Product Description \n“A compelling and important history that this nation desperately needs to hear.” -Bryan Stevenson, New York Times bestselling author of Just Mercy and executive director of the Equal Justice InitiativeWinfred Rembert grew up in a family of Georgia field laborers and joined the Civil Rights Movement as a teenager. He was arrested after fleeing a demonstration, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. During that time he met the undaunted Patsy, who would become his wife. Years later, at the age of fifty-one and with Patsy's encouragement, he started drawing and painting scenes from his youth using leather tooling skills he learned in prison. Chasing Me to My Grave presents Rembert's breathtaking body of work alongside his story, as told to Tufts Philosopher Erin I. Kelly. Rembert calls forth vibrant scenes of Black life on Cuthbert, Georgia's Hamilton Avenue, where he first glimpsed the possibility of a life outside the cotton field. As he pays tribute, exuberant and heartfelt, to Cuthbert's Black community and the people, including Patsy, who helped him to find the courage to revisit a traumatic past, Rembert brings to life the promise and the danger of Civil Rights protest, the brutalities of incarceration, his search for his mother's love, and the epic bond he found with Patsy.Vivid, confrontational, revelatory, and complex, Chasing Me to My Grave is a searing memoir in prose and painted leather that celebrates Black life and summons readers to confront painful and urgent realities at the heart of American history and society.\n Review \n“One-of-a-kind . . . Chasing Me to My Grave is a stunning piece of visual truth-telling. Featuring a foreword by Bryan Stevenson, it's a stark reminder of our nation's ugly history, and the power in reclaiming such history through art.” ―Chicago Review of Books“Chasing Me to My Grave offers a powerful, unfiltered look at life growing up in Jim Crow Georgia . . . A stunning portrait of hope in the face of evil, barbarity, and racism.” ―Publishers Weekly, starred review“Frank and compelling . . . An ultimately uplifting journey from the ugliness of virulent racism to the beauty of art.” ―Kirkus, starred review“Chasing Me to My Grave is a testament to the ways one man used his art to educate, delight and depict the trauma that arises out of memory.” ―Bookpage, starred review, Best of the Year“This is a book like no other, from Winfred Rembert's unique and uniquely powerful autobiographical paintings to his disturbing and courageous life story . . . Rembert recounts diabolical abuse and violence with rare candor and precision . . . By using carved, tooled, and dyed leather as the medium for vibrantly patterned scenes from his life, Rembert turned the scars on his body and soul into artworks of clarion witness and reckoning. With a foreword by Bryan Stevenson and superb color reproductions, Rembert's self-portrait in word and image belongs in every library.” ―Donna Seaman, Booklist, starred review“Rembert's art expresses the legacy of slavery, the trauma of lynching, and the anguish of racial hierarchy and white supremacy while illuminating a resolve to fight oppression and injustice. He has the ability to reveal truths about the human struggle that are transcendent, to evoke an understanding of human dignity that is broad and universal.” ―Bryan Stevenson, New York Times bestselling author of JUST MERCY and founder and executive director of the Equal Justice Initiative “The power of Rembert's Chasing Me to My Grave is in the unvarnished truth, in the writing, the storytelling, the artwork, his life. Unvarnished literary and visual power.” ―Carol Anderson, New York Times bestselling author of WHITE RAGE and ONE PERSON, NO VOTE“Winfred Rembert paints a world too little depicted and a reality we can't afford to forget. While testifying to this nation's long history of racial injustice, Chasing Me to My Grave is

Winner of the Pulitzer Prize • New York Times Bestseller • Over Two Million Copies Sold“One of the most significant projects embarked upon by any intellectual of our generation” (Gregg Easterbrook, New York Times), Guns, Germs, and Steel presents a groundbreaking, unified narrative of human history.Why did Eurasians conquer, displace, or decimate Native Americans, Australians, and Africans, instead of the reverse? In this “artful, informative, and delightful” (William H. McNeill, New York Review of Books) book, a classic of our time, evolutionary biologist Jared Diamond dismantles racist theories of human history by revealing the environmental factors actually responsible for its broadest patterns.The story begins 13,000 years ago, when Stone Age hunter-gatherers constituted the entire human population. Around that time, the developmental paths of human societies on different continents began to diverge greatly. Early domestication of wild plants and animals in the Fertile Crescent, China, Mesoamerica, the Andes, and other areas gave peoples of those regions a head start at a new way of life. But the localized origins of farming and herding proved to be only part of the explanation for their differing fates. The unequal rates at which food production spread from those initial centers were influenced by other features of climate and geography, including the disparate sizes, locations, and even shapes of the continents. Only societies that moved away from the hunter-gatherer stage went on to develop writing, technology, government, and organized religions as well as deadly germs and potent weapons of war. It was those societies, adventuring on sea and land, that invaded others, decimating native inhabitants through slaughter and the spread of disease.A major landmark in our understanding of human societies, Guns, Germs, and Steel chronicles the way in which the modern world, and its inequalities, came to be.