A GRIPPING, FEARLESS EXPLORATION OF MASCULINITYThe effects of traditionally defined masculinity have become one of the most prevalent social issues of our time. In this engaging and provocative new book, beloved actor, director, and social activist Justin Baldoni reflects on his own struggles with masculinity. With insight and honesty, he explores a range of difficult, sometimes uncomfortable topics including strength and vulnerability, relationships and marriage, body image, sex and sexuality, racial justice, gender equality, and fatherhood.Writing from experience, Justin invites us to move beyond the scripts we’ve learned since childhood and the roles we are expected to play. He challenges men to be brave enough to be vulnerable, to be strong enough to be sensitive, to be confident enough to listen. Encouraging men to dig deep within themselves, Justin helps us reimagine what it means to be man enough and in the process what it means to be human.

Product Description A New York Times Book Review Editors' Choice. Longlisted for the 2021 Brooklyn Public Library Literary Prize. "This hurricane of delirious, lonely, lewd tales is a taxonomy and grand unified theory of the boyfriend, in every tense." --Parul Sehgal, The New York Times"I loved this book--raunchy, irreverent, deliberate, sexy, angry, and tender, in its own way." --Roxane GayAn irrerverent, sensitive, and inimitable look at gay dysfunction through the eyes of a cult heroTransgressive, foulmouthed, and brutally funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting the urge to self-sabotage. As they tiptoe through minefields of romantic, substance-fueled misadventure―from dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama―Purnell’s characters strive for belonging in a world that dismisses them for being Black, broke, and queer. In spite of it―or perhaps because of it―they shine.Armed with a deadpan wit, Purnell finds humor in even the darkest of nadirs with the peerless zeal, insight, and horniness of a gay punk messiah. Together, the slice-of-life tales that writhe within 100 Boyfriends are an inimitable tour of an unexposed queer underbelly. Holding them together is the vision of an iconoclastic storyteller, as fearless as he is human. Review "This hurricane of delirious, lonely, lewd tales is a taxonomy and grand unified theory of the boyfriend, in every tense . . . Paragraphs run quick and cool, like stacked ice cubes . . . [a] feeling of eternal recurrence is beautifully by design, it is the very argument of the book . . . All these desires, these imperatives, lodge themselves into that little word 'boyfriend,' into fantasies of men past and present, into those ghosts, who prove so necessary." --Parul Sehgal, The New York Times"100 Boyfriends is a collection of short stories so wrigglingly alive and counterculturally refreshing that it deserves a new noun ― a pod of whales, a murder of crows, a jubilee of Brontez Purnell stories? I’d wager that he sets down the best first lines of any living writer." ―Molly Young, Vulture"I loved this book--raunchy, irreverent, deliberate, sexy, angry, and tender, in its own way. There is a matter of factness tone that I really loved. Also, listen. The men in these stories have a lot of sex. Like, logistically, the chafing alone! Bless their hearts. V v v great book. Will definitely be reading this one again." --Roxane Gay (via Goodreads)"Brontez Purnell is a tireless creative force . . . At times reminiscent of the work of Eve Babitz, 100 Boyfriends is simultaneously tough and vulnerable, bawdy and knowing, and relayed with a deceptive ease." --The A.V. Club"Purnell performs one of those rare literary magic tricks: He presents the reader with types only to later reveal the humanity underneath the stereotype. Moreover, his uncompromising portraits broaden the literary scope of queer male desire and love. The men in 100 Boyfriends are glimpses, fractions, and lost ― but they remain fully alive." --Alex McElroy, Buzzfeed"No one can write and tell a story like Brontez Purnell. This is a fact. I laughed, I cried, I winced, I gagged. I texted my friends whole pictures of pages while reading 100 Boyfriends . . . Every sentence in 100 Boyfriends made me giddy; Brontez Purnell writes about everything that goes on in your head before, during, and after sex with a wit and clarity that has become the hallmark of his work." --Jeffrey Masters, The Advocate"A hilarious, non-stop series of boyfriends past, united by candid takes on love, sex, and more sex . . . Purnell finds the beauty and dignity in every ex." --GQ"[100 Boyfriends] reads like a series of 4 a.m. text messages received from a very smart and very messy friend ― when there’s no way you can wait till morning to respond, 'What the fuck? Are you OK? Did you at least have fun?' If Purnell is a living archive of the

'Jackson's mesmerizing voice and style draws you into the survival calculations for millions of American kids and families, revealing a need-to-know reality for all of us' PIPER KERMAN, Author of Orange is the New Black'Survival Math should be praised for many reasons--its literary integrity, its cinematic pace, its creativity and candor. But what I find most striking about this work, what I think distinguishes it, is its heart' JASON REYNOLDS'Jackson's musings skillfully illuminate the bloodlines, both inherited and earned, that pulse through the body of America's gang-graffitied carceral state' TYEHIMBA JESS, Pulitzer Prize-winning author of OlioIn a thrillingly alive, candid new work, award-winning author Mitchell S. Jackson takes us inside the drug-ravaged neighborhood and struggling family of his youth, while examining the cultural forces--large and small--that led him and his family to this place.With a poet's gifted ear, a novelist's sense of narrative, and a journalist's unsentimental eye, Mitchell S. Jackson candidly explores his tumultuous youth in the other America. Survival Math takes its name from the calculations Mitchell and his family made to keep safe--to stay alive--in their community, a small black neighborhood in Portland, Oregon blighted by drugs, violence, poverty, and governmental neglect.Survival Math is both a personal reckoning and a vital addition to the national conversation about race. Mitchell explores the Portland of his childhood, tracing the ways in which his family managed their lives in and around drugs, prostitution, gangs, and imprisonment as members of a tiny black population in one of the country's whitest cities. He discusses sex work and serial killers, gangs and guns, near-death experiences, composite fathers, the concept of "hustle," and the destructive power of drugs and addiction on family.In examining the conflicts within his family and community, Jackson presents a microcosm of struggle and survival in contemporary urban America--an exploration of the forces that shaped his life, his city, and the lives of so many black men like him. As Jackson charts his own path from drug dealer to published novelist, he gives us a heartbreaking, fascinating, lovingly rendered view of the injustices and victories, large and small, that defined his youth.

When Men in Groups was first published in l969, the New York Times daily critic titled his review "The Disturbing Rediscovery of the Obvious." What was so obvious was male bonding, a phrase that entered the language. The links between males in groups Tiger describes extend through many other primate species, through our evolution as hunters/gatherers, and cross-culturally. Male bonding characterizes human groups as varied as the Vatican Council, the New York Yankees, the Elks and Masons the secret societies of Sierra Leone and Kenya.The power of Tiger's book is its identification of the powerful links between men and the impact of females and families on essentially male groups. While the world has changed much, the argument of the book and its new introduction by the author suggest that a species-specific pattern ofámale bonding continues to be part of the human default system. Perhaps one day concrete evidence of its location will emerge from the startling work on the human genome, just as the elaborate and consequential sex differences to which Men in Groups drew such pioneering attention have already become part of the common wisdom. Meanwhile, Men in Groups remains a measured andáresponsibleábut intrepid inspection of a major aspect of human social organization and personal behavior. The book was controversial when it first appeared, and often foolishly and unduly scorned. But it has remained a fundamental contribution to the emerging synthesis between the social and natural sciences.

Product Description A FINALIST for the Booker Prize, the National Book Critics Circle John Leonard Prize, the VCU/Cabell First Novelist Prize, the Lambda Literary Award, the NYPL Young Lions Award, and the Edmund White Debut Fiction Award “A blistering coming of age story” —O: The Oprah MagazineNamed a Best Book of the Year by The New York Times, The Washington Post, New York Public Library, Vanity Fair, Elle, NPR, The Guardian, The Paris Review, Harper's Bazaar, Financial Times, Huffington Post, BBC, Shondaland, Barnes & Noble, Vulture, Thrillist, Vice, Self, Electric Literature, and Shelf AwarenessA novel of startling intimacy, violence, and mercy among friends in a Midwestern university town, from an electric new voice.Almost everything about Wallace is at odds with the Midwestern university town where he is working uneasily toward a biochem degree. An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community. Real Life is a novel of profound and lacerating power, a story that asks if it’s ever really possible to overcome our private wounds, and at what cost. Review Praise for Real Life:“[A] stunning debut . . . Taylor proves himself to be a keen observer of the psychology of not just trauma, but its repercussions. . . . There is a delicacy in the details of working in a lab full of microbes and pipettes that dances across the pages like the feet of a Cunningham dancer: pure, precise poetry.”—Jeremy O. Harris, The New York Times Book Review“Equal parts captivating, erotic, smart and vivid . . . [rendered] with tenderness and complexity, from the first gorgeous sentence of his book to its very last . . . Taylor is also tackling loneliness, desire and—more than anything—finding purpose, meaning and happiness in one’s own life.”—Time “[Real Life is] a sophisticated character study of someone squaring self-preservation with a duty to tolerate people who threaten it. The book teems with passages of transfixing description, and perhaps its greatest asset is the force of Wallace’s isolation, which Taylor conveys with alien strangeness.”—The New Yorker “Real Life is a tender, deeply felt, perfectly paced novel about solitude and society, sexuality and race. It explores what the past means and, with brilliance and sympathy, dramatizes the intricacies of love and grief.”—Colm Tóibín“A blistering coming of age story. . . [Taylor] is so deft at portraying the burdens that befall young queer people of color and the forces that often hamper true connection.”—O: The Oprah Magazine“Brandon Taylor emerges as a powerhouse . . . . In tender, intimate and distinctive writing, Taylor explores race, sexuality and desire with a cast of unforgettable characters.” —Newsweek“A pleasure . . . So well written I felt like I was watching the events, rather than just reading the prose.” —NPR“[A] classical ideal of a novel . . . Every scene, every dialogue, fits perfectly over a hall-of-famer first sentence[,] delicate interlocking layers of story that build satisfyingly up and out around Wallace, his father, and his friends.” —The Paris Review“A perfect, meditative read.” – USA TODAY“Both calm and quiet and furiously dramatic, internal and external,Real Life moves like, well, real life—but with a key difference. Real life itself can be super boring. ButReal Life . . . is utterly captivating all the way through.”—Isaac Fitzgerald, The Today Show “Taylor’s vivid characteri

An English professor begins training in the sport of mixed martial arts and explores the science and history behind the violence of menWhen a mixed martial arts (MMA) gym moves in across the street from his office, Jonathan Gottschall sees a challenge, and an opportunity. Pushing forty, out of shape, and disenchanted with his job as an adjunct English professor, part of him yearns to cross the street and join up. The other part is terrified. Gottschall eventually works up his nerve, and starts training for a real cage fight. He’s fighting not only as a personal test but also to answer questions that have intrigued him for years: Why do men fight? And why do so many seemingly decent people like to watch?In The Professor in the Cage, Gottschall’s unlikely journey from the college classroom to the fighting cage drives an important new investigation into the science and history of violence. Mixed martial arts is a full-contact hybrid sport in which fighters punch, choke, and kick each other into submission. MMA requires intense strength, endurance, and skill; the fights are bloody, brutal, and dangerous. Yet throughout the last decade, cage fighting has evolved from a small-time fringe spectacle banned in many states to the fastest-growing spectator sport in America.But the surging popularity of MMA, far from being new, is just one more example of our species’ insatiable interest not just in violence but in the rituals that keep violence contained. From duels to football to the roughhousing of children, humans are masters of what Gottschall calls the monkey dance: a dizzying variety of rule-bound contests that establish hierarchies while minimizing risk and social disorder. In short, Gottschall entered the cage to learn about the violence in men, but learned instead how men keep violence in check.Gottschall endures extremes of pain, occasional humiliation, and the incredulity of his wife to take us into the heart of fighting culture—culminating, after almost two years of grueling training, in his own cage fight. Gottschall’s unsparing personal journey crystallizes in his epiphany, and ours, that taming male violence through ritualized combat has been a hidden key to the success of the human race. Without the restraining codes of the monkey dance, the world would be a much more chaotic and dangerous place.

SOON TO BE A HULU ORIGINAL SERIES • NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • “A shattering and darkly comic send-up of racial stereotyping in Hollywood” (Vanity Fair) and adeeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play.Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy—the most respected role that anyone who looks like him can attain. Or is it?After stumbling into the spotlight, Willis finds himself launched into a wider world than he’s ever known, discovering not only the secret history of Chinatown, but the buried legacy of his own family. Infinitely inventive and deeply personal, exploring the themes of pop culture, assimilation, and immigration—Interior Chinatown is Charles Yu’s most moving, daring, and masterful novel yet.

BRAND NEW, Exactly same ISBN as listed, Please double check ISBN carefully before ordering.

The description for this book, The Poetics of Manhood: Contest and Identity in a Cretan Mountain Village, will be forthcoming.

The long-awaited second novel by the author of “arguably the most exciting debut novel of the decade: The Last Samurai.” (Sam Anderson, New York). “All I want is to be a success. That’s all I ask.” Joe fails to sell a single set of the Encyclopedia Britannica in six months. Then fails to sell a single Electrolux and must eat 126 pieces of homemade pie, served up by his would-be customers who feel sorry for him. Holed up in his trailer, Joe finds an outlet for his frustrations in a series of ingenious sexual fantasies, and at last strikes gold. His brainstorm, Lightning Rods, Inc., will take Joe to the very top ― and to the very heart of corporate insanity ― with an outrageous solution to the spectre of sexual harassment in the modern office. An uproarious, hard-boiled modern fable of corporate life, sex, and race in America, Helen DeWitt’s Lightning Rods brims with the satiric energy of Nathanael West and the philosophic import of an Aristophanic comedy of ideas. Her wild yarn is second cousin to the spirit of Mel Brooks and the hilarious reality-blurring of Being John Malkovich. Dewitt continues to take the novel into new realms of storytelling ― as the timeliness of Lightning Rods crosses over into timelessness.

Bartleby is a kind of clerk, a copyist, "who obstinately refuses to go on doing the sort of writing demanded of him." During the spring of 1851, Melville felt similarly about his work on Moby Dick. Thus, Bartleby can be seen to represent Melville's frustration with his own situation as a writer, and the story itself is "about a writer who forsakes conventional modes because of an irresistible preoccupation with the most baffling philosophical questions." Bartleby can also be seen to represent Melville's relation to his commercial, democratic society.

Testosterone has been the misunderstood human hormone since the early 1970s, blamed for everything to rape to low intelligence to road rage. But the authors argue that the picture is more complex: testosterone is related to things as diverse as criminal violence and the way people smile; it affects our language ability and the way we navigate in the space around us; it helps predict what occupation we will enter and whether or not we will marry, have extra-marital affairs, and divorce. It affects both men and women. Culled from over 20 years of research on the subject, this text is the story of what we know and what we are learning about testosterone - from its role in human evolution, to its links between animal and human nature, to its connections with violence, attraction, and social interaction.

Everyone needs to love and be loved -- even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving. In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are -- whatever their age, marital status, ethnicity, or sexual orientation. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves -- and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women. A brave and astonishing work, The Will to Change is designed to help men reclaim the best part of themselves.

A Finalist for the Folio Prize, the Goldsmiths Prize, the Scotiabank Giller Prize, and the Baileys Women’s Prize for FictionOne of The New York Times' Top Ten Books of the Year. Named a A New York Times Book Review Notable Book and a Best Book of the Year by The New Yorker, Vogue, NPR, The Guardian, The Independent, Glamour, and The Globe and MailChosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York TimesRachel Cusk's Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her students in storytelling exercises. She meets other visiting writers for dinner. She goes swimming in the Ionian Sea with her neighbor from the plane. The people she encounters speak volubly about themselves: their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face a great loss.

It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women's Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco--a journey through the deep queer archives of struggle and pleasure. Andrea Lawlor's debut novel offers a speculative history of early '90s identity politics during the heyday of ACT UP and Queer Nation. Paul Takes the Form of a Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections.

This book is an attempt to coax Roman history closer to the bone, to the breath and matter of the living being. Drawing from a remarkable array of ancient and modern sources, Carlin Barton offers the most complex understanding to date of the emotional and spiritual life of the ancient Romans. Her provocative and original inquiry focuses on the sentiments of honor that shaped the Romans' sense of themselves and their society. Speaking directly to the concerns and curiosities of the contemporary reader, Barton brings Roman society to life, elucidating the complex relation between the inner life of its citizens and its social fabric.Though thoroughly grounded in the ancient writings―especially the work of Seneca, Cicero, and Livy―this book also draws from contemporary theories of the self and social theory to deepen our understanding of ancient Rome. Barton explores the relation between inner desires and social behavior through an evocative analysis of the operation, in Roman society, of contests and ordeals, acts of supplication and confession, and the sense of shame. As she fleshes out Roman physical and psychological life, she particularly sheds new light on the consequential transition from republic to empire as a watershed of Roman social relations.Barton's ability to build productively on both old and new scholarship on Roman history, society, and culture and her imaginative use of a wide range of work in such fields as anthropology, sociology, psychology, modern history, and popular culture will make this book appealing for readers interested in many subjects. This beautifully written work not only generates insight into Roman history, but also uses that insight to bring us to a new understanding of ourselves, our modern codes of honor, and why it is that we think and act the way we do.

Krys Malcolm Belc's visual memoir-in-essays explores how the experience of gestational parenthood--conceiving, birthing, and breastfeeding his son Samson--eventually clarified his gender identity. Krys Malcolm Belc has thought a lot about the interplay between parenthood and gender. As a nonbinary, transmasculine parent, giving birth to his son Samson clarified his gender identity. And yet, when his partner, Anna, adopted Samson, the legal documents listed Belc as "the natural mother of the child."   By considering how the experiences contained under the umbrella of "motherhood" don't fully align with Belc's own experience, The Natural Mother of the Child journeys both toward and through common perceptions of what it means to have a body and how that body can influence the perception of a family. With this visual memoir in essays, Belc has created a new kind of life record, one that engages directly with the documentation often thought to constitute a record of one's life--childhood photos, birth certificates--and addresses his deep ambivalence about the "before" and "after" so prevalent in trans stories, which feels apart from his own experience.    The Natural Mother of the Child is the story of a person moving past societal expectations to take control of his own narrative, with prose that delights in the intimate dailiness of family life and explores how much we can ever really know when we enter into parenting.

Darryl Cook is a man who seems to have everything: a quiet home in Western Oregon, a beautiful wife, and a lot of friends to fuck her while he watches. But as he explores the cuckolding lifestyle, he finds himself tugging at threads that threaten to unravel his marriage, his town, and himself.With empathy and humor, debut author Jackie Ess crafts a kaleidoscopic meditation on marriage, manhood, dreams, basketball, sobriety, and the secret lives of Oregonians."Underneath the sharp satire and hilarious sexual irreverence this is a deadly serious book: a brilliant novel of a seeker, like The Pilgrim's Progress refracted by queer internet culture."-Torrey Peters, author of Detransition, Baby

Named one of the most anticipated books of the year by Entertainment Weekly, O, The Oprah Magazine, BuzzFeed, Electric Literature, Yahoo Lifestyle, and Bitch Media “A delightful hybrid of a book… You’ll laugh, you'll cry, often both at once. Everyone should read this extraordinary book.” —Kirkus Reviews (starred review)From the New York Times bestselling author of Texts From Jane Eyre and Merry Spinster, writer of Slate’s “Dear Prudence” column, and cofounder of The Toast comes a hilarious and stirring collection of essays and cultural observations spanning pop culture—from the endearingly popular to the staggeringly obscure.Daniel Mallory Ortberg is known for blending genres, forms, and sources to develop fascinating new hybrids—from lyric rants to horror recipes to pornographic scripture. In his most personal work to date, he turns his attention to the essay, offering vigorous and laugh-out-loud funny accounts of both popular and highbrow culture while mixing in meditations on gender transition, family dynamics, and the many meanings of faith.From a thoughtful analysis of the beauty of William Shatner to a sinister reimagining of HGTV’s House Hunters, and featuring figures as varied as Anne of Green Gables, Columbo, Nora Ephron, Apollo, and the cast of Mean Girls, Something That May Shock and Discredit You is a hilarious and emotionally exhilarating compendium that combines personal history with cultural history to make you see yourself and those around you entirely anew. It further establishes Ortberg as one of the most innovative and engaging voices of his generation—and it may just change the way you think about Lord Byron forever.