A 40th anniversary reissue of the national bestselling author's hilarious first novel that memorably mixed food, heartbreak, and revenge into a comic masterpiece—now with a new foreword by Stanley Tucci. • "Touching and funny.... Proof that writing well is the best revenge." —Chicago TribuneIs it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. In this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle and When Harry Met Sally... reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.Seven months into her pregnancy, Rachel Samstat discovers that her husband, Mark, is in love with another woman. The fact that the other woman has "a neck as long as an arm and a nose as long as a thumb and you should see her legs" is no consolation. Food sometimes is, though, since Rachel writes cookbooks for a living. And in between trying to win Mark back and loudly wishing him dead, Ephron's irrepressible heroine offers some of her favorite recipes.Heartburn is a sinfully delicious novel, as soul-satisfying as mashed potatoes and as airy as a perfect soufflé.

#1 NATIONAL BESTSELLER • A candid, hilarious look at women of a certain age and dealing with the tribulations of maintenance, menopause, empty nests, and life itself.“Wickedly witty ... Crackling sharp ... Fireworks shoot out [of this collection].” —The Boston GlobeWith her disarming, intimate, completely accessible voice, and dry sense of humor, Nora Ephron chronicles her life as an obsessed cook, passionate city dweller, and hapless parent. But mostly she speaks frankly and uproariously about life as an older woman. Utterly courageous, uproariously funny, and unexpectedly moving in its truth telling, I Feel Bad About My Neck is a scrumptious, irresistible treat of a book, full of truths, laugh out loud moments that will appeal to readers of all ages.

NOW A MAJOR MOTION PICTURE starring ANNE HATHAWAY and JIM STURGESSIt’s 1988 and Dexter Mayhew and Emma Morley have only just met. But after only one day together, they cannot stop thinking about one another. Over twenty years, snapshots of that relationship are revealed on the same day—July 15th—of each year. Dex and Em face squabbles and fights, hopes and missed opportunities, laughter and tears. And as the true meaning of this one crucial day is revealed, they must come to grips with the nature of love and life itself."One of the most hilarious and emotionally riveting love stories you'll ever encounter." —People#1 INTERNATIONAL BESTSELLER

NATIONAL BESTSELLER • Here is the beloved, bestselling author of I Feel Bad About My Neck at her funniest, wisest, and best, taking a hilarious look at the past and bemoaning the vicissitudes of modern life—and recalling with her signature clarity and wisdom everything she hasn’t (yet) forgotten.In these pages she takes us from her first job in the mailroom at Newsweek to the six stages of email, from memories of her parents’ whirlwind dinner parties to her own life now full of Senior Moments (or, as she calls them, Google moments), from her greatest career flops to her most treasured joys.Filled with insights and observations that instantly ring true, I Remember Nothing is a delightful, poignant gift from one of our finest writers.

From the award-winning, #1 New York Times bestselling author of Wayward Son, Fangirl, Carry On, and Landline comes a hilarious and heartfelt novel about an office romance that blossoms one email at a time....Beth Fremont and Jennifer Scribner-Snyder know that somebody is monitoring their work e-mail. (Everybody in the newsroom knows. It's company policy.) But they can't quite bring themselves to take it seriously. They go on sending each other endless and endlessly hilarious e-mails, discussing every aspect of their personal lives.Meanwhile, Lincoln O'Neill can't believe this is his job now—reading other people's e-mail. When he applied to be “internet security officer,” he pictured himself building firewalls and crushing hackers—not writing up a report every time a sports reporter forwards a dirty joke.When Lincoln comes across Beth's and Jennifer's messages, he knows he should turn them in. He can't help being entertained, and captivated, by their stories. But by the time Lincoln realizes he's falling for Beth, it's way too late to introduce himself. What would he even say...?

Sparkling and sophisticated, this sometimes hilarious, sometimes heartbreaking debut novel tells the story of a very messy, very high-profile divorce and the endearingly cynical young lawyer dragooned into handling it. Twenty-nine-year-old Sophie Diehl is happy toiling away as a criminal law associate at an old-line New England firm, where she very much appreciates that most of her clients are trapped behind bars. Everyone at Traynor, Hand knows she abhors face-to-face contact, but one week, with all the big partners out of town, Sophie is stuck handling the intake interview for the daughter of the firm’s most important client. After eighteen years of marriage, Mayflower descendant Mia Meiklejohn Durkheim has just been served divorce papers in a humiliating scene at the popular local restaurant, Golightly’s. Mia is now locked and loaded to fight her eminent and ambitious husband, Dr. Daniel Durkheim, Chief of the Department of Pediatric Oncology at Mather Medical School, for custody of their ten-year-old daughter Jane. Mia also burns to take him down a peg. Sophie warns Mia that she’s never handled a divorce case before, but Mia can’t be put off. The way she sees it, it’s her first divorce, too. For Sophie, the whole affair will spark a hard look at her own relationships—with her parents, colleagues, friends, lovers, and, most important, herself. A rich, layered novel told entirely through personal correspondence, office memos, e-mails, articles, handwritten notes, and legal documents, The Divorce Papers offers a direct window into the lives of an entertaining cast of characters never shy about speaking their minds. Original and captivating, Susan Rieger’s brilliantly conceived and expertly crafted debut races along with wit, heartache, and exceptional comedic timing, as it explores the complicated family dynamic that results when marriage fails—as well as the ever-present risks and coveted rewards of that thing called love.

The second revision in sixty years, this sublime collection ranges over the verse, stories, essays, and journalism of one of the twentieth century's most quotable authors.In this new twenty-first-century edition, devoted admirers will be sure to find their favorite verse and stories. But a variety of fresh material has also been added to create a fuller, more authentic picture of her life's work. At the heart of her serious work lie her political writings dealing with race, labor, and international politics. "A Dorothy Parker Sampler" blends the sublime and the silly with the terrifying, a sort of tasting menu of verse, stories, essays, political journalism, a speech on writing, plus a catchy off-the-cuff rhyme she never thought to write down.The introduction of two new sections is intended to provide the richest possible sense of Parker herself. "Self-Portrait" reprints an interview she did in 1956 with The Paris Review, part of a famed ongoing series of conversations ("Writers at Work") conducted with the best of twentieth-century writers."Letters: 1905-1962," which might be subtitled "Mrs. Parker Completely Uncensored," presents correspondence written over the period of a half century, beginning in 1905 when twelve-year-old Dottie wrote her father during a summer vacation on Long Island, and concluding with a 1962 missive from Hollywood describing her fondness for Marilyn Monroe.Features an introduction by Marion Meade and cover illustrations by renowned graphic artist Seth, creator of the comic series Palooka-villeFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The classic Crazy Salad, by screenwriting legend and novelist Nora Ephron, is an extremely funny, deceptively light look at a generation of women (and men) who helped shape the way we live now. In this distinctive, engaging, and simply hilarious view of a period of great upheaval in America, Ephron turns her keen eye and wonderful sense of humor to the media, politics, beauty products, and women's bodies. In the famous "A Few Words About Breasts," for example, she tells us: "If I had had them, I would have been a completely different person. I honestly believe that." Ephron brings her sharp pen to bear on the notable women of the time, and to a series of events ranging from Watergate to the Pillsbury Bake-Off. When it first appeared in 1975, Crazy Salad helped to illuminate a new American era--and helped us to laugh at our times and ourselves. This new edition will delight a fresh generation of readers.

From the author of 2018's much buzzed about Look Alive Out There...Wry, hilarious, and profoundly genuine, Sloane Crosley's debut collection of literary essays is a celebration of fallibility and haplessness in all their glory. The New York Times bestseller that both captured and influenced a generation.From despoiling an exhibit at the Natural History Museum to provoking the ire of her first boss to siccing the cops on her mysterious neighbor, Crosley can do no right despite the best of intentions -- or perhaps because of them. Together, these essays create a startlingly funny and revealing portrait of a complex and utterly recognizable character who aims for the stars but hits the ceiling, and the inimitable city that has helped shape who she is. I Was Told There'd Be Cake introduces a strikingly original voice, chronicling the struggles and unexpected beauty of modern urban life.Sloane Crosley is also the author of Look Alive Out There, How Did You Get This Number, The Clasp and the ebook Up The Down Volcano.

Twenty-five tussles with the American media and its various faults and glories reveal an incisive journalist's dislike of such episodes as Haldeman on CBS and the New York Magazine takeover and her passion for such gifts as Upstairs, Downstairs and the Double-Crostic

Molly Hallberg is a thirty-nine-year-old divorced writer living in New York City who wants her own column, a Wikipedia entry, and to never end up in her family’s Long Island upholstery business. For the past four years Molly’s been on staff for an online magazine, covering all the wacky assignments. She’s snuck vibrators through security scanners, speed-dated undercover, danced with the Rockettes, and posed nude for a Soho art studio.Fearless in everything except love, Molly is now dating a forty-four-yearold chiropractor. He’s comfortable, but safe. When Molly is assigned to write a piece about New York City romance “in the style of Nora Ephron,” she flunks out big-time. She can’t recognize romance. And she can’t recognize the one man who can go one-on-one with her, the one man who gets her. But with wit, charm, whip-smart humor, and Nora Ephron’s romantic comedies, Molly learns to open her heart and suppress her cynicism in this bright, achingly funny novel.

#1 NEW YORK TIMES BESTSELLER • Includes two new essays!NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY MICHIKO KAKUTANI, THE NEW YORK TIMES • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BUZZFEED, THE GLOBE AND MAIL, AND LIBRARY JOURNALFor readers of Nora Ephron, Tina Fey, and David Sedaris, this hilarious, wise, and fiercely candid collection of personal essays establishes Lena Dunham—the acclaimed creator, producer, and star of HBO’s Girls—as one of the most original young talents writing today. In Not That Kind of Girl, Dunham illuminates the experiences that are part of making one’s way in the world: falling in love, feeling alone, being ten pounds overweight despite eating only health food, having to prove yourself in a room full of men twice your age, finding true love, and most of all, having the guts to believe that your story is one that deserves to be told. “Take My Virginity (No Really, Take It)” is the account of Dunham’s first time, and how her expectations of sex didn’t quite live up to the actual event (“No floodgate had been opened, no vault of true womanhood unlocked”); “Girls & Jerks” explores her former attraction to less-than-nice guys—guys who had perfected the “dynamic of disrespect” she found so intriguing; “Is This Even Real?” is a meditation on her lifelong obsession with death and dying—what she calls her “genetically predestined morbidity.” And in “I Didn’t F*** Them, but They Yelled at Me,” she imagines the tell-all she will write when she is eighty and past caring, able to reflect honestly on the sexism and condescension she has encountered in Hollywood, where women are “treated like the paper thingies that protect glasses in hotel bathrooms—necessary but infinitely disposable.” Exuberant, moving, and keenly observed, Not That Kind of Girl is a series of dispatches from the frontlines of the struggle that is growing up. “I’m already predicting my future shame at thinking I had anything to offer you,” Dunham writes. “But if I can take what I’ve learned and make one menial job easier for you, or prevent you from having the kind of sex where you feel you must keep your sneakers on in case you want to run away during the act, then every misstep of mine will have been worthwhile.”Praise for Not That Kind of Girl “The gifted Ms. Dunham not only writes with observant precision, but also brings a measure of perspective, nostalgia and an older person’s sort of wisdom to her portrait of her (not all that much) younger self and her world. . . . As acute and heartfelt as it is funny.”—Michiko Kakutani, The New York Times “It’s not Lena Dunham’s candor that makes me gasp. Rather, it’s her writing—which is full of surprises where you least expect them. A fine, subversive book.”—David Sedaris “This book should be required reading for anyone who thinks they understand the experience of being a young woman in our culture. I thought I knew the author rather well, and I found many (not altogether welcome) surprises.”—Carroll Dunham “Witty, illuminating, maddening, bracingly bleak . . . [Dunham] is a genuine artist, and a disturber of the order.”—The Atlantic

Bestselling author Delia Ephron shares a deeply personal collection of stories and essays, anchored by a loving remembrance of her sister Nora.In Sister Mother Husband Dog, Delia Ephron brings her trademark wit and effervescent prose to a series of autobiographical essays about life, love, sisterhood, movies, and family. In “Losing Nora,” she deftly captures the rivalry, mutual respect, and intimacy that made up her relationship with her older sister and frequent writing companion. Other essays run the gamut from a humorous piece about love and the movies—how one romantic comedy completely destroyed her twenties—to the joy of girl friends and best friendship, the magical madness and miracle of dogs, keen-eyed observations about urban survival, and a serious and affecting memoir of life with her mother and growing up the child of alcoholics. Ephron’s eloquent style and voice illuminate every page of this superb and singular work.

NEW YORK TIMES BESTSELLER • In this hilarious instant classic, the creator of The Mindy Project and Never Have I Ever invites readers on a tour of her life and her unscientific observations on romance, friendship, and Hollywood.“[Kaling is] like Tina Fey’s cool little sister. Or perhaps . . . the next Nora Ephron.”—The New York TimesMindy Kaling has lived many lives: the obedient child of immigrant professionals, a timid chubster afraid of her own bike, a Ben Affleck–impersonating Off-Broadway performer and playwright, and, finally, a comedy writer and actress prone to starting fights with her friends and coworkers with the sentence “Can I just say one last thing about this, and then I swear I’ll shut up about it?”Perhaps you want to know what Mindy thinks makes a great best friend (someone who will fill your prescription in the middle of the night), or what makes a great guy (one who is aware of all elderly people in any room at any time and acts accordingly), or what is the perfect amount of fame (so famous you can never get convicted of murder in a court of law), or how to maintain a trim figure (you will not find that information in these pages). If so, you’ve come to the right book, mostly!With several conveniently placed stopping points for you to run errands and make phone calls, Is Everyone Hanging Out Without Me? proves that Mindy Kaling really is just a Girl Next Door—not so much literally anywhere in the continental United States, but definitely if you live in India or Sri Lanka.Praise for Is Everyone Hanging Out Without Me?“Where have you been all our lives, Mindy?”—Glamour“Who wouldn’t want to hang out with Mindy Kaling? . . . [Is Everyone Hanging Out Without Me?] is like a mash note to comedy nerds.”—Time Out New York“Very funny.”—Boston Globe

A whopping big celebration of the work of the late, great Nora Ephron, America’s funniest—and most acute—writer, famous for her brilliant takes on life as we’ve been living it these last forty years. Everything you could possibly want from Nora Ephron is here—from her writings on journalism, feminism, and being a woman (the notorious piece on being flat-chested, the clarion call of her commencement address at Wellesley) to her best-selling novel, Heartburn, written in the wake of her devastating divorce from Carl Bernstein; from her hilarious and touching screenplay for the movie When Harry Met Sally . . . (“I’ll have what she’s having”) to her recent play Lucky Guy (published here for the first time); from her ongoing love affair with food, recipes and all, to her extended takes on such controversial women as Lillian Hellman and Helen Gurley Brown; from her pithy blogs on politics to her moving meditations on aging (“I Feel Bad About My Neck”) and dying. Her superb writing, her unforgettable movies, her honesty and fearlessness, her nonpareil humor have made Nora Ephron an icon for America’s women—and not a few of its men.