A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A NEW YORKER ESSENTIAL READ • From “one of the most acute and lasting writers of her generation” (The New York Times)—a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things—seen and unseen.A Best Book of the Year: The New Yorker, NPR, Vulture, Lit Hub“Who else but Lorrie Moore could make, in razor-sharp irresistible prose, a ghost story about death buoyant with life?” —PEOPLE“Is it an allegory? Is it real? It doesn’t matter...[It’s] a novel with big questions, no answers, and it’s absolutely brilliant.” —Lit Hub“[A] triumph of tone and, ultimately, of the imagination.” —The GuardianLorrie Moore’s first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heartA teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all...With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true.I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.

#1 NEW YORK TIMES BESTSELLER • From the author of Killers of the Flower Moon, a page-turning story of shipwreck, survival, and savagery, culminating in a court martial that reveals a shocking truth. The powerful narrative reveals the deeper meaning of the events on The Wager, showing that it was not only the captain and crew who ended up on trial, but the very idea of empire.A Best Book of the Year: The New York Times, The Wall Street Journal, The New Yorker, TIME, Smithsonian, NPR, Vulture, Kirkus Reviews“Riveting...Reads like a thriller, tackling a multilayered history—and imperialism—with gusto.” —Time"A tour de force of narrative nonfiction.” —The Wall Street JournalOn January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as “the prize of all the oceans,” it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing nearly 3,000 miles of storm-wracked seas. They were greeted as heroes.But then ... six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they told a very different story. The thirty sailors who landed in Brazil were not heroes – they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous senior officer and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death—for whomever the court found guilty could hang.The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann’s recreation of the hidden world on a British warship rivals the work of Patrick O’Brian, his portrayal of the castaways’ desperate straits stands up to the classics of survival writing such as The Endurance, and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann’s work, the incredible twists of the narrative hold the reader spellbound.

Discover the true story of a self-taught surgeon and trailblazing figure in medical history—Madame Restell, a revolutionary surgeon who fought for women's rights and healthcare in Gilded Age New York.An industrious immigrant who built her business from the ground up, Madame Restell was a self-taught surgeon on the cutting edge of healthcare in pre-Gilded Age New York, and her bustling “boarding house” provided birth control, abortions, and medical assistance to thousands of women—rich and poor alike. As her practice expanded, her notoriety swelled, and Restell established her-self as a prime target for tabloids, threats, and lawsuits galore. But far from fading into the background, she defiantly flaunted her wealth, parading across the city in designer clothes, expensive jewelry, and bejeweled carriages, rubbing her success in the faces of the many politicians, publishers, fellow physicians, and religious figures determined to bring her down.Unfortunately for Madame Restell, her rise to the top of her field coincided with “the greatest scam you’ve never heard about”—the campaign to curtail women’s power by restricting their access to both healthcare and careers of their own. Powerful, secular men—threatened by women’s burgeoning independence—were eager to declare abortion sinful, a position endorsed by newly-minted male MDs who longed to edge out their feminine competition and turn medicine into a standardized, male-only practice. By unraveling the misogynistic and misleading lies that put women’s lives in jeopardy, Wright simultaneously restores Restell to her rightful place in history and obliterates the faulty reasoning underlying the very foundation of what has since been dubbed the “pro-life” movement.Thought-provoking, character-driven, boldly written, and feminist as hell, Madame Restell is required reading for anyone and everyone who believes that when it comes to women’s rights, women’s bodies, and women’s history, women should have the last word.

* Named a Best Book of the Year by The New Yorker and TIME * A New York Times Book Review Editors' Choice * Shortlisted for the Pushkin House Book Prize *“A haunting book of rare courage.” —Clarissa Ward, CNN chief international correspondent and author of On All FrontsTo be a journalist is to tell the truth. I Love Russia is Elena Kostyuchenko’s unrelenting attempt to document her country as experienced by those whom it systematically and brutally erases: village girls recruited into sex work, queer people in the outer provinces, patients and doctors at a Ukrainian maternity ward, and reporters like herself.Here is Russia as it is, not as we imagine it. The result is a singular portrait of a nation, and of a young woman who refuses to be silenced. In March 2022, as a correspondent for Russia’s last free press, Novaya Gazeta, Kostyuchenko crossed the border into Ukraine to cover the war. It was her mission to ensure that Russians witnessed the horrors Putin was committing in their name. She filed her pieces knowing that should she return home, she would likely be prosecuted and sentenced to up to fifteen years in prison. Yet, driven by the conviction that the greatest form of love and patriotism is criticism, she continues to write.I Love Russia stitches together reportage from the past fifteen years with personal essays, assembling a kaleidoscopic narrative that Kostyuchenko understands may be the last work from her homeland that she’ll publish for a long time—perhaps ever. It exposes the inner workings of an entire nation as it descends into fascism and, inevitably, war. She writes because the threat of Putin’s Russia extends beyond herself, beyond Crimea, and beyond Ukraine. We fail to understand it at our own peril.

Anne Boleyn may be best known for losing her head, but as Tudor expert Tracy Borman reveals in a book that recasts British history, her greatest legacy lies in the path-breaking reign of her daughter, ElizabethMuch of the fascination with Britain’s legendary Tudors centers around the dramas surrounding Henry VIII and his six wives and Elizabeth I’s rumored liaisons. Yet the most fascinating relationship in that historic era may well be that between the mother and daughter who, individually and collectively, changed the course of British history.The future Queen Elizabeth was not yet three when her mother, Anne Boleyn, was beheaded on May 19, 1536, on Henry’s order, incensed that she had not given him a son and tired of her contentious nature. Elizabeth had been raised away from court, rarely even seeing Anne; and after her death, Henry tried in every way to erase Anne’s presence and memory. At that moment in history, few could have predicted that mother and daughter would each leave enduring, and interlocked, legacies. Yet as Tracy Borman reveals in this first-ever joint portrait, both women broke the mold for British queens and for women in general at the time. Anne was instrumental in reforming and reshaping forever Britain’s religious traditions, and her years of wielding power over a male-dominated court provided an inspiring role model for Elizabeth’s glittering, groundbreaking 45-year reign. Indeed, Borman shows how much Elizabeth—most visibly by refusing to ever marry, but in many other more subtle ways that defined her court—was influenced by her mother’s legacy.In its originality, Anne Boleyn & Elizabeth I sheds new light on two of history’s most famous women—the private desires, hopes, and fears that lay behind their dazzling public personas, and the surprising influence each had on the other during and after their lifetimes. In the process, Tracy Borman reframes our understanding of the entire Tudor era.

Named a Best Book of 2023 by the New Yorker and one of the Top 20 Best Books of 2023 by Esquire magazine.For years, Teresa has passed from one job to the next, settling into long stretches of time, struggling to build her career in any field or unstick herself from an endless cycle of labor. The dreaded move from one gig to another is starting to feel unbearable. When a recruiter connects her with a contract position at AllOver, it appears to check all her prerequisites for a “good” job. It’s a fintech corporation with progressive hiring policies and a social justice-minded mission statement. Their new service for premium members: a functional fleet of driverless cars. The future of transportation. As her new-hire orientation reveals, the distance between AllOver’s claims and its actions is wide, but the lure of financial stability and a flexible schedule is enough to keep Teresa driving forward.Joanne McNeil, who often reports on how the human experience intersects with labor and technology brings blazing compassion and criticism to Wrong Way, examining the treacherous gaps between the working and middle classes wrought by the age of AI. Within these divides, McNeil turns the unsaid into the unignorable, and captures the existential perils imposed by a nonstop, full-service gig economy.

An "essential guide" (Beverly Gage, Pulitzer Prize–winning author of G-Man) to how the Espionage Act gave rise to a vast American security state that keeps citizens in the darkIn State of Silence, political historian Sam Lebovic uncovers the troubling history of the Espionage Act. First passed in 1917, it was initially used to punish critics of World War I. Yet as Americans began to balk at the act’s restrictions on political dissidents and the press, the government turned its focus toward keeping its secrets under wraps. The resulting system for classifying information is absurdly cautious, staggeringly costly, and shrouded in secrecy, preventing ordinary Americans from learning what their country is doing in their name, both at home and abroad.Shedding new light on the bloated governmental security apparatus that’s weighing our democracy down, State of Silence offers the definitive history of America’s turn toward secrecy—and its staggering human costs.

WINNER OF THE 2024 PULITZER PRIZE FOR BIOGRAPHYA finalist for the 2023 National Book Critics Circle Award | Named one of the ten best books of 2023 by The Washington Post, Chicago Tribune, and TimeA New York Times bestseller and notable book of 2023 | One of Barack Obama's favorite books of 2023One of The New Yorker's essential reads of 2023 | A Christian Science Monitor best book of the year | One of Air Mail's twelve best books of 2023A Washington Post and National Indie Bestseller | One of Publishers Weekly's best nonfiction books of 2023 | One of Smithsonian magazine's ten best books of 2023“Supple, penetrating, heartstring-pulling and compulsively readable . . . Eig’s book is worthy of its subject.” ―Dwight Garner, The New York Times (Editors’ Choice)“[King is] infused with the narrative energy of a thriller . . . The most compelling account of King’s life in a generation.” ―Mark Whitaker, The Washington Post“No book could be more timely than Jonathan Eig’s sweeping and majestic new King . . . Eig has created 2023′s most vital tome.” ―Will Bunch, The Philadelphia InquirerHailed by The New York Times as “the new definitive biography,” King mixes revelatory new research with accessible storytelling to offer an MLK for our times.Vividly written and exhaustively researched, Jonathan Eig’s King: A Life is the first major biography in decades of the civil rights icon Martin Luther King Jr.―and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family’s origins as well as MLK’s complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father―as well as the nation’s most mourned martyr.In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history’s greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.Includes 8 pages of black-and-white photographs

A “rip-roaring” (Steve Coll), “staggeringly well-researched” (The New York Times) history of three generations at the CIA, “electric with revelations” (Booklist) about the women who fought to become operatives, transformed spycraft, and tracked down Osama bin Laden, from the bestselling author of Code GirlsA NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • A FOREIGN POLICY AND SMITHSONIAN BEST BOOK OF THE YEARIn development as a series from Lionsgate Television, executive produced by Scott Delman (Station Eleven)Created in the aftermath of World War II, the Central Intelligence Agency relied on women even as it attempted to channel their talents and keep them down. Women sent cables, made dead drops, and maintained the agency’s secrets. Despite discrimination—even because of it—women who started as clerks, secretaries, or unpaid spouses rose to become some of the CIA’s shrewdest operatives.They were unlikely spies—and that’s exactly what made them perfect for the role. Because women were seen as unimportant, pioneering female intelligence officers moved unnoticed around Bonn, Geneva, and Moscow, stealing secrets from under the noses of their KGB adversaries. Back at headquarters, women built the CIA’s critical archives—first by hand, then by computer. And they noticed things that the men at the top didn’t see. As the CIA faced an identity crisis after the Cold War, it was a close-knit network of female analysts who spotted the rising threat of al-Qaeda—though their warnings were repeatedly brushed aside.After the 9/11 attacks, more women joined the agency as a new job, targeter, came to prominence. They showed that data analysis would be crucial to the post-9/11 national security landscape—an effort that culminated spectacularly in the CIA’s successful effort to track down bin Laden in his Pakistani compound.Propelled by the same meticulous reporting and vivid storytelling that infused Code Girls, The Sisterhood offers a riveting new perspective on history, revealing how women at the CIA ushered in the modern intelligence age, and how their silencing made the world more dangerous

Winner of the 2024 Pulitzer Prize in Biography“A rich narrative of the Crafts, an enslaved couple who escaped from Georgia in 1848, with light-skinned Ellen disguised as a disabled white gentleman and William as her manservant, exploiting assumptions about race, class, and disability to hide in public on their journey to the North, where they became famous abolitionists while evading bounty hunters.” —The Pulitzer PrizesNamed one of the best books of the year by The New York Times, The New Yorker, Time, NPR, Smithsonian Magazine, and Oprah DailyIn 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North.Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown.But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher.With three epic journeys compressed into one monumental bid for freedom, Master Slave Husband Wife is an American love story—one that would challenge the nation’s core precepts of life, liberty, and justice for all—one that challenges us even now.

Longlisted for the National Book Award in Nonfiction"Powerful and deeply moving."--Los Angeles Times * Shortlisted for the Museum of African American History's Stone Book Award * National Council on Public History Book Award Honorable MentionFrom a groundbreaking scholar, a heart-wrenching reexamination of the struggle for survival in the Reconstruction-era South, and what it cost.The story of Reconstruction is often told from the perspective of the politicians, generals, and journalists whose accounts claim an outsized place in collective memory. But this pivotal era looked very different to African Americans in the South transitioning from bondage to freedom after 1865. They were besieged by a campaign of white supremacist violence that persisted through the 1880s and beyond. For too long, their lived experiences have been sidelined, impoverishing our understanding of the obstacles post-Civil War Black families faced, their inspiring determination to survive, and the physical and emotional scars they bore because of it.In I Saw Death Coming, Kidada E. Williams offers a breakthrough account of the much-debated Reconstruction period, transporting readers into the daily existence of formerly enslaved people building hope-filled new lives. Drawing on overlooked sources and bold new readings of the archives, Williams offers a revelatory and, in some cases, minute-by-minute record of nighttime raids and Ku Klux Klan strikes. And she deploys cutting-edge scholarship on trauma to consider how the effects of these attacks would linger for decades--indeed, generations--to come.For readers of Carol Anderson, Tiya Miles, and Clint Smith, I Saw Death Coming is an indelible and essential book that speaks to some of the most pressing questions of our times.

“An absolutely essential addition to the history of the Catholic Church, whose involvement in New World slavery sustained the Church and, thereby, helped to entrench enslavement in American society.”—Annette Gordon-Reed, Pulitzer Prize–winning author of The Hemingses of Monticello and On JuneteenthNew York Times Book Review Editors’ Choice • Longlisted for the Andrew Carnegie MedalA BEST BOOK OF THE YEAR: The New Yorker, The New York Times Book Review, The Washington Post, Time, Chicago Public Library, Kirkus ReviewsIn 1838, a group of America’s most prominent Catholic priests sold 272 enslaved people to save their largest mission project, what is now Georgetown University. In this groundbreaking account, journalist, author, and professor Rachel L. Swarns follows one family through nearly two centuries of indentured servitude and enslavement to uncover the harrowing origin story of the Catholic Church in the United States. Through the saga of the Mahoney family, Swarns illustrates how the Church relied on slave labor and slave sales to sustain its operations and to help finance its expansion.The story begins with Ann Joice, a free Black woman and the matriarch of the Mahoney family. Joice sailed to Maryland in the late 1600s as an indentured servant, but her contract was burned and her freedom stolen. Her descendants, who were enslaved by Jesuit priests, passed down the story of that broken promise for centuries. One of those descendants, Harry Mahoney, saved lives and the church’s money in the War of 1812, but his children, including Louisa and Anna, were put up for sale in 1838. One daughter managed to escape, but the other was sold and shipped to Louisiana. Their descendants would remain apart until Rachel Swarns’s reporting in The New York Times finally reunited them. They would go on to join other GU272 descendants who pressed Georgetown and the Catholic Church to make amends, prodding the institutions to break new ground in the movement for reparations and reconciliation in America.Swarns’s journalism has already started a national conversation about universities with ties to slavery. The 272 tells an even bigger story, not only demonstrating how slavery fueled the growth of the American Catholic Church but also shining a light on the enslaved people whose forced labor helped to build the largest religious denomination in the nation.

FINALIST FOR THE 2024 GOTHAM BOOK PRIZEThe devolution of the Sullivan Institute, from psychoanalytic organization to insular, radical cult.In the middle of the Ozzie and Harriet 1950s, the birth control pill was introduced and a maverick psychoanalytic institute, the Sullivan Institute for Research in Psychoanalysis, opened its doors in New York City. Its founders, Saul Newton and Jane Pearce, wanted to start a revolution, one grounded in ideals of creative expression, sexual liberation, and freedom from the expectations of society, and the revolution, they felt, needed to begin at home. Dismantling the nuclear family―and monogamous marriage―would free people from the repressive forces of their parents. In its first two decades, the movement attracted many brilliant, creative people as patients: the painter Jackson Pollock and a swarm of other abstract expressionist artists, the famed art critic Clement Greenberg, the singer Judy Collins, and the dancer Lucinda Childs. In the 1960s, the group evolved into an urban commune of three or four hundred people, with patients living with other patients, leading creative, polyamorous lives.But by the mid-1970s, under the leadership of Saul Newton, the Institute had devolved from a radical communal experiment into an insular cult, with therapists controlling virtually every aspect of their patients’ lives, from where they lived and the work they did to how often they saw their sexual partners and their children. Although the group was highly secretive during its lifetime and even after its dissolution in 1991, the noted journalist Alexander Stille has succeeded in reconstructing the inner life of a parallel world hidden in plain sight in the middle of Manhattan. Through countless interviews and personal papers, The Sullivanians reveals the nearly unbelievable story of a fallen utopia.

NEW YORK TIMES BESTSELLER • A magisterial world history unlike any other that tells the story of humanity through the one thing we all have in common: families • From the author of The RomanovsA Best Book of the Year: The New Yorker, Smithsonian“Succession meets Game of Thrones.” —The Spectator • “The author brings his cast of dynastic titans, rogues and psychopaths to life...An epic that both entertains and informs.” —The Economist, Best Books of the YearAround 950,000 years ago, a family of five walked along the beach and left behind the oldest family footprints ever discovered. For award-winning historian Simon Sebag Montefiore, these poignant, familiar fossils serve as an inspiration for a new kind of world history, one that is genuinely global, spans all eras and all continents, and focuses on the family ties that connect every one of us.In this epic, ever-surprising book, Montefiore chronicles the world’s great dynasties across human history through palace intrigues, love affairs, and family lives, linking grand themes of war, migration, plague, religion, and technology to the people at the heart of the human drama.It features a cast of extraordinary diversity: in addition to rulers and conquerors, there are priests, charlatans, artists, scientists, tycoons, gangsters, lovers, husbands, wives, and children. There is Hongwu, the beggar who founded the Ming dynasty; Ewuare, the Leopard-King of Benin; Henry Christophe, King of Haiti; Kamehameha, the conqueror of Hawaii; Zenobia, the Arab empress who defied Rome; Lady Murasaki, the first female novelist; Sayyida al-Hurra, the Moroccan pirate-queen. Here too are moderns such as Indira Gandhi, Margaret Thatcher, Barack Obama, Vladimir Putin, and Volodymyr Zelensky. Here are the Caesars, Medicis and Incas, Ottomans and Mughals, Bonapartes, Habsburgs and Zulus, Rothschilds, Rockefellers and Krupps, Churchills, Kennedys, Castros, Nehrus, Pahlavis and Kenyattas, Saudis, Kims and Assads.These powerful families represent the breadth of human endeavor, with bloody succession battles, treacherous conspiracies, and shocking megalomania alongside flourishing culture, moving romances, and enlightened benevolence. A dazzling achievement as spellbinding as fiction, The World captures the whole human story in a single, masterful narrative.

AN ECONOMIST AND SMITHSONIAN BEST BOOK OF THE YEAR • A landmark work of narrative history that shatters our previous Eurocentric understanding of the Age of Discovery by telling the story of the Indigenous Americans who journeyed across the Atlantic to Europe after 1492"On Savage Shores not only changes how we think about the first contact between America and Europe but also sets the methodological standard for a new way of understanding the origin of the modern world." —New York Review of BooksWe have long been taught to presume that modern global history began when the "Old World" encountered the "New", when Christopher Columbus “discovered” America in 1492. But, as Caroline Dodds Pennock conclusively shows in this groundbreaking book, for tens of thousands of Aztecs, Maya, Totonacs, Inuit and others—enslaved people, diplomats, explorers, servants, traders—the reverse was true: they discovered Europe.For them, Europe comprised savage shores, a land of riches and marvels, yet perplexing for its brutal disparities of wealth and quality of life, and its baffling beliefs. The story of these Indigenous Americans abroad is a story of abduction, loss, cultural appropriation, and, as they saw it, of apocalypse—a story that has largely been absent from our collective imagination of the times.From the Brazilian king who met Henry VIII to the Aztecs who mocked up human sacrifice at the court of Charles V; from the Inuk baby who was put on show in a London pub to the mestizo children of Spaniards who returned “home” with their fathers; from the Inuit who harpooned ducks on the Avon river to the many servants employed by Europeans of every rank: here are a people who were rendered exotic, demeaned, and marginalized, but whose worldviews and cultures had a profound impact on European civilization.Drawing on their surviving literature and poetry and subtly layering European eyewitness accounts against the grain, Pennock gives us a sweeping account of the Indigenous American presence in, and impact on, early modern Europe.

A BEST BOOK OF THE YEARTIME Magazine・NPR・Library Journal・The Globe and Mail・Lilith・Forward Magazine・Toronto Star・The New YorkerWinner of the Choix Goncourt Prize, Anne Berest’s The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.Fifteen years after the postcard is delivered, Anne, the heroine of this novel, is moved to discover who sent it and why. Aided by her chain-smoking mother, family members, friends, associates, a private detective, a graphologist, and many others, she embarks on a journey to discover the fate of the Rabinovitch family: their flight from Russia following the revolution, their journey to Latvia, Palestine, and Paris. What emerges is a moving saga that shatters long-held certainties about Anne’s family, her country, and herself.

INSTANT NEW YORK TIMES BESTSELLERBest Books of 2023: New Yorker, The Economist, SmithsonianMost Anticipated Books of Fall: Washington Post, Los Angeles Times, TODAY, Literary Hub, and Publishers Weekly"A vivid way to re-examine what we know, and don’t, about life at the top.... Emperor of Rome is a masterly group portrait, an invitation to think skeptically but not contemptuously of a familiar civilization." ―Kyle Harper, Wall Street JournalA sweeping account of the social and political world of the Roman emperors by “the world’s most famous classicist” (Guardian).In her international bestseller SPQR, Mary Beard told the thousand-year story of ancient Rome, from its slightly shabby Iron Age origins to its reign as the undisputed hegemon of the Mediterranean. Now, drawing on more than thirty years of teaching and writing about Roman history, Beard turns to the emperors who ruled the Roman Empire, beginning with Julius Caesar (assassinated 44 BCE) and taking us through the nearly three centuries―and some thirty emperors―that separate him from the boy-king Alexander Severus (assassinated 235 CE).Yet Emperor of Rome is not your typical chronological account of Roman rulers, one emperor after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Instead, Beard asks different, often larger and more probing questions: What power did emperors actually have? Was the Roman palace really so bloodstained? What kind of jokes did Augustus tell? And for that matter, what really happened, for example, between the emperor Hadrian and his beloved Antinous? Effortlessly combining the epic with the quotidian, Beard tracks the emperor down at home, at the races, on his travels, even on his way to heaven.Along the way, Beard explores Roman fictions of imperial power, overturning many of the assumptions that we hold as gospel, not the least of them the perception that emperors one and all were orchestrators of extreme brutality and cruelty. Here Beard introduces us to the emperor’s wives and lovers, rivals and slaves, court jesters and soldiers, and the ordinary people who pressed begging letters into his hand―whose chamber pot disputes were adjudicated by Augustus, and whose budgets were approved by Vespasian, himself the son of a tax collector.With its finely nuanced portrayal of sex, class, and politics, Emperor of Rome goes directly to the heart of Roman fantasies (and our own) about what it was to be Roman at its richest, most luxurious, most extreme, most powerful, and most deadly, offering an account of Roman history as it has never been presented before. 160 images; 16-page color insert

The mesmerizing, darkly original novel that heralded the arrival of now New York Times bestselling author Dennis Lehane, the master of the new noir—and introduced Patrick Kenzie and Angela Gennaro, his smart and tough private investigators weaned on the blue-collar streets of Dorchester.A cabal of powerful Boston politicians is willing to pay Kenzie and Gennaro big money for a seemingly small job: to find a missing cleaning woman who stole some secret documents. As Kenzie and Gennaro learn, however, this crime is no ordinary theft. It's about justice, about right and wrong. But in Boston, finding the truth isn’t just a dirty business . . . it’s deadly.

Why is cows’ milk, which few nonwhite people can digest, promoted as a science-backed dietary necessity in countries where the majority of the population is lactose-intolerant? Why are gigantic new dairy farms permitted to deplete the sparse water resources of desert ecosystems? Why do thousands of U.S. dairy farmers every year give up after struggling to recoup production costs against plummeting wholesale prices?Exploring these questions and many more, Spoiled is an unflinching and meticulous critique of the glorification of fluid milk and its alleged universal benefits. Anne Mendelson’s groundbreaking book chronicles the story of milk from the Stone Age peoples who first domesticated cows, goats, and sheep to today’s troubled dairy industry. Spoiled shows that drinking fresh milk was rare until Western scientific experts who were unaware of genetic differences in the ability to digest lactose deemed it superior to traditional fermented dairy products. Their flawed beliefs fueled the growth of a massive and environmentally devastating industry that turned milk into a cheap, ubiquitous commodity.Mendelson’s wide-ranging account also examines the consequences of homogenization and refrigeration technologies, the toll that modern farming takes on dairy cows, and changing perceptions of raw milk since the advent of pasteurization. Unraveling the myths and misconceptions that prop up the dairy industry, Spoiled calls for more sustainable, healthful futures in our relationship with milk and the animals that provide it.

In this evocative and heart-wrenching memoir, a hard-working Welsh molecatcher reveals his double life as a poet and a dreamer • “A wonderful memoir … hands down the most charming book I read last year.”—Margaret Renkl, The New York Times“How to Catch a Mole is a small book of many things. In quiet, crystalline prose, it blends memoir, keen observations of nature, and ruminations about life, aging and death.”—Wall Street JournalKneeling in a muddy field in the Welsh countryside, clutching a creature that is soft and blue-black, Marc Hamer vows he will stop trapping moles—forever. In this earnest, understated, and sublime work of literary memoir, the molecatcher shares what led him to this strange career and what caused him to stop: from sleeping among hedges as a homeless teen, to toiling on the railway, to weeding windswept gardens in Wales and witnessing the beauty of every living thing.Hamer infuses his wanderings with radiant poetry and stark, simple observations on nature’s oft-ignored details. He also reveals how to catch a mole—a craft long kept secret by its masters—and burrows into the unusual lives of his muses. Moles, we learn, are colorblind. Their blood holds unusual amounts of carbon dioxide. Their vast tunnel networks are intricate and deceptive. And, like Hamer, they work alone.Beautifully written, life-affirming, and highly original, How to Catch a Mole offers a gorgeous portrait of one man's deep, unbreakable bond with his natural surroundings, and offers hope and inspiration for anyone looking to improve their relationship with the natural world.

For readers of Late Migrations and H is for HawkA stunning meditation on gardening and the wisdom of plants, " that rare book that will appeal to nonfiction readers everywhere. . . Candid, tender, thoughtful and absorbing."—Shelf Awareness (STARRED Review)"With chapters. . . [that] shimmer like lantern slides, lit with luminous imagery. . . Seed to Dust is an invitation to read this world as Mr. Hamer does—with a close eye to what changes, and what does not."—The Wall Street JournalMarc Hamer has nurtured the same 12-acre garden in the Welsh countryside for over two decades. The garden is vast and intricate. It’s rarely visited, and only Hamer knows of its secrets. But it’s not his garden. It belongs to his wealthy and elegant employer, Miss Cashmere. But the garden does not really belong to her, either. As Hamer writes, "Like a book, a garden belongs to everyone who sees it."In Seed to Dust, Marc Hamer paints a beautiful portrait of the garden that "belongs to everyone." He describes a year in his life as a country gardener, with each chapter named for the month he’s in. As he works, he muses on the unusual folklores of his beloved plants. He observes the creatures who scurry and hide from his blade or rake. And he reflects on his own life: living homeless as a young man, his loving relationship with his wife and children, and—now—feeling the effects of old age on body and mind.As the seasons change, Hamer also reflects on the changes he has observed in Miss Cashmere’s life from afar: the death of her husband and the departure of her children from the stately home where she now lives alone. At the book’s end, Hamer’s connection to Miss Cashmere changes shape, and new insights into relationships and the beauty and brutality of nature emerge.Just like all good books and gardens, Seed to Dust is filled with equal parts life and death, beauty and decay, and every reader will find something different to admire.

A NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • A NEW YORK TIMES TOP TEN BOOK OF THE YEAR • A VANITY FAIR BEST BOOK OF THE YEAR“Riveting and darkly funny and in all senses of the word, unclassifiable.” – The New York TimesA wild, humane, and hilarious meditation on post-privacy America—from the acclaimed author of ThrownWho are you? You are data about data. You are a map of connections—a culmination of everything you have ever posted, searched, emailed, liked, and followed. In this groundbreaking work of narrative nonfiction, Kerry Howley investigates the curious implications of living in the age of the indelible. Bottoms Up and the Devil Laughs tells the true story of intelligence specialist Reality Winner, a lone young woman who stuffs a state secret under her skirt and trusts the wrong people to help. After printing five pages of dangerous information she was never supposed to see, Winner finds herself at the mercy of forces more invasive than she could have possibly imagined.Following Winner’s unlikely journey from rural Texas to a federal courtroom, Howley maps a hidden world, drawing in John Walker Lindh, Lady Gaga, Edward Snowden, a rescue dog named Outlaw Babyface Nelson, and a mother who will do whatever it takes to get her daughter out of jail. Howley’s subjects face a challenge new to history: they are imprisoned by their past selves, trapped for as long as the Internet endures. A soap opera set in the deep state, Bottoms Up and the Devil Laughs is a free fall into a world where everything is recorded and nothing is sacred, from a singular writer unafraid to ask essential questions about the strangeness of modern life.

INSTANT NEW YORK TIMES BESTSELLERNPR’s 2023 Books We Love“Riveting, essential reading.” —Rick Perlstein, author of ReaganlandThe definitive biography of Vince McMahon, former WWE chairman and CEO, charts his rise from rural poverty to the throne of one of the world’s most influential media empires—and features never-before-seen research and exclusive interviews with more than 150 people who witnessed, aided, and suffered from his ascent.Even if you’ve never watched a minute of professional wrestling, you are living in Vince McMahon’s world.In his four decades as the defining figure of American pro wrestling, McMahon was the man behind Dwayne “The Rock” Johnson, “Stone Cold” Steve Austin, John Cena, Dave Bautista, Bret “The Hitman” Hart, and Hulk Hogan, to name just a few of the mega-stars who owe him their careers. For more than twenty-five years, he has also been a performer in his own show, acting as the diabolical “Mr. McMahon”—a figure who may have more in common with the real Vince than he would care to admit.Just as importantly, McMahon is one of Donald Trump’s closest friends—and Trump’s experiences as a performer in McMahon’s programming were, in many ways, a dress rehearsal for the 45th President’s campaigns and presidency. McMahon and his wife, Linda, are major Republican donors. Linda was in Trump’s cabinet. McMahon makes deals with the Saudi government worth hundreds of millions of dollars. And for generations of people who have watched wrestling, he has been a defining cultural force.Accessible to anyone, regardless of wrestling knowledge, Ringmaster is an unauthorized, independent, investigative chronicle of Vince McMahon’s origins and rise to supreme power. It is built on exclusive interviews with more than 150 people, from McMahon’s childhood friends to those who accuse him of destroying their lives. Far more than just an athletics or entertainment biography, Ringmaster uses Vince’s story as a new lens for understanding the contemporary American apocalypse.

“A profoundly emotional book, and a brave one.” —The New YorkerA literary sensation in Brazil, Luiz Schwarcz’s brave and tender memoir interrogates his ordeal of bipolar disorder in the context of a family story of murder, dispossession, and silence—the long echo of the Holocaust across generationsAs a child, Luiz Schwarcz knew little about his grandfather and namesake, Lajos. Only later did he learn that Lajos, a devout Hungarian Jew, had been put on a train to a Nazi death camp with his son André, whom he ordered to leap to freedom at a rail crossing while he himself was carried on to death. What young Luiz did know was that his father, André, who had emigrated to Brazil, was an unhappy and silent man. Luiz blossomed into the family prodigy, becoming a groundbreaking literary publisher. He found a home in the family silence—a home that he filled with reading.But then, at a high point of outward success, Luiz was brought low by a mental breakdown. The Absent Moon is the story of his journey both to that point and back from it, as Luiz learned to forge a more honest relationship with his own mind, with his family, and with their shared past. The culmination is this extraordinary book—the product of a lifetime’s reflection, by a master storyteller.

Winner of the 2023 National Book Critics Circle for Nonfiction and the Los Angeles Times Book PrizeA Washington Post best nonfiction book of 2023 | Winner of the Carnegie Medal for Excellence in Nonfiction“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York TimesA New York Times Book Review Editors’ Choice | One of Publishers Weekly's best nonfiction books of 2023The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.On March 26, 2018, rescue workers discovered a crumpled SUV and the bodies of two women and multiple children at the bottom of a cliff along the Pacific Coast Highway. Investigators soon concluded that the crash was a murder-suicide, but there was more to the story: Jennifer and Sarah Hart, it turned out, were a white married couple who had adopted six Black children from two different Texas families in 2006 and 2008. Behind the family’s loving facade was an alleged pattern of abuse and neglect that had been ignored as the couple withdrew the children from school and moved west. It soon became apparent that the State of Texas knew all too little about the two individuals to whom it had given custody of six children.Immersive journalism of the highest order, Roxanna Asgarian’s We Were Once a Family is a revelation of precarious lives; it is also a shattering exposé of the foster care and adoption systems that produced this tragedy. As a journalist in Houston, Asgarian sought out the children’s birth families and put them at the center of the story. We follow the lives of the Harts’ adopted children and their birth parents, and the machinations of the state agency that sent the children far away. Asgarian’s reporting uncovers persistent racial biases and corruption as young people of color are separated from birth parents without proper cause. The result is a riveting narrative and a deeply reported indictment of a system that continues to fail America’s most vulnerable children while upending the lives of their families.