A treasure of world literature back in print, featuring a new introduction by Eimear McBride\nThe country girls are Caithleen “Kate” Brady and Bridget “Baba” Brennan, and their story begins in the repressive atmosphere of a small village in the west of Ireland in the years following World War II. Kate is a romantic, looking for love; Baba is a survivor. Setting out to conquer the bright lights of Dublin, they are rewarded with comical miscommunications, furtive liaisons, bad faith, bad luck, bad sex, and compromise; marrying for the wrong reasons, betraying for the wrong reasons, fighting in their separate ways against the overwhelming wave of expectations forced upon "girls" of every era.\nThe Country Girls Trilogy and Epilogue charts unflinchingly the pattern of women’s lives, from the high spirits of youth to the chill of middle age, from hope to despair, in remarkable prose swinging from blunt and brutal to whimsical and lyrical. It is a saga both painful and hilarious, and remains one of the major accomplishments of Edna O’Brien’s extraordinary career.\nThis omnibus edition includes the novels The Country Girls, The Lonely Girl, and Girls in Their Married Bliss.

A one-volume edition of the celebrated trio of novels about the Rabbitte family, from the Booker Prize-winning author of Paddy Clarke Ha Ha HaLook for Roddy Doyle’s new novel, Smile, coming in October of 2017The Barrytown Trilogy gathers Roddy’s Doyle’s first three novels into one volume: The Commitments, one of the funniest rock’n’roll novels ever written, about a group of aspiring musicians on a mission to bring soul to Dublin; The Snapper, about the progression of twenty-year-old Sharon Rabbitte’s pregnancy on her family; and The Van, a finalist for the Booker Prize, a tender and hilarious tale of male friendship, midlife crisis, and family life, set during the heady days of Ireland’s brief, euphoric triumphs in the 1990 World Cup.

“If Tina Fey and David Sedaris had a daughter, she would be Maeve Higgins.” —GlamourA startlingly hilarious essay collection about one woman’s messy path to finding her footing in New York City, from breakout comedy star and podcaster Maeve Higgins Maeve Higgins was a bestselling author and comedian in her native Ireland when, at the grand old age of thirty-one, she left the only home she’d ever known in search of something more and found herself in New York City. Together, the essays in Maeve in America create a smart, funny, and revealing portrait of a woman who aims for the stars but sometimes hits the ceiling and the inimitable city that helped make her who she is. Here are stories of not being able to afford a dress for the ball, of learning to live with yourself while you’re still figuring out how to love yourself, of the true significance of realizing what sort of shelter dog you would be. Self-aware and laugh-out-loud funny, this collection is also a fearless exploration of the awkward questions in life, such as: Is clapping too loudly at a gig a good enough reason to break up with somebody? Is it ever really possible to leave home?“Maeve Higgins is hilarious, poignant, conversational, and my favorite Irish import since U2. You’re in for a treat.” —Phoebe Robinson

Winner of the 2016 Baileys Women's Prize for Fiction and the Desmond Elliott PrizeShortlisted for Best Newcomer at the Irish Book AwardsLonglisted for the 2016 International Dylan Thomas PrizeThe Irish Times March Book of the MonthFrom Lisa McInerney, hailed by The Irish Times as “arguably the most talented writer at work in Ireland today,” comes The Glorious Heresies, a searing debut novel about life on the fringes of Ireland’s post-crash society. When grandmother Maureen Phelan is surprised in her home by a stranger, she clubs the intruder with a Holy Stone. The consequences of this unplanned murder connect four misfits struggling against their meager circumstances. Ryan is a fifteen-year-old drug dealer desperate not to turn out like his alcoholic father, Tony, whose feud with his next-door neighbor threatens to ruin his family. Georgie is a sex worker who half-heartedly joins a born-again movement to escape her profession and drug habit. And Jimmy Phelan, the most fearsome gangster in the city and Maureen’s estranged son, finds that his mother’s bizarre attempts at redemption threaten his entire organization. Biting and darkly funny, The Glorious Heresies presents an unforgettable vision of a city plagued by poverty and exploitation, where salvation still awaits in the most unexpected places.— New York Time's Book Review's "10 Best Crime Novels" of the year

Colm Tóibín’s New York Times bestselling novel—now an acclaimed film starring Saoirse Ronan and Jim Broadbent nominated for four Academy Awards including Best Picture—is “a moving, deeply satisfying read” (Entertainment Weekly) about a young Irish immigrant in Brooklyn in the early 1950s.“One of the most unforgettable characters in contemporary literature” (Pittsburgh Post-Gazette), Eilis Lacey has come of age in small-town Ireland in the hard years following World War Two. When an Irish priest from Brooklyn offers to sponsor Eilis in America, she decides she must go, leaving her fragile mother and her charismatic sister behind.Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, who loves the Dodgers and his big Italian family, slowly wins her over with patient charm. But just as Eilis begins to fall in love, devastating news from Ireland threatens the promise of her future.Author “Colm Tóibín…is his generation’s most gifted writer of love’s complicated, contradictory power” (Los Angeles Times). “Written with mesmerizing power and skill” (The Boston Globe), Brooklyn is a “triumph…One of those magically quiet novels that sneak up on readers and capture their imaginations” (USA TODAY).

Winner of the Man Booker Prize“Everything about this novel rings true. . . . Original, funny, disarmingly oblique and unique.”―The Guardian\nIn an unnamed city, middle sister stands out for the wrong reasons. She reads while walking, for one. And she has been taking French night classes downtown. So when a local paramilitary known as the milkman begins pursuing her, she suddenly becomes “interesting,” the last thing she ever wanted to be. Despite middle sister’s attempts to avoid him―and to keep her mother from finding out about her maybe-boyfriend―rumors spread and the threat of violence lingers. Milkman is a story of the way inaction can have enormous repercussions, in a time when the wrong flag, wrong religion, or even a sunset can be subversive. Told with ferocious energy and sly, wicked humor, Milkman establishes Anna Burns as one of the most consequential voices of our day.

“[A] cult-hit . . . [a] sharply realistic comedy of adultery and friendship.”—Entertainment WeeklySALLY ROONEY NAMED TO THE 2019 TIME 100 NEXT LIST • WINNER OF THE SUNDAY TIMES (UK) YOUNG WRITER OF THE YEAR AWARD • ONE OF BUZZFEED’S BEST BOOKS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY VOGUE AND SLATE AND ONE OF THE BEST BOOKS OF THE YEAR BY BUZZFEED AND ELLEFrances is a coolheaded and darkly observant young woman, vaguely pursuing a career in writing while studying in Dublin. Her best friend is the beautiful and endlessly self-possessed Bobbi. At a local poetry performance one night, they meet a well-known photographer, and as the girls are then gradually drawn into her world, Frances is reluctantly impressed by the older woman’s sophisticated home and handsome husband, Nick. But however amusing Frances and Nick’s flirtation seems at first, it begins to give way to a strange—and then painful—intimacy.Written with gemlike precision and marked by a sly sense of humor, Conversations with Friends is wonderfully alive to the pleasures and dangers of youth, and the messy edges of female friendship.SHORTLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD“Sharp, funny, thought-provoking . . . a really great portrait of two young women as they’re figuring out how to be adults.”—Celeste Ng, “Late Night with Seth Meyers Podcast”“The dialogue is superb, as are the insights about communicating in the age of electronic devices. Rooney has a magical ability to write scenes of such verisimilitude that even when little happens they’re suspenseful.”—Curtis Sittenfeld, The Week“Rooney has the gift of imbuing everyday life with a sense of high stakes . . . a novel of delicious frictions.”—New York“A writer of rare confidence, with a lucid, exacting style . . . One wonderful aspect of Rooney’s consistently wonderful novel is the fierce clarity with which she examines the self-delusion that so often festers alongside presumed self-knowledge. . . . But Rooney’s natural power is as a psychological portraitist. She is acute and sophisticated about the workings of innocence; the protagonist of this novel about growing up has no idea just how much of it she has left to do.”—Alexandra Schwartz, The New Yorker“This book. This book. I read it in one day. I hear I’m not alone.”—Sarah Jessica Parker (Instagram)

NOW AN EMMY-NOMINATED HULU ORIGINAL SERIES • NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • “A stunning novel about the transformative power of relationships” (People) from the author of Conversations with Friends, “a master of the literary page-turner” (J. Courtney Sullivan).“[A] novel that demands to be read compulsively, in one sitting.”—The Washington PostONE OF ENTERTAINMENT WEEKLY’S TEN BEST NOVELS OF THE DECADETEN BEST BOOKS OF THE YEAR: People, Slate, The New York Public Library, Harvard CrimsonConnell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life changing begins.A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.Normal People is the story of mutual fascination, friendship, and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find that they can’t.WINNER: The British Book Award, The Costa Book Award, The An Post Irish Novel of the Year, Sunday Times Young Writer of the Year AwardBEST BOOKS OF THE YEAR: The New York Times, The New York Times Book Review, Oprah Daily, Time, NPR, The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town & Country

Stoneybridge is a small town on the west coast of Ireland where all the families know each other. When Chicky Starr decides to take an old, decaying mansion set high on the cliffs overlooking the windswept Atlantic Ocean and turn it into a restful place for a holiday by the sea, everyone thinks she is crazy. Helped by Rigger (a bad boy turned good who is handy around the house) and Orla, her niece (a whiz at business), Stone House is finally ready to welcome its first guests to the big warm kitchen, log fires, and understated elegant bedrooms. Laugh and cry with this unlikely group as they share their secrets and—maybe—even see some of their dreams come true. Full of Maeve’s trademark warmth and humor, once again, she embraces us with her grand storytelling.

From Tana French, author of the forthcoming novel The Hunter, “the most important crime novelist to emerge in the past 10 years” (The Washington Post), the New York Times bestseller called “the most stunning of her books” (The New York Times) and a finalist for the Edgar Award.Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping hisi family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his alcoholic father, nutcase mother, and generally dysfunctional family. He never went home again. Neither did Rosie. Then, twenty-two years later, Rosie's suitcase shows up behind a fireplace in a derelict house on Faithful Place, and Frank, now a detective in the Dublin Undercover squad, is going home whether he likes it or not.

This Prestwick House Literary Touchstone Classic includes a glossary and reader's notes to help the modern reader understand Joyce's use of textures, dialect, and symbols. Each of the beautifully written short stories in this collection precisely details a brief scene in the life of a resident of Dublin at the turn of the 20th century. Although the characters do not know each other, their experiences unfold along the same streets and often overlap thematically. Their tragedies mirror that of Ireland, a country struggling for political identity and held back, in Joyce's view, by rigid religious ideas and adherence to tradition. Joyce's great skill at dialect offers a sense of the city's complex social structure, while themes of isolation, emotional paralysis, violence, regret, and death run throughout the collection and link all of the stories. Chronologically, too, the stories appear to progress; portrayals of youthful confusion and disillusionment in the opening story, "The Sisters," become the haunting midlife meditations of "The Dead." Like his masterpieces Ulysses and Finnegan's Wake, James Joyce's Dubliners displays consummate control of nuances, emotions, and images.

The dazzling, fearless debut novel that won the Baileys Women's Prize for Fiction and the book the New York Times hails as “a future classic”.In scathing, furious, unforgettable prose, Eimear McBride tells the story of a young girl’s devastating adolescence as she and her brother, who suffers from a brain tumor, struggle for a semblance of normalcy in the shadow of sexual abuse, denial, and chaos at home. Plunging readers inside the psyche of a girl isolated by her own dangerously confusing sexuality, pervading guilt, and unrelenting trauma, McBride’s writing carries echoes of Joyce, O’Brien, and Woolf. A Girl is a Half-formed Thing is a revelatory work of fiction, a novel that instantly takes its place in the canon.

SHORTLISTED FOR THE COSTA BOOK AWARDLONGLISTED FOR THE BOOKER PRIZEA moving novel of three men, each searching for something they have lost, from the award-winning and Man Booker nominated author Donal Ryan.For Farouk, family is all. He has protected his wife and daughter as best he can from the war and hatred that has torn Syria apart. If they stay, they will lose their freedom, will become lesser persons. If they flee, they will lose all they have known of home, for some intangible dream of refuge in some faraway land across the merciless sea. Lampy is distracted; he has too much going on in his small town life in Ireland. He has the city girl for a bit of fun, but she's not Chloe, and Chloe took his heart away when she left him. There's the secret his mother will never tell him. His granddad's little sniping jokes are getting on his wick. And on top of all that, he has a bus to drive; those old folks from the home can't wait all day.The game was always the lifeblood coursing through John's veins: manipulating people for his enjoyment, or his enrichment, or his spite. But it was never enough. The ghost of his beloved brother, and the bitter disappointment of his father, have shadowed him all his life. But now that lifeblood is slowing down, and he's not sure if God will listen to his pleas for forgiveness. Three men, searching for some version of home, their lives moving inexorably towards a reckoning that will draw them all together.

Why does Skippy, a fourteen-year-old boy at Dublin's venerable Seabrook College, end up dead on the floor of the local doughnut shop?\nCould it have something to do with his friend Ruprecht Van Doren, an overweight genius who is determined to open a portal into a parallel universe using ten-dimensional string theory?\nCould it involve Carl, the teenage drug dealer and borderline psychotic who is Skippy's rival in love?\nOr could "the Automator"―the ruthless, smooth-talking headmaster intent on modernizing the school―have something to hide?\nWhy Skippy dies and what happens next is the subject of this dazzling and uproarious novel, unraveling a mystery that links the boys of Seabrook College to their parents and teachers in ways nobody could have imagined. With a cast of characters that ranges from hip-hop-loving fourteen-year-old Eoin "MC Sexecutioner" Flynn to basketball playing midget Philip Kilfether, packed with questions and answers on everything from Ritalin, to M-theory, to bungee jumping, to the hidden meaning of the poetry of Robert Frost, Skippy Dies is a heartfelt, hilarious portrait of the pain, joy, and occasional beauty of adolescence, and a tragic depiction of a world always happy to sacrifice its weakest members. As the twenty-first century enters its teenage years, this is a breathtaking novel from a young writer who will come to define his generation.

In this masterpiece by Emma Donoghue, bestselling author of Room, an English nurse is brought to a small Irish village to observe what appears to be a miracle -- a girl said to have survived without food for month -- and soon finds herself fighting to save the child's life. Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired to keep watch over the girl. Written with all the propulsive tension that made Room a huge bestseller, The Wonder works beautifully on many levels -- a tale of two strangers who transform each other's lives, a powerful psychological thriller, and a story of love pitted against evil. Acclaim for The Wonder: "Deliciously gothic.... Dark and vivid, with complicated characters, this is a novel that lodges itself deep" (USA Today, 3/4 stars) "Heartbreaking and transcendent"(New York Times) "A fable as lean and discomfiting as Anna's dwindling body.... Donoghue keeps us riveted" (Chicago Tribune) "Donoghue poses powerful questions about faith and belief" (Newsday)

Michael Moran is an old Irish Republican whose life was forever transformed by his days of glory as a guerrilla leader in the Irish War of Independence. Moran is till fighting—with his family, his friends, and even himself—in this haunting testimony to the enduring qualities of the human spirit.

One of the best Irish novels of the twentieth century and an enduring classic. Set in Dublin during the Lockout of 1913, it is a panoramic novel of city life. It embraces a wide range of social millieux, from the miseries of the tenements to the cultivated, bourgeois Bradshaws. It introduces a memorable cast of characters: the main protagonist, Fitz, a model of the hard-working, loyal and abused trade unionist; the isolated, well-meaning and ineffectual Fr O'Connor; the wretched and destitute Rashers Tierney. In the background hovers the enormous shadow of Jim Larkin, Plunkett's real-life hero. The novel's popularity derives from its realism and its naturalistic presentation of traumatic historical events. There are clear heroes and villains. The book is informed by a sense of moral outrage at the treatment of the locked out trade unionists, the indifference and evasion of the city's clergy and middle class and the squalor and degradation of the tenement slums.

The Last September is Elizabeth Bowen's portrait of a young woman's coming of age in a brutalized time and place, where the ordinariness of life floats like music over the impending doom of history.In 1920, at their country home in County Cork, Sir Richard Naylor and his wife, Lady Myra, and their friends maintain a skeptical attitude toward the events going on around them, but behind the facade of tennis parties and army camp dances, all know that the end is approaching—the end of British rule in the south of Ireland and the demise of a way of life that had survived for centuries. Their niece, Lois Farquar, attempts to live her own life and gain her own freedoms from the very class that her elders are vainly defending. The Last September depicts the tensions between love and the longing for freedom, between tradition and the terrifying prospect of independence, both political and spiritual."Brilliant.... A successful combination of social comedy and private tragedy."—The Times Literary Supplement (London)

A brilliant and moving novel about celebrity, sexual power, and a daughter’s search to understand her mother’s hidden truths.\nKatherine O’Dell is an Irish theater legend. As her daughter, Norah, retraces her mother’s celebrated career and bohemian life, she delves into long-kept secrets, both her mother’s and her own. Katherine began her career on Ireland’s bus-and-truck circuit before making it to London’s West End, Broadway, and finally Hollywood. Every moment of her life is a performance, with young Norah standing in the wings. But the mother-daughter romance cannot survive Katherine’s past or the world’s damage. With age, alcohol, and dimming stardom, Katherine’s grip on reality grows fitful. Fueled by a proud and long-simmering rage, she commits a bizarre crime.\nAs Norah’s role gradually changes to Katherine’s protector, caregiver, and finally legacy-keeper, she revisits her mother’s life of fiercely kept secrets; and Norah reveals in turn the secrets of her own sexual and emotional coming-of-age story. Her narrative is shaped by three braided searches―for her father’s identity; for her mother’s motive in donning a Chanel suit one morning and shooting a TV producer in the foot; and her own search for a husband, family, and work she loves.\nBringing to life two generations of women with difficult sexual histories, both assaulted and silenced, both finding―or failing to find―their powers of recovery, Actress touches a raw and timely nerve. With virtuosic storytelling and in prose at turns lyrical and knife-sharp, Enright takes readers to the heart of the maddening yet tender love that binds a mother and daughter.

"This debut novel about an Irish expat millennial teaching English and finding romance in Hong Kong is half Sally Rooney love triangle, half glitzy Crazy Rich Asians high living--and guaranteed to please." --Vogue  A RECOMMENDED BOOK FROM: The New York Times Book Review * Vogue * TIME * Marie Claire * Elle * O, the Oprah Magazine * The Washington Post * Esquire * Harper's Bazaar * Bustle * PopSugar * Refinery 29 * LitHub * Debutiful An intimate, bracingly intelligent debut novel about a millennial Irish expat who becomes entangled in a love triangle with a male banker and a female lawyer Ava, newly arrived in Hong Kong from Dublin, spends her days teaching English to rich children. Julian is a banker. A banker who likes to spend money on Ava, to have sex and discuss fluctuating currencies with her. But when she asks whether he loves her, he cannot say more than "I like you a great deal." Enter Edith. A Hong Kong-born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her--and wants her.  And then Julian writes to tell Ava he is coming back to Hong Kong... Should Ava return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith? Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life--and announces herself as a singular new voice.

A wonderfully warm and heartfelt debut from a stunning new talent. Everyone needs a guardian angel! Some people wait their whole lives to find their soul mates. But not Holly and Gerry. Childhood sweethearts, they could finish each other's sentences and even when they fought, they laughed. No one could imagine Holly and Gerry without each other. Until the unthinkable happens. Gerry's death devastates Holly. But as her 30th birthday looms, Gerry comes back to her. He's left her a bundle of notes, one for each of the months after his death, gently guiding Holly into her new life without him, each note signed 'PS, I Love You'. As the notes are gradually opened, and as the year unfolds, Holly is both cheered up and challenged. The man who knows her better than anyone sets out to teach her that life goes on. With some help from her friends, and her noisy and loving family, Holly finds herself laughing, crying, singing, dancing--and being braver than ever before. Life is for living, she realises--but it always helps if there's an angel watching over you.

Angela's Ashes, imbued on every page with Frank McCourt's astounding humor and compassion, is a glorious book that bears all the marks of a classic."When I look back on my childhood I wonder how I managed to survive at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood." So begins the luminous memoir of Frank McCourt, born in Depression-era Brooklyn to recent Irish immigrants and raised in the slums of Limerick, Ireland. Frank's mother, Angela, has no money to feed the children since Frank's father, Malachy, rarely works, and when he does he drinks his wages. Yet Malachy -- exasperating, irresponsible and beguiling-- does nurture in Frank an appetite for the one thing he can provide: a story. Frank lives for his father's tales of Cuchulain, who saved Ireland, and of the Angel on the Seventh Step, who brings his mother babies. Perhaps it is story that accounts for Frank's survival. Wearing rags for diapers, begging a pig's head for Christmas dinner and gathering coal from the roadside to light a fire, Frank endures poverty, near-starvation and the casual cruelty of relatives and neighbors--yet lives to tell his tale with eloquence, exuberance and remarkable forgiveness.