From one of the most important American writers of the twentieth century—an extraordinary history of the turbulent sixties and early seventies that powerfully speaks to contemporary conversations around racism.“It contains truth that cannot be denied.” —The Atlantic MonthlyIn this stunningly personal document, James Baldwin remembers in vivid details the Harlem childhood that shaped his early conciousness and the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America face-to-face.

From one of the great American writers of the twentieth century—a coming-of-age story about a fourteen-year-old boy questioning the terms of his identity, the racism he faces, and the double-edged role of religion in his life. • With an Introduction by Edwidge Danticat, award-winning author of Everything Inside.“Vivid imagery … lavish attention to details … [A] feverish story.” —The New York TimesOriginally published in 1953, Go Tell It on the Mountain—based in part on James Baldwin’s childhood in Harlem—was his first major work. With a potent combination of lyrical compassion and resonant rage, he portrays fourteen-year-old John Grimes, the stepson of a fire-breathing and abusive Pentecostal preacher in Harlem during the Depression. The action of this short novel spans a single day in John’s life, and yet manages to encompass on an epic scale his family’s troubled past and his own inchoate longings for the future, set against a shining vision of a city where he both does and does not belong. Baldwin’s story illuminates the racism his characters face as well as the double-edged role religion plays in their lives, both oppressive and inspirational.In prose that mingles gritty vernacular cadences with exalted biblical rhythms, Baldwin’s rendering of his young protagonist’s struggle to invent himself pioneered new possibilities in American language and literature.

From one of the most brilliant writers and thinkers of the twentieth century comes a collection of "passionate, probing, controversial" essays (The Atlantic) on topics ranging from race relations in the United States to the role of the writer in society.Told with Baldwin's characteristically unflinching honesty, this “splendid book” (The New York Times) offers illuminating, deeply felt essays along with personal accounts of Richard Wright, Norman Mailer and other writers.“James Baldwin is a skillful writer, a man of fine intelligence and a true companion in the desire to make life human. To take a cue from his title, we had better learn his name.” —The New York Times

In one of the greatest American classics, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity—told “with vivid imagery, with lavish attention to details ... [a] feverish story" (The New York Times).Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else."

#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in AmericaIn an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.\nWritten during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in “The Harlem Ghetto” to a sobering “Journey to Atlanta.” Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright’s work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise. Notes is the book that established Baldwin’s voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin’s own search for identity as an artist, as a black man, and as an American.

From one of the most brilliant and provocative literary figures of the past century comes a groundbreaking novel set among the bohemian bars and nightclubs of 1950s Paris, about love and the fear of love—“a book that belongs in the top rank of fiction” (The Atlantic).One of The Atlantic’s Great American Novels of the Past 100 YearsIn the 1950s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality.David is a young American expatriate who has just proposed marriage to his girlfriend, Hella. While she is away on a trip, David meets a bartender named Giovanni to whom he is drawn in spite of himself. Soon the two are spending the night in Giovanni’s curtainless room, which he keeps dark to protect their privacy. But Hella’s return to Paris brings the affair to a crisis, one that rapidly spirals into tragedy.David struggles for self-knowledge during one long, dark night—“the night which is leading me to the most terrible morning of my life.” With a sharp, probing imagination, James Baldwin's now-classic narrative delves into the mystery of loving and creates a deeply moving story of death and passion that reveals the unspoken complexities of the human heart.

Set in Greenwich Village, Harlem, and France, among other locales, Another Country is a novel of passions—sexual, racial, political, artistic—that is stunning for its emotional intensity and haunting sensuality, depicting men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime. In a small set of friends, Baldwin imbues the best and worst intentions of liberal America in the early 1970s.

NATIONAL BESTSELLER • The book that galvanized the nation, gave voice to the emerging civil rights movementin the 1960s—and still lights the way to understanding race in America today. • "The finest essay I’ve ever read.” —Ta-Nehisi CoatesAt once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document from the iconic author of If Beale Street Could Talk and Go Tell It on the Mountain. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism.Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle … all presented in searing, brilliant prose," The Fire Next Time stands as a classic of literature.

A major collection of short stories by one of America’s most important writers—informed by the knowledge the wounds racism leaves in both its victims and its perpetrators. • “If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje, Booker Prize-winner of The English PatientIn this modern classic, "there's no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories detail the ingenious and often desperate ways in which they try to keep their head above water.It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.By turns haunting, heartbreaking, and horrifying, Going to Meet the Man is a major work by one of our most important writers.

At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable.     For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. And everywhere there is the anguish of being black in a society that at times seems poised on the brink of total racial war. Overpowering in its vitality, extravagant in the intensity of its feeling, Tell Me How Long the Train's Been Gone is a major work of American literature.  

From one of the most important writers of the twentieth century comes a stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime—"a moving, painful story, so vividly human and so obviously based on reality that it strikes us as timeless" (The New York Times Book Review)."One of the best books Baldwin has ever written—perhaps the best of all." —The Philadelphia InquirerTold through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin’s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.