Now a Netflix original movie starring Machine Gun Kelly, Daniel Webber, Douglas Booth, and Iwan Rheon, directed by Jeff Tremaine.“Without a doubt, it is the most detailed account of the awesome pleasures and perils of rock & roll stardom I have ever read. It is completely compelling, and utterly revolting, full of blood, leather, eyeliner, heroin, and, oh yes, the glam metal that made the Eighties...the Eighties.”—Joe Levy, Rolling StoneCelebrate thirty years of the world's most notorious rock band with the deluxe collectors' edition of The Dirt—the outrageous, legendary, no-holds-barred autobiography of Mötley Crüe.Fans have gotten glimpses into the band's crazy world of backstage scandals, celebrity love affairs, rollercoaster drug addictions, and immortal music in Mötley Crüe books like Tommyland and The Heroin Diaries, but now the full spectrum of sin and success by Tommy Lee, Nikki Sixx, Vince Neil, and Mick Mars is an open book in The Dirt. Even fans already familiar with earlier editions of the bestselling exposé will treasure this gorgeous deluxe edition. Joe Levy at Rolling Stone calls The Dirt "without a doubt . . . the most detailed account of the awesome pleasures and perils of rock & roll stardom I have ever read. It is completely compelling and utterly revolting."

In this NPR Best Book of the Year, a mixed–race punk rock musician must face the real dangers of being Black in America in this “wise meditation on race, authenticity, and belonging” (Nylon).Chris L. Terry’s Black Card is an uncompromising examination of American identity. In an effort to be “Black enough,” a mixed–race punk rock musician indulges his own stereotypical views of African American life by doing what his white bandmates call “Black stuff.” After remaining silent during a racist incident, the unnamed narrator has his Black Card revoked by Lucius, his guide through Richmond, Virginia, where Confederate flags and memorials are a part of everyday life.Determined to win back his Black Card, the narrator sings rap songs at an all–white country music karaoke night, absorbs black pop culture, and attempts to date his Black coworker Mona, who is attacked one night. The narrator becomes the prime suspect, earning the attention of John Donahue, a local police officer with a grudge dating back to high school. Forced to face his past, his relationships with his black father and white mother, and the real consequences and dangers of being Black in America, the narrator must choose who he is before the world decides for him.

With the Rolling Stones, Keith Richards created the riffs, the lyrics and the songs that roused the world. Over four decades he lived the original rock-and-roll life: taking the chances he wanted, speaking his mind and making it all work in a way that no one before him had ever done.Now, at last, the man himself tells us the story - and what a life.

The original version of Ian Hunter’s Diary of a Rock ’n' Roll Star was a five week tour diary of Mott The Hoople’s US tour in November and December 1972. Published in June 1974, the book became a cult classic that set the gold standard for rock writing.This updated version, published on 27 September 2018 by Omnibus Press, contains bonus content from Hunter in the form of a Japanese diary, a new three page foreword from diehard Ian Hunter fan Johnny Depp, exclusive new photos, and an introduction to writing the diary by official biographer Campbell Devine.A brutally honest chronicle of touring life in the 1970s, in 1996 Q magazine declared Diary of a Rock ’n' Roll Star as ‘the best rock book ever’. The Guardian has since described it as ‘an enduring crystallisation of the rock musician’s lot, and a quietly glorious period piece’.

“Raw and unsparing...as intimate and as painful as a therapy session, while chronicling the history of the band as it took shape in the Mod scene in 1960s London and became the very embodiment of adolescent rebellion and loud, anarchic rock ‘n’ roll.” — Michiko Kakutani, New York Times\nOne of rock music's most intelligent and literary performers, Pete Townshend—guitarist, songwriter, editor—tells his closest-held stories about the origins of the preeminent twentieth-century band The Who, his own career as an artist and performer, and his restless life in and out of the public eye in this candid autobiography, Who I Am.\nWith eloquence, fierce intelligence, and brutal honesty, Townshend has written a deeply personal book that also stands as a primary source for popular music's greatest epoch. Readers will be confronted by a man laying bare who he is, an artist who has asked for nearly sixty years: Who are you?

The Stones' previous U.S. tour was a crazy chaotic circus that culminated with the murder of a fan by Hells Angels at the infamous Altamont racetrack. Now they were going back to America to play more shows in bigger arenas with a far larger entourage and even more drugs. Robert Greenfield's book is the riveting insider's account of this tour. Features a new foreword by prize-winning, bestselling crime novelist, Ian Rankin.

In Scar Tissue Anthony Kiedis, charismatic and highly articulate frontman of the Red Hot Chili Peppers, recounts his remarkable life story, and the history of the band itself. Raised in the Midwest, he moved to LA aged eleven to live with his father Blackie, purveyor of pills, pot, and cocaine to the Hollywood elite. After

Book by Greene, Bob

"I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else." So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times. By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

With the Rolling Stones, Keith Richards created the riffs, the lyrics and the songs that roused the world, and over four decades he lived the original rock and roll life: taking the chances he wanted, speaking his mind, and making it all work in a way that no one before him had ever done. Now, at last, the man himself tells us the story of life in the crossfire hurricane. And what a life. Listening obsessively to Chuck Berry and Muddy Waters records as a child in post-war Kent. Learning guitar and forming a band with Mick Jagger and Brian Jones. The Rolling Stones' first fame and success as a bad-boy band. The notorious Redlands drug bust and subsequent series of confrontations with a nervous establishment that led to his enduring image as outlaw and folk hero. Creating immortal riffs such as the ones in 'Jumping Jack Flash' and 'Street Fighting Man' and 'Honky Tonk Women'. Falling in love with Anita Pallenberg and the death of Brian Jones. Tax exile in France, wildfire tours of the US, 'Exile on Main Street' and 'Some Girls'. Ever increasing fame, isolation and addiction. Falling in love with Patti Hansen. Estrangement from Mick Jagger and subsequent reconciliation. Solo albums and performances with his band the Xpensive Winos. Marriage, family and the road that goes on for ever. In a voice that is uniquely and intimately his own, with the disarming honesty that has always been his trademark, Keith Richards brings us the essential life story of our times.

It seems excessive…but that doesn’t mean it didn’t happen.The mass of black curls. The top hat. The cigarette dangling from pouty lips. These are the trademarks of one of the world’s greatest and most revered guitarists, a celebrity musician known by one name: Slash.Saul “Slash” Hudson was born in Hampstead to a Jewish father and a black American mother who created David Bowie’s look in The Man Who Fell to Earth. He was raised in Stoke until he was 11, when he and his mother moved to LA. Frequent visitors to the house were David Bowie, Joni Mitchell, Ronnie Wood and Iggy Pop.At this time Slash got into BMX bikes and would eventually turn professional, winning major awards and money, but at 15 his grandmother gave him his first guitar. Sessions with numerous local LA rock bands followed until a fateful meeting with singer W Axl Rose…and the rest was rock history. Guns N’ Roses spent two years builiding their reputation before Appetite for Destruction was unleashed on an unsuspecting world.Chart success and global domination followed but with it came the inevitable fall – addicted to heroin, booze and cigarettes the band imploded in a rift between Axl and Slash that is as deep today as ever. But with a new wife, kids and new band Velvet Revolver, Slash is back on track. As raucous and edgy as his music, Slash sets the record straight and tells the real story as only Slash can.

When American teenager Richard DiLello wandered into the Beatles' Apple building in 1968, he was immediately appointed "house hippie;" he began making tea, rolling joints, and listening to dozens of demo tapes. By the time Apple crumbled a few years later he was director of public relations. Along the way he noted many of the stoned conversations he heard and the insane bits of business he witnessed: one-man bands auditioning in the reception, Hell's Angels taking over Savile Row, and The Beatles playing on the roof. Full of period detail, this is a fast-paced, witty, and immensely poignant account of the demise of the Fab Four and the death of the '60s dream.

Medically speaking, Lemmy should be dead. After years of notorious excess, his blood would kill another human being. This is the story of the heaviest drinking, oversexed speedfreak in the business.Lemmy quickly outgrew his local bands in Wales, and tripped through his early career with the Rocking Vicars, backstage touring with Jimi Hendrix, and his time with Hawkwind. In 1975 he went on to create speedmetal and form the legendary band Motorhead.During their thirty-plus year history, Motorhead have conquered the rock world. The Motorhead line-up has seen many changes, but Lemmy has always been firmly at the helm.White Line Fever offers a sometimes hilarious, often outrageous, but highly entertaining ride with the frontman of the loudest rock band in the world.

When the young Keith Moon was beating the tar out of his drum-kit in Shepherd's Bush in 1964 it would have been unthinkable that this sparky little mod kid would have been the subject of a door- stopping 500-page biography. But young Keith soon mutated into Moon the Loon and joined the pantheon of legendary rock and roll wild men who lived fast and died young and 500 pages now seems the minimum space needed to cover his many excesses.Tony Fletcher has drawn heavily on interviews with Moon's wife, his sister and his girlfriend for the last eight years of his life. Oliver Reed, Alice Cooper, and Larry Hagman also have their say and the picture that emerges is of a man whose outrageous antics sprung from an absurdly over- generous personality. The drink, the drugs and the trashed hotel rooms are all splendidly chronicled as is the music. His drug-fuelled demise is not a pretty sight but Moon had always walked the walk and so the fact that, unlike the other members of The Who, he actually did die before he got old, ultimately comes as no surprise. --Nick Wroe.Also published as Moon: The Life and Death of a Rock Legend.

Just kids. In each other Robert Mapplethorpe and Patti Smith found kindred spirits and pursued their mutual dreams, from Brooklyn to the Chelsea Hotel into the world. Telling the story of two innocents who shed sheltered lives and braved the city in search of art and freedom, this work - part romance, part elegy - is about

"Writing about yourself is a funny business...But in a project like this, the writer has made one promise, to show the reader his mind. In these pages, I've tried to do this."Bruce Springsteen, from the pages of Born to RunIn 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl's halftime show. The experience was so exhilarating that Bruce decided to write about it. That's how this extraordinary autobiography began. Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humor, and originality found in his songs.He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as "The Big Bang": seeing Elvis Presley's debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candor, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song "Born to Run" reveals more than we previously realized. Born to Run will be revelatory for anyone who has ever enjoyed Bruce Springsteen, but this book is much more than a legendary rock star's memoir.This is a book for workers and dreamers, parents and children, lovers and loners, artists, freaks, or anyone who has ever wanted to be baptized in the holy river of rock and roll. Rarely has a performer told his own story with such force and sweep. Like many of his songs ("Thunder Road," "Badlands," "Darkness on the Edge of Town," "The River," "Born in the U.S.A.," "The Rising," and "The Ghost of Tom Joad," to name just a few), Bruce Springsteen's autobiography is written with the lyricism of a singular songwriter and the wisdom of a man who has thought deeply about his experiences.

A comic memoir of growing up as a heavy metal junkie in rural North Dakota in the 1980s retraces the author's coming of age to the soundtrack of Motley Crue, Ratt, Poison, Krokus, and other hard-hitting, take-no-prisoners rock bands.

10th anniversary edition with exclusive new content. Set against the frenzied world of heavy metal superstardom, the co-founder of legendary Moetley Crue offers an unflinching and gripping look at his own descent into drug addiction. When Moetley Crue were at the height of their fame, there wasn't a drug Nikki Sixx wouldn't do., He spent days - sometimes alone, sometimes with others addicts, friends and lovers - in a coke- and heroin-fuelled daze. THE HEROIN DIARIES reveals Nikki's personal diary entries alongside commentary from the people who know Nikki best including band mates Tommy, Vince and Mick. The book is a candid look at a nightmare come true: a punishing heroin addiction that brought Nikki to the edge of losing his talent, his career, his family and finally to a near-fatal overdose which left him clinically dead for a few minutes before being revived., Brutally honest, utterly riveting and shockingly moving, THE HEROIN DIARIES follows Nikki during the year he plunged to rock bottom and his courageous decision to pick himself up and start living again.

For many, Kim Gordon, vocalist, bassist and founding member of Sonic Youth, has always been the epitome of cool.Sonic Youth is one of the most influential and successful bands to emerge from the post-punk New York scene, and their legacy continues to loom large over the landscape of indie rock and American pop culture. Almost as celebrated as the band's defiantly dissonant sound was the marriage between Gordon and her husband, fellow Sonic Youth founder and lead guitarist Thurston Moore. So when Matador Records released a statement in the fall of 2011 announcing that—after twenty-seven years—the two were splitting, fans were devastated. In the middle of a crazy world, they'd seemed so solid.What did this mean? What comes next? What came before?In Girl in a Band, the famously reserved superstar speaks candidly about her past and the future. From her childhood in the sunbaked suburbs of Southern California, growing up with a mentally ill sibling who often sapped her family of emotional capital, to New York's downtown art and music scene in the eighties and nineties and the birth of a band that would pave the way for acts like Nirvana, as well as help inspire the Riot Grrl generation, here is an edgy and evocative portrait of a life in art.Exploring the artists, musicians, and writers who influenced Gordon, and the relationship that defined her life for so long, Girl in a Band is filled with the sights and sounds of a pre-Internet world and is a deeply personal portrait of a woman who has become an icon.

Copiously researched and documented, Hit Men is the highly controversial portrait of the pop music industry in all its wild, ruthless the insatiable greed and ambition; the enormous egos; the fierce struggles for profits and power; the vendettas, rivalries, shakedowns, and payoffs. Chronicling the evolution of America's largest music labels from the Tin Pan Alley days to the present day, Fredric Dannen examines in depth the often venal, sometimes illegal dealings among the assorted hustlers and kingpins who rule over this multi-billion-dollar business. Updated with a new last chapter by the author.

trade edition paperback vg++

A 2011 update of THE definitive 1976 book on The Faces, The Small Faces and Rod Stewart by leading British rock journalist John Pidgeon. John himself recounts his hilarious time as a Faces roadie.

The ''Beatles'' Davies, Hunter

ONE OF BILLBOARD'S "100 GREATEST MUSIC BOOKS OF ALL TIME": The provocative transgender advocate and lead singer of the punk rock band Against Me! provides a searing account of her search for identity and her true self.It began in a bedroom in Naples, Florida, when a misbehaving punk teenager named Tom Gabel, armed with nothing but an acoustic guitar and a headful of anarchist politics, landed on a riff. Gabel formed Against Me! and rocketed the band from its scrappy beginnings-banging on a drum kit made of pickle buckets-to a major-label powerhouse that critics have called this generation's The Clash. Since its inception in 1997, Against Me! has been one of punk's most influential modern bands, but also one of its most divisive. With every notch the four-piece climbed in their career, they gained new fans while infuriating their old ones. They suffered legal woes, a revolving door of drummers, and a horde of angry, militant punks who called them "sellouts" and tried to sabotage their shows at every turn.But underneath the public turmoil, something much greater occupied Gabel-a secret kept for 30 years, only acknowledged in the scrawled-out pages of personal journals and hidden in lyrics. Through a troubled childhood, delinquency, and struggles with drugs, Gabel was on a punishing search for identity. Not until May of 2012 did a Rolling Stone profile finally reveal it: Gabel is a transsexual, and would from then on be living as a woman under the name Laura Jane Grace.Tranny is the intimate story of Against Me!'s enigmatic founder, weaving the narrative of the band's history, as well as Grace's, with dozens of never-before-seen entries from the piles of journals Grace kept. More than a typical music memoir about sex, drugs, and rock 'n' roll-although it certainly has plenty of that-Tranny is an inside look at one of the most remarkable stories in the history of rock.

browned edges, but a good copy. 312 pp.

How does one young man survive the deaths of his entire family and manage to make something worthwhile of his life? In Things The Grandchildren Should Know Mark Oliver Everett tells the story of what it's like to grow up the insecure son of a genius in a wacky Virginia Ice Storm-like family. Left to run wild with his sister, his father off in some parallel universe of his own invention, Everett's upbringing was 'ridiculous, sometimes tragic and always unsteady'. But somehow he manages to not only survive his crazy upbringing and ensuing tragedies; he makes something of his life, striking out on a journey to find himself by channelling his experiences into his, eventually, critically acclaimed music with the Eels. But it's not an easy path. Told with surprising candour, Things The Grandchildren Should Know is an inspiring and remarkable story, full of hope, humour and wry wisdom.

BRAND NEW, Exactly same ISBN as listed, Please double check ISBN carefully before ordering.

No Irish, No Blacks, No The Authorized Johnny Rotten of the Sex Pistols

Hugely entertaining interviews with John Lennon and Yoko Ono conducted by the iconic "Rolling Stone " magazine.

'The loveliest – and certainly the most human – book about pop music I've ever read … A delightful and humane soap opera, a real page-turner, full of rounded and entirely recognisable characters.'Jon Ronson, Daily TelegraphTHE DEFINITIVE HISTORY OF BRITPOP – BLUR, OASIS, ELASTICA, SUEDE & TONY BLAIRBeginning in 1994 and closing in the first months of 1998, the UK passed through a cultural moment as distinct and as celebrated as any since the war. Founded on rock music, celebrity, boom-time economics and fleeting political optimism – this was 'Cool Britannia'. Records sold in their millions, a new celebrity elite emerged and Tony Blair's Labour Party found itself, at long last, returned to government.Drawing on interviews from all the major bands – including Oasis, Blur, Elastica and Suede – from music journalists, record executives and those close to government, The Last Party charts the rise and fall of the Britpop movement. John Harris was there; and in this gripping new book he argues that the high point of British music's cultural impact also signalled its effective demise – If rock stars were now friends of the government, then how could they continue to matter?Britpop in numbers: There were an astonishing 2.6 million ticket applications for the Oasis gig at Knebworth in 1996. 1 in 24 of the British public wanted to see them play. In the end the band played to 250,000 fans across two nights with a guest list that ran to 7,000. ’Definitely, Maybe’, Oasis's debut album, went straight to No 1, selling 100,000 copies in 4 days and outselling the Three Tenors in second place by a factor of 50% On its first day in the shops Oasis's second album, ‘What's The Story, Morning Glory’, was selling at a rate of 2 copies a minute through HMV's London stores. By 1997 Creation Records (which had been founded 12 years earlier with a bank loan of £1,000 by an ex-British Rail Clerk Alan McGee) announced a turnover of £36million thanks almost entirely to one band: Oasis.

As dazzling as the decade they dominated, The Beatles almost single-handedly created pop music as we know it. Today, their songs are cited as seminal influences by stars like Oasis, Blur and Kula Shaker. Eloquently giving voice to their time, the Beatles quite simply changed the world.Updated with material from The Beatles Live at the BBC and the Anthology series, this acclaimed book gets to the heart of The Beatles — their records. It draws on the author’s unique knowledge and experience to “read” their 241 tracks chronologically — from their first amateur efforts in 1957 to Real Love, their final “reunion” recording in 1995. With this engrossing classic of popular criticism, Ian MacDonald shows exactly why the extraordinary songs of the Beatles remain a central and continually surprising presence.

The life of Jerry Lee Lewis is one of the most dramatic and tormented in rock 'n' roll history. "Hellfire" remains one of the most remarkable biographies ever written on Lewis . . . "nothing else comes close. . . . Sooner or later, "Hellfire" will be recognized as an American classic" (Greil Marcus).

If ever there were Satanic Majesties of rock their name was Led Zeppelin. The band that out-sold the Rolling Stones and made Robert Johnson's deals with the devil look like a playground game of conkers were as high, inflated and glorified as their namesake. In Stephen Davis' scorching account of their phenomenally successful career, no aspect - however disquieting - is ignored. The infamous encounters with willing groupies in hotel bedrooms, the narcotic, alcoholic and psychotic wreckage they wreaked, the disturbing influence of the notorious mage Aleister Crowley on lead guitarist Jimmy Page and the death of John Bonham are all recorded. Above all, the exultant, blazing charge of their music and its effects on Led Zeppelin and their fans is scrutinized. "Hammer of the Gods" is a fierce and fearless story about a band that remain a legend of musical, sexual and mystical power. It is the last word in rock 'n' roll savagery. 'The biggest surprise success of the year ...the Led Zep tale, drenched in sex, drugs and psychic abuse, demonstrated the validity of all the old adages about talent, power and corruption. Stephen Davis' grimy homage to imperial excesss and demonic influence had fans slavering for more.' - "Rolling Stone."

I Am Ozzy

The Sunday Times bestseller.David Bowie was arguably the most influential artist of his time, reinventing himself again and again, transforming music, style and art for over five decades.David Buckley's unique approach to unravelling the Bowie enigma, via interviews with many of the singer's closest associates, biography and academic analysis, makes this unrivalled biography a classic for Bowie fans old and new. This revised edition of Strange Fascination captures exclusive details about the tours, the making of the albums, the arguments, the split-ups, the music and, most importantly, the man himself. Also including exclusive photographic material, Strange Fascination is the most complete account of David Bowie and his impact on pop culture ever written.

I was the Fool-king of Soho and the number-one slag in the Groucho Club, the second drunkest member of the world's drunkest band. This was no disaster, though. It was a dream coming true.'For Alex James, music had always been a door to a more eventful life. But as bass player of Blur - one of the most successful British bands of all time - his journey was more exciting and extreme than he could ever have predicted. In Bit of a Blur he chronicles his journey from a slug-infested flat in Camberwell to a world of screaming fans and private jets - and his eventual search to find meaning and happiness (and, perhaps most importantly, the perfect cheese), in an increasingly surreal world.

The comic strips of Colin B. Morton and Chuck Death deliver an irreverent, heartfelt, and devastatingly funny history of rock and roll. Like Monty Python at its best, their version is surreal and ridiculous - yet somehow everything in it rings true. According to Morton and Death, the bass player in Led Zeppelin was Jean-Paul Sartre. And despite having been able to think up brilliant titles for their first three albums, Led Zeppelin were stuck for what to call the fourth one - so they put a load of prunes on the front. In strip after strip, Morton & Death pinpoint the absurdities and oddities of rock history. In the process, they often come closer to its truth than conventional accounts do, as well as being far more entertaining. As for the drawings, their caricatures of rock stars from Mick Jagger to Frank Zappa, Johnny Rotten to Courtney Love, are in themselves worth the price of admission.

The paperback will have a brand new chapter on the band's historic decision to re-form after so many years in order to play at the LIVE8 concert, including Sir Bob's intervention! Plus new, never before seen, photos of the band both onstage and backstage at the concert. One of the most fascinating rock bands ever, Pink Floyd was formed in 1965. After a year in the London 'underground' experimenting with revolutionary techniques like lights which matched their music, they released their first single in 1966. Their breakthrough album, THE DARK SIDE OF THE MOON, was released in 1973 and stayed in the charts until 1982, the longest a record has ever been continuously in the charts, becoming one of the best-selling albums of all time. In 1975 they released WISH YOU WERE HERE which reached iconic status, then in 1979 THE WALL went to number 1 in almost every country in the world. The movie version of THE WALL starring Bob Geldof was released in 1982, becoming a cult favorite. In the 1980s a rift developed between the band members which culminated in law suits. Only recently have there been reconciliations which have allowed founder member Nick Mason to write his personal take on the band's history.