Product Description Few musical genres inspire the passionate devotion of jazz. Its mystique goes far beyond the melodies and rhythms, with its key players and singers discussed by aficionados with a respect that borders on reverence. Some books on jazz offer little more than theory or dry facts, thereby relinquishing the 'essence' of the music. This book is different. One of the most influential and internationally known writers on the subject describes, through vivid personal contacts, reminiscences and zesty anecdotes, his life in jazz as a player, broadcaster and observer. Alyn Shipton recalls friendships with legendary musicians, while revealing fresh discoveries about such luminaries as Fats Waller, Louis Armstrong, Count Basie, Duke Ellington, Charlie Parker, Abbey Lincoln and Geri Allen. On Jazz powerfully evokes the atmosphere of clubs and dancehalls, and takes us behind the scenes and up onto the stage, so that this electrifying world is unforgettably spotlighted as never before. Review ‘This is the back story of the gods who create the magic. I loved it.' Sonny Rollins‘This immensely readable and compelling book describes unique encounters with the leading figures of jazz – including extensive interviews with Sonny Rollins and Oscar Peterson – from the perspective of one of the world's leading jazz authorities. Respected by musicians, fans and academics for his encyclopaedic knowledge, Alyn Shipton is familiar to wider audiences through his prolific writing, broadcasting, bass playing and bandleading. He now offers the reader fascinating insights from his life in jazz, and vividly narrates many great stories which appear in print here for the first time.' Catherine Tackley, Professor of Music, University of Liverpool, author of Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert and co-author of Black British Jazz‘I've really enjoyed the convivial chat with Roy Haynes, Harry Dial's off the cuff remarks and apocryphal stories about Bud Powell. It's not hard to be re-seduced by the music – as every page is filled with unmined gemstones, from an artform you thought you knew. All too often, jazz tomes seem unnecessarily lofty, or purely academic. However, this is both a very personal semi-autobiographical journey through jazz, and it describes the social context and cultural milieu that these great innovators emerged from.' Soweto Kinch, Musician and broadcaster'This lively book hits all the right notes and will delight both jazz aficionados and neophytes.' Carolyn M. Mulac, Library Journal‘On Jazz covers a spectacularly extensive waterfront … this book is not a smorgasbord, it’s a feast.’ Ben Thompson, Mojo'Before you even turn the dustcover, an Alyn Shipton book deserves respect.' Jazzwise Book Description A vivid and fascinating up-close encounter with jazz, brim-full of anecdote and personal reminiscence, by an internationally known broadcaster and writer. About the Author Alyn Shipton is a writer, publisher, broadcaster and jazz double bassist. He has broadcast about jazz since 1989, and currently hosts BBC Radio 3's long-running and much loved programme Jazz Record Requests. His biographies of Dizzy Gillespie (1999) and singer-songwriter Harry Nilsson (2013) both won Association for Recorded Sound Collections (ARSC) Awards for Excellence; and Nilsson also gained an American Society of Composers, Authors and Publishers (ASCAP) Foundation Deems Taylor/Virgil Thompson Award. His New History of Jazz (2001) was the Jazz Journalists' Association (JJA) book of the year and named 'the most outstanding single-volume history of jazz' by the Jazz Institute of Chicago. His most recent work, The Art of Jazz: A Visual History (2020), was described as 'indispensible' by Publishers Weekly. He leads the Buck Clayton Legacy Band, and is a research fellow of the Royal Academy of Music in London.

Playing Solo Jazz Piano is an essential new book for creative jazz pianists.Readers will learn essential solo jazz piano concepts like stride piano, one-handed shell voicings, comping, using basslines, shared-hand voicings, leaving out the bass, and playing ballads. Plus, the book explores modern approaches to solo jazz piano including perpetual motion, counterpoint, and borrowing from classical music. With over 200 musical examples, references to over 100 jazz pianists, and numerous hands-on exercises, Playing Solo Jazz Piano is the perfect how-to for passionate, innovative pianists.[NOTE: 2nd Edition is now available! It includes two new chapters and links for videos for all musical examples. Search "Playing Solo Jazz Piano, 2nd Edition"]" Jeremy has done a remarkable job of organizing the whole history of jazz piano in the book you now hold. It is concise and yet open-ended simultaneously. All of the important concepts and historical styles are here, and presented in a way that is thorough and that will also stimulate you to investigate, listen, experiment and have fun with the world of solo jazz piano."- Fred Hersch, jazz pianist, fifteen-time Grammy nominee"Jeremy Siskind’s book takes solo pianistson a journey from basic concepts to a real musical conversation: between both hands, across jazz tradition, with textures and rhythms, counterpoint and new harmonies. There’s a wealth of musical ideas here: how to efficiently practice, creatively delveinto a song, and musically tell a story."- Tamir Hendelman, pianist (Jeff Hamilton Trio, UCLA lecturer, recording artist)“ I’ve been waiting for this book! Jeremy Siskind presents a cogent and stimulating series of techniques and approaches to creative solo piano playing, rooted in the tradition while inviting both students and professionals to find their own voice and musical personality. The material is historically informed, well-organized, and specific, yet quite open-ended and fun to read and practice. Early and often, the book provides excellent guidance on how to develop the oft-neglected left hand. Finally, the lists of recommended recorded examples from the music’s solo piano masters are an invaluable asset.”- Jason Yeager, Assistant Professor of Piano, Berklee College of Music“ Playing Solo Jazz Piano is an extraordinarily comprehensive text on a complex subject. Jeremy expertly covers a breadth of techniques and styles while introducing fresh concepts drawn from his own unique artistic experience. This book is an invaluable resource for the beginner and advanced student alike."- David Meder, Assistant Professor of Piano, University of North TexasAuthor Jeremy Siskind is the student of Fred Hersch and the teacher of widely-hailed prodigy Justin-Lee Schultz. A top finisher in several national and international jazz piano competitions, Siskind is a two-time laureate of the American Pianists Association and the winner of the Nottingham International Jazz Piano Competition. Besides a performance career in which he has been praised as “a genuine visionary” (Indianapolis Star) who “seems to defy all boundaries” (JazzInk), Siskind is an active teacher, including as a faculty member at Western Michigan University and Fullerton College. The author of over fifteen pedagogical books, Siskind chairs the Creative Track for the National Conference for Keyboard Pedagogy and serves as a regular clinician for Yamaha Music Education. He regularly travels too spread peace through music in places like Lebanon, Cyprus, Thailand, China, India, Colombia, and Tunisia with the organization Jazz Education Abroad.

Keith Jarrett is one of the great pianists of our times. Before achieving worldwide fame for his solo improvisations, he had already collaborated with Art Blakey, Charles Lloyd and Miles Davis. His 'Koln Concert' album (1975) has now sold around four million copies and become the most successful solo recording in jazz history. His interpretations of the music of Bach, Handel, Bartok or Shostakovich, have also received much attention in later years. Jarrett is considered difficult and inaccessible, and has often abandoned the stage during his concerts due to restless audiences or disturbing photographers. Only few writers have come as close to Keith Jarrett as Wolfgang Sandner, who has not only been following Jarrett's remarkable career from the nineteen-sixties onward, but has actually had the opportunity to visit him in his home in Oxford, New Jersey. Sandner squelches some legends here, such as the one concerning Jarrett's alleged Hungarian Roma family background. For this biography, which is full of detailed musical analyses and cross-references to other artistic genres, Wolfgang Sandner has also collected new information about the origins of Jarrett's paternal family from today's Baden-Wurttemberg region in Germany - this, not least, thanks to the translator, Keith Jarrett's youngest brother Chris. This English edition is a significantly extended and updated version of the German original as concerns important aspects of Keith Jarrett's life and work.

(Keyboard Instruction). This comprehensive instructional book takes students through a step-by-step process of learning both the basics and the more advanced techniques of the style so that they can eventually become their own teachers. Based on Arthur Migliazza's uniquely systematic method of instruction, and over 19 years of experience teaching students of all skill levels, this book covers everything from left-hand bass patterns, right-hand licks and essential chords, to turnarounds, intros, endings, and even a chapter on how to play by ear.

This book is about women in jazz. It charts their journeys, celebrates their presence, hears their voices, wonders at their prowess and revels in their being. We hear from female agents, arrangers, composers, musicians, PR people, radio hosts, record label managers, singers, writers and more. These are their stories; their views of jazz and how they see the future. The established performers share their years of experience whilst those newer to jazz reflect on observations and changes they have seen. Containing interviews and first-hand accounts, this book is witness to the generosity, profundity and positivity with which women have responded and the energy they have put into their lives in overcoming challenges.

Endorsed by Kenny Barron, Jamey Aebersold, Richie Beirach, and more, this book presents all the information a student of jazz piano needs in an easy-to-understand, yet thorough, manner. For intermediate to advanced pianists, written by one of the acknowledged masters of jazz piano playing.

Poised to become a classic of jazz literature, Visions of Jazz: The First Century offers seventy-nine chapters illuminating the lives of virtually all the major figures in jazz history. From Louis Armstrong's renegade-style trumpet playing to Sarah Vaughan's operatic crooning, and from the swinging elegance of Duke Ellington to the pioneering experiments of Ornette Coleman, jazz critic Gary Giddins continually astonishes the reader with his unparalleled insight. Writing with the grace and wit that have endeared his prose to Village Voice readers for decades, Giddins also widens the scope of jazz to include such crucial American musicians as Irving Berlin, Rosemary Clooney, and Frank Sinatra, all primarily pop performers who are often dismissed by fans and critics as mere derivatives of the true jazz idiom. And he devotes an entire quarter of this landmark volume to young, still-active jazz artists, boldly expanding the horizons of jazz--and charting and exploring the music's influences as no other book has done.

"Jones has learned—and this has been very rare in jazz criticism—to write about music as an artist."—Nat Hentoff ksBlack Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959–1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.LeRoi Jones (now known as Amiri Baraka) is the author of numerous books of poetry, fiction, and nonfiction. He was named Poet Laureate of New Jersey from 2002 to 2004 by the New Jersey Commission on Humanities. His most recent book, Tales of the Out & the Gone (Akashic Books, 2007), was a New York Times Editors' Choice and winner of a PEN/Beyond Margins Award. He lives in Newark, New Jersey.

Notes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. It consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with the most influential jazz musicians of the '60s and '70s-including:Art BlakeyBetty CarterDon CherryKenny ClarkeOrnette ColemanMiles DavisKenny DorhamDizzy GillespieHampton HawesFreddie HubbardElvin JonesCarmen McRaeMax RoachSonny RollinsNina SimoneRandy WestonAs a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs.

A practical and systematic method that teaches how to practice jazz piano voicings so that they become automatic and intuitive. The method progresses step-by-step from 2- to 7-voice chord structures with fourths and upper-structure triads. Each chapter presents essential harmonic progressions written and spelled out in all keys, along with fingerings to help non-keyboardists. Also provided are songs written out for both hands, which utilize the techniques and voicings just learned. Includes comping rhythms, bass line techniques, and practice strategies. Excellent for both classroom and individual study. Strongly endorsed by Mark Levine, Bobby Shew, Denis Diblasio, and many others. The included play-along audio allows you to practice the piano exercises in the book with bass and drum accompaniment. You can also practice comping along with a saxophone soloist. A demonstration piano track on one channel, played with a stylistic comping feel, gives you an idea of how the piano voicing exercises should sound. Large 248 page spiral-bound book and audio.