100 Best 「satanism」 Books of 2024| Books Explorer
- Man and His Symbols
- Guide for the Bedevilled
- The Satanic Epic
- A Thousand and One Afternoons in Chicago
- The Master and Margarita (Vintage International)
- Fantazius Mallare: A Mysterious Oath
- Down There (La-Bas)
- The Study of Sociology
- The Devil's Party: Satanism In Modernity
- Children of Lucifer: The Origins of Modern Religious Satanism (Oxford Studies in Western Esotericism)
Writing in 1943, Hecht cries out for the three million Jews already killed by “ordinary Germans.” Called “the most influential writer in the history of American movies,” Hecht was shunned both by Hollywood and by most of American Jewry for his stand on saving Europe’s Jews.
The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox.Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects.Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.
In 1921, Ben Hecht wrote a column for the Chicago Daily News that his editor called “journalism extraordinary; journalism that invaded the realm of literature.” Hecht’s collection of sixty-four of these pieces, illustrated with striking pen drawings by Herman Rosse, is a timeless caricature of urban American life in the jazz age, updated with a new Introduction for the twenty-first century. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Hecht captures 1920s Chicago in all its furor, intensity, and absurdity.“The hardboiled audacity and wit that became Hecht’s signature as Hollywood’s most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history.”—L. S. Klepp, Voice Literary Supplement
The underground masterpiece of twentieth-century Russian fiction, this classic novel was written during Stalin’s regime and could not be published until many years after its author’s death.When the devil arrives in 1930s Moscow, consorting with a retinue of odd associates—including a talking black cat, an assassin, and a beautiful naked witch—his antics wreak havoc among the literary elite of the world capital of atheism. Meanwhile, the Master, author of an unpublished novel about Jesus and Pontius Pilate, languishes in despair in a pyschiatric hospital, while his devoted lover, Margarita, decides to sell her soul to save him. As Bulgakov’s dazzlingly exuberant narrative weaves back and forth between Moscow and ancient Jerusalem, studded with scenes ranging from a giddy Satanic ball to the murder of Judas in Gethsemane, Margarita’s enduring love for the Master joins the strands of plot across space and time.
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Recent years have seen a significant shift in the study of new religious movements. In Satanism studies, interest has moved to anthropological and historical work on groups and inviduals. Self-declared Satanism, especially as a religion with cultural production and consumption, history, and organization, has largely been neglected by academia. This volume, focused on modern Satanism as a practiced religion of life-style, attempts to reverse that trend with 12 cutting-edge essays from the emerging field of Satanism studies. Topics covered range from early literary Satanists like Blake and Shelley, to the Californian Church of Satan of the 1960s, to the radical developments that have taken place in the Satanic milieu in recent decades. The contributors analyze such phenomena as conversion to Satanism, connections between Satanism and political violence, 19th-century decadent Satanism, transgression, conspiracy theory, and the construction of Satanic scripture. A wide array of methods are employed to shed light on the Devil's disciples: statistical surveys, anthropological field studies, philological examination of The Satanic Bible, contextual analysis of literary texts, careful scrutiny of obscure historical records, and close readings of key Satanic writings. The book will be an invaluable resource for everyone interested in Satanism as a philosophical or religious position of alterity rather than as an imagined other.
If we are to believe sensationalist media coverage, Satanism is, at its most benign, the purview of people who dress in black, adorn themselves with skull and pentagram paraphernalia, and listen to heavy metal. At its most sinister, its adherents are worshippers of evil incarnate and engage in violent and perverse secret rituals, the details of which mainstream society imagines with a fascination verging on the obscene. Children of Lucifer debunks these facile characterizations by exploring the historical origins of modern Satanism. Ruben van Luijk traces the movement's development from a concept invented by a Christian church eager to demonize its internal and external competitors to a positive (anti-)religious identity embraced by various groups in the modern West.Van Luijk offers a comprehensive intellectual history of this long and unpredictable trajectory. This story involves Romantic poets, radical anarchists, eccentric esotericists, Decadent writers, and schismatic exorcists, among others, and culminates in the establishment of the Church of Satan by carnival entertainer Anton Szandor LaVey. Yet it is more than a collection of colorful characters and unlikely historical episodes. The emergence of new attitudes toward Satan proves to be intimately linked to the ideological struggle for emancipation that transformed the West and is epitomized by the American and French Revolutions. It is also closely connected to secularization, that other exceptional historical process which saw Western culture spontaneously renounce its traditional gods and enter into a self-imposed state of religious indecision.Children of Lucifer makes the case that the emergence of Satanism presents a shadow history of the evolution of modern civilization as we know it. Offering the most comprehensive account of this history yet written, van Luijk proves that, in the case of Satanism, the facts are much more interesting than the fiction.
In the public imagination Satanism is associated with bizarre rituals, perverse hedonistic lifestyles, heavy metal music, immature adolescents acting out, horror movies, and rumors of ritual abuse. But what are the facts behind the urban legends and the "moral panics" that periodically sweep the country regarding this countercultural phenomenon? This authoritative reference work gathers together scholarly studies of Satanism and original source material, focusing on two major aspects―organized religious Satanism and the Satanic Ritual Abuse hoax that was prevalent in the 1980s and early 1990s. The contributors first examine modern Satanism, a decentralized movement whose only coherence is based on certain themes that date back to the writings of Anton Szandor LaVey, especially his Satanic Bible. Among other factors, the authors discuss how the emergence of the Internet as a form of communication has created some coherence among disparate groups through cross-reference.Many articles are devoted to the Satanic Ritual Abuse scare, an erroneous belief in a vast underground network of Satanists who were abusing children. For years members of the law enforcement community and numerous therapists, encouraged by the hype of mass media, bought into this panic.Other topics include the role of the media in the perceptions of Satanism and Satanic Ritual Abuse, juvenile delinquency and Satanism, and police pursuit of satanic crime. The volume concludes with primary source material, including a report from the Ritual Abuse Task Force and selections from current Satanism groups.This objective reference work will be useful for professionals in many fields and members of the public interested in sorting out the facts from the myths surrounding this controversial subculture.
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In 1676, a seemingly devoted daughter and wife, Madame de Brinvilliers, shocked all of France with the heinous murder of her father and brothers. Furious that the family disapproved of her taking a lover, she and her scurrilous paramour poisoned them out of a desire for revenge and greed for her anticipated inheritance. The ensuing scandal, skillfully recounted by noted British historian Somerset (Elizabeth I), inflamed the nation's fears that the decadent nobles at the Sun King's court were caught up in a clandestine world of sex, witchcraft and murder. Every untimely death and peculiar illness, including Louis XIV's chronic vapors, suddenly appeared to be the nefarious work of an unwholesome network of princesses, dukes and fortunetellers. As panic ballooned, even the king's mistress, Mme de Montespan, fell under suspicion (and was eventually banished from the king's bed), and many of France's most distinguished personages were sent to trial, jail and, in several cases, the scaffold. Somerset reconstructs this macabre history from surviving public documents, enlivened with contemporary gossip and wit from letters between the French elite. Her arch prose sometimes stalls amid the intricacies of myriad minor characters' histories, but overall, she offers an intelligent review of a darkly fascinating affair.
Europe's Inner Demons is a fascinating history of the irrational need to imagine witches and an investigation of how those fantasies made the persecutions of the middle ages possible. In addition, Norman Cohn's discovery that some influential sources on European witch trials were forgeries has revolutionized the field of witchcraft, making this one of the most essential books ever written on the subject.
A JPS bestseller, this is the definitive work of scholarship on the medieval conception of the Jew as devil—literally and figuratively. Through documents, analysis, and illustrations, the book exposes the full spectrum of the Jew’s demonization as devil, sorcerer, and ritual murderer. The author reveals how these myths, many with origins traced to Christian Europe in the late Middle Ages, still exist in transmuted form in the modern era.
This vintage work contains a treatise on an anthropological interpretation of sadism, masochism, and lycanthropy, which has been compiled from the notes of a lecture delivered at a meeting of the 'Royal Society of Medicine'. This fascinating and arresting collection of notes will be of considerable utility to anyone with an interest in psychiatry or the influential work of Robert Eisler. It is a book not to be missed by collectors of this kind of literature. Many antiquarian books such as this are becoming increasingly rare and expensive, and it is with this in mind that we are republishing this volume now in an affordable, modern edition complete with a new prefatory biography of the author.
Although there is growing concern over Satanism as a threat to American life, the topic has received surprisingly little serious attention. Recognizing this, the editors of this volume have selected papers from a wide variety of disciplines, broadly covering contemporary aspects of Satanism from the vantage points of studies in folklore, cults, religion, deviance, rock music, rumor, and the mass media.All contributors are skeptical of claims that a large, powerful satanic conspiracy can be substantiated. Their research focuses instead on claims about Satanism and on the question of whose interests are served by such claims. Several papers consider the impact of anti-Satanism campaigns on public opinion, law enforcement and civil litigation, child protection services, and other sectors of American society.The constructionist perspective adopted by the editors does not deny the existence of some activities by 'real' Satanists, and two papers describe the workins of satanic groups. Whatever the basis of the claims examined and analyzed, there is growing evidence that belief in the satanic menace will have real social consequences in the years ahead.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
In the 1980s, America was gripped by widespread panics about Satanic cults. Conspiracy theories abounded about groups who were allegedly abusing children in day-care centers, impregnating girls for infant sacrifice, brainwashing adults, and even controlling the highest levels of government. As historian of religions David Frankfurter listened to these sinister theories, it occurred to him how strikingly similar they were to those that swept parts of the early Christian world, early modern Europe, and postcolonial Africa. He began to investigate the social and psychological patterns that give rise to these myths. Thus was born Evil Incarnate, a riveting analysis of the mythology of evilconspiracy.The first work to provide an in-depth analysis of the topic, the book uses anthropology, the history of religion, sociology, and psychoanalytic theory, to answer the questions "What causes people collectively to envision evil and seek to exterminate it?" and "Why does the representation of evil recur in such typical patterns?"Frankfurter guides the reader through such diverse subjects as witch-hunting, the origins of demonology, cannibalism, and the rumors of Jewish ritual murder, demonstrating how societies have long expanded upon their fears of such atrocities to address a collective anxiety. Thus, he maintains, panics over modern-day infant sacrifice are really not so different from rumors about early Christians engaging in infant feasts during the second and third centuries in Rome.In Evil Incarnate, Frankfurter deepens historical awareness that stories of Satanic atrocities are both inventions of the mind and perennial phenomena, not authentic criminal events. True evil, as he so artfully demonstrates, is not something organized and corrupting, but rather a social construction that inspires people to brutal acts in the name of moral order.
Communities throughout the United States were convulsed in the 1980s and early 1990s by accusations, often without a shred of serious evidence, that respectable men and women in their midstmany of them trusted preschool teacherssecretly gathered in far reaching conspiracies to rape and terrorize children. In this powerful book, Debbie Nathan and Mike Snedeker examine the forces fueling this blind panic.
This book describes Reich's medical and scientific work onthe living organism from his first efforts at the Medical School of the University of Vienna in 1919 to the laboratory experiments in Oslo in 1939 which revealed the existence of a radiating biological energy, orgone energy.The subject of "sexuality" is basic to this work, and Reich shows clearly its importance for human life and its relevance in understanding the social problems of our time.
"Although the Devil still 'lives' in modern popular culture, for the past 250 years he has become marginal to the dominant concerns of Western intellectual thought. That life could not be thought or imagined without him, that he was a part of the everyday, continually present in nature and history, and active at the depths of our selves, has been all but forgotten. It is the aim of this work to bring modern readers to a deeper appreciation of how, from the early centuries of the Christian period through to the recent beginnings of the modern world, the human story could not be told and human life could not be lived apart from the 'life' of the Devil. With that comes the deeper recognition that, for the better part of the last two thousand years, the battle between good and evil in the hearts and minds of men and women was but the reflection of a cosmic battle between God and Satan, the divine and the diabolic, that was at the heart of history itself."―from The DevilLucifer, Mephistopheles, Beelzebub; Ha-Satan or the Adversary; Iblis or Shaitan: no matter what name he travels under, the Devil has throughout the ages and across civilizations been a compelling and charismatic presence. In Christianity, Judaism, and Islam, the supposed reign of God has long been challenged by the fiery malice of his opponent, as contending forces of good and evil have between them weighed human souls in the balance.In The Devil, Philip C. Almond explores the figure of evil incarnate from the first centuries of the Christian era. Along the way, he describes the rise of demonology as an intellectual and theological pursuit, the persecution as witches of women believed to consort with the Devil and his minions, and the decline in the belief in Hell and in angels and demons as corporeal beings as a result of the Enlightenment. Almond shows that the Prince of Darkness remains an irresistible subject in history, religion, art, literature, and culture.Almond brilliantly locates the "life" of the Devil within the broader Christian story of which it is inextricably a part; the "demonic paradox" of the Devil as both God's enforcer and his enemy is at the heart of Christianity. Woven throughout the account of the Christian history of the Devil is another complex and complicated history: that of the idea of the Devil in Western thought. Sorcery, witchcraft, possession, even melancholy, have all been laid at the Devil's doorstep. Until the Enlightenment enforced a "disenchantment" with the old archetypes, even rational figures such as Thomas Aquinas were obsessed with the nature of the Devil and the specific characteristics of the orders of demons and angels. It was a significant moment both in the history of demonology and in theology when Benedict de Spinoza (1632–1677) denied the Devil's existence; almost four hundred years later, popular fascination with the idea of the Devil has not yet dimmed.
A sweeping, interwoven story of how America fell in love with the OccultHere’s to My Sweet Satan is the first book to fully document the Occult craze of the 1960s and 1970s as a single pop culture phenomenon that continues to influence nearly every aspect of culture today. A masterful cultural history, Here’s to My Sweet Satan tells how the Occult conquered the American imagination, weaving together topics as diverse as the birth of heavy metal, 1970s horror films, the New Age movement, Count Chocula cereal, the serial killer Son of Sam, and more. Cultural critic George Case explores how the Occult craze permanently changed American society, creating the cultural framework for the political power of the religious right, false accusations of Satanic child abuse, and today’s widespread rejection of science and rationality.An insightful blend of pop culture and social history, Here’s to My Sweet Satan lucidly explains how the most technological society on earth became enthralled by the supernatural.
From Harvard to heroin and back to wellness: these essays chronicle Lilith Starr's inspiring story of recovery and healing in the face of insurmountable odds. In the philosophy of Satanism, she finally found the inner strength needed to beat a lifetime of addiction and depression. Now she shares the secrets she learned on her Satanic journey back to well-being. Discover the positive, life-changing power of atheistic Satanism for yourself! Learn the truth behind the common misconceptions about Satanism, and how to tap into the deep reservoir of personal power we all have inside.
Reich's classic work on the development and treatment of human character disorders, first published in 1933.As a young clinician in the 1920s, Wihelm Reich expanded psychoanalytic resistance into the more inclusive technique of character analysis, in which the sum total of typical character attitudes developed by an individual as a blocking against emotional excitations became the object of treatment. These encrusted attitudes functioned as an "armor," which Reich later found to exist simultaneously in chronic muscular spasms. Thus mind and body came together and character analysis opened the way to a biophysical approach to disease and the prevention of it.
In this classic account of madness, Michel Foucault shows once and for all why he is one of the most distinguished European philosophers since the end of World War II. Madness and Civilization,Foucault's first book and his finest accomplishment, will change the way in which you think about society. Evoking shock, pity and fascination, it might also make you question the way you think about yourself.
A brilliant and comprehensive history of the creation of the modern Western mind.Soul Machine takes us back to the origins of modernity, a time when a crisis in religious authority and the scientific revolution led to searching questions about the nature of human inner life. This is the story of how a new concept―the mind―emerged as a potential solution, one that was part soul and part machine, but fully neither.In this groundbreaking work, award-winning historian George Makari shows how writers, philosophers, physicians, and anatomists worked to construct notions of the mind as not an ethereal thing, but a natural one. From the ascent of Oliver Cromwell to the fall of Napoleon, seminal thinkers like Hobbes, Locke, Diderot, and Kant worked alongside often-forgotten brain specialists, physiologists, and alienists in the hopes of mapping the inner world. Conducted in a cauldron of political turmoil, these frequently shocking, always embattled efforts would give rise to psychiatry, mind sciences such as phrenology, and radically new visions of the self. Further, they would be crucial to the establishment of secular ethics and political liberalism. Boldly original, wide-ranging, and brilliantly synthetic, Soul Machine gives us a masterful, new account of the making of the modern Western mind. 44 illustrations
In Beyond Good and Evil, Nietzsche attacks past philosophers for their alleged lack of critical sense and their blind acceptance of the Christian premises in their consideration of morality. The work attempts to moves "beyond good and evil" in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favor of what he regards as an affirmative approach that fearlessly confronts the perspectival nature of knowledge and the perilous condition of the modern individual.
For the ruling and propertied classes of the late eighteenth century, the years following the French Revolution were characterized by intense anxiety. Monarchs and their courtiers lived in constant fear of rebellion, convinced that their power-and their heads-were at risk. Driven by paranoia, they chose to fight back against every threat and insurgency, whether real or merely perceived, repressing their populaces through surveillance networks and violent, secretive police action. Europe, and the world, had entered a new era.In Phantom Terror, award-winning historian Adam Zamoyski argues that the stringent measures designed to prevent unrest had disastrous and far-reaching consequences, inciting the very rebellions they had hoped to quash. The newly established culture of state control halted economic development in Austria and birthed a rebellious youth culture in Russia that would require even harsher methods to suppress. By the end of the era, the first stirrings of terrorist movements had become evident across the continent, making the previously unfounded fears of European monarchs a reality.Phantom Terror explores this troubled, fascinating period, when politicians and cultural leaders from Edmund Burke to Mary Shelley were forced to choose sides and either support or resist the counterrevolutionary spirit embodied in the newly-omnipotent central states. The turbulent political situation that coalesced during this era would lead directly to the revolutions of 1848 and to the collapse of order in World War I. We still live with the legacy of this era of paranoia, which prefigured not only the modern totalitarian state but also the now preeminent contest between society's haves and have nots.These tempestuous years of suspicion and suppression were the crux upon which the rest of European history would turn. In this magisterial history, Zamoyski chronicles the moment when desperate monarchs took the world down the path of revolution, terror, and world war.
After kicking open the doors to twentieth-century philosophy in Thus Spake Zarathustra, Friedrich Nietzsche refined his ideal of the superman with the 1886 publication of Beyond Good and Evil. Conventional morality is a sign of slavery, Nietzsche maintains, and the superman goes beyond good and evil in action, thought, and creation. Nietzsche especially targets what he calls a "slave morality" that fosters herdlike quiescence and stigmatizes the "highest human types."In this pathbreaking work, Nietzsche's philosophical and literary powers are at their height: with devastating irony and flashing wit he gleefully dynamites centuries of accumulated conventional wisdom in metaphysics, morals, and psychology, clearing a path for such twentieth-century innovators as Thomas Mann, André Gide, Sigmund Freud, George Bernard Shaw, André Malraux, and Jean-Paul Sartre, all of whom openly acknowledged their debt to him.Students of philosophy and literature as well as general readers will prize this rich sampling of Nietzsche's thought in an unabridged and inexpensive edition of one of the philosopher's most important works.
The provocative and authoritative history of the origins of Christian America in the New Deal eraWe're often told that the United States is, was, and always has been a Christian nation. But in One Nation Under God, historian Kevin M. Kruse reveals that the belief that America is fundamentally and formally Christian originated in the 1930s.To fight the "slavery" of FDR's New Deal, businessmen enlisted religious activists in a campaign for "freedom under God" that culminated in the election of their ally Dwight Eisenhower in 1952. The new president revolutionized the role of religion in American politics. He inaugurated new traditions like the National Prayer Breakfast, as Congress added the phrase "under God" to the Pledge of Allegiance and made "In God We Trust" the country's first official motto. Church membership soon soared to an all-time high of 69 percent. Americans across the religious and political spectrum agreed that their country was "one nation under God."Provocative and authoritative, One Nation Under God reveals how an unholy alliance of money, religion, and politics created a false origin story that continues to define and divide American politics to this day.
Among the most enduring themes in American history is the idea that the United States was founded as a Christian nation. A pervasive narrative in everything from school textbooks to political commentary, it is central to the way in which many Americans perceive the historical legacy of their nation. Yet, as Steven K. Green shows in this illuminating new book, it is little more than a myth.In Inventing a Christian America, Green, a leading historian of religion and politics, explores the historical record that is purported to support the popular belief in America's religious founding and status as a Christian nation. He demonstrates that, like all myths, these claims are based on historical "facts" that have been colored by the interpretive narratives that have been imposed upon them. In tracing the evolution of these claims and the evidence levied in support of them from the founding of the New England colonies, through the American Revolution, and to the present day, he investigates how they became leading narratives in the country's collective identity. Three critical moments in American history shaped and continue to drive the myth of a Christian America: the Puritan founding of New England, the American Revolution and the forging of a new nation, and the early years of the nineteenth century, when a second generation of Americans sought to redefine and reconcile the memory of the founding to match their religious and patriotic aspirations. Seeking to shed light not only on the veracity of these ideas but on the reasons they endure, Green ultimately shows that the notion of America's religious founding is a myth not merely in the colloquial sense, but also in a deeper sense, as a shared story that gives deeper meaning to our collective national identity.Offering a fresh look at one of the most common and contested claims in American history, Inventing a Christian America is an enlightening read for anyone interested in the story of-and the debate over-America's founding.
Here is Friedrich Nietzsche's great masterpiece The Anti-Christ, wherein Nietzsche attacks Christianity as a blight on humanity. This classic is essential reading for anyone wishing to understand Nietzsche and his place within the history of philosophy. "We should not deck out and embellish Christianity: it has waged a war to the death against this higher type of man, it has put all the deepest instincts of this type under its ban, it has developed its concept of evil, of the Evil One himself, out of these instincts-the strong man as the typical reprobate, the 'outcast among men.' Christianity has taken the part of all the weak, the low, the botched; it has made an ideal out of antagonism to all the self-preservative instincts of sound life; it has corrupted even the faculties of those natures that are intellectually most vigorous, by representing the highest intellectual values as sinful, as misleading, as full of temptation. The most lamentable example: the corruption of Pascal, who believed that his intellect had been destroyed by original sin, whereas it was actually destroyed by Christianity!" -Friedrich Nietzsche
Here is Friedrich Nietzsche's great masterpiece The Anti-Christ, wherein Nietzsche attacks Christianity as a blight on humanity. This classic is essential reading for anyone wishing to understand Nietzsche and his place within the history of philosophy. "We should not deck out and embellish Christianity: it has waged a war to the death against this higher type of man, it has put all the deepest instincts of this type under its ban, it has developed its concept of evil, of the Evil One himself, out of these instincts-the strong man as the typical reprobate, the 'outcast among men.' Christianity has taken the part of all the weak, the low, the botched; it has made an ideal out of antagonism to all the self-preservative instincts of sound life; it has corrupted even the faculties of those natures that are intellectually most vigorous, by representing the highest intellectual values as sinful, as misleading, as full of temptation. The most lamentable example: the corruption of Pascal, who believed that his intellect had been destroyed by original sin, whereas it was actually destroyed by Christianity!" -Friedrich Nietzsche
"Jacoby accomplishes her task with clarity, thoroughness, and an engaging passion."-Los Angeles Times Book ReviewAt a time when the separation of church and state is under attack as never before, Freethinkers offers a powerful defense of the secularist heritage that gave Americans the first government in the world founded not on the authority of religion but on the bedrock of human reason. In impassioned, elegant prose, celebrated author Susan Jacoby traces more than two hundred years of secularist activism, beginning with the fierce debate over the omission of God from the Constitution. Moving from nineteenth-century abolitionism and suffragism through the twentieth century's civil liberties, civil rights, and feminist movements, Freethinkers illuminates the neglected achievements of secularists who, allied with tolerant believers, have led the battle for reform in the past and today.Rich with such iconic figures as Thomas Jefferson, Abraham Lincoln, Thomas Paine, and the once-famous Robert Green Ingersoll, Freethinkers restores to history the passionate humanists who struggled against those who would undermine the combination of secular government and religious liberty that is the glory of the American system.
'One must be superior to mankind in force, in loftiness of soul—in contempt’In these two devastating works, Nietzsche offers a sustained and often vitriolic attack on the morality and the beliefs of his time, in particular those of Hegel, Kant and Schopenhaur. Twilight of the Idols is a ‘grand declaration of war’ on reason, psychology and theology that combines highly charged personal attacks on his contemporaries with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzche’s final assault on institutional Christianity, in which he identifies himself with the ‘Dionysian’ artist and confronts Christ; the only opponent he feels worthy of him.In his introduction Michael Tanner discussed the themes of Nietzche’s argument and places the works in their historical and philosophical context.
This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom
The groundbreaking book that launched America's urban legend obsession!Folklore scholar Jan Harold Brunvand assembles the best-known urban legends―including "The Hook," "The Spider in the Hairdo," and "The Baby-Sitter and the Man Upstairs"―and provides an enlightening and entertaining analysis of their variants and evolution. The Vanishing Hitchhiker was Professor Brunvand's first popular book on urban legends, and it remains a classic. The culmination of twenty years of collection and research, this book is a must-have for urban legend lovers.
Morality is nothing more than an expression of expediency' a notorious torturer reportedly once replied to objections about his profession. From the primitive snake pit to sophisticated methods of brainwashing, literally thousands of techniques have been devised to distort both the body and the mind - and to satisfy the sadistic needs of those who command, perform and witness human torture. In The History of Torture, Daniel P. Mannix examines with honesty and thoroughness every aspect of torture: the professional torturers, many of them history's most famous men and women; their theories and techniques; the role torture has played in history; and the refinements brought to the practice of torture by individual fanatics, religious groups, the military and entire cultures. The result is information on the infliction of pain for punishment or coercion from pre-history to modern times. This remarkable work discusses not only the history of torture but its moral implications
Meet the strangest people who ever lived!Read all about:· the notorious love affairs of midgets· the strange sex lives of Siamese twins· the dwarf clown's wife whose feet grew directly from her body· the mule-faced woman whose son became her manager· the unusual amours of Jolly Daisy, the fat woman· the famous pinhead who inspired Verdi's Rigoletto· the tragedy of Betty Lou Williams and her parasitic twin· the midget, only 34 inches tall, who was happily married to a 264-pound wife· the human torso who could sew, crochet, and type· and bizarre accounts of normal humans turned into freaks-either voluntarily or by evil design!Originally printed in a small edition and withdrawn by the publisher after one month, this book (out of print for nearly 20 years), is brought back to eye-popping life with many new photos. Daniel P. Mannix, now enjoying a cult revival, is the author of noir classics such as Those About to Die, The History of Torture, The Hell-fire Club, Memoirs of a Sword Swallower, The Beast (the first biography of Aleister Crowley to enjoy wide readership), and many others. A former sword-swallower, fire-eater, fakir and world traveler, Mr. Mannix still lives on the family farm with his falcon, miniature horses and reptile collection.
The rise and fall of a shocking secret society! In the ruined abbeys and elaborately decorated caves of England, the notorious Hellfire Club held meetings that shocked and terrified the countryside. London madams scoured the city for young girls to supply the club. Rakes flocked to its meetings. Yet it was typical of the late eighteenth century that the club's members included famous men of the arts, politicians, even the then-Prime Minister; that a list of members reads like an "honors list" of the eminent men of the day; and that when news of the club's activities leaked out, it caused the biggest political scandal in British history. Brilliant, perverse, equally capable of elaborately obscene jests and the intricacies of parliamentary politics, the members of the Hellfire Club were the most astonishing men of their time, and the record of their revels has fascinated and repulsed the world for two centuries.
A veteran of some of the bloodiest battles of the Civil War, Ambrose Bierce went on to become one of the darkest and most death haunted of American writers, the blackest of black humorists. This volume gathers the most celebrated and significant of Bierce's writings. In the Midst of Life (Tales of Soldiers and Civilians), his collection of short fiction about the Civil War, which includes the masterpieces "An Occurrence at Owl Creek Bridge" and "Chickamauga," is suffused with a fiercely ironic sense of the horror and randomness of war. Can Such Things Be? brings together "The Death of Halpin Frayser," "The Damned Thing," "The Moonlit Road," and other tales of terror that make Bierce the genre's most significant American practitioner between Poe and Lovecraft. The Devil's Dictionary, the brilliant lexicon of subversively cynical definitions on which Bierce worked for decades, displays to the full his corrosive wit. In Bits of Autobiography, the series of memoirs that includes the memorable "What I Saw of Shiloh," he recreates his experiences in the war and its aftermath. The volume is rounded out with a selection of his best uncollected stories. Acclaimed Bierce scholar S. T. Joshi provides detailed notes and a newly researched chronology of Bierce's life and mysterious disappearance.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
A modified, one-volume edition of Mencken's classic analysis of American English
An orthopedic surgeon's controversial experiments and case studies involving his bioelectric theory show how the human body's need for electricity offers almost limitless possibilities for medical treatment
The perennial bestseller that you MUST READ in order to fully understand the interplay between electric energy and living organismsThe Body Electric tells the fascinating story of our bioelectric selves. Robert O. Becker, a pioneer in the field of regeneration and its relationship to electrical currents in living things, challenges the established mechanistic understanding of the body. He found clues to the healing process in the long-discarded theory that electricity is vital to life. But as exciting as Becker's discoveries are, pointing to the day when human limbs, spinal cords, and organs may be regenerated after they have been damaged, equally fascinating is the story of Becker's struggle to do such original work. The Body Electric explores new pathways in our understanding of evolution, acupuncture, psychic phenomena, and healing.
With a scene-setting historical introduction, this newly translated and illustrated edition of a classic work is an essential addition to any home library.Written in 1512, The Prince is the masterpiece by Florentine political philosopher, poet, and playwright Niccolò Machiavelli. Although Machiavelli’s book has been frequently misunderstood as a manual for unprincipled manipulators and tyrants, careful reading reveals that it actually identifies freedom as an essential characteristic of a good society. In fact, much of Machiavelli’s republican thought can be identified in the American constitution, and many of his ideas—such as the belief that life is subject to change and that the winners will be those flexible enough to adapt—remain as applicable today as they were half a millennium ago.
As a young Florentine envoy to the courts of France and the Italian principalities, Niccolò Machiavelli (1469–1527) was able to observe firsthand the lives of people strongly united under one powerful ruler. His fascination with that political rarity and his intense desire to see the Medici family assume a similar role in Italy provided the foundation for his "primer for princes." In this classic guide to acquiring and maintaining political power, Machiavelli used a rational approach to advise prospective rulers, developing logical arguments and alternatives for a number of potential problems, among them governing hereditary monarchies, dealing with colonies and the treatment of conquered peoples. Refreshing in its directness, yet often disturbing in its cold practicality, The Prince sets down a frighteningly pragmatic formula for political fortune. Starkly relevant to the political upheavals of the 20th century, this calculating prescription for power remains today, nearly 500 years after it was written, a timely and startling lesson in the practice of autocratic rule that continues to be much read and studied by students, scholars and general readers as well.
This controversial work is notable for influencing Charles Darwin and his theory of natural selection. With his Principle of Population, Malthus introduced the scientific community to the notion of overpopulation and predicted that population growth rates for human beings are unsustainable. As such, Malthus’s essay is one of the most influential scientific works of the eighteenth century.
Crowds and Power is a revolutionary work in which Elias Canetti finds a new way of looking at human history and psychology.Breathtaking in its range and erudition, it explores Shiite festivals and the English Civil war, the finger exercises of monkeys and the effects of inflation in Weimar Germany. In this study of the interplay of crowds, Canetti offers one of the most profound and startling portraits of the human condition.
The most complete edition of Sigmund Freud’s classic work on the psychology and significance of dreams.What are the most common dreams and why do we have them? What does a dream about death mean? What do dreams of swimming, failing, or flying symbolize?First published in 1899, Sigmund Freud's groundbreaking book The Interpretation of Dreams explores why we dream and why dreams matter in our psychological lives. Delving into theories of manifest and latent dream content; the special language of dreams; dreams as wish fulfillments; the significance of childhood experiences; and much more, Freud offers an incisive and enduringly relevant examination of dream psychology. Encompassing dozens of case histories and detailed analyses of actual dreams, this landmark work grants us unique insight into our sleeping experiences.Renowned for translating Freud's German writings into English, James Strachey―with the assistance of Freud's daughter Anna―first published this edition in 1953. Incorporating all textual alterations made by Freud over a period of thirty years, it remains the most complete translation of the work in print.
Surveys the violence done in the name of religion during the past nine centuries, from the Crusades to Khomeini's Iran
When you think of saints, you envision stained-glass pictures of piety. But the truth can be horribly different. Consider Saint Pius V: As Grand Inquisitor, he sent Catholic troops to kill 2,000 Waldensian Protestants in southern Italy. After becoming pope, he sent Catholic troops to kill Huguenot Protestants in France. Pius also launched the final crusade against Muslims, sending a Christian naval armada to slaughter thousands in the Battle of Lepanto in 1571. And, he intensified the Roman Inquisition, torturing and burning Catholics whose beliefs varied from official dogma. After his death, Pius was canonized a saint. Heaven help us.Holy Horrors chronicles the grim spectrum of religious persecution from ancient times to the present, including such historic massacres as the Crusades, the Islamic jihads, the Catholic wars against heretics, the Inquisition, witch hunts, the Reformation, and such atrocities as the Holocaust, the seemingly insoluble Catholic-Protestant schism in Northern Ireland, religious tribalism in Lebanon, and the barbaric cruelty of the theocracy in Iran. The antique woodcuts, paintings, prints, and contemporary photographs that illustrate the book are at once gruesome and riveting.
A total departure from previous writing about television, this book is the first ever to advocate that the medium is not reformable. Its problems are inherent in the technology itself and are so dangerous — to personal health and sanity, to the environment, and to democratic processes — that TV ought to be eliminated forever.Weaving personal experiences through meticulous research, the author ranges widely over aspects of television that have rarely been examined and never before joined together, allowing an entirely new, frightening image to emerge. The idea that all technologies are "neutral," benign instruments that can be used well or badly, is thrown open to profound doubt. Speaking of TV reform is, in the words of the author, "as absurd as speaking of the reform of a technology such as guns."
Dazzling and macabre, literary and philosophical, The Circus of Dr. Lao has been acclaimed as a masterpiece of speculative fiction and influenced such writers as Ray Bradbury.Abalone, Arizona, is a sleepy southwestern town whose chief concerns are boredom and surviving the Great Depression—that is, until the circus of Dr. Lao arrives and immensely and irrevocably changes the lives of everyone drawn to its tents.Expecting a sideshow spectacle, the citizens of Abalone instead confront and learn profound lessons from the mythical made real—a chimera, a Medusa, a talking sphinx, a sea serpent, witches, the Hound of the Hedges, a werewolf, a mermaid, an ancient god, and the elusive, ever-changing Dr. Lao himself. The circus unfolds, spinning magical, dark strands that ensnare the town’s populace: the sea serpent’s tale shatters love’s illusions; the fortune-teller’s shocking pronouncements toll the tedium and secret dread of every person’s life; sensual undercurrents pour forth for men and women alike; and the dead walk again.
Nathanael West was only thirty-seven when he died in 1940, but his depictions of the sometimes comic, sometimes horrifying aspects of the American scene rival those of William Faulkner and Flannery O'Connor. A Cool Million, written in 1934, is a satiric Horatio Alger story set in the midst of the Depression. The Dream Life of Balso Snell (1931) was described by one critic as "a fantasy about some rather scatological adventures of the hero in the innards of the Trojan horse."
The King in Yellow by Robert W. Chambers. With an Introduction by David Stuart Davies. I read it and reread it, and wept and laughed and trembled with horror which at all times assails me yet. With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers The King in Yellow is a classic masterpiece of weird fiction. This series of vaguely connected stories is linked by the presence of a monstrous and suppressed book which brings fright, madness and spectral tragedy to all those who read it. An air of futility and doom pervade these pages like a sweet insidious poison. Dare you read it? This collection has been called the most important book in American supernatural fiction between Poe and the moderns. H. P. Lovecraft, creator of the famed Cthulu mythos, whose own fiction was greatly influenced by this book stated that The King in Yellow achieves notable heights of cosmic fear.
The most beautiful and powerful people in the world had bargained with the Devil. They play Russian Roulette with seven footprints to world domination--and lost. They had become subject to the Collector of Infernal Revenue--Satan. The Master Player of games would glut his lust with souls and gain world power through diabolical manipulations. But into his collection comes James Kirkham, an American explorer determined to prove that the steps are stacked.
This title comes from the award-winning translators of "Crime and Punishment", Richard Pevear and Larissa Volokhonsky. The apology and confession of a minor mid-19th-century Russian official, "Notes from Underground" is a half-desperate, half-mocking political critique and a powerful, at times absurdly comical, account of man's breakaway from society and descent 'underground'.
In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.
This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
H. G. Wells' terrifying classic tale of science run amok Edward Prendick is shipwrecked and finds himself stranded on an island in the Pacific. Here he meets the sinister Dr. Moreau, a vivisectionist driven out of Britain in disgrace. Strange events soon cause Prendick to uncover the full horror of Dr Moreau's activities on the island. This science fiction classic mixes discussion on the divide between humans and the animal kingdom and chilling macabre horror in an unrivaled fashion. Its questions about how far science should go will ring as true today as they did when it was first published in 1896.
Shipwrecked, Edward Prendick is rescued by a passing boat bound for the island of Doctor Moreau. After a fight with the vessel’s captain, Prendick is forced to go ashore on the island, where his curiosity compels him to seek the truth about Doctor Moreau’s gruesome experiments. This gripping science fiction novel by H. G. Wells explores themes of cruelty, morality, and man’s abuse of nature.
Accompanied by Edward's Gorey's masterful, timelessly haunting illustrations, H. G. Wells's classic story of alien invasion.When massive, intelligent aliens from Mars touch down in Victorian England and threaten to destroy the civilized world, humanity's vaunted knowledge proves to be of little use. First published in 1898, H. G. Wells's masterpiece of speculative fiction has thrilled and delighted generations of readers, spawned countless imitations, and inspired dramatizations by such masters as Orson Welles and Steven Spielberg. The War of the Worlds is a fantasy that is both startlingly up-to-date and in touch with the most ancient of human fears.In 1960, Edward Gorey prepared a set of his inimitable pen-and-ink drawings to illustrate a new edition of Wells's The War of the Worlds for the legendary Looking Glass Library. Characteristically quirky, elegant, and entrancing, Gorey's visual take on Wells's seminal tour de force has been unavailable for close to fifty years. This special hardcover edition from NYRB Classics brings back for today's readers a richly rewarding collaboration between two modern masters of all that's wonderful and strange.
The War of the Worlds (1898) is a science fiction novel by H. G. Wells about martians invading the English country side.
One of the funniest, cruelest & most savagely revealing books about American life ever written, The Magic Christian has been called Terry Southern's masterpiece. Guy Grand is an eccentric billionaire — the last of the big spenders — determined to create disorder in the material world & willing to spare no expense to do it. Leading a life full of practical jokes & madcap schemes, his ultimate goal is to prove his theory that there is nothing so degrading or so distasteful that someone won't do it for money. In Guy Grand's world, everyone has a price, & he is all too willing to pay it. A satire of America's obsession with bigness, toughness, money, TV, guns & sex, The Magic Christian is a hilarious & wickedly original novel from a true comic genius.
One of the funniest, cruelest, and most savagely revealing books about American life ever written, The Magic Christian has been called Terry Southern's masterpiece. Guy Grand is an eccentric billionaire the last of the big spenders determined to create disorder in the material world and willing to spare no expense to do it. Leading a life full of practical jokes and madcap schemes, his ultimate goal is to prove his theory that there is nothing so degrading or so distasteful that someone won't do it for money. In Guy Grand's world, everyone has a price, and he is all too willing to pay it. A satire of America's obsession with bigness, toughness, money, TV, guns, and sex, The Magic Christian is a hilarious and wickedly original novel from a true comic genius.
Originally published in 1870, Verne’s amazing undersea adventure is one of the earliest science fiction novels ever written. Since that time, generations of readers have plunged below the ocean’s waves with Captain Nemo and his first-ever submarine, The Nautilus. It’s a voyage of exploration and the imagination.
This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare's finesse to Oscar Wilde's wit, this unique collection brings together works as diverse and influential as The Pilgrim's Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
Bawdy and aging Broadway star Sally Ross and her tough secretary, Belle, who cling together against the realities of lost loves and life passing, enter a world of bizarre terror when a persistent fan's letters turn perverse, obscene... and menacing.
When first published, The Picture of Dorian Gray was regarded as dangerously modern in its portrayal of fashionable fin de siecle decadence. In Wilde's updated version of the Faust story, the tempter is Lord Henry Wotton, who lives selfishly for amoral pleasure; Dorian's good angel or conscience is the portrait painter Basil Hallward. The book highlights the tension between the polished surface of high society and secret life of vice led by many of its members. The world's greatest works of literature are now avaialble in these beautiful keepsake volumes. Bound in real cloth, and featuring gilt edges and ribbon markers, these beautifully produced books are a wonderful way to build a handsome library of classic literature. These are the essential novels that belong in every home. They'll transport readers to imaginary worlds and provide excitement, entertainment, and enlightenment for years to come. All of these novels feature attractive illustrations and have an unequalled period feel that will grace the library, the bedside table or bureau.
In this celebrated work, his only novel, Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.
This is a beautifully designed, 6"x9" large edition of Emily Bront's classic WUTHERING HEIGHTS.
Now a major motion picture from Academy Award–winning director Guillermo del Toro and starring Bradley Cooper, Cate Blanchett, Rooney Mara, and Toni ColletteNominated for 4 Oscars, including Best PictureNightmare Alley begins with an extraordinary description of a carnival-show geek—alcoholic and abject and the object of the voyeuristic crowd’s gleeful disgust and derision—going about his work at a county fair. Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.
W. Somerset Maugham led many lives, including that of a doctor in London's slums, a successful playwright and novelist, an agent for British Intelligence during World War I, and a world traveler. In 1917, he took the first of many voyages to the Pacific Islands and the Far East, where his keen sense of observation found inspiration for some of his finest writing.Rain and Other South Sea Stories features one of Maugham's most famous tales, concerning the clash between a missionary and a prostitute. "Rain" was adapted for the stage and filmed on three separate occasions, its leading character portrayed by Gloria Swanson, Joan Crawford, and Rita Hayworth. This collection also includes "Macintosh," a psychological study of the competition between two officials; "The Fall of Edward Barnard," a tale of social rebellion that foreshadows The Razor's Edge; "The Pool," a portrait of a marriage between people from different cultures; and other compelling stories of life in the tropics.
2nd variant. Dust jacket price clipped. Dust jacket has 2" closed tear at base of the spine. Bound in black hardcover decorated and stamped in silver.
Filled with keen observations, autobiographical notes, and the seeds of many of Maugham's greatest works, A Writer's Notebook is a unique and exhilarating look into a great writer's mind at work. From nearly five decades, Somerset Maugham recorded an intimate journal. In it we see the budding of his incomparable vision and his remarkable career as a writer. Covering the years from his time as a youthful medical student in London to a seasoned world traveler around the world, it is playful, sharp witted, and always revealing. Undoubtedly one of his most significant works, A Writer's Notebook is a must for Maugham fans and anyone interested in the creative process.
This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
She was mysterious and beautiful in her various guises as a sultry blond, prim brunette, dazzling redhead, or gracefully aging matron, but wherever she went, a perfectly ordinary man would die a violent, painful death, in a chilling novel that inspired the 1968 noir film. Reprint.
When Frank Townsend returns home to recover from three years of amnesia, he finds himself accused of murder and fights to prove his innocence
Shirley Jackson's beloved gothic tale of a peculiar girl named Merricat and her family's dark secretTaking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate. This edition features a new introduction by Jonathan Lethem.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Few American novels written this century have endured in th heart and mind as has this one-Ray Bradbury's incomparable masterwork of the dark fantastic. A carnival rolls in sometime after the midnight hour on a chill Midwestern October eve, ushering in Halloween a week before its time. A calliope's shrill siren song beckons to all with a seductive promise of dreams and youth regained. In this season of dying, Cooger & Dark's Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery. And two inquisitive boys standing precariously on the brink of adulthood will soon discover the secret of the satanic raree-show's smoke, mazes, and mirrors, as they learn all too well the heavy cost of wishes -- and the stuff of nightmare.
When the carnival comes to town, two boys unearth the terrifying and horrible secrets that lurk within Cooger & Dark's Pandemonium Shadow Show and learn the consequences of wishes, as a sinister and evil force is at work in Green Town, Illinois. Reprint.
Presents the complete transcript of a tape in which the inimitable count presents his side of the story about a series of ghastly incidents which occurred during his visit to England in 1891
H.P. Lovecraft's favorite horror stories, those that inspired and awed him!In 1929-30, H.P. Lovecraft made some lists of both literary and popular stories "having the greatest amount of truly cosmic horror and macabre convincingness." These lists of his favorite weird tales make for a truly landmark Lovecraftian anthology. We present Lovecraft's own favorites horrorstories, including some well-known classics, alongside of a number of excellent rare tales by forgotten authors. Many of these stories are classics, inspiring several generations since of the world's best horror authors. Contributors include Edgar Allan Poe, Ambrose Bierce, Arthur Machen, Robert W. Chambers, M. R. James, Algernon Blackwood, M. P. Shiel, A. Merritt, Walter de la Mare, Paul Suter, M. L. Humphreys, H.F. Arnold, Everil Worrell, Arthur J. Burks, and John Martin Leahy. This is the anthology of favorite weird tales that Lovecraft himself hoped to compile!"To understand why Lovecraft regarded these stories as the touchstone for greatness in the literature of supernatural horror is to understand the significance of the genre itself. The classic works included in this collection, along with Lovecraft's own best tales, both justify and represent the essence of this form of human expression." – Thomas Ligotti
WIKIPEDIA says: 'H.P. Lovecraft's reputation has grown tremendously over the decades, and he is now commonly regarded as one of the most important horror writers of the 20th century, exerting an influence that is widespread, though often indirect.'H.P. Lovecraft's tales of the tentacled Elder God Cthulhu and his pantheon of alien deities were initially written for the pulp magazines of the 1920s and '30s. These astonishing tales blend elements of horror, science fiction and cosmic terror that are as powerful today as they were when they were first published.This handsome leatherbound tome collects together the very best of Lovecraft's tales of terror, including the complete Cthulhu Mythos cycle, just the way they were originally published. It will introduce a whole new generation of readers to Lovecraft's fiction, as well as being a must-buy for those fans who want all his work in a single, definitive, highly attractive volume.
WIKIPEDIA says: 'H.P. Lovecraft's reputation has grown tremendously over the decades, and he is now commonly regarded as one of the most important horror writers of the 20th century, exerting an influence that is widespread, though often indirect.'H.P. Lovecraft's tales of the tentacled Elder God Cthulhu and his pantheon of alien deities were initially written for the pulp magazines of the 1920s and '30s. These astonishing tales blend elements of horror, science fiction and cosmic terror that are as powerful today as they were when they were first published.This handsome tome collects together the very best of Lovecraft's tales of terror, including the complete Cthulhu Mythos cycle, just the way they were originally published. It will introduce a whole new generation of readers to Lovecraft's fiction, as well as being a must-buy for those fans who want all his work in a single, definitive, highly attractive volume.
Here are Robert E. Howard’s greatest horror tales, all in their original, definitive versions.Some of Howard’s best-known characters—Solomon Kane, Bran Mak Morn, and sailor Steve Costigan among them—roam the forbidding locales of the author’s fevered imagination, from the swamps and bayous of the Deep South to the fiend-haunted woods outside Paris to remote jungles in Africa.The collection includes Howard’s masterpiece “Pigeons from Hell,”which Stephen King calls “one of the finest horror stories of [the twentieth] century,” a tale of two travelers who stumble upon the ruins of a Southern plantation–and into the maw of its fatal secret. In “Black Canaan” even the best warrior has little chance of taking down the evil voodoo man with unholy powers–and none at all against his wily mistress, the diabolical High Priestess of Damballah. In these and other lavishly illustrated classics, such as the revenge nightmare “Worms of the Earth” and“The Cairn on the Headland,”Howard spins tales of unrelenting terror, the legacy of one of the world’s great masters of the macabre.
Selected carefully by well-respected editor Robert Weinberg and with an introduction by award-winning author Gene Wolfe, The Return of the Sorcerer: The Best of Clark Ashton Smith offers both readers and scholars a definitive collection of short fiction and short novels, by an overlooked master of fantasy, horror and science-fiction.
Venture at your own risk into a realm where the sun sinks into oblivion–and all that is unholy, unearthly, and unspeakable rises. These rare, hard-to-find collaborations of cosmic terror are back in print, including• Wentworth’s Day A fellow figures his debt to a dead man is null and void, until he discovers just how terrifying interest rates can be.• The Shuttered Room A sophisticated gentleman must settle his grandfather’s estate, only to find that the house shelters dark secrets.• The Dark Brotherhood A beautiful woman and her companion meet the likes of Edgar Allan Poe, in a tale as terrifying as anything Poe himself ever created.• Innsmouth Clay A sculptor returns from Paris to create a statue not entirely of this world–and not at all under his control.• Witches’ Hollow A new schoolteacher puts his soul in peril while trying to save one of his students from a ravenous creature.
A masterpiece of spellbinding suspense, where evil wears the most innocent face of all... Rosemary Woodhouse and her struggling actor husband Guy move into the Bramford, an old New York City apartment building with an ominous reputation and mostly elderly residents. Neighbors Roman and Minnie Castavet soon come nosing around to welcome the Woodhouses to the building, and despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband takes a special shine to them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castavets' circle is not what it seems...