Product Description \nRestless Classics presents a trenchant new edition of Machiavelli’s most powerful works of political philosophy, including The Prince and selections from Discourses on Livy, introduced by New Yorker writer and biographer of Che Guevara Jon Lee Anderson.\nFew authors achieve such notoriety that their name becomes an adjective. A "Machiavellian” politician is not simply one who is conniving; the term also refers to a tyrant who is enamored with all the power he (it is usually a “he”) can attain. With so many Machiavellian politicians on the world stage today―Donald Trump, Vladimir Putin, Kim Jong Un, Mohammed bin Salman, Viktor Orbán, Jair Bolsonaro, et alia―Machiavelli's masterpieces The Prince and Discourses on Livy are at once timely and eternal.\nWidely held as a foundational work of modern political philosophy, The Prince can be read as a practical guide for ruling or a satirical guide on how not to rule. Machiavelli prefaces the book with a letter addressed to Lorenzo de’ Medici, the infamous ruler of Florence, both admonishing and praising him for his governance. The sister volume, Discourses on Livy, offers an analysis of ancient Roman history that supports Machiavelli’s claims by lauding the merits of a republic.\nAs Jon Lee Anderson explores in his incisive introduction, Machiavelli’s hard-line outlook on power, politics, war, governance, and ethics has frightening parallels to the current trend toward authoritarianism in our global politics. Machiavelli: On Politics and Power is essential reading for anyone seeking to understand the psychology and methods of power-hungry leaders, past and present. \n Review \n"The staying power of The Prince comes from ... its insistence on the need for a clear-sighted appreciation of how men really are as distinct from the moralizing claptrap about how they ought to be."\n--Alan Ryan, author of On Politics: A History of Political Thought from Herodotus to the Present\\n"It was Niccolò Machiavelli's The Prince, written in 1513, that first laid bare the moral world of politics and the gulf between private conscience and the demands of public action."\n--Michael Ignatieff, politician and historian\\nReview \n“It was Niccolò Machiavelli’s The Prince, written in 1513, that first laid bare the moral world of politics and the gulf between private conscience and the demands of public action.”\n―Michael Ignatieff, politician and historian\\n“The staying power of The Prince comes from … its insistence on the need for a clear-sighted appreciation of how men really are as distinct from the moralizing claptrap about how they ought to be.”\n―Alan Ryan, author of On Politics: A History of Political Thought from Herodotus to the Present\n About the Author \nNiccolò Machiavelli (1469 – 1527) was an Italian diplomat, politician, historian, philosopher and writer of the Renaissance period. As a young Florentine envoy to the courts of France and the Italian principalities, he witnessed firsthand how people could be united under a powerful leader. This vision motivated his writing on acquiring and maintaining political power.\\nJon Lee Anderson has been a staff writer for The New Yorker since 1998. He has covered numerous conflicts in the Middle East and Africa, reported frequently from Latin America and the Caribbean, and written profiles of Augusto Pinochet, Fidel Castro, Hugo Chávez, and Gabriel García Márquez. He is the author of several books, including The Lion’s Grave: Dispatches from Afghanistan, Che Guevara: A Revolutionary Life, Guerillas: Journeys in the Insurgent World, and The Fall of Baghdad.\nJon Lee Anderson ha sido redactor de planta de la revista The New Yorker desde 1998. Ha cubierto numerosos conflictos en Oriente Medio y África, ha publicado reportajes frecuentes sobre Ámerica Latina y el Caribe, y ha escrito perfiles de Augusto Pinochet, Fidel Castro, Hugo Chávez y Gabriel García Márquez, entre otros.\\nBorn in Mexico in 1958, Eko is an en

Niccolo Machiavelli taught that political leaders must be prepared to do evil so that good may come of it, and his name has been a byword ever since for duplicity and immorality. Is his sinister reputation deserved? In answering this question Quentin Skinner traces the course of Machiavelli's adult life, from his time as Second Chancellor of the Florentine republic, during which he met with kings, the pope, and the Holy Roman Emperor; to the fall of the republic in 1512; to his death in 1527. It was after the fall of the Republic that Machiavelli composed his main political works: The Prince, the Discourses, and The History of Florence. In this second edition of his Very Short Introduction Skinner includes new material on The Prince, showing how Machiavelli developed his neo-classical political theory, through engaging in continual dialogue with the ancient Roman moralists and historians, especially Cicero and Livy. The aim of political leaders, Machiavelli argues, should be to act virtuously so far as possible, but to stand ready 'to be not good' when this course of action is dictated by necessity. Exploring the pivotal concept of princely virtu to be found in classical and Renaissance humanist texts, Skinner brings new light to Machiavelli's philosophy of a willingness to do whatever may be necessary - whether moral or otherwise -to maintain a position of power. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Winner of the Pulitzer Prize In this intellectual biography, Sebastian de Grazia presents a new vision of Machiavelli that evokes, with uncanny precision, the great Florentine thinker’s presence. After providing an engrossing account of Machiavelli's childhood and the period following his imprisonment and torture, the book turns to an examination of The Prince. The details of Machiavelli’s life never cease to weave in and out of the narrative, as we read how his ideas gather power and coalesce into a unified vision of humankind and the world. “De Grazia’s achievement is to present a totally comprehensive view of Machiavelli mediated entirely through Machiavelli's own language.”—Journal of Modern History

A “captivating biography of Italian philosopher and playwright”*—Niccolò Machiavelli, author of The Prince—whose writings have outraged and inspired generations of readers.Niccolò Machiavelli is the most influential political writer of all time. His name has become synonymous with cynical scheming and the selfish pursuit of power, but the real Machiavelli, says Miles Unger, was a deeply humane and perceptive writer whose controversial theories were a response to the violence and corruption he saw around him. Machiavelli’s philosophy was shaped by the tumultuous age in which he lived, an age of towering geniuses and brutal tyrants. His first political mission was to spy on the fire-and-brimstone preacher Savonarola. He was on intimate terms with Leonardo and Michelangelo. As a diplomat, he matched wits with the corrupt Pope Alexander VI and his son, the infamous Cesare Borgia, whose violent career served as a model for The Prince. Analyzing their successes and failures, Machiavelli developed his revolutionary approach to power politics. His famous book is a guide that is based on the world as it is, not as it should be. Miles Unger has relied on original Italian sources as well as his own deep knowledge of Florence in writing this fascinating and authoritative account of a genius whose work remains as relevant today as when he wrote it.

A compelling portrait of the Italian philosopher who coined the phrase "the ends justify the means" looks at the man's surprising career and relationships, delving deeply into the personal history that enlivened his masterpiece, The Prince.

Machiavelli's New Modes and Orders is the only full-length interpretive study on Machiavelli's controversial and ambiguous work, Discourses on Livy. These discourses, considered by some to be Machiavelli's most important work, are thoroughly explained in a chapter-by-chapter commentary by Harvey C. Mansfield, one of the world's foremost interpreters of this remarkable philosopher. Mansfield's aim is to discern Machiavelli's intention in writing the book: he argues that Machiavelli wanted to introduce new modes and orders in political philosophy in order to make himself the founder of modern politics. Mansfield maintains that Machiavelli deliberately concealed part of his intentions so that only the most perceptive reader could see beneath the surface of the text and understand the whole of his book. Previously out of print, Mansfield's penetrating study brings to light the hidden thoughts lurking in the details of the Discourses on Livy to inform and challenge its readers at every step along the way.

Niccolò Machiavelli's Art of War is one of the world's great classics of military and political theory. Praised by the finest military minds in history and said to have influenced no lesser lights than Frederick the Great and Napoleon, the Art of War is essential reading for anyone who wants to understand the history and theory of war in the West—and for readers of The Prince and Discourse on Livy who seek to explore more fully the connection between war and politics in Machiavelli's thought. Machiavelli scholar Christopher Lynch offers a sensitive and entirely new translation of the Art of War, faithful to the original but rendered in modern, idiomatic English. Lynch's fluid translation helps readers appreciate anew Machiavelli's brilliant treatments of the relationships between war and politics, civilians and the military, and technology and tactics. Clearly laying out the fundamentals of military organization and strategy, Machiavelli marshals a veritable armory of precepts, prescriptions, and examples about such topics as how to motivate your soldiers and demoralize the enemy's, avoid ambushes, and gain the tactical and strategic advantage in countless circumstances. To help readers better appreciate the Art of War, Lynch provides an insightful introduction that covers its historical and political context, sources, influence, and contemporary relevance. He also includes a substantial interpretive essay discussing the military, political, and philosophical aspects of the work, as well as maps, an index of names, and a glossary.

Discourses on Livy, written in 1531, is as essential to an understanding of Machiavelli as his famous treatise, The Prince. Equally controversial, it reveals his fundamental preference for a republican state. Comparing the practice of the ancient Romans with that of his contemporaries provided Machiavelli with a consistent point of view in all his works. Machiavelli's close analysis of Livy's history of Rome led him to advance his most original and outspoken view of politics--the belief that a healthy political body was characterized by social friction and conflict rather than by rigid stability. His discussion of conspiracies in Discourses on Livy is one of the most sophisticated treatments of archetypal political upheaval ever written. In an age of increasing political absolutism, Machiavelli's theories became a dangerous ideology. This new translation is richly annotated, providing the contemporary reader with sufficient historical, linguistic, and political information to understand and interpret the revolutionary affirmations Machiavelli made, based on the historical evidence he found in Livy.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Machiavellian Moment is a classic study of the consequences for modern historical and social consciousness of the ideal of the classical republic revived by Machiavelli and other thinkers of Renaissance Italy. J.G.A. Pocock suggests that Machiavelli's prime emphasis was on the moment in which the republic confronts the problem of its own instability in time, and which he calls the "Machiavellian moment."\nAfter examining this problem in the thought of Machiavelli, Guicciardini, and Giannotti, Pocock turns to the revival of republican thought in Puritan England and in Revolutionary and Federalist America. He argues that the American Revolution can be considered the last great act of civic humanism of the Renaissance. He relates the origins of modern historicism to the clash between civic, Christian, and commercial values in the thought of the eighteenth century.

Here are The Prince and the most important of the Discourses newly translated into spare, vivid English. Why a new translation? Machiavelli was never the dull, worthy, pedantic author who appears in the pages of other translations, says David Wootton in his Introduction. In the pages that follow I have done my best to let him speak in his own voice. (And indeed, Wootton’s Machiavelli does just that when the occasion demands: renderings of that most problematic of words, virtu, are in each instance followed by the Italian). Notes, a map, and an altogether remarkable Introduction no less authoritative for being grippingly readable, help make this edition an ideal first encounter with Machiavelli for any student of history and political theory.

FINALIST--2008 PEN TRANSLATION PRIZEIn The Essential Writings of Machiavelli, Peter Constantine has assembled a comprehensive collection that shows the true depth and breadth of a great Renaissance thinker. Refreshingly accessible, these superb new translations are faithful to Machiavelli’s original, beautifully crafted writings.The volume features essays that appear in English for the first time, such as “A Caution to the Medici” and “The Persecution of Africa.” Also included are complete versions of the political treatise, The Prince, the comic satire The Mandrake, The Life of Castruccio Castracani, and the classic story “Belfagor”, along with selections from The Discourses, The Art of War, and Florentine Histories. Augmented with useful features–vital and concise annotations and cross-references–this unique compendium is certain to become the standard one-volume reference to this influential, versatile, and ever timely writer.“Machiavelli's stress on political necessity rather than moral perfection helped inspire the Renaissance by renewing links with Thucydides and other classical thinkers. This new collection provides deeper insight into Machiavelli’s personality as a writer, thus broadening our understanding of him.”–Robert D. Kaplan, author of Warrior Politics: Why Leadership Demands a Pagan Ethos “Constantine’s selection is not only intelligent; his translations are astonishingly good. Thoughtfully introduced by Albert Russell Ascoli, this edition belongs in everyone’s library.”–John Jeffries Martin, professor and chair, department of history, Trinity University“If one were to assign a single edition of Machiavelli's works, this most certainly would be it.”–John P. McCormick, professor, department of political science, University of Chicago

In the four and a half centuries since Machiavelli’s death, no single and unanimously accepted interpretation of his ideas has succeeded in imposing itself upon the lively debate over the meaning of his works. Yet there has never been any doubt about the fundamental importance of Machiavelli’s contribution to Western political theory.The Portable Machiavelli brings together the complete texts of The Prince, Belfagor, and Castruccio Castracani, newly translated by Peter Bondanella and Mark Musa especially for this volume. In addition, the editors include an abridged version of The Discourses; a play, The Mandrake Root, in its entirety; seven private letters; and selections from The Art of War and The History of Florence.

Niccolò Machiavelli's The Prince has become a classic over the centuries since it first appeared around 1510, not because of its elegance or style but because of its subversive content about the true nature of power. Mainstream historians and academics have labelled it a "political treatise," but this is only a small part of a much larger and more-important picture.      The Prince isn't just for princes who thirst for, or are forcibly thrown into, advancement. It is a raw and bloody field manual for upper- and mid-level managers on predatorial ethics and power: what it is, how to obtain it, and what to do with it once you have found, stumbled across, or been granted it.      Adagio's version of The Prince, wonderfully translated by Luigi Ricci, has been lightly edited for clarity and easier reading for the American English audience.      Rest easy: we were careful not to disturb Ricci's delicate brushstrokes and superb rendering.

A new series of beautiful hardcover nonfiction classics, with covers designed by Coralie Bickford-SmithWorld-changing ideas meet eye-catching design: the best titles of the extraordinarily successful Great Ideas series are now packaged in Coralie Bickford-Smith’s distinctive, award-winning covers. Whether on a well-curated shelf or in your back pocket, these timeless works of philosophical, political, and psychological thought are absolute must-haves for book collectors as well as design enthusiasts.As a diplomat in turbulent fifteenth-century Florence, Niccolò Machiavelli knew how quickly political fortunes could rise and fall. The Prince, his tough-minded, pragmatic handbook on how power really works, made his name notorious and has remained controversial ever since. How can a leader be strong and decisive, yet still inspire loyalty in his followers? When is it necessary to break the rules? Is it better to be feared than loved? Examining regimes and their rulers the world over and throughout history, from Roman Emperors to renaissance Popes, from Hannibal to Cesare di Borgia, Machievalli answers all these questions in a work of realpolitik that still has shrewd political lessons for modern times. Tim Parks's acclaimed contemporary translation renders Machiavelli's pointed original into language that feels as alarming and enlightening as when it was first written. His introduction discusses Machiavelli's life and reputation, and explores the historical background to the work.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Machiavelli needs to be looked at as he really was. Hence: Can Machiavelli, who makes the following observations, be Machiavellian as we understand the disparaging term? 1. So it is that to know the nature of a people, one need be a Prince; to know the nature of a Prince, one need to be of the people. 2. If a Prince is not given to vices that make him hated, it is unsusal for his subjects to show their affection for him. 3. Opportunity made Moses, Cyrus, Romulus, Theseus, and others; their virtue domi-nated the opportunity, making their homelands noble and happy. Armed prophets win; the disarmed lose. 4. Without faith and religion, man achieves power but not glory. 5. Prominent citizens want to command and oppress; the populace only wants to be free of oppression. 6. A Prince needs a friendly populace; otherwise in diversity there is no hope. 7. A Prince, who rules as a man of valor, avoids disasters, 8. Nations based on mercenary forces will never be solid or secure. 9. Mercenaries are dangerous because of their cowardice 10. There are two ways to fight: one with laws, the other with force. The first is rightly man’s way; the second, the way of beasts.

In a series of poignant vignettes, a preeminent historian makes a compelling case for Machiavelli as an unjustly maligned figure with valuable political insights that resonate as strongly today as they did in his time. Whenever a tempestuous period in history begins, Machiavelli is summoned, because he is known as one for philosophizing in dark times. In fact, since his death in 1527, we have never ceased to read him to pull ourselves out of torpors. But what do we really know about this man apart from the term invented by his detractors to refer to that political evil, Machiavellianism?It was Machiavelli's luck to be disappointed by every statesman he encountered throughout his life—that was why he had to write The Prince. If the book endeavors to dissociate political action from common morality, the question still remains today, not why, but for whom Machiavelli wrote. For princes, or for those who want to resist them? Is the art of governing to take power or to keep it? And what is “the people?” Can they govern themselves? Beyond cynical advice for the powerful, Machiavelli meditates profoundly on the idea of popular sovereignty, because the people know best who oppresses them.With verve and a delightful erudition, Patrick Boucheron sheds light on the life and works of this unclassifiable visionary, illustrating how we can continue to use him as a guide in times of crisis.

The modern-day term "Machiavellian" is used to describe deception, dishonesty, and cruelty to meet a goal. The Prince by Niccolò Machiavelli was written as a guide for autocrats on how to govern using means that were meant to deceive and manipulate a government's constituency-to the extent of advocating the use of evil as a means of political expediency. In this classic work, the end justifies the means reigns paramount to Machiavelli's system of government.

Special Student Edition has a special margin on each page to allow students to make notations. Complete translated text with an introduction on the life of Machiavelli.

Machiavelli draws on his extensive historical knowledge and experience as a statesman to examine the reasons that Kings, Emperors, Dukes and governments have thrived or crumbled, while highlighting the principles that guided them. In each case Machiavelli suggests a set of principles that any leader would find difficult to follow, but impossible to ignore. The Prince has had a profound influence on political thought over the past 500 years, so much so that the term 'Machiavellian' is used to describe one who deceives and manipulates others. This is likely derived from Machiavelli's view that "it is often necessary to act against mercy, against faith, against humanity, against frankness, against religion, in order to preserve the state." Machiavelli continues to provide an understanding of how world leaders think, and why certain decisions are made. A must read for the politically inclined and those interested in world events and the affairs of state. This case laminate collector's edition includes a Victorian inspired dust-jacket.

The most famous book on politics ever written, The Prince remains as lively and shocking today as when it was written almost five hundred years ago. Initially denounced as a collection of sinister maxims and a recommendation of tyranny, it has more recently been defended as the first scientific treatment of politics as it is practiced rather than as it ought to be practiced. Harvey C. Mansfield's brilliant translation of this classic work, along with the new materials added for this edition, make it the definitive version of The Prince, indispensable to scholars, students, and those interested in the dark art of politics. This revised edition of Mansfield's acclaimed translation features an updated bibliography, a substantial glossary, an analytic introduction, a chronology of Machiavelli's life, and a map of Italy in Machiavelli's time. "Of the other available [translations], that of Harvey C. Mansfield makes the necessary compromises between exactness and readability, as well as providing an excellent introduction and notes."—Clifford Orwin, The Wall Street Journal "Mansfield's work . . . is worth acquiring as the best combination of accuracy and readability."—Choice "There is good reason to assert that Machiavelli has met his match in Mansfield. . . . [He] is ready to read Machiavelli as he demands to be read—plainly and boldly, but also cautiously."—John Gueguen, The Sixteenth Century Journal

From a leading expert on the life and works of Niccolò Machiavelli, a superb overview of the pivotal Renaissance philosopher, writer, and historian.   "Machiavellian" can signify duplicity and amorality in politics, but Machiavelli himself was far more complex than this cliché. A high-ranking Florentine government official and prolific writer of hugely influential political, military, and historical works, Machiavelli was also a vernacular poet, first-rank dramatist, and religious radical, rejecting not only the contemporary Catholic Church but Christianity itself. From champion of Florentine popular republicanism to political radical to conservative, Machiavelli explores the many facets of the man described as the father of modern political philosophy and political science.

THE HANDBOOK FOR LEADERS \nThe Prince is often regarded as the first true leadership book. It shocked contemporary readers with its ruthless call for fearless and effective action. With simple prose and straightforward logic Machiavelli's guide still has the power to surprise and inform anyone hoping to make their way in the world. \nThis keepsake edition includes an introduction by Tom Butler-Bowdon, drawing out lessons for managers and business leaders, and showing how The Prince remains vital reading for anyone in the realm of business or politics.

BOOK ONE:The Prince Is a 16th-century political treatise, by the Italian diplomat and political theorist Niccolò Machiavelli. From correspondence a version appears to have been distributed in 1513, using a Latin title, De Principatibus (About Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings". Although it was written as if it were a traditional work in the mirrors for princes style, it is generally agreed that it was especially innovative. This is only partly because it was written in the vernacular Italian rather than Latin, a practice which had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature. BOOK TWO: The Art of War Is a treatise by the Italian Renaissance political philosopher and historian Niccolò Machiavelli. The format of The Art of War is a socratic dialogue. The purpose, declared by Lord Fabrizio Colonna (perhaps Machiavelli's persona) at the outset, "To honor and reward virtù, not to have contempt for poverty, to esteem the modes and orders of military discipline, to constrain citizens to love one another, to live without factions, to esteem less the private than the public good." To these ends, Machiavelli notes in his preface, the military is like the roof of a palazzo protecting the contents. Written between 1519 and 1520 and published the following year, it was Machiavelli's only historical or political work printed during his lifetime, though he was appointed official historian of Florence in 1520 and entrusted with minor civil duties. BOOK THREE:The Discourses on Livy Is a work of political history and philosophy written in the early 16th century (ca. 1517) by the Italian writer and political theorist Niccolò Machiavelli, best known as the author of The Prince. The Discourses were published posthumously with papal privilege in 1531. The title identifies the work's subject as the first ten books of Livy's Ab urbe condita,which relate the expansion of Rome through the end of the Third Samnite War in 293 BCE, although Machiavelli discusses what can be learned from many other eras including contemporary politics. Machiavelli saw history in general as a way to learn useful lessons from the past for the present, and also as a type of analysis which could be built upon, as long as each generation did not forget the works of the past. BOOK FOUR: HISTORY OF FLORENCE After the crisis of 1513, with arrests for conspiracy, torture and after being sentenced to house arrest, Machiavelli's relationship with the Medici family passively began to mend itself. If the dedication of Il Principe (1513) to Lorenzo II de' Medici had not any effect, part of the then dominant faction of the Florence was not against him, and instead granted him an appointment. In his letter he deplores of his idle state, offering his precious political experience to the new lord. To sustain that timid request Machiavelli, with a considerably courtier-like spirit, set his Mandragola for the wedding of Lorenzino de' Medici (1518). In 1520, he was invited to Lucca for a mission of a semiprivate character, indicating that the ostracism was to be raised up. At the end of that year, Giulio Cardinal de Medici commissioned him to write a History of Florence. Although this was not exactly the charge he desired, Machiavelli accepted it as the only possible way to come back into the graces of the Medici. The intent of the work, although semi-officially, was to recover the city's charge of historic officiality. The wage for the appointment was not large (57 florins per year, later increased to 100).