In 1947-48 the workers on the Dakar-Niger railway staged a strike. In this vivid, timeless novel, Sembene Ousmane envinces the color, passion, and tragedy of those formative years in the history of West Africa.

THE INSTANT NEW YORK TIMES BESTSELLER. New York Times Editor’s Pick. Library Journal Best Books of 2019. TIME Magazine's "Best Memoirs of 2018 So Far."O, Oprah’s Magazine’s “10 Titles to Pick Up Now.” Politics & Current Events 2018 O.W.L. Book Awards Winner The Root Best of 2018"This remarkable book reveals what inspired Patrisse's visionary and courageous activism and forces us to face the consequence of the choices our nation made when we criminalized a generation. This book is a must-read for all of us." - Michelle Alexander, New York Times bestselling author of The New Jim Crow\nA poetic and powerful memoir about what it means to be a Black woman in America―and the co-founding of a movement that demands justice for all in the land of the free.\nRaised by a single mother in an impoverished neighborhood in Los Angeles, Patrisse Khan-Cullors experienced firsthand the prejudice and persecution Black Americans endure at the hands of law enforcement. For Patrisse, the most vulnerable people in the country are Black people. Deliberately and ruthlessly targeted by a criminal justice system serving a white privilege agenda, Black people are subjected to unjustifiable racial profiling and police brutality. In 2013, when Trayvon Martin’s killer went free, Patrisse’s outrage led her to co-found Black Lives Matter with Alicia Garza and Opal Tometi.\nCondemned as terrorists and as a threat to America, these loving women founded a hashtag that birthed the movement to demand accountability from the authorities who continually turn a blind eye to the injustices inflicted upon people of Black and Brown skin. \nChampioning human rights in the face of violent racism, Patrisse is a survivor. She transformed her personal pain into political power, giving voice to a people suffering inequality and a movement fueled by her strength and love to tell the country―and the world―that Black Lives Matter.\n When They Call You a Terrorist is Patrisse Khan-Cullors and asha bandele’s reflection on humanity. It is an empowering account of survival, strength and resilience and a call to action to change the culture that declares innocent Black life expendable.

n So You Want to Talk About Race, editor-at-large of The Establishment Ijeoma Oluo offers a contemporary, accessible take on the racial landscape in America, addressing head-on such issues as privilege, police brutality, intersectionality, micro-aggressions, the Black Lives Matter movement, and the "N" word. Perfectly positioned to bridge the gap between people of color and white Americans struggling with race complexities, Oluo answers the questions readers don't dare ask, and explains the concepts that continue to elude everyday Americans.\\nOluo is an exceptional writer with a rare ability to be straightforward, funny, and effective in her coverage of sensitive, hyper-charged issues in America. Her messages are passionate but finely tuned and crystalize ideas that would otherwise be vague by empowering them with aha-moment clarity. Her writing brings to mind voices like Ta-Nehisi Coates, Roxane Gay, Jessica Valenti in Full Frontal Feminism, and a young Gloria Naylor, particularly in Naylor's seminal essay "The Meaning of a Word."

This is an essential book for everyone.--Centerprise Trust, UK In twenty two chapters, When We Ruled examines the nature of what we call Black history; critically surveying the often-shoddy documentation of that history. Importantly, it focuses upon African civilization in the Valley of the Nile and analyzes the key historical phases of Ancient Egypt--critical exercises for any professed scholar of African history and vital pieces of Africa's legacy ... When we Ruled is a timely and immensely important work of benefit to scholars and students alike. I am proud to add it to my library, from the Introduction--Runoko Rashidi.Available for the first time in paperback, this edition includes over 100 images, 18 maps, a 15 page chronological table, index, and bibliography. New introduction by Runoko Rashidi for the Black Classic Press edition.

Teeming with life and crackling with energy - a love song to modern Britain and black womanhoodGirl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

GUARDIAN MUST READ BOOKS OF 2019\nFINANCIAL TIMES BOOKS TO READ 2019\nNEW STATESMAN MUST READS 2019\n'A truly radical book, which manages to be unflinching and constantly entertaining'\nCAROLINE SANDERSON, THE BOOKSELLER BOOK OF THE MONTH APRIL 2019\nAFRICAN BOOKS ADDICT MOST ANTICIPATED BOOKS OF 2019\n*\n*\n*\nWho is a roadman really? What's wrong with calling someone a 'lighty'? Why do people think black guys are cool?\nThese are just some of the questions being wrestled with in Black, Listed, an exploration of 21st century black identity told through a list of insults, insights and everything in-between.\nTaking a panoramic look at global black history, interrogating both contemporary and historical culture, Black, Listed investigates the ways in which black communities (and individuals) have been represented, oppressed, mimicked, celebrated, and othered. Part historical study, part autobiographical musing, part pop culture vivisection, it's a comprehensive attempt to make sense of blackness from the vantage point of the hilarious and insightful psyche of Jeffrey Boakye. Along the way, it explores a far reaching range of social and cultural contexts, including but not limited to, sport, art, entertainment, politics, literature, history, music, theatre, cinema, education and criminal justice, sometimes at the same time.

Illuminating her inner journey growing up mixed-race in Britain, Esua Jane Goldsmith's unique memoir exposes the isolation and ambiguities that often come with being 'an only'. Raised in 1950s South London and Norfolk with a white, working-class family, Esua's education in racial politics was immediate and personal. From Britain and Scandinavia to Italy and Tanzania, she tackled inequality wherever she saw it, establishing an inspiring legacy in the Women's lib and Black Power movements. Plagued by questions of her heritage and the inability to locate all pieces of herself, she embarks on a journey to Ghana to find the father who may have the answers. A tale of love, comradeship, and identity crises, Esua's rise to the first Black woman president of Leicester University Students' Union and Queen Mother of her village, is inspiring, honest, and full of heart.