confronted with such fluidity the reader is drawn into Yuvanashva's struggle to be fair to all-those here, those there and all those in between.

The Valmiki Ramayana remains a living force in the lives of the Indian people. A celebration of the victory of good over evil, this timeless epic recounts the legend of Rama, the exiled prince of Ayodhya, and his battle to vanquish the demon king Ravana. Exiled on the eve of his coronation, Rama enters the forests of Dandaka with his beautiful wife Sita and devoted brother Lakshmana. When Sita is abducted by Ravana, who takes her to his isolated kingdom on the far side of the southern ocean, the two brothers set out to rescue her. What follows is a heroic tale filled with intrigue and adventure, gods and demons, colossal battles and ancientwisdom. But the Ramayana is also an intensely personal story of love and loss, duty and honour, petty jealousies and destructive ambitions.

The complete Shiva Trilogy box set! Includes: The Immortals of Meluha, The Secret of Nagas and The Oath of the Vayuputras. The fastest selling book series in Indian publishing history. Come experience our epics in a whole new way!

Surpanakha, Ravan's famous sister. Ugly and untamed, brutal and brazen-this is often how she is commonly perceived. One whose nose was sliced off by an angry Lakshman and the one who started a war. But was she really just a perpetrator of war? Or was she a victim? Was she 'Lanka's princess'? Or was she the reason behind its destruction? Surpanakha, which means the woman 'as hard as nails', was born as Meenakshi-the one with beautiful, fish-shaped eyes. She is often the most misunderstood character in the Ramayana. Growing up in the shadows of her brothers, who were destined to win wars, fame and prestige, she, instead, charted out a path filled with misery and revenge. Accused of manipulating events between Ram and Ravan, which culminated into a bloody war and annihilation of her family, Kavita Kané's Lanka's Princess makes us see the familiar events unfold from the eyes of a woman more hated than hateful. . .

Taking us back to a time that is half history, half myth and wholly magical, bestselling author Chitra Banerjee Divakaruni gives voice to Panchaali, the fire-born heroine of the Mahabharata, as she weaves a vibrant retelling of an ancient epic saga.Married to five royal husbands who have been cheated out of their father's kingdom, Panchaali aids their quest to reclaim their birthright, remaining at their side through years of exile and a terrible civil war. But she cannot deny her complicated friendship with the enigmatic Krishna—or her secret attraction to the mysterious man who is her husbands' most dangerous enemy—as she is caught up in the ever-manipulating hands of fate.

Motilal Banarsidass Publishers Siva Purana - Part - 1 (Aitm - Vol. 1): Ancient Indian Tradition And Mythology - Vol. 1

Lyrical and poetic ... enthralling BIBEK DEBROY An enigmatic tale about purity, chastity, seduction and redemption NAMITA GOKHALE Brilliant and intriguing ANAND NEELAKANTAN It is known that Ahalya was cursed by her husband, Gautam, for indulging in a physical relationship with Indra. But is there another story to Ahalya's truth? Who was Indra anyway? A king? A lover? A philanderer? The first book of the Sati series, Ahalya hinges on these core questions, narrating the course of her life, from innocence to infidelity. In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from Indian mythology, all of whom had partners other than their husbands and yet are revered as the most enlightened women, whose purity of mind precedes over the purity of body. The five books of the Sati series reinvent these women and their men, in the modern context with a feminist consciousness.

Namaha, stories from the land of Gods and Godesses, is a collection of short stories inspired by ancient wisdom literature of India. Abhishek Singh's work is acclaimed around the world for its unique style and storytelling with compelling illustrations and enthralling text, Singh takes you into the fantastical worlds of ancient Indian mythology, deciphering its many symbolic humanistic and ecological layers.

Baali and Sugreeva of the Vana Nara tribe were orphan brothers who were born in abject poverty and grew up as slaves like most of their fellow tribesmen. They were often mocked as the vanaras, the monkey men. Sandwiched between the never-ending war between the Deva tribes in the north and the Asura tribes in the south, the Vana Naras seemed to have lost all hope. But Baali was determined not to die a slave. Aided by his beloved brother, Sugreeva, Baali built a country for his people. The capital city, Kishkindha, became a beacon of hope for emancipated slaves from across the world. It was a city of the people, by the people, for the people, where there was no discrimination based on caste, creed, language or the colour of skin. For a brief period in history, it seemed as if mankind had found its ideal hero in Baali. But then fate intervened through the beautiful Tara, the daughter of a tribal physician. Loved by Baali and lusted after by Sugreeva, Tara became the cause of a fraternal war that would change history for ever. The love triangle between Baali, Tara and Sugreeva is arguably the world's first. Written by Anand Neelakantan who gave a voice to Ravana in Asura , Duryodhana in the Ajaya series and Sivagami in the Baahubali series, Vanara is a classic tale of love, lust and betrayal. Shakespearean in its tragic depth and epic in its sweep, Vanara gives voice to the greatest warrior in the Ramayana-Baali.

Born in the quiet village of Shambala, Kalki Hari, son of Vishnuyath and Sumati, has no idea about his heritage until he is pitted against tragedies and battles. Whisked into the province of Keekatpur, which is under the fist of Lord Kali, Kalki sees the ignominy of death trumping life all around him. He learns that he has been born to cleanse the world he lives in, for which he must journey to the North and learn the ways of Lord Vishnu s Avatar; from an immortal who wields an axe. But trapped in the midst of betrayals, political intrigue and forces that seek to decimate him, will he be able to follow his destiny before the Kaliyug begins?

Karna's Wife: The Outcast's Queen is a splendid tale of Karna, the unsung hero of Mahabharata, told from the perspective of his wife Uruvi. This book renders a unique view of karna's life as never seen before. The story is written in the genre of magic realism, retelling the classic story of Karna from a different angle. The novel begins with an accomplished kshatriya princess, Uruvi, falling in love with Karnaa sutaputraand choosing him over Arjun. Stoking the anger of many, Uruvi must now face the social implications of her marriage and also use her love and intelligence to be accepted by her husband Karna and his family. Even though Uruvi secures a prime place in the life of Karna, giving counseling and guidance to him, his devotion to Duryodhana is beyond her ability to change. Being a queen for an outcastKarna, Uruvi faces a lot of struggles. Amidst all her hardships, she stands firmly on Karna's side, giving him a great support, even when the whole world turned against him due to his misfortunes and fate. The essence of the story lies in the representation of Karna during the Kurukshetra war between Pandavas and kauravas. Karna's loyalty with his guru Duryodhana, his guru's love for his disciple, Karna's birth mystery are some of the themes explored in the book. The book is about Karna, but only told wholly from his wife's eyes. Karna's Wife: The Outcast's Queen came as a surprise to readers who are familiar with the story of Mahabharata. This refreshing tale of Karna makes an impact to the readers on his tragic and virtuous life.