The most comprehensive book ever published on drawing hands uses a revolutionary system for visualizing the hand in an almost infinite number of positions.

Learn how to use and enjoy one of the most satisfying painting mediums with this handy compact guide. Contains essential information on the materials, equipment, and techniques for creating accomplished works in oils. Step-by-step sequences show how to paint a range of themes, from still life to portraits and landscapes, with advice on more difficult subjects. Includes suggestions for presenting your finished paintings and how to go about getting your work seen and exhibited. Over 150,000 copies sold worldwide.

Concentrating on quick studies allows painters to get to the essence of painting. This proven method focuses on the gist of the subject and the ability to make fast decisions, rather than the minute details that seem to mire some artists and prevent them from improving. \nBased on more than 10 years of quick studies classes the author has taught to students of all mediums and abilities, this guide features lots of examples, step-by-step demonstrations and engaging exercises that will have readers diving right in. \nAfter a brief explanation of how and why this painting approach works, readers will explore nine distinctive areas where quick studies will improve their painting, including: \n-Editing and Brush Confidence -Color and Composition Exploration -Lighting effects -Capturing new subjects -Basic practice and recreation

Just when you thought there was no hope of ever finding a comprehensive color-mixing resource for oil, acrylic, and watercolor artists, along comes the 1,500 Color Mixing Recipes for Oil, Acrylic & Watercolor! This collection of Walter Foster's bestselling Color Mixing Recipes books, including Color Mixing Recipes for Oil and Acrylic, Color Mixing Recipes for Portraits, Color Mixing Recipes for Watercolor, and the most recent addition, Color Mixing Recipes for Landscapes. This incredible collection comes in a user-friendly concealed spiral-bound format that is tabbed for quick and easy reference. Aspiring artists will also find two removable color mixing grids--one for oil or acrylic, and one for watercolor.

One of the most gifted of the historic California plein-air painters, Edgar Alwin Payne (1883-1947) utilized the animated brushwork, vibrant palette, and shimmering light of Impressionism, but his powerful imagery was unique among artists of his generation. While his contemporaries favored a quieter, more idyllic representation of the natural landscape, Payne was devoted to subjects of rugged beauty. Largely self-taught, he found inspiration and instruction in nature itself. His majestic, vital landscapes, informed by his reverence for the natural world, are imbued with an internal force and an active dynamism.An avid traveler, Payne was among the first painters to capture the vigor of the Sierra Nevada, and his travels through the Southwest resulted in equally magnificent depictions of the desert. In Europe he rendered the towering peaks of the Alps and the colorful harbors of France and Italy. His unending quest to convey the ""unspeakably sublime"" in his landscapes won him widespread acclaim-one prominent critic called him a ""poet who sings in colors.""Released in conjunction with the traveling exhibition organized by the Pasadena Museum of California Art, Edgar Payne: The Scenic Journey presents more than 125 reproductions of Payne's paintings, drawings, and decorative arts, as well as rarely seen photographs from the artist's travels and selections from his personal collection of compositional studies.Essays by Peter H. Hassrick, Lisa N. Peters, Scott A. Shields, Jean Stern, and Patricia Trenton trace Payne's development as he traveled the world, discovering magnificence in diverse settings ranging from the California coast, the Sierra Nevada, and the stark Southwest desert to the Swiss Alps and the harbors and waterways of Europe. A richly researched chronology by Shields presents the biographical influences that shaped Payne's illustrious career.

In this intimate and profound portrait, the former Metropolitan Museum director elicits extended and revealing dialogue from the artist, revealing the philosophy and spirit of his art

Alan Bean, Painting Apollo: First Artist on Another World captures humankind's adventure in space through the eyes and emotions of the only artist who has ever been there. Through a brilliant display of color and craftsmanship, Alan Bean shares his unique perspective, conveying what only eleven other humans have experienced, in a way that only he can. As Alan Bean writes, “The art I make now is the beginning of a new category in the progression of art history, art of human experiences off our home planet, Earth. I have the honor and responsibility of being first.”Featuring 120 of Alan Bean's luminous paintings in a starkly dramatic presentation and paired with quotes from some of the most brilliant and adventurous minds throughout history, the book explores the majesty of humanity's near spiritual drive to explore the limits of our imagination and technical capabilities. Flight manager extraordinaire Gene Kranz of Apollo 13 fame recalls the historical drama of the Apollo era from his unique eyewitness perspective on the ground. Legendary art critic Donald Kuspit places the work in the context of contemporary art and landscape painting. Finally, author William Fox, an expert on the dynamics of art and cognition, places Alan Bean in a long lineage of artists and explorers, from Thomas Moran and Ferdinand Hayden in Yellowstone, to Edward Wilson alongside Robert Falcon Scott in the Antarctic. But Alan Bean, our first ever guide to a wholly other world, is artist and astronaut in one.

An extraordinary retrospective featuring 133 paintings and 33 drawings, Wild Harvest spans more than three decades of a career unparalleled in the annals of wildlife art. In the estimation of both his fellow artists and serious students of the genre, Bob Kuhn was the preeminent animal painter of his day. In Wild Harvest Kuhn shares keen observations about wildlife, and delves into the elements of painting – drawing and composition, color and lighting – essential to the creation of images that excite the viewer, engaging body, mind and soul.