NATIONAL BESTSELLERA GOOD MORNING AMERICA BOOK CLUB PICK!Winner of the NAACP Image Award, Outstanding Literary Work, FictionShortlisted for The Center for Fiction First Novel PrizeFrom National Book Award-winning author Elizabeth Acevedo comes the story of one Dominican American family told through the voices of its womenFlor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila.But Flor isn’t the only person with secrets: her sisters are hiding things, too. And the next generation, cousins Ona and Yadi, face tumult of their own.Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo’s inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces—one family’s journey through their history, helping them better navigate all that is to come.A Best Book of 2023 from: Washington Post * Good Housekeeping * Real Simple * Harper's Bazaar * Elle * Time * NPR

Celebrating Diverse Voices: An Insightful Exploration of Latinx IdentityDive into Wild Tongues Can't Be Tamed, a thought-provoking anthology filled with enlightening essays and vivid narratives from the heart of the Latinx diaspora.Handpicked by the founder of The Bronx Is Reading, Saraciea J. Fennell, this compilation is a powerful examination of the diverse aspects of Latinx identity, with a spotlight on prevailing myths and misconceptions.Extracting hard-hitting themes of reality, these words echo with stories ranging from personal tales of love and grief, cultural memories forged in kitchens, serenades of ghost stories, tales of travels, intricate dialogues on identity, addiction, racism and anti-Blackness.The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi.

Elizabeth Acevedo, ganadora del National Book Award, regresa con su primera novela para un público adulto: una magnífica oda a la sabiduría del linaje femenino con un toque de fantasía caribeñaPor la sangre de las mujeres Marte corre una magia que les concede dones especiales. Creciendo en República Dominicana, y luego al migrar a Nueva York, las hermanas Flor, Matilde, Pastora y Camila aprendieron a valerse de ellos, y de la fuerza de su vínculo, para protegerse de las hostilidades del mundo. Pero también, a callarse sus deseos, temores y anhelos más profundos. Por eso, cuando Flor anuncia que va a celebrar un velorio en vida, el matriarcado se conmociona: su don es predecir la muerte, pero ella se niega a admitir si ha llegado su hora. O la de alguien más.Sabiduría familiar sigue a las Marte a través de este período liminal, mientras se preparan para el velorio de Flor y lo que vendrá después. Con excepcional maestría, y su inconfundible y deslumbrante voz poética, Elizabeth Acevedo teje la epopeya de las Marte: una familia sinigual que, como cualquier otra, deberá romper el conjuro del silencio para empezar a escribir su futuro.«Un relato laberíntico en torno a la sororidad y el caos del amor... Sabiduría familiar, después de todo, no trata acerca de prepararse para la muerte, sino de deleitarse en la oportunidad de vivir». —NEW YORK TIMES BOOK REVIEWFrom bestselling, National Book Award–winning author Elizabeth Acevedo comes her first novel for adults, a magnificent ode to the wisdom of the female lineage with a touch of Caribbean fantasy.In the blood of the Marte women runs a magic that bestows upon them special gifts. Growing up in the Dominican Republic, and later migrating to New York, sisters Flor, Matilde, Pastora, and Camila learned to harness these gifts and the strength of their bond to protect themselves from the hostilities of the world. But they also learned to keep their deepest desires, fears, and longings to themselves. When Flor announces that she's going to hold a living wake, the matriarchy is shaken: her gift is predicting death, but she refuses to admit if her time has come. Or someone else's.Family Lore follows the Marte women through this liminal period as they prepare for Flor's wake and what will come after. With exceptional mastery and her inimitable and incandescent poetic voice, Elizabeth Acevedo weaves an indelible portrait of sisters and cousins, aunts and nieces—the journey of a unique family that, like any other, must break the spell of silence to begin writing their future.

National Book Award Finalist * William C. Morris YA Debut Award Finalist * Goodreads Finalist for Best Teen Book of the Year * Walter Honor Award Winner * Pura Belpré Honor Book * Lambda Literary Award Winner for LGBTQ+ Young AdultA sharply funny and moving debut novel about a queer Mexican American girl navigating Catholic school, while falling in love and learning to celebrate her true self. Perfect for fans of Erika L. Sánchez, Leah Johnson, and Gabby Rivera.Sixteen-year-old Yamilet Flores prefers to be known for her killer eyeliner, not for being one of the only Mexican kids at her new, mostly white, very rich Catholic school. But at least here no one knows she’s gay, and Yami intends to keep it that way.After being outed by her crush and ex-best friend before transferring to Slayton Catholic, Yami has new priorities: keep her brother out of trouble, make her mom proud, and, most importantly, don’t fall in love. Granted, she’s never been great at any of those things, but that’s a problem for Future Yami.The thing is, it’s hard to fake being straight when Bo, the only openly queer girl at school, is so annoyingly perfect. And smart. And talented. And cute. So cute. Either way, Yami isn’t going to make the same mistake again. If word got back to her mom, she could face a lot worse than rejection. So she’ll have to start asking, WWSGD: What would a straight girl do?Told in a captivating voice that is by turns hilarious, vulnerable, and searingly honest, The Lesbiana’s Guide to Catholic School explores the joys and heartaches of living your full truth out loud.

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK · WINNER OF THE BROOKLYN PUBLIC LIBRARY PRIZE • INTERNATIONAL LATINO BOOK AWARD FINALISTA blazing talent debuts with the tale of a status-driven wedding planner grappling with her social ambitions, absent mother, and Puerto Rican roots―all in the wake of Hurricane MariaNAMED ONE OF THE BEST BOOKS OF THE YEAR: Kirkus, Washington Post, TIME, NPR, Vogue, Esquire, Book Riot, Goodreads, EW, Reader's Digest, and more!"Don’t underestimate this new novelist. She’s jump-starting the year with a smart romantic comedy that lures us in with laughter and keeps us hooked with a fantastically engaging story." ―The Washington PostIt's 2017, and Olga and her brother, Pedro “Prieto” Acevedo, are boldfaced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn, while Olga is the tony wedding planner for Manhattan’s power brokers.Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1 percent but she can’t seem to find her own. . . until she meets Matteo, who forces her to confront the effects of long-held family secrets.Olga and Prieto’s mother, Blanca, a Young Lord turned radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives.Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico’s history, Xochitl Gonzalez’s Olga Dies Dreaming is a story that examines political corruption, familial strife, and the very notion of the American dream―all while asking what it really means to weather a storm.

A GOOD MORNING AMERICA BOOK CLUB PICKShortlisted for the 2020 Women's Prize for Fiction“Through a novel with so much depth, beauty, and grace, we, like Ana, are forever changed.” ―Jacqueline Woodson, Vanity Fair“Gorgeous writing, gorgeous story.” ―Sandra CisnerosFifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights. Lonely and miserable, Ana hatches a reckless plan to escape. But at the bus terminal, she is stopped by Cesar, Juan’s free-spirited younger brother, who convinces her to stay.As the Dominican Republic slides into political turmoil, Juan returns to protect his family’s assets, leaving Cesar to take care of Ana. Suddenly, Ana is free to take English lessons at a local church, lie on the beach at Coney Island, see a movie at Radio City Music Hall, go dancing with Cesar, and imagine the possibility of a different kind of life in America. When Juan returns, Ana must decide once again between her heart and her duty to her family.In bright, musical prose that reflects the energy of New York City, Angie Cruz's Dominicana is a vital portrait of the immigrant experience and the timeless coming-of-age story of a young woman finding her voice in the world.

A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other PartiesIn the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope―the haunted house, erotica, the bildungsroman―through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

A novel of enormous achievement, Monkey Boy tells the tale of Francisco Goldberg, a middle-aged writer who grapples with the challenges of family and love, legacies of violence and war, and growing up Guatemalan and Jewish in America."Full of rebellious comedy and vitality. . . Goldman’s autobiographical immersion answers the urgent cry of memory. . . [He] is a natural storyteller―funny, intimate, sarcastic, all-noticing.” ―James Wood, New YorkerFrancisco Goldman’s first novel since his acclaimed, nationally bestselling Say Her Name (winner of the Prix Femina étranger), Monkey Boy is a sweeping story about the impact of divided identity―whether Jewish/Catholic, white/brown, native/expat―and one misfit’s quest to heal his damaged past and find love.Our narrator, Francisco Goldberg, an American writer, has been living in Mexico when, because of a threat provoked by his journalism, he flees to New York City, hoping to start afresh. His last relationship ended devastatingly five years before, and he may now finally be on the cusp of a new love with a young Mexican woman he meets in Brooklyn. But Francisco is soon beckoned back to his childhood home outside Boston by a high school girlfriend who witnessed his youthful humiliations, and to visit his Guatemalan mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. On this five-day trip, the specter of Frank’s recently deceased father, Bert, an immigrant from Ukraine – pathologically abusive, yet also at times infuriatingly endearing ― as well as the dramatic Guatemalan woman who helped raise him, and the high school bullies who called him “monkey boy,” all loom.Told in an intimate, irresistibly funny, and passionate voice, this extraordinary portrait of family and growing up “halfie,” unearths the hidden cruelties in a predominantly white, working-class Boston suburb where Francisco came of age, and explores the pressures of living between worlds all his life. Monkey Boy is a new masterpiece of fiction from one of the most important American voices in the last forty years.

“Aida Rodriguez is part of the next wave of talented comedic storytellers that I dreamt about when I was trying to break down barriers in the industry. Besides being a fierce Latina powerhouse, she’s FUNNY AS HELL! So buy this book. No really, BUY THIS BOOK!!! I don’t want any problems, ya heard?!”—John Leguizamo, Emmy and Tony Award–winning actor, writer, and producerA poignant and moving memoir-in-essays from stand-up comedian Aida Rodriguez on the power of overcoming hardship and transforming pain into laughter.Aida Rodriguez has, to put it mildly, lived a whirlwind life. Her rags-to-riches story is mind-blowing: She was kidnapped as a child by her mother in the Dominican Republic and brought to the US. She was later kidnapped again by her grandmother and uncle and moved from New York to Florida. As an adult, she ended a difficult marriage and endured homelessness with her children in Los Angeles. But through it all she never lost her sense of humor.Born with a wonderful wit and an irrepressible spirit, Aida used her gifts and worked tirelessly, turning tragedy and pain into biting comedy that takes on everything from misogyny and racism to social media and news headlines. She eventually released a hit HBO Max special, which led to multiple development deals—success that won her a nationwide audience, opened doors, and helped her expand the way Latinos are represented in comedy.In this, her highly anticipated first book, Aida charts her many ups and downs. From personal setbacks to career highs and everything in between, Legitimate Kid is endearing, shocking, and ultimately life-affirming.

Award-winning Mexican-American and Indigenous author Jennifer Givhan brings us an exquisitely written, spell-binding psychological thriller—weaving together folk magick with personal and cultural empowerment—that is perfect for fans of Mexican Gothic.When Eva’s husband is arrested for the murder of a friend, she must confront her murky past and embrace her magick to find out what really happened that night on the river.Eva Santos Moon is a burgeoning Chicana artist who practices the ancient, spiritual ways of brujería and curanderisma, but she’s at one of her lowest points—suffering from disorienting blackouts, creative stagnation, and a feeling of disconnect from her magickal roots. When her husband, a beloved university professor and the glue that holds their family together, is taken into custody for the shocking murder of their friend, Eva doesn’t know whom to trust—least of all, herself. She soon falls under suspicion as a potential suspect, and her past rises to the surface, dredging up the truth about an eerily similar death from her childhood.Struggling with fragmented memories and self-doubt, an increasingly terrified Eva fears that she might have been involved in both murders. But why doesn’t she remember? Only the dead women know for sure, and they’re coming for her with a haunting vengeance. As she fights to keep her family out of danger, Eva realizes she must use her magick as a bruja to protect herself and her loved ones, while confronting her own dark history.River Woman, River Demon is a mysterious incantation of reckoning with the past and claiming one’s unique power and voice.

A NEW YORK TIMES EDITOR'S CHOICE · A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK · REVIEWED ON THE FRONT COVERFrom GMA BOOK CLUB PICK and WOMEN'S PRIZE FINALIST Angie Cruz, author of Dominicana, an electrifying new novel about a woman who has lost everything but the chance to finally tell her story“Will have you LAUGHING line after line...Cruz AIMS FOR THE HEART, and fires.” ―Los Angeles Times"An endearing portrait of a FIERCE, FUNNY woman." ―The Washington PostCara Romero thought she would work at the factory of little lamps for the rest of her life. But when, in her mid-50s, she loses her job in the Great Recession, she is forced back into the job market for the first time in decades. Set up with a job counselor, Cara instead begins to narrate the story of her life. Over the course of twelve sessions, Cara recounts her tempestuous love affairs, her alternately biting and loving relationships with her neighbor Lulu and her sister Angela, her struggles with debt, gentrification and loss, and, eventually, what really happened between her and her estranged son, Fernando. As Cara confronts her darkest secrets and regrets, we see a woman buffeted by life but still full of fight.Structurally inventive and emotionally kaleidoscopic, How Not to Drown in a Glass of Water is Angie Cruz’s most ambitious and moving novel yet, and Cara is a heroine for the ages.

NATIONAL BESTSELLERPerfect for fans of Alice Hoffman, Isabel Allende, and Sarah Addison Allen, a family searches for the truth hidden in their past in this “expertly woven tale of family power, threaded with as much mystery as magic” (V.E. Schwab, #1 New York Times bestselling author).The Montoyas are used to a life without explanations. They know better than to ask why the pantry never seems to run low, or why their matriarch won’t ever leave their home in Four Rivers—not for graduations, weddings, or baptisms. But when Orquídea Divina invites them to her funeral and to collect their inheritance, they hope to learn the secrets that she has held onto so tightly their whole lives. Instead, Orquídea is transformed into a ceiba tree, leaving them with more questions than answers.Seven years later, her gifts have manifested in different ways for Marimar, Rey, and Rhiannon, granting them unexpected blessings and powers. But soon, a hidden figure begins to tear through their family tree, picking them off one by one as it seeks to destroy Orquídea’s line. Determined to save what’s left of their family and uncover the truth behind their inheritance, her descendants travel to Ecuador—to the place where Orquídea buried her secrets and broken promises and never looked back.Alternating between Orquídea’s past and her descendants’ present, The Inheritance of Orquídea Divina is a “spellbinding tale, both timeless and fresh, that will stay with you long after you’ve turned the last page. Prepare to fall in love” (Kim Liggett, New York Times bestselling author).

Reading the West Book Awards NomineeLonglisted for the Aspen Words Literary PrizeA New York Times Book Review Editors' ChoiceA dazzling debut collection spanning a century of Black American and Afro-Latino life in Puerto Rico, Pittsburgh, Louisiana, Miami, and beyond--and an evocative meditation on belonging, the meaning of home, and how we secure freedom on our own termsProfoundly moving and powerful, the stories in When Trying to Return Home dig deeply into the question of belonging. A young woman is torn between overwhelming love for her mother and the need to break free from her damaging influence during a desperate and disastrous attempt to rescue her brother from foster care. A man, his wife, and his mistress each confront the borders separating love and hate, obligation and longing, on the eve of a flight to San Juan. A college student grapples with the space between chivalry and machismo in a tense encounter involving a nun. And in 1930s Louisiana, a woman attempting to find a place to call her own chances upon an old friend at a bar and must reckon with her troubled past.Forming a web of desires and consequences that span generations, McCauley's Black American and Afro-Puerto Rican characters remind us that these voices have always been here, occupying the very center of American life--even if we haven't always been willing to listen.

The star of Orange is the New Black and Jane the Virgin presents her personal story of the real plight of undocumented immigrants in this countryDiane Guerrero, the television actress from the megahit Orange is the New Black and Jane the Virgin, was just fourteen years old on the day her parents were detained and deported while she was at school. Born in the U.S., Guerrero was able to remain in the country and continue her education, depending on the kindness of family friends who took her in and helped her build a life and a successful acting career for herself, without the support system of her family.In the Country We Love is a moving, heartbreaking story of one woman's extraordinary resilience in the face of the nightmarish struggles of undocumented residents in this country. There are over 11 million undocumented immigrants living in the US, many of whom have citizen children, whose lives here are just as precarious, and whose stories haven't been told. Written with bestselling author Michelle Burford, this memoir is a tale of personal triumph that also casts a much-needed light on the fears that haunt the daily existence of families likes the author's and on a system that fails them over and over.

Winner of the 2023 Joyce Carol Oates PrizeFinalist for the 2023 Aspen Words Literary PrizeFinalist for the 2023 Balcones Prize for FictionLonglisted for the 2022 Story PrizeShimmering stories set in California’s Central Valley, the first book in a decade from a virtuoso story writer.“Her immediate concern was money.” So begins the first story in Manuel Muñoz’s dazzling new collection. In it, Delfina has moved from Texas to California’s Central Valley with her husband and small son, and her isolation and desperation force her to take a risk that ends in profound betrayal.These exquisite stories are mostly set in the 1980s in the small towns that surround Fresno. With an unflinching hand, Muñoz depicts the Mexican and Mexican American farmworkers who put food on our tables but are regularly and ruthlessly rounded up by the migra, as well as the quotidian struggles and immense challenges faced by their families. The messy and sometimes violent realities navigated by his characters―straight and gay, immigrant and American-born, young and old―are tempered by moments of surprising, tender care: Two young women meet on a bus to Los Angeles to retrieve husbands who must find their way back from the border after being deported; a gay couple plans a housewarming party that reveals buried class tensions; a teenage mother slips out to a carnival where she encounters the father of her child; the foreman of a crew of fruit pickers finds a dead body and is subsequently―perhaps literally―haunted.In The Consequences, obligation can shape, support, and sometimes derail us. It’s a magnificent new book from a gifted writer at the height of his powers.

A Best Book of 2023 - USA Today, Vogue.com, HipLatina, Largehearted Boy"With tongue-in-cheek humor and sharp cultural criticism, this novel is an unforgettable exploration of diasporic identity politics and the dangers of wanting to belong at any cost." —Xochitl Gonzalez, The TODAY Show"Lozada-Oliva's apocalyptic debut novel in prose is an ode to complicated family dynamics, the overwhelming ways love can consume and eat us alive." —Pamela Avila, USA TodayYour granddaughters are lost, Candelaria. Bianca, the brainy archaeologist, had to forfeit her life's work in Guatemala after her advisor seduced and deserted her. Paola, missing for over a decade, resurfaces in Boston as a brainwashed wellness cultist named Zoe. And Candy, the youngest, is a recovering addict who finds herself pregnant by a man she's not even sure ever existed. None of this concerns you of course, until a cataclysmic earthquake hits Boston. Now you must traverse the crumbling city to reach the Watertown Mall Old Country Buffet—for a reason you still cannot disclose—battling strange entities and your own strange past to save your granddaughters and possibly the world.Author of Dreaming of You Melissa Lozada-Oliva delivers an unsettling, raucous debut novel written with tongue-in-cheek humor and sharp cultural criticism that unearths one troubled family’s legacy, feasting on diasporic identity politics and examining the limits of bodily autonomy and the dangers of wanting to belong at any cost.A sweeping, mystical novel following three generations of women as they grapple with muddled pasts and predetermined futures, Candelaria is a story of love that eats us alive.

Three starred reviews!A Pura Belpré Illustrator Honor BookA Chicago Public Library Best BookA family remembers their beloved pet dog through the traditions of Día de Muertos in this “gorgeous, deeply touching exploration of grief and remembrance” (Kirkus Reviews, starred review) from Pura Belpré Honor–winning team Xelena González and Adriana M. Garcia.A child and their family observe the customs of Día de los Angelitos, one of the ritual celebrations of Día de Muertos, to celebrate the life of their beloved dog who passed away. They build a thoughtful ofrenda to help lead the pet’s soul home and help the little one process their grief in this moving reminder that loved ones are never really gone if we take the time to remember them.

La estrella de Orange is the New Black y de Jane the Virgin presenta su historia personal acerca de la grave situación en que se encuentran los inmigrantes indocumentados en este país.Diane Guerrero, la actriz de televisión del popular programa Orange is the New Black y de Jane the Virgin, contaba con sólo catorce años cuando un día sus padres y su hermano fueron arrestados y deportados mientras ella estaba en la escuela. Como había nacido en Estados Unidos, Guerrero pudo permanecer en el país y seguir estudiando gracias a la bondad de amigos de la familia, quienes se hicieron cargo de ella y la ayudaron a construir su propio camino y a que se convirtiera en una exitosa actriz de carrera sin tener la red de apoyo de su familia.En el país que amamos es una historia conmovedora y dolorosa sobre la resistencia extraordinaria de una mujer ante las aterradoras luchas que enfrentan los residentes indocumentados de este país. Hay más 11 millones de inmigrantes indocumentados viviendo en Estados Unidos, muchos de los cuales tienen hijos con ciudadanía estadounidense, pero cuya permanencia en este país es tan frágil como la de sus padres y cuyas historias no han sido contadas. Escrita en conjunto con Michelle Burford, esta autobiografía es una historia de triunfo personal que, además, arroja una muy necesaria luz sobre los miedos que permean la vida diaria de familias como la de la autora y sobre un sistema que les falla una y otra vez.

A powerful novel that's "hilarious, heartbreaking, and ass-kicking" (Jamie Ford) about a Puerto Rican family in Staten Island who discovers their long‑missing sister is potentially alive and cast on a reality TV show, and sets out to bring her home.Winner of the 2024 PEN/Faulkner Award for Fiction · Longlisted for the Aspen Words Literary Prize · March Indie Next Pick · Belletrist, Phenomenal, Page & Pairing, and Readers Digest book club pickThe Ramirez women of Staten Island orbit around absence. When thirteen‑year‑old middle child Ruthy disappeared after track practice without a trace, it left the family scarred and scrambling. One night, twelve years later, oldest sister Jessica spots a woman on her TV screen in Catfight, a raunchy reality show. She rushes to tell her younger sister, Nina: This woman's hair is dyed red, and she calls herself Ruby, but the beauty mark under her left eye is instantly recognizable. Could it be Ruthy, after all this time?The years since Ruthy's disappearance haven't been easy on the Ramirez family. It’s 2008, and their mother, Dolores, still struggles with the loss, Jessica juggles a newborn baby with her hospital job, and Nina, after four successful years at college, has returned home to medical school rejections and is forced to work in the mall folding tiny bedazzled thongs at the lingerie store.After seeing maybe‑Ruthy on their screen, Jessica and Nina hatch a plan to drive to where the show is filmed in search of their long‑lost sister. When Dolores catches wind of their scheme, she insists on joining, along with her pot-stirring holy roller best friend, Irene. What follows is a family road trip and reckoning that will force the Ramirez women to finally face the past and look toward a future—with or without Ruthy in it.What Happened to Ruthy Ramirez is a vivid family portrait, in all its shattered reality, exploring the familial bonds between women and cycles of generational violence, colonialism, race, and silence, replete with snark, resentment, tenderness, and, of course, love.A Most Anticipated Book of 2023 by Elle • USA Today • Today.com • Ms. Magazine • Good Housekeeping • Bustle • The Week • Goodreads • Bookriot • Pop Culturely • SheReads • Litreactor • Electric Lit • The Mary Sue • People Español • Zibby Mag • Debutiful • Her CampusBest Books of March by Shondaland • Ms. Magazine • Popsugar • Bookriot • Debutiful • Powell’s Book Blog • TIME 100 must-read book of 2023 • Booklist Top 10 debut of 2023 • Library Journal Best Pop Fiction of 2023 • The Latinidad List Best Debut Novel of 2023 • Chicago Public Library Favorite Book of 2023 • Good Housekeeping Must-Read Book of 2023 • Today.com Standout Book of 2023

The true story of Guatemala’s political turmoil of the 1950s as only a master of fiction can tell itGuatemala, 1954. The military coup perpetrated by Carlos Castillo Armas and supported by the CIA topples the government of Jacobo Árbenz. Behind this violent act is a lie passed off as truth, which forever changes the development of Latin America: the accusation by the Eisenhower administration that Árbenz encouraged the spread of Soviet Communism in the Americas. Harsh Times is a story of international conspiracies and conflicting interests in the time of the Cold War, the echoes of which are still felt today.In this thrilling novel, Mario Vargas Llosa fuses reality with two fictions: that of the narrator, who freely re-creates characters and situations, and the one designed by those who would control the politics and the economy of a continent by manipulating its history.Harsh Times is a gripping, revealing novel that directly confronts recent history. No one is better suited to tell this riveting story than Vargas Llosa, and there is no form better for it than his deeply textured fiction. Not since The Feast of the Goat, his classic novel of the downfall of Trujillo’s regime in the Dominican Republic, has Vargas Llosa combined politics, characters, and suspense so unforgettably.

SHORTLISTED FOR THE INTERNATIONAL BOOKER PRIZE • “The lauded Argentine author of What We Lost in the Fire returns with enthralling stories conjured from literary sorcery” (O: The Oprah Magazine), in the tradition of Shirley Jackson and Jorge Luis Borges.KIRKUS PRIZE FINALIST • ONE OF THE BEST BOOKS OF THE YEAR: Oprah Daily, New York Public Library, Electric Lit, LitHub, Kirkus Reviews • “Mariana Enriquez’s stories are smoky, carnal, and dazzling.”—Lauren Groff, author of Matrix and Fates and FuriesMariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre. Populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her new collection are as terrifying as they are socially conscious, and press into being the unspoken—fetish, illness, the female body, the darkness of human history—with bracing urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can’t let go of their idol; an entire neighborhood is cursed to death when it fails to respond correctly to a moral dilemma.Written against the backdrop of contemporary Argentina, and with a resounding tenderness toward those in pain, in fear, and in limbo, The Dangers of Smoking in Bed is Mariana Enriquez at her most sophisticated, and most chilling.

A delicious picture book about the ways plantains shape Latinx culture, community, and family, told through a young girl’s experiences in the kitchen with her abuela.Abuela says, “plátanos are love.”I thought they were food.But Abuela says they feed us in more ways than one.With every pop of the tostones, mash of the mangú, and sizzle of the maduros, a little girl learns that plátanos are her history, they are her culture, and—most importantly—they are love.

The latest in the Seedbank series, the debut in English of a groundbreaking Indigenous poet of the Americas.In a fiercely personal yet authoritative voice, prolific contemporary poet Mikeas Sánchez explores the worldview of the Zoque people of southern Mexico. Her paced, steely lyrics fuse cosmology, lineage, feminism, and environmental activism into a singular body of work that stands for the self and the collective in the same instant. “I am woman and I celebrate every vein,” she writes, “where I guard my ancestors’ secrets / every Zoque man’s word in my mouth / every Zoque woman’s wisdom in my spit.”How to Be a Good Savage and Other Poems examines the intersection of Zoque struggles against colonialism and empire, and those of North African immigrants and refugees. Sánchez encountered the latter in Barcelona as a revelation, “spreading their white blankets on the ground / as if they’ll soon return to sea / flying the sail of the promised land / the land that became a mirage.” Other works bring us just as close to similarly imperiled relatives, ancestors, gods, and archetypal Zoque men and women that Sánchez addresses with both deeply prophetic and childlike love.Coming from the only woman to ever publish a book of poetry in Zoque and Spanish, this timely, powerful collection pairs the bilingual originals with an English translation for the first time. This book is for anyone interested in poetry as knowledge, proclaimed with both feet squarely set on ancient ground.The How to Be a Good Savage and Other Poems audiobook read by Mikeas Sánchez, Wendy Call, and Shook is available everywhere you listen to audiobooks.

NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD FINALIST • A “stunning” (America Ferrera) YA novel about a teenager coming to terms with losing her sister and finding herself amid the pressures, expectations, and stereotypes of growing up in a Mexican American home—from the author of Crying in the Bathroom“Alive and crackling—a gritty tale wrapped in a page-turner. ”—The New York TimesPerfect Mexican daughters do not go away to college. And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family.But Julia is not your perfect Mexican daughter. That was Olga’s role.Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.But it’s not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister’s story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume.Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize–winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

AN INSTANT USA TODAY BESTSELLER!Vampires, vaqueros, and star-crossed lovers face off on the Texas-Mexico border in this supernatural western from the author of The Hacienda.As the daughter of a rancher in 1840s Mexico, Nena knows a thing or two about monsters—her home has long been threatened by tensions with Anglo settlers from the north. But something more sinister lurks near the ranch at night, something that drains men of their blood and leaves them for dead.Something that once attacked Nena nine years ago.Believing Nena dead, Néstor has been on the run from his grief ever since, moving from ranch to ranch working as a vaquero. But no amount of drink can dispel the night terrors of sharp teeth; no woman can erase his childhood sweetheart from his mind.When the United States invades Mexico in 1846, the two are brought abruptly together on the road to war: Nena as a curandera, a healer striving to prove her worth to her father so that he does not marry her off to a stranger, and Néstor as a member of the auxiliary cavalry of ranchers and vaqueros. But the shock of their reunion—and Nena’s rage at Néstor for seemingly abandoning her long ago—is quickly overshadowed by the appearance of a nightmare made flesh.And unless Nena and Néstor work through their past and face the future together, neither will survive to see the dawn.

A legendary Cuban-American storyteller enters the Library of America series with a volume gathering three seductive and profound novels about family, desire, music, and lossOscar Hijuelos (1951–2013) is one of the most acclaimed Latino writers of the last half century. Here are three classic novels that opened a window on the Cuban-American experience, announcing a major new voice in our literature.Hijuelos launched his career with Our House in the Last World (1983), a resonant and nuanced novel portraying one immigrant’s family story in midcentury Manhattan. At its center is Hector Santino, whose family has left the “home province of Fidel Castro, Batista, and Desi Arnaz” to settle in New York City, where their ebullient expectations of the good life in America lead, inevitably, to myriad disappointments and adjustments.In his best-known novel, The Mambo Kings Play Songs of Love (1989)—a book that Gabriel Garcia Marquez said he would have liked to have written—Hijuelos offers an unforgettable tribute to Latin music and its place in American culture around the middle of the twentieth century. Earning Hijuelos the Pulitzer Prize, the first to be awarded a Latino novelist, The Mambo Kings is also about the fleeting nature of fame and celebrity as well as the more profound themes of love, desire, and family.The poignant Mr. Ives’ Christmas (1995), which Hijuelos once noted was an attempt to write a Christmas story “without being corny,” takes up themes of loss and redemption in a story that poses the age-old question of why bad things happen to good people.This Library of America edition marks the entrance of Hijuelos into the series with a deluxe hardcover edition that includes as well a newly researched chronology of the author’s life.

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The GuardianONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARDONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReadsAn isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico.After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.“It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post“Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist“A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly

Winner of the National Book AwardWinner of the California Book AwardWinner of Tournament of BooksOut in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book―Sex Variants: A Study of Homosexual Patterns―and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?A book about storytelling―its legacies, dangers, delights, and potential for change―and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made―a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

New York Times Bestseller • Read With Jenna Book Club Pick as seen on Today • Winner of the Los Angeles Times Christopher Isherwood Prize for Autobiography • Winner of the American Library Association Alex AwardA young poet tells the inspiring story of his migration from El Salvador to the United States at the age of nine in this “gripping memoir” (NPR) of bravery, hope, and finding family.Finalist for the PEN/John Kenneth Galbraith Award for Nonfiction • One of the New York Public Library’s Ten Best Books of the YearLonglisted for the Andrew Carnegie Medal for Excellence and the PEN/Open Book Award“I read Solito with my heart in my throat and did not burst into tears until the last sentence. What a person, what a writer, what a book.”—Emma Straub“A riveting tale of perseverance and the lengths humans will go to help each other in times of struggle.”—Dave EggersONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, San Francisco Chronicle, Vulture, She Reads, Kirkus ReviewsTrip. My parents started using that word about a year ago—“one day, you’ll take a trip to be with us. Like an adventure.”Javier Zamora’s adventure is a three-thousand-mile journey from his small town in El Salvador, through Guatemala and Mexico, and across the U.S. border. He will leave behind his beloved aunt and grandparents to reunite with a mother who left four years ago and a father he barely remembers. Traveling alone amid a group of strangers and a “coyote” hired to lead them to safety, Javier expects his trip to last two short weeks.At nine years old, all Javier can imagine is rushing into his parents’ arms, snuggling in bed between them, and living under the same roof again. He cannot foresee the perilous boat trips, relentless desert treks, pointed guns, arrests and deceptions that await him; nor can he know that those two weeks will expand into two life-altering months alongside fellow migrants who will come to encircle him like an unexpected family.A memoir as gripping as it is moving, Solito provides an immediate and intimate account not only of a treacherous and near-impossible journey, but also of the miraculous kindness and love delivered at the most unexpected moments. Solito is Javier Zamora’s story, but it’s also the story of millions of others who had no choice but to leave home.

Welcome To The Sunbearer Trials, Where Teen Semidioses Compete In A Series Of Challenges With The Highest Of Stakes, In This Electric New Mexican-inspired Fantasy From Aiden Thomas, The New York Times-bestselling Author Of Cemetery Boys.

A meditation on southwestern terrains, intergenerational queer dynamics, and surveilled brown artists that crosses physical and conceptual borders.Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez’s debut essay collection, Brown Neon, gleans insight from the sediment of land and relationships. For Gutiérrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds. Whether contemplating the value of adobe as both vernacular architecture and commodified art object, highlighting the feminist wounding and transphobic apparitions haunting the multigenerational lesbian social fabric, or recalling a failed romance, Gutiérrez traverses complex questions of gender, class, identity, and citizenship with curiosity and nuance.

“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—TimeCristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author.Praise for Dreaming in Cuban“Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle“Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post“Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post

A NATIONAL BOOK CRITICS CIRCLE FINALISTA LAMBDA LITERARY AWARD FINALIST“Quite simply one of the best books of the decade.” —Los Angeles Review of Books * “The mother of intersectional Latinx identity.” —Cosmopolitan * “Brilliant…a hopeful book…rooted in the steadfast belief other worlds are possible.” —The New York Observer * “Witty, confident, and effortlessly provocative.” —The Philadelphia Inquirer * “The most fearless writer in America.” —Luis Alberto Urrea, Pulitzer Prize finalist and author of Good Night, IreneA ruthless and razor-sharp essay collection that tackles the pervasive, creeping oppression and toxicity that has wormed its way into society—in our books, schools, and homes, as well as the systems that perpetuate them—from one of our fiercest, foremost explorers of intersectional Latinx identity.A creep can be a single figure, a villain who makes things go bump in the night. Yet creep is also what the fog does—it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it.Creep is “sharp, conversational cultural criticism” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes.With her ruthless mind, wry humor, and adventurous style, Gurba implicates everyone from William Burroughs to her grandfather, from Joan Didion to her own abusive ex-partner; she takes aim at everything from public school administrations to the mainstream media, from Mexican stereotypes to the carceral state. Weaving her own history and identity throughout, she argues for a new way of conceptualizing oppression, and she does it with her signature blend of bravado and humility.

A USA TODAY BESTSELLER!"Adriana Herrera is once again here to upend any outdated notions of historical romance." —Entertainment WeeklyOne last summer.For Manuela del Carmen Caceres Galvan, the invitation to show her paintings at the 1889 Exposition Universelle came at the perfect time. Soon to be trapped in a loveless marriage, Manuela has given herself one last summer of freedom—in Paris, with her two best friends.One scandalous encounter.Cora Kempf Bristol, Duchess of Sundridge, is known for her ruthlessness in business. It's not money she chases, but power. When she sees the opportunity to secure her position among her rivals, she does not hesitate. How difficult could it be to convince the mercurial Miss Caceres Galvan to part with a parcel of land she’s sworn never to sell?One life-changing bargain.Tempted by Cora’s offer, Manuela proposes a trade: her beloved land for a summer with the duchess in her corner of Paris. A taste of the wild, carefree world that will soon be out of her reach. What follows thrills and terrifies Cora, igniting desires the duchess long thought dead. As they fill their days indulging in a shared passion for the arts and their nights with dark and delicious deeds, the happiness that seemed impossible moves within reach…though claiming it would cause the greatest scandal Paris has seen in decades."...a fun, frothy, feminist voice in historical romance." —New York Times bestselling author Sarah MacLeanCan't get enough of the Las Leonas?Book 1: A Caribbean Heiress in Paris Book 2: An Island Princess Starts a Scandal Book 3: A Tropical Rebel Gets the Duke

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK · WINNER OF THE BROOKLYN PUBLIC LIBRARY PRIZE • INTERNATIONAL LATINO BOOK AWARD FINALISTA blazing talent debuts with the tale of a status-driven wedding planner grappling with her social ambitions, absent mother, and Puerto Rican roots―all in the wake of Hurricane MariaNAMED ONE OF THE BEST BOOKS OF THE YEAR: Kirkus, Washington Post, TIME, NPR, Vogue, Esquire, Book Riot, Goodreads, EW, Reader's Digest, and more!"Don’t underestimate this new novelist. She’s jump-starting the year with a smart romantic comedy that lures us in with laughter and keeps us hooked with a fantastically engaging story." ―The Washington PostIt's 2017, and Olga and her brother, Pedro “Prieto” Acevedo, are boldfaced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn, while Olga is the tony wedding planner for Manhattan’s power brokers.Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1 percent but she can’t seem to find her own. . . until she meets Matteo, who forces her to confront the effects of long-held family secrets.Olga and Prieto’s mother, Blanca, a Young Lord turned radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives.Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico’s history, Xochitl Gonzalez’s Olga Dies Dreaming is a story that examines political corruption, familial strife, and the very notion of the American dream―all while asking what it really means to weather a storm.

“Quiara Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories.” – Lin-Manuel MirandaFrom the Pulitzer-prize winning playwright of IN THE HEIGHTS comes a spellbinding coming-of-age story, and a vibrant and life-affirming celebration of the women who guide us.Born in Philadelphia to a Jewish father and an enigmatic Puerto Rican mother, Quiara Alegría Hudes had a love-and-trouble-filled upbringing, haunted by the unspoken, untold family secrets of the barrio. In the face of real-world wounds, the powerful, Orisha-like women of her family possessed a strength, joy and sensuality that left a young Quiara awe-struck. She vowed to tell their stories.But confronted by a world that treated her like an outsider, Quiara knew she must find a new language, one which reflected the multiple cultures that raised this Puerto Rican child of North Philly. Written and spoken, English and Spanish, sacred and profane — as her search for a way to share her family’s story deepened, an artist emerged, ready to speak her truth.An inspired exploration of home, family and memory, My BROKEN LANGUAGE is the story of a sharp-eyed observer who finds her voice and learns to boldly tell the stories that only she can tell.

LONGLISTED FOR THE 2023 NATIONAL BOOK AWARDNamed one of NPR's Books We Love“How many bad lovers have gotten poems? How many crushes? No disrespect to romantic love―but what about our friends ? Those homies who are there all along―cheering for us and reminding us that love is abundant.”In this groundbreaking collection of poems, José Olivarez explores every kind of love―self, brotherly, romantic, familial, cultural. Grappling with the contradictions of the American Dream with unflinching humanity, he lays bare the ways in which “love is complicated by forces larger than our hearts.”Whether readers enter this collection in English or via the Spanish translation by poet David Ruano González, these extraordinary poems are sure to become beloved for their illuminations of life―and love.“¿Cuántas malas parejas han inspirado poemas? ¿Cuántos crush es? Sin faltarle el respeto al amor romántico―pero ¿qué hay de los amigos? Esos compas que están ahí todo el tiempo―animándonos y recordándonos que elamor es abundante”.En esta innovadora colección de poemas, José Olivarez explora cada tipo de amor―el propio, fraternal, romántico, familiar, cultural. Lidiando con las contradicciones del sueño americano, con una humanidad inquebrantable, deja al descubierto las maneras en que “el amor se va complicando por fuerzas más grandes que nuestros corazones”.Ya sea que los lectores entren a esta colección en inglés o a partir de la traducción al español del poeta David Ruano González, estos extraordinarios poemas serán amados seguramente por sus iluminaciones sobre el amor y la vida.

A TODAY SHOW #ReadWithJenna BOOK CLUB PICKNATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.“Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book ReviewThe House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting."Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.

NATIONAL BESTSELLER • From the author of The Daughter of Doctor Moreau and Mexican Gothic comes a fabulous meld of Mexican horror movies and Nazi occultism: a dark thriller about the curse that haunts a legendary lost film—and awakens one woman’s hidden powers.“No one punctures the skin of reality to reveal the lurking, sinister magic beneath better than Silvia Moreno-Garcia.”—Kiersten White, author of HideLOCUS AWARD FINALIST • A BEST BOOK OF THE YEAR: The New York Times Book Review, The Washington Post, Tordotcom, Polygon, CrimeReads, BookPage, Book RiotMontserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood.Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed.Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend.As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.

2023 International Latino Book Award WinnerA TODAY.COM MOST ANTICIPATED LATINX BOOK OF 2022!Three sisters. Three vastly different lives. A maelstrom of family secrets. For fans of María Amparo Escandón and Laurie Frankel, Margo Candela pens a riotous, provocative tale of family and sisterhood.Growing up with a kind but alcoholic father and a suspicious, passive aggressive mother, the Bernal sisters each developed their own way of coping: Dulcina had her art and drugs and alcohol, Claudia plunged into her studies and fled to Princeton, and Maritza watched one Disney movie after another in between devouring romance novels.Now all grown up, the sisters are reunited at last for Maritza’s dream wedding. But they are no less different than they were growing up: Maritza is a princess bridezilla, Claudia is the family “fixer,” and Dulcina “Dooley” is finally sober. With all three Bernal sisters back in their East L.A. home, each begins to take steps to come to terms with each other, their parents, and the secrets from their shared past. While their lives may have taken different paths, they are still sisters at heart.Told in alternating points of view, The Neapolitan Sisters is a humorous yet moving look at what it means to be a sister, daughter, and ultimately, your own self, despite the pressures that come with being part of a family.

An International Latino Book Award winner.“Everyone Knows You Go Home is prescient, tackling issues of family division, the arduous journey of crossing from one country into the next, and the sacrifices we make in exchange for a better future.” ―Houston ChronicleThe first time Isabel meets her father-in-law, Omar, he’s already dead―an apparition appearing uninvited on her wedding day. Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family―especially his wife, Elda―to let him redeem himself.Isabel and Martin settle into married life in a Texas border town, and Omar returns each year on the celebratory Day of the Dead. Every year Isabel listens, but to the aggrieved Martin and Elda, Omar’s spirit remains invisible. Through his visits, Isabel gains insight into not just the truth about his disappearance and her husband’s childhood but also the ways grief can eat away at love. When Martin’s teenage nephew crosses the Mexican border and takes refuge in Isabel and Martin’s home, questions about past and future homes, borders, and belonging arise that may finally lead to forgiveness―and alter all their lives forever.

“Ana Castillo is an American treasure. Fearless, compassionate, and flat-out brilliant—she is the writer we need as we navigate the challenges of our ever-changing world.”—Tayari Jones, author of An American Marriage“Ana Castillo is de primera storyteller.”—award-winning author Julia AlvarezLiterary legend Ana Castillo explores the secrets that are kept within households and the women they impact the most in this breakout collection that cements her place as a leading voice in feminist fiction.The first person in her traditional Mexican American family to graduate from high school, Katia is entering adulthood at a time of turbulent change. Across the nation young people are fighting for civil and women’s rights and protesting the Vietnam War and brutal dictatorships in South America. Like so many of her generation, Katia wants to make the world a better place, and is determined to follow her own path.As she considers moving to California to join La Causa, Mexican American activist Cesar Chavez’s movement to improve the working conditions of migrant farmer workers, Katia receives an unexpected gift from her father: a plane ticket to Mexico City. Bring back your mother, he says, tell her, her children need her. And so Katia joins this cause, to get Tina back to Chicago. But it won't be easy. Katia must learn to navigate a liberated version of her mother in a new country where she is now hawking supposedly superior cleaning products, called Donna Clean Well.Katia is but one of the voices introduced in this dazzling collection of short fiction from revered writer Ana Castillo. Spanning from Chicago to Mexico to New Mexico, the stories in Doña Cleanwell Leaves Home illuminate a chorus of people whose stories will leave you breathless.

A “wholly unique” and “uncompromising” literary horror debut about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes (Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke and Other Misfortunes)Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses―though curbed by his biological and chosen family’s communal care―threaten to destroy this fragile second chance at life.A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

AN INSTANT NEW YORK TIMES BESTSELLERTHE WASHINGTON POST NOTABLE BOOK OF 2021A GOOD MORNING AMERICA BOOK CLUB PICKWINNER of the Isabel Allende Most Inspirational Fiction Award - International Latino Book Awards • WINNER ofBest Literary Fiction - She Reads Best of 2021 Awards • FINALIST for the 2022 Southern Book Prize • LONGLISTED for Crook’s Corner Book Prize • NOMINEE for 2021 Goodreads Choice Award in Debut Novel and Historical FictionA sweeping, masterful debut about a daughter's fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were bornIn present-day Miami, Jeanette is battling addiction. Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt.From 19th-century cigar factories to present-day detention centers, from Cuba to Mexico, Gabriela Garcia's Of Women and Salt is a kaleidoscopic portrait of betrayals―personal and political, self-inflicted and those done by others―that have shaped the lives of these extraordinary women. A haunting meditation on the choices of mothers, the legacy of the memories they carry, and the tenacity of women who choose to tell their stories despite those who wish to silence them, this is more than a diaspora story; it is a story of America’s most tangled, honest, human roots.

From the internationally bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents comes “a stunning work of art that reminds readers Alvarez is, and always has been, in a class of her own.” (Elizabeth Acevedo, National Book Award-winning author of the New York Times bestseller The Poet X)Don't miss Alvarez’s new novel, The Cemetery of Untold Stories, available now!Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep. Antonia has always sought direction in the literature she loves—lines from her favorite authors play in her head like a soundtrack—but now she finds that the world demands more of her than words.Afterlife is a compact, nimble, and sharply droll novel. Set in this political moment of tribalism and distrust, it asks: What do we owe those in crisis in our families, including—maybe especially—members of our human family? How do we live in a broken world without losing faith in one another or ourselves? And how do we stay true to those glorious souls we have lost?A Time Magazine Must-Read Book of 2020A Most-Anticipated Book of the Year: O, The Oprah Magazine * The New York Times * The Washington Post *Vogue * Bustle * BuzzFeed * Ms. magazine * The Millions * Huffington Post * PopSugar * The Lily * Goodreads * Library Journal * LitHub * Electric Literature

“Equal parts pee-your-pants hilarity and break your heart poignancy- like the perfect brunch date you never want to end!"--America Ferrera, Emmy award-winning actress in Ugly BettyFrom the New York Times bestselling author of I Am Not Your Perfect Mexican Daughter, an utterly original memoir-in-essays that is as deeply moving as it is hilariousGrowing up as the daughter of Mexican immigrants in Chicago in the nineties, Erika Sánchez was a self-described pariah, misfit, and disappointment—a foul-mouthed, melancholic rabble-rouser who painted her nails black but also loved comedy, often laughing so hard with her friends that she had to leave her school classroom. Twenty-five years later, she’s now an award-winning novelist, poet, and essayist, but she’s still got an irrepressible laugh, an acerbic wit, and singular powers of perception about the world around her.In these essays, Sánchez writes about everything from sex to white feminism to debilitating depression, revealing an interior life rich with ideas, self-awareness, and perception. Raunchy, insightful, unapologetic, and brutally honest, Crying in the Bathroom is Sánchez at her best—a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.

NATIONAL BESTSELLER • A “dazzling, cinematic, intimate, lyrical” (Roxane Gay) epic of betrayal, love, and fate that spans five generations of an Indigenous Chicano family in the American West, from the author of the National Book Award finalist Sabrina & Corina“Sometimes you just step into a book and let it wash over you, like you’re swimming under a big, sparkling night sky.”—Celeste Ng, author of Little Fires Everywhere and Everything I Never Told YouA PHENOMENAL BOOK CLUB PICK AND AN AUDACIOUS BOOK CLUB PICK • ONE OF THE BEST BOOKS OF THE YEAR: Book RiotThere is one every generation, a seer who keeps the stories.Luz “Little Light” Lopez, a tea leaf reader and laundress, is left to fend for herself after her older brother, Diego, a snake charmer and factory worker, is run out of town by a violent white mob. As Luz navigates 1930s Denver, she begins to have visions that transport her to her Indigenous homeland in the nearby Lost Territory. Luz recollects her ancestors’ origins, how her family flourished, and how they were threatened. She bears witness to the sinister forces that have devastated her people and their homelands for generations. In the end, it is up to Luz to save her family stories from disappearing into oblivion.Written in Kali Fajardo-Anstine’s singular voice, the wildly entertaining and complex lives of the Lopez family fill the pages of this multigenerational western saga. Woman of Light is a transfixing novel about survival, family secrets, and love—filled with an unforgettable cast of characters, all of whom are just as special, memorable, and complicated as our beloved heroine, Luz.LONGLISTED FOR THE JOYCE CAROL OATES PRIZE • LONGLISTED FOR THE CAROL SHIELDS PRIZE FOR FICTION

A Best Book of 2023 - Publisher's Weekly, Electric Literature, Chicago Public LibraryLONGLISTED FOR THE 2024 STORY PRIZELONGLISTED FOR THE 2024 ASPEN WORDS LITERARY PRIZE"Alejandro Varela’s The People Who Report More Stress: Stories is a master class in analyzing the unspoken." —The New York Times"Asearing collection about gentrification, racism, and sexuality." —Publishers Weekly (Starred Review)The People Who Report More Stress is a collection of interconnected stories brimming with the anxieties of people who retreat into themselves while living in the margins, acutely aware of the stresses that modern life takes upon the body and the body politic.In “Midtown-West Side Story,” Álvaro, a restaurant worker struggling to support his family, begins selling high-end designer clothes to his co-workers, friends, neighbors, and the restaurant’s regulars in preparation for a move to the suburbs.“The Man in 512” tracks Manny, the childcare worker for a Swedish family, as he observes the comings and goings of an affluent co-op building, all the while teaching the children Spanish through Selena’s music catalog.“Comrades” follows a queer man with radical politics who just ended a long-term relationship and is now on the hunt for a life partner. With little tolerance for political moderates, his series of speed dates devolve into awkward confrontations that leave him wondering if his approach is the correct one.A collection of humorous, sexy, and highly neurotic tales about parenting, long-term relationships, systemic and interpersonal racism, and class conflict from the author of the National Book Award finalist The Town of Babylon, The People Who Report More Stress deftly and poignantly expresses the frustration of knowing the problems and solutions to our society’s inequities but being unable to do anything about them.

De la autora de Yo no soy tu perfecta hija mexicana, bestseller del New York Times, nos llegan estos originalísimos ensayos autobiográficos, profundamente conmovedores y de una comicidad que desarma.Hija de inmigrantes mexicanos y criada en Chicago en la década de los noventa, Erika L. Sánchez se ha descrito a sí misma como paria, inadaptada y un chasco: agitadora melancólica y malhablada que se pintaba las uñas de negro, pero también disfrutaba la comedia y tenía el sueño improbable de ser poeta. Veinticinco años más tarde se ha convertido en una galardonada novelista, poeta y ensayista, pero no ha perdido la risa incontrolable, su áspero ingenio y sus singulares poderes para percibir el mundo a su alrededor.En estos ensayos, que tratan de todo —desde la sexualidad hasta el feminismo blanco, pasando por la depresión debilitante y las búsquedas redentoras de la espiritualidad, el arte y los viajes—, Sánchez revela una vida interior rica en ideas, autoconciencia y percepción: la de una mujer que trazó un camino enteramente de su propia factura. Atrevido, perspicaz, incorregible y brutalmente honesto, Llorando en el baño es Sánchez en su máxima expresión: un libro que te hará sentir ese subidón que resulta de revelaciones íntimas y horas de plática con tu mejor amiga.ENGLISH DESCRIPTIONFrom the New York Times bestselling author of I Am Not Your Perfect Mexican Daughter, an utterly original memoir-in-essays that is asdeeply moving as it is hilarious.Growing up as the daughter of Mexican immigrants in Chicago in the nineties, Erika Sánchez was a self-described pariah, misfit, and disappointment—a foul-mouthed, melancholic rabble-rouser who painted her nails black but also loved comedy, often laughing so hard with her friends that she had to leave her school classroom. Twenty-five years later, she’s now an award-winning novelist, poet, and essayist, but she’s still got an irrepressible laugh, an acerbic wit, and singular powers of perception about the world around her.In these essays, Sánchez writes about everything from sex to white feminism to debilitating depression, revealing an interior life rich with ideas, self-awareness, and perception. Raunchy, insightful, unapologetic, and brutally honest, Crying in the Bathroom is Sánchez at her best—a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.

A Recommended Book From:The Washington Post * Today * Sunset Magazine * Country Living * Good HousekeepingA wry, tender novel about a Peruvian immigrant mother and a millennial daughter who have one final chance to find common groundThirtysomething Flores and her mother, Paula, still live in the same Brooklyn apartment, but that may be the only thing they have in common. It’s been nearly three years since they lost beloved husband and father Martín, who had always been the bridge between them. One day, cleaning beneath his urn, Flores discovers a note written in her mother’s handwriting: Perdóname si te falle. Recuerda que siempre te quise. (“Forgive me if I failed you. Remember that I always loved you.”) But what would Paula need forgiveness for?Now newfound doubts and old memories come flooding in, complicating each woman’s efforts to carve out a good life for herself—and to support the other in the same. Paula thinks Flores should spend her evenings meeting a future husband, not crunching numbers for a floundering aquarium startup. Flores wishes Paula would ask for a raise at her DollaBills retail job, or at least find a best friend who isn’t a married man.When Flores and Paula learn they will be forced to move, they must finally confront their complicated past—and decide whether they share the same dreams for the future. Spirited and warm-hearted, Melissa Rivero’s new novel showcases the complexities of the mother-daughter bond with fresh insight and empathy.

"One of the Good Ones is magic.” —Damon Young, author of What Doesn’t Kill You Makes You BlackerA shockingly powerful exploration of the lasting impact of prejudice and the indomitable spirit of sisterhood that will have readers questioning what it truly means to be an ally, from sister-writer duo Maika Moulite and Maritza Moulite, authors of Dear Haiti, Love Alaine.ISN’T BEING HUMAN ENOUGH?When teen social activist and history buff Kezi Smith is killed under mysterious circumstances after attending a social justice rally, her devastated sister Happi and their family are left reeling in the aftermath. As Kezi becomes another immortalized victim in the fight against police brutality, Happi begins to question the idealized way her sister is remembered. Perfect. Angelic.One of the good ones.Even as the phrase rings wrong in her mind—why are only certain people deemed worthy to be missed?—Happi and her sister Genny embark on a journey to honor Kezi in their own way, using an heirloom copy of The Negro Motorist Green Book as their guide. But there’s a twist to Kezi’s story that no one could’ve ever expected—one that will change everything all over again."Astonishing!" —Laura Ruby, two-time National Book Award finalist and author of Bone Gap"Brilliant" —Kirkus Reviews, starred review"Thrilling" —SLJ, starred review

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way,we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

Coming of age as a Fat brown girl in a white Connecticut suburb is hard. Harder when your whole life is on fire, though.A NEW ENGLAND BOOK AWARD WINNER!Charlie Vega is a lot of things. Smart. Funny. Artistic. Ambitious. Fat.People sometimes have a problem with that last one. Especially her mom. Charlie wants a good relationship with her body, but it's hard, and her mom leaving a billion weight loss shakes on her dresser doesn't help. The world and everyone in it have ideas about what she should look like: thinner, lighter, slimmer-faced, straighter-haired. Be smaller. Be whiter. Be quieter.But there's one person who's always in Charlie's corner: her best friend Amelia. Slim. Popular. Athletic. Totally dope. So when Charlie starts a tentative relationship with cute classmate Brian, the first worthwhile guy to notice her, everything is perfect until she learns one thing--he asked Amelia out first. So is she his second choice or what? Does he even really see her?Because it's time people did.A sensitive, funny, and painfully honest coming-of-age story with a wry voice and tons of chisme, Fat Chance, Charlie Vega tackles our relationships to our parents, our bodies, our cultures, and ourselves.An NPR Best Book of the Year!Named to the TAYSHAS Reading ListA POPSUGAR Best New YA Novel!A Cosmopolitan Best New Book!A Bustle Most Anticipated Debut!

A gripping, propulsive YA fantasy novel from award-winning author and social media superstar Alex Aster, “Lightlark is an ebullient, fast-paced fantasy with a beautifully rendered world that seethes with intrigue, romance and tension. I couldn't turn the pages fast enough” (#1 New York Times bestselling author Sabaa Tahir)An Instant #1 New York Times BestsellerWelcome to the Centennial.Every hundred years, the island of Lightlark appears for only 100 days to host a deadly game, where the rulers of six realms fight to break their curses and win unparalleled power. Each ruler has something to hide. Each curse is uniquely wicked. To break them—and save themselves and their realms—one ruler must die.To survive, Isla Crown must lie, cheat, and betray. Even as love complicates everything . . .Includes Select Exclusive Excerpts from Nightbane, the Second Book in the Lightlark Saga

A FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTIONLONGLISTED FOR THE 2023 ASPEN WORDS LITERARY PRIZEONE OF THE MOST ANTICIPATED BOOKS OF 2022 – Boston Globe, BuzzFeed, LitHub, Electric Literature, LGBTQ Reads, Latinx in Publishing*Recommended by The New York Times*In this contemporary debut novel—an intimate portrait of queer, racial, and class identity —Andrés, a gay Latinx professor, returns to his suburban hometown in the wake of his husband’s infidelity. There he finds himself with no excuse not to attend his twenty-year high school reunion, and hesitantly begins to reconnect with people he used to call friends.Over the next few weeks, while caring for his aging parents and navigating the neighborhood where he grew up, Andrés falls into old habits with friends he thought he’d left behind. Before long, he unexpectedly becomes entangled with his first love and is forced to tend to past wounds.Captivating and poignant; a modern coming-of-age story about the essential nature of community, The Town of Babylon is a page-turning novel about young love and a close examination of our social systems and the toll they take when they fail us.

BESTSELLER DEL NEW YORK TIMES Y EL WALL STREET JOURNAL—PRÓXIMAMNETE EN CINES. Súmate a la ola #Lightlark, el éxito bestseller que ha revolucionado #BookTok.Seis reinos malditos.Una vez cada cien años,sus líderes compiten a muertepara liberar a su pueblo.Isla Crown es la joven soberana de Wilding, un reino de mujeres guerreras que no conocen el amor y que confían en ella para ganar el Centenario.Para sobrevivir, Isla está preparada para mentir y traicionar. Aunque no cuenta con algunos lazos que la unirán a sus rivales, ni tampoco con enamorarse de quien puede ser su peor enemigo...ENGLISH DESCRIPTIONAn instant #1 National Bestseller, #1 New York Times, and #1 Wall Street Journal—soon to be a major motion picture. #BookTok phenomenon and award-winning author Alex Aster delivers readers a masterfully written, utterly gripping YA fantasy novel.Welcome to the Centennial.Every 100 years, the island of Lightlark appears to host the Centennial, a deadly game that only the rulers of six realms are invited to play. The invitation is a summons—a call to embrace victory and ruin, baubles and blood. The Centennial offers the six rulers one final chance to break the curses that have plagued their realms for centuries. Each ruler has something to hide. Each realm’s curse is uniquely wicked. To destroy the curses, one ruler must die.Isla Crown is the young ruler of Wildling—a realm of temptresses cursed to kill anyone they fall in love with. They are feared and despised, and are counting on Isla to end their suffering by succeeding at the Centennial.To survive, Isla must lie, cheat, and betray…even as love complicates everything.Filled with secrets, deception, romance, and twists worthy of the darkest thrillers, Lightlark is a must-read for fans of legendary fantasy writers Marie Lu, Marissa Meyer, and Leigh Bardugo.

"I tell you, God could care less about the poor. Tell me, why must we live here like this? What have we done to deserve this? You're so good and yet you suffer so much," a young boy tells his mother in Tomas Rivera's classic novel about the migrant worker experience. Outside the chicken coop that is their home, his father wails in pain from the unbearable cramps brought on by sunstroke after working in the hot fields. The young boy can't understand his parents' faith in a god that would impose such horrible suffering, poverty and injustice on innocent people.Adapted into the award-winning film …and the earth did not swallow him and recipient of the first award for Chicano literature, the Premio Quinto Sol, in 1970, Rivera's masterpiece recounts the experiences of a Mexican-American community through the eyes of a young boy. Forced to leave their home in search of work, the migrants are exploited by farmers, shopkeepers, even other Mexican Americans, and the boy must forge his identity in the face of exploitation, death and disease, constant moving and conflicts with school officials.In this new edition of a powerful novel comprised of short vignettes, Rivera writes hauntingly about alienation, love and betrayal, man and nature, death and resurrection and the search for community.

LONGLISTED FOR THE 2022 NATIONAL BOOK AWARD FOR FICTIONConjuring entrancing tales of Mexican American mystics and misfits, Marytza K. Rubio shatters the boundaries of reality with this fiercely imaginative debut.“The first witch of the waters was born in Destruction. The moon named her Maria.”Set against the tropics and megacities of the Americas, Maria, Maria takes inspiration from wild creatures, tarot, and the porous borders between life and death. Motivated by love and its inverse, grief, the characters who inhabit these stories negotiate boldly with nature to cast their desired ends. As the enigmatic community college professor in “Brujería for Beginners” reminds us: “There’s always a price for conjuring in darkness. You won’t always know what it is until payment is due.” This commitment drives the disturbingly faithful widow in “Tijuca,” who promises to bury her husband’s head in the rich dirt of the jungle, and the sisters in “Moksha,” who are tempted by a sleek obsidian dagger once held by a vampiric idol.But magic isn’t limited to the women who wield it. As Rubio so brilliantly elucidates, animals are powerful magicians too. Subversive pigeons and hungry jaguars are called upon in “Tunnels,” and a lonely little girl runs free with a resurrected saber-toothed tiger in “Burial.” A colorful catalog of gallery exhibits from animals in therapy is featured in “Art Show,” including the Almost Philandering Fox, who longs after the red pelt of another, and the recently rehabilitated Paranoid Peacocks.Brimming with sharp wit and ferocious female intuition, these stories bubble over into the titular novella, “Maria, Maria”―a tropigoth family drama set in a reimagined California rainforest that explores the legacies of three Marias, and possibly all Marias. Writing in prose so lush it threatens to creep off the page, Rubio emerges as an ineffable new voice in contemporary short fiction. 18 illustrations

NEW YORK TIMES BESTSELLER • From the author of The House of the Spirits, this epic novel spanning decades and crossing continents follows two young people as they flee the aftermath of the Spanish Civil War in search of a place to call home.“One of the most richly imagined portrayals of the Spanish Civil War to date, and one of the strongest and most affecting works in [Isabel Allende’s] long career.”—The New York Times Book ReviewNAMED ONE OF THE BEST BOOKS OF THE YEAR BY Esquire • Good Housekeeping • ParadeIn the late 1930s, civil war grips Spain. When General Franco and his Fascists succeed in overthrowing the government, hundreds of thousands are forced to flee in a treacherous journey over the mountains to the French border. Among them is Roser, a pregnant young widow, who finds her life intertwined with that of Victor Dalmau, an army doctor and the brother of her deceased love. In order to survive, the two must unite in a marriage neither of them desires.Together with two thousand other refugees, Roser and Victor embark on the SS Winnipeg, a ship chartered by the poet Pablo Neruda, to Chile: “the long petal of sea and wine and snow.” As unlikely partners, the couple embraces exile as the rest of Europe erupts in world war. Starting over on a new continent, they face trial after trial, but they will also find joy as they patiently await the day when they might go home. Through it all, their hope of returning to Spain keeps them going. Destined to witness the battle between freedom and repression as it plays out across the world, Roser and Victor will find that home might have been closer than they thought all along.A masterful work of historical fiction about hope, exile, and belonging, A Long Petal of the Sea shows Isabel Allende at the height of her powers.Praise for A Long Petal of the Sea“Both an intimate look at the relationship between one man and one woman and an epic story of love, war, family, and the search for home, this gorgeous novel, like all the best novels, transports the reader to another time and place, and also sheds light on the way we live now.”—J. Courtney Sullivan, author of Saints for All Occasions“This is a novel not just for those of us who have been Allende fans for decades, but also for those who are brand-new to her work: What a joy it must be to come upon Allende for the first time. She knows that all stories are love stories, and the greatest love stories are told by time.”—Colum McCann, National Book Award–winning author of Let the Great World Spin

NATIONAL BESTSELLERPerfect for fans of Alice Hoffman, Isabel Allende, and Sarah Addison Allen, a family searches for the truth hidden in their past in this “expertly woven tale of family power, threaded with as much mystery as magic” (V.E. Schwab, #1 New York Times bestselling author).The Montoyas are used to a life without explanations. They know better than to ask why the pantry never seems to run low, or why their matriarch won’t ever leave their home in Four Rivers—not for graduations, weddings, or baptisms. But when Orquídea Divina invites them to her funeral and to collect their inheritance, they hope to learn the secrets that she has held onto so tightly their whole lives. Instead, Orquídea is transformed into a ceiba tree, leaving them with more questions than answers.Seven years later, her gifts have manifested in different ways for Marimar, Rey, and Rhiannon, granting them unexpected blessings and powers. But soon, a hidden figure begins to tear through their family tree, picking them off one by one as it seeks to destroy Orquídea’s line. Determined to save what’s left of their family and uncover the truth behind their inheritance, her descendants travel to Ecuador—to the place where Orquídea buried her secrets and broken promises and never looked back.Alternating between Orquídea’s past and her descendants’ present, The Inheritance of Orquídea Divina is a “spellbinding tale, both timeless and fresh, that will stay with you long after you’ve turned the last page. Prepare to fall in love” (Kim Liggett, New York Times bestselling author).

A STONEWALL YOUNG ADULT HONOR BOOKAristotle and Dante Discover the Secrets of the Universe meets The Sun is Also a Star in this YA contemporary love story from Jonny Garza Villa, Ander & Santi Were Here, about a nonbinary Mexican American teen falling for the shy new waiter at their family’s taqueria.Finding home. Falling in love. Fighting to belong.The Santos Vista neighborhood of San Antonio, Texas, is all Ander Martínez has ever known. The smell of pan dulce. The mixture of Spanish and English filling the streets. And, especially their job at their family's taquería. It's the place that has inspired Ander as a muralist, and, as they get ready to leave for art school, it's all of these things that give them hesitancy. That give them the thought, are they ready to leave it all behind?To keep Ander from becoming complacent during their gap year, their family "fires" them so they can transition from restaurant life to focusing on their murals and prepare for college. That is, until they meet Santiago López Alvarado, the hot new waiter. Falling for each other becomes as natural as breathing. Through Santi's eyes, Ander starts to understand who they are and want to be as an artist, and Ander becomes Santi's first steps toward making Santos Vista and the United States feel like home.Until ICE agents come for Santi, and Ander realizes how fragile that sense of home is. How love can only hold on so long when the whole world is against them. And when, eventually, the world starts to win.

Winner of the 2022 National Book Award for Translated LiteratureA blazing new story collection that will make you feel like the house is collapsing in on you, from the 3 time International Booker Prize finalist, "lead[ing] a vanguard of Latin American writers forging their own 21st-century canon.” –O, the Oprah magazineThe seven houses in these seven stories are strange. A person is missing, or a truth, or memory; some rooms are enticing, some unmoored, others empty. But in Samanta Schweblin's tense, visionary tales, something always creeps back inside: a ghost, a fight, trespassers, a list of things to do before you die, a child's first encounter with darkness or the fallibility of parents.In each story, twists and turns will unnerve and surprise: Schweblin never takes the expected path and instead digs under the skin, revealing surreal truths about our sense of home, of belonging, and of the fragility of our connections with others. This is a masterwork from one of our most brilliant modern writers.

"Alexis Daria's A Lot Like Adiós is a charming, sexy spitfire of a novel! Romance readers, this is your new favorite book!" --Emily Henry, #1 New York Times bestselling author of People We Meet on VacationThe national bestselling author of You Had Me at Hola returns with a seductive second-chance romance about a commitment-phobic Latina and her childhood best friend who has finally returned home.Hi Mich. It’s Gabe.After burning out in her corporate marketing career, Michelle Amato has built a thriving freelance business as a graphic designer. So what if her love life is nonexistent? She’s perfectly fine being the black sheep of her marriage-obsessed Puerto Rican-Italian family. Besides, the only guy who ever made her want happily-ever-after disappeared thirteen years ago.It’s been a long time.Gabriel Aguilar left the Bronx at eighteen to escape his parents’ demanding expectations, but it also meant saying goodbye to Michelle, his best friend and longtime crush. Now, he’s the successful co-owner of LA’s hottest celebrity gym, with an investor who insists on opening a New York City location. It’s the last place Gabe wants to go, but when Michelle is unexpectedly brought on board to spearhead the new marketing campaign, everything Gabe’s been running from catches up with him.I’ve missed you.Michelle is torn between holding Gabe at arm’s length or picking up right where they left off—in her bed. As they work on the campaign, old feelings resurface, and their reunion takes a sexy turn. Facing mounting pressure from their families—who think they’re dating—and growing uncertainty about their futures, can they resolve their past mistakes, or is it only a matter of time before Gabe says adiós again?

Combining the haunting power of Toni Morrison’s Beloved with the evocative atmosphere of Phillippa Gregory’s A Respectable Trade, Dahlma Llanos-Figueroa’s groundbreaking novel illuminates a little discussed aspect of history—the Puerto Rican Atlantic Slave Trade—witnessed through the experiences of Pola, an African captive used as a breeder to bear more slaves.A Woman of Endurance, set in nineteenth-century Puerto Rican plantation society, follows Pola, a deeply spiritual African woman who is captured and later sold for the purpose of breeding future slaves. The resulting babies are taken from her as soon as they are born. Pola loses the faith that has guided her and becomes embittered and defensive. The dehumanizing violence of her life almost destroys her. But this is not a novel of defeat but rather one of survival, regeneration, and reclamation of common humanity.Readers are invited to join Pola in her journey to healing. From the sadistic barbarity of her first experiences, she moves on to receive compassion and support from a revitalizing new community. Along the way, she learns to recognize and embrace the many faces of love—a mother’s love, a daughter’s love, a sister’s love, a love of community, and the self-love that she must recover before she can offer herself to another. It is ultimately, a novel of the triumph of the human spirit even under the most brutal of conditions.

INTERNATIONAL LATINO BOOK AWARD WINNER - The Raul Yzaguirre Best Political/Current Affairs BookThis deeply personal perspective from a human rights lawyer—whose work on the front lines of the fight against family separations in South Texas intertwines with his own story of immigrating to the United States at thirteen—reframes the United States' history as a nation of immigrants but also a nation against immigrants. In the summer of 2018, Efrén C. Olivares found himself representing hundreds of immigrant families when Zero Tolerance separated thousands of children from their parents at the U.S.-Mexico border. Twenty-five years earlier, he had been separated from his own father for several years when he migrated to the U.S. to work. Their family was eventually reunited in Texas, where Efrén and his brother went to high school and learned a new language and culture.By sharing these gripping family separation stories alongside his own, Olivares gives voice to immigrants who have been punished and silenced for seeking safety and opportunity. Through him we meet Mario and his daughter Oralia, Viviana and her son Sandro, Patricia and her son Alessandro, and many others. We see how the principles that ostensibly bind the U.S. together fall apart at its borders.My Boy Will Die of Sorrow reflects on the immigrant experience then and now, on what separations do to families, and how the act of separation itself adds another layer to the immigrant identity. Our concern for fellow human beings who live at the margins of our society—at the border, literally and figuratively—is shaped by how we view ourselves in relation both to our fellow citizens and to immigrants. He discusses not only law and immigration policy in accessible terms, but also makes the case for how this hostility is nothing new: children were put in cages when coming through Ellis Island, and Japanese Americans were forcibly separated from their families and interned during WWII. By examining his personal story and the stories of the families he represents side by side, Olivares meaningfully engages readers with their assumptions about what nationhood means in America and challenges us to question our own empathy and compassion.

“In climbing the Seven Summits, Silvia Vasquez-Lavado did nothing less than take back her own life―one brave step at a time. She will inspire untold numbers of souls with this story, for her victory is a win on behalf of all of us.”―Elizabeth GilbertEndless ice. Thin air. The threat of dropping into nothingness thousands of feet below. This is the climb Silvia Vasquez-Lavado braves in her page-turning, pulse-raising memoir chronicling her journey to Mount Everest.A Latina hero in the elite macho tech world of Silicon Valley, privately, she was hanging by a thread. Deep in the throes of alcoholism, hiding her sexuality from her family, and repressing the abuse she’d suffered as a child, she started climbing. Something about the brute force required for the ascent―the risk and spirit and sheer size of the mountains and death’s close proximity―woke her up. She then took her biggest pain as a survivor to the biggest mountain: Everest.“The Mother of the World,” as it’s known in Nepal, allows few to reach her summit, but Silvia didn’t go alone. She gathered a group of young female survivors and led them to base camp alongside her. It was never easy. At times hair-raising, nerve-racking, and always challenging, Silvia remembers the acute anxiety of leading a group of novice climbers to Everest’s base, all the while coping with her own nerves of summiting. But, there were also moments of peace, joy, and healing with the strength of her fellow survivors and community propelling her forward.In the Shadow of the Mountain is a remarkable story of heroism, one which awakens in all of us a lust for adventure, an appetite for risk, and faith in our own resilience.

Named one of the most anticipated books of 2022 by EW, Oprah Daily, Marie Claire, Goodreads and Bookpage!The USA Today bestselling author of The Worst Best Man is back with a hilarious rom-com about two strangers who get trapped in a lie and have to fake date their way out of it...Just weeks away from ditching DC for greener pastures, Solange Pereira is roped into helping her wedding planner cousin on a random couple’s big day. It’s an easy gig... until Solange stumbles upon a situation that convinces her the pair isn’t meant to be. What’s a true-blue romantic to do? Crash the wedding, of course. And ensure the unsuspecting groom doesn’t make the biggest mistake of his life.Dean Chapman had his future all mapped out. He was about to check off “start a family” and on track to “make partner” when his modern day marriage of convenience went up in smoke. Then he learns he might not land an assignment that could be his ticket to a promotion unless he has a significant other and, in a moment of panic, Dean claims to be in love with the woman who crashed his wedding. Oops.Now Dean has a whole new item on his to-do list: beg Solange to be his pretend girlfriend. Solange feels a tiny bit bad about ruining Dean’s wedding, so she agrees to play along. Yet as they fake-date their way around town, what started as a performance for Dean’s colleagues turns into a connection that neither he nor Solange can deny. Their entire romance is a sham... there’s no way these polar opposites could fall in love for real, right?"Mia Sosa... is genuinely a master of the modern romance novel." — Cosmopolitan

Silvia Vásquez-Lavado Sumida en una depresión profunda y en una espiral autodestructiva de alcoholismo y sexo desmedido, Silvia decide volver a casa, dispuesta a enfrentarse a sus sombras más oscuras. Los años de abuso sexual sufridos durante su infancia, la confusa búsqueda de su propia identidad y las cicatrices emocionales de un hogar disfuncional estaban acabando con su vida. Así, en medio de una sesión de ayahuasca, entre cantos chamánicos y visiones alucinadas, un mensaje le fue revelado: debía ir a las montañas. Solo allí, entre los prodigiosos brazos de la tierra, encontraría la paz y la sanación que tanto necesitaba. Pero no iría sola. Acompañada por un grupo de jóvenes supervivientes, como ella, de abuso sexual, emprenderá el viaje hasta la montaña más alta del mundo: Sagarmatha, Chomolungma, Everest, la Madre del Universo.El abrazo de la montaña es un testimonio inspirador de valentía, resiliencia y sanación. Son las apasionantes memorias de una mujer extraordinaria que no se rindió ante el dolor, sino que lo tomó con humildad y lo llevó con ella hasta la cima del mundo. «Silvia Vásquez-Lavado es una guerrera. Su voz increíblemente cálida revela cómo floreció desde los momentos más oscuros de su vida para convertirse en una inspiración y una defensora de los demás.“Este libro es un testimonio del extraordinario del poder de la vulnerabilidad, la empatía y la generosidad. Estoy asombrada por la fuerza y coraje que ha capturado tan bellamente en estas memorias». Selena Gómez.ENGLISH DESCRIPTIONEndless ice. Thin air. The threat of dropping into nothingness thousands of feet below. This is the climb Silvia Vásquez-Lavado braves in her page-turning, pulse-raising memoir chronicling her journey to Mount Everest. A Latina hero in the elite macho tech world of Silicon Valley, privately, she was hanging by a thread. Deep in the throes of alcoholism, hiding her sexuality from her family, and repressing the abuse she’d suffered as a child, she started climbing. She gathered a group of young female survivors and led them to base camp alongside her, all the while coping with her own nerves of summiting. But there were also moments of peace, joy, and healing with the strength of her fellow survivors and community propelling her forward.A remarkable story of heroism, one which awakens in all of us a lust for adventure, an appetite for risk, and faith in our own resilience.

“A work of art. In each of the pages, you will feel the flow of a powerful energy which will murmur to each of your cells that it is time to come out of hiding, to open the windows, to breathe freely, to dress colorfully… to fly.”—Laura Esquivel, author of Like Water for ChocolateAn illustrated fable for all ages about a Mexican-American girl who transforms into a monarch butterfly and undertakes the great migration to Mexico, Monarca braids together the values of heritage, ecology, and personal transformation.On her thirteenth birthday, Inés receives a mysterious necklace from her abuela in Mexico that turns her into a monarch butterfly—the fulfilment of a prophecy linking Inés’ destiny to her family’s legacy and the butterflies’ survival.The adventure continues as Inés joins the monarchs on their long journey south to the butterfly sanctuary in Mexico—an odyssey that has become increasingly perilous due to human activity. Together, the swarm travels from the northeast to the swamps of Louisiana to the pine-filled mountain tops of the western Sierra Madre, finally alighting at the Sierra Chincua sanctuary. On this wondrous journey in the vein of Jonathan Livingston Seagull and The Little Prince, Inés discovers the connections between all living beings, and the urgent need to protect the monarchs' migration and habitats.Divided into four chapters to mirror the four stages in a monarch’s life—egg, larva, pupa and butterfly—Monarca blends Mexican folklore, environmentalism, and magical realism in an enchanting novella. Illustrated with stunning full-color drawings by Leopoldo Gout, this book will inspire readers to protect and cherish the sacred natural world around them.

"Brujas, Witches of Color are ancestral magical beings and the world we live in has tried to silence our voices. . . . This book is such a beautiful tribute to the different stories and experiences we go through as brujas. . . . Amplify the voice of Witches of Color by reading their stories." —Juliet Diaz, author of Witchery and Plant WitcheryThere is a new kind of witch emerging in our cultural consciousness: the bruja.Witchcraft has made a comeback in popular culture, especially among feminists. A growing subculture of BIPOC witches, led by Afro-Caribbean immigrants, Indigenous Americans, and other witches of color, is reclaiming their ancestral traditions and contributing their voices to the feminist witchcraft of today. Brujas chronicles the magical lives of these practitioners as they develop their healing arts, express their progressive politics, and extend their personal rituals into community activism.They are destigmatizing the “witch” of their ancestries and bringing persecuted traditions to the open to challenge cultural appropriation and spiritual consumerism. Part memoir, part ritual guide, Brujas empowers readers to decolonize their spiritual practices and connect with their own ancestors. Brujas reminds us that witchcraft is more than a trend—it’s a movement.

A lush and atmospheric novel about three generations of a Costa Rican family wrestling with a deadly secret, from rising literary star John Manuel Arias“An exciting new voice with a prowess for lyricism.” ―Publishers WeeklyNATIONAL BESTSELLER * A B&N DISCOVER PICK * A GMA BUZZ PICK * MOST ANTICIPATED BOOK OF 2023: CrimeReads, Debutiful, Good Morning America, Library Journal, Zibby Mag, The San Francisco Chronicle, and more!Costa Rica, 1968. When a lethal fire erupts at the American Fruit Company’s most lucrative banana plantation burning all evidence of a massive cover-up, and her husband disappears, the future of Teresa’s family is changed forever.Now, twenty-seven years later, Teresa and her daughter Lyra are picking up the pieces. Lyra wants nothing to do with Teresa, but is desperate to find out what happened to her family that fateful night. Teresa, haunted by a missing husband and the bitter ghost of her mother, Amarga, is unable to reconcile the past. What unfolds is a story of a mother and daughter trying to forgive what they do not yet understand, and the mystery at the heart of one family’s rupture.Brimming with ancestral spirits, omens, and the anthropomorphic forces of nature, John Manuel Arias weaves a brilliant tapestry of love, loss, secrets, and redemption in Where There Was Fire.

Longlisted for the Dublin Literary AwardGritty and unflinching, yet also tender, fantastical, and funny, a trans woman’s tale about finding a community on the margins.In Sarmiento Park, the green heart of Córdoba, a group of trans sex workers make their nightly rounds. When a cry comes from the dark, their leader, the 178-year-old Auntie Encarna, wades into the brambles to investigate and discovers a baby half dead from the cold. She quickly rallies the pack to save him, and they adopt the child into their fascinating surrogate family as they have so many other outcasts, including Camila.Sheltered in Auntie Encarna’s fabled pink house, they find a partial escape from the everyday threats of disease and violence, at the hands of clients, cops, and boyfriends. Telling their stories—of a mute young woman who transforms into a bird, of a Headless Man who fled his country’s wars—as well as her own journey from a toxic home in a small, poor town, Camila traces the life of this vibrant community throughout the 90s.Imbuing reality with the magic of a dark fairy tale, Bad Girls offers an intimate, nuanced portrait of trans coming-of-age that captures a universal sense of the strangeness of our bodies. It grips and entertains us while also challenging ideas about love, sexuality, gender, and identity.

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams.I watched a lion eat a man like a piece of fruit, peel tendons from fascialike pith from rind, then lick the sweet meat from its hard core of bones.The man had earned this feast and his own deliciousness by ringing a stickagainst the lion's cage, calling out Here, Kitty Kitty, Meow!With one swipe of a paw much like a catcher's mitt with fangs, the lionpulled the man into the cage, rattling his skeleton against the metal bars.The lion didn't want to do it—He didn't want to eat the man like a piece of fruit and he told the crowdthis: I only wanted some goddamn sleep . . .Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

A Kirkus Reviews Best Fiction Book of 2022Longlisted for the PEN/Faulkner AwardA masterful debut that weaves together the lives of three generations of a Mexican American family bound by love, and a curse.The tight-knit Izquierdo family is grappling with misfortunes none of them can explain. Their beloved patriarch has suffered from an emotional collapse and is dying; eldest son Gonzalo’s marriage is falling apart; daughter Dina, beleaguered by the fear that her nightmares are real, is a shut-in. When Gonzalo digs up a strange object in the backyard of the family home, the Izquierdos take it as proof that a jealous neighbor has cursed them―could this be the reason for all their troubles? As the Izquierdos face a distressing present and an uncertain future, they are sustained by the blood that binds them, a divine presence, and an abiding love for one another. Told in a series of soulful voices brimming with warmth and humor, The Family Izquierdo is a tender narrative of a family at a turning point.