Part travelogue, part culinary history, all capitalist critique--comedian Jamie Loftus's debut, Raw Dog, will take you on a cross-country road trip in the summer of 2021, and reveal what the creation, culture, and class influence of hot dogs says about America now. "Wise and funny" --ANDY RICHTER * "Gonzo yet vulnerable" --GABE DUNN * "Hot dog Moby-Dick" --BRANSON REESE * "Revealing, funny, sad, horny, and insatiably curious" --SARAH MARSHALL * "A wild ride" --ROBERT EVANS * "Deeply incisive and hilariously honest" --JACK O'BRIEN Hot dogs. Poor people created them. Rich people found a way to charge fifteen dollars for them. They're high culture, they're low culture, they're sports food, they're kids' food, they're hangover food, and they're deeply American, despite having no basis whatsoever in America's Indigenous traditions. You can love them, you can hate them, but you can't avoid the great American hot dog. Raw Dog: The Naked Truth About Hot Dogs is part investigation into the cultural and culinary significance of hot dogs and part travelog documenting a cross-country road trip researching them as they're served today. From avocado and spice in the West to ass-shattering chili in the East to an entire salad on a slice of meat in Chicago, Loftus, her pets, and her ex eat their way across the country during the strange summer of 2021. It's a brief window into the year between waves of a plague that the American government has the resources to temper, but not the interest. So grab a dog, lay out your picnic blanket, and dig into the delicious and inevitable product of centuries of violence, poverty, and ambition, now rolling around at your local 7-Eleven. The hardcover edition of Raw Dog: The Naked Truth About Hot Dogs includes gorgeous endpapers, an illustrated case, as well as illustrations by the author throughout. "One of the freshest and most insightful new comedic voices of this decade." --LINDSAY ELLIS

From the brilliantly talented National Poetry Series and James Laughlin Award winner comes a third collection of poems that uses the humble pig as a lens to explore the body, faith, desire, and power. This imaginative and singular poetry collection interrogates the broadest ideas surrounding the humble pig--farm animal, men/masculinity, police and state violence, desire, queerness, global food systems, religion/Judaism and law--to reimagine various chaotic histories of the body, faith, ecology, desire, hygiene, and power. Sam Sax draws on autobiography and history to create poems that explore topics ranging from drag queens and Miss Piggy to pig farming and hog lagoons. Collectively, these poems, borne of Sax's obsession, offer a varied picture of what it means to be a human being. Delivered in a variety of forms, infused with humor, grace, sadness, and anger, Pig is a wholly unique collection from a virtuosic and original poet.

INSTANT NEW YORK TIMES BESTSELLER • USA Today Bestseller • Washington Post’s The Twelve Best Thrillers of the Year • TIME’s 100 Must Read Books of the Year • Goodreads Choice Award Nominee • USA Today’s Best Reviewed Books of the Year • BookPage's Best Mystery of the Year • Publishers Weekly’s Best Books of the Year • New York Times Book Review Editors’ Choice • Cover of the New York Times Book Review • Barack Obama’s Summer Reading List • The Financial Times’s Best Crime Books of the Year • ALA Andrew Carnegie Medal for Excellence in Fiction Longlist • SIBA’s 2024 Southern Book Prize Finalist • Starred Publishers Weekly • Starred Library Journal • Starred BookPage • Starred Booklist“Fresh and exhilarating. . . Cosby keeps his eye on the story and the pedal to the metal.” ―Stephen King, TheNew York Times Book ReviewA Black sheriff. A serial killer. A small town ready to combust.The new novel from New York Times bestselling and Los Angeles Times Book Prize-winning author S. A. Cosby, "one of the most muscular, distinctive, grab-you-by-both-ears voices in American crime fiction.” ―Washington Post.“An atmospheric pressure cooker.” ―PeopleTitus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, quiet Charon has had only two murders. But after years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface.Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. As Titus investigates the shootings, he unearths terrible crimes and a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon.With the killer’s possible connections to a local church and the town’s harrowing history weighing on him, Titus projects confidence about closing the case while concealing a painful secret from his own past. At the same time, he also has to contend with a far-right group that wants to hold a parade in celebration of the town’s Confederate history.Charon is Titus’s home and his heart. But where faith and violence meet, there will be a reckoning.Powerful and unforgettable, All the Sinners Bleed confirms S. A. Cosby as “one of the most muscular, distinctive, grab-you-by-both-ears voices in American crime fiction” (The Washington Post).

A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A NEW YORKER ESSENTIAL READ • From “one of the most acute and lasting writers of her generation” (The New York Times)—a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things—seen and unseen.A Best Book of the Year: The New Yorker, NPR, Vulture, Lit Hub“Who else but Lorrie Moore could make, in razor-sharp irresistible prose, a ghost story about death buoyant with life?” —PEOPLE“Is it an allegory? Is it real? It doesn’t matter...[It’s] a novel with big questions, no answers, and it’s absolutely brilliant.” —Lit Hub“[A] triumph of tone and, ultimately, of the imagination.” —The GuardianLorrie Moore’s first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heartA teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all...With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true.I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.

National Book Critics Circle Award WinnerA New York Times Notable BookA Read with Jenna Today Show Book Club Pick!A Best Book of 2023 by the New York Times, Time, The Washington Post, Vulture, Shelf Awareness, Goodreads, Esquire, The Atlantic, NPR, and Barack ObamaWith echoes of Educated and Born a Crime, How to Say Babylon is the stunning story of the author’s struggle to break free of her rigid Rastafarian upbringing, ruled by her father’s strict patriarchal views and repressive control of her childhood, to find her own voice as a woman and poet.Throughout her childhood, Safiya Sinclair’s father, a volatile reggae musician and militant adherent to a strict sect of Rastafari, became obsessed with her purity, in particular, with the threat of what Rastas call Babylon, the immoral and corrupting influences of the Western world outside their home. He worried that womanhood would make Safiya and her sisters morally weak and impure, and believed a woman’s highest virtue was her obedience.In an effort to keep Babylon outside the gate, he forbade almost everything. In place of pants, the women in her family were made to wear long skirts and dresses to cover their arms and legs, head wraps to cover their hair, no make-up, no jewelry, no opinions, no friends. Safiya’s mother, while loyal to her father, nonetheless gave Safiya and her siblings the gift of books, including poetry, to which Safiya latched on for dear life. And as Safiya watched her mother struggle voicelessly for years under housework and the rigidity of her father’s beliefs, she increasingly used her education as a sharp tool with which to find her voice and break free. Inevitably, with her rebellion comes clashes with her father, whose rage and paranoia explodes in increasing violence. As Safiya’s voice grows, lyrically and poetically, a collision course is set between them.How to Say Babylon is Sinclair’s reckoning with the culture that initially nourished but ultimately sought to silence her; it is her reckoning with patriarchy and tradition, and the legacy of colonialism in Jamaica. Rich in lyricism and language only a poet could evoke, How to Say Babylon is both a universal story of a woman finding her own power and a unique glimpse into a rarefied world we may know how to name, Rastafari, but one we know little about.

Named One of the Year's Best Books by VULTURE • THE NEW REPUBLIC • DAZED • WIRED • BLOOMBERG • ESQUIRE • SALON • THE NEXT BIG IDEA CLUB\\nThe history of Silicon Valley, from railroads to microchips, is an “extraordinary” story of disruption and destruction, told for the first time in this comprehensive, jaw-dropping narrative (Greg Grandin, Pulitzer Prize-winning author of The End of the Myth).\nPalo Alto’s weather is temperate, its people are educated and enterprising, its corporations are spiritually and materially ambitious and demonstrably world-changing. Palo Alto is also a haunted toxic waste dump built on stolen Indian burial grounds, and an integral part of the capitalist world system.\\nIn PALO ALTO, the first comprehensive, global history of Silicon Valley, Malcolm Harris examines how and why Northern California evolved in the particular, consequential way it did, tracing the ideologies, technologies, and policies that have been engineered there over the course of 150 years of Anglo settler colonialism, from IQ tests to the "tragedy of the commons," racial genetics, and "broken windows" theory. The Internet and computers, too. It's a story about how a small American suburb became a powerful engine for economic growth and war, and how it came to lead the world into a surprisingly disastrous 21st century. PALO ALTO is an urgent and visionary history of the way we live now, one that ends with a clear-eyed, radical proposition for how we might begin to change course.

Named one of the Ten Best Books of 2023 by Time (#1), Vulture, and Publishers Weekly, and one of the Best Books of 2023 by The New York Times, the New Yorker, NPR, the Los Angeles Times, Vanity Fair, Esquire, the Chicago Tribune, Kirkus, Lit Hub, and Amazon.National Bestseller. Winner of the 2024 Lambda Literary Award for Lesbian Fiction and the 2023 Brooklyn Library Prize, a finalist for the Dylan Thomas Prize, and longlisted for the PEN/Faulkner Award and the Mark Twain American Voice in Literature Award. A New York Times Book Review Editors’ Choice.“A major novel, and a notably audacious one.” ―Dwight Garner, The New York TimesFrom one of our fiercest stylists, a roaring epic chronicling the life, times, and secrets of a notorious artist.When X―an iconoclastic artist, writer, and polarizing shape-shifter―falls dead in her office, her widow, CM, wild with grief and refusing everyone’s good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM knows where X was born, and in her quest to find out, she opens a Pandora’s box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, and which finally, in the present day, is being forced into an uneasy reunification.A masterfully constructed literary adventure complete with original images assembled by X’s widow, Biography of X follows CM as she traces X’s peripatetic trajectory over decades, from Europe to the ruins of America’s divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. At last, when she finally understands the scope of X’s defining artistic project, CM realizes her wife’s deceptions were far crueler than she imagined.Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

A kaleidoscopic account of the crack cocaine era and a community's ultimate resilience, told through a cast of characters whose lives illuminate the dramatic rise and fall of the epidemic   "A poignant and compelling re-examination of a tragic era in America history . . . insightful . . . and deeply moving."--Bryan Stevenson, author of #1 New York Times bestseller Just Mercy The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality.   When Crack Was King follows four individuals to give us a startling portrait of crack's destruction and devastating legacy: Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a "crack house"; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers.   Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve.

“Isabella Hammad is a master of subtle nuance.” ― New York Times\nAfter years away from her family’s homeland, and reeling from a disastrous love affair, actress Sonia Nasir returns to Haifa to visit her older sister Haneen. This is her first trip back since the second intifada and the deaths of their grandparents: while Haneen made a life here commuting to Tel Aviv to teach at the university, Sonia remained in London to focus on her acting career and now dissolute marriage. On her return, she finds her relationship to Palestine is fragile, both bone-deep and new.\nAt Haneen’s, Sonia meets the charismatic and candid Mariam, a local director, and finds herself roped into a production of Hamlet in the West Bank. Sonia is soon rehearsing Gertude’s lines in Classical Arabic and spending more time in Ramallah than Haifa, along with a dedicated group of men from all over historic Palestine who, in spite of competing egos and priorities, each want to bring Shakespeare to that side of the wall. As opening night draws closer it becomes clear just how many violent obstacles stand before a troupe of Palestinian actors. Amidst it all, the life Sonia once knew starts to give way to the daunting, exhilarating possibility of finding a new self in her ancestral home.\nA stunning rendering of present-day Palestine, Enter Ghost is a story of diaspora, displacement, and the connection to be found in family and shared resistance. Timely, thoughtful, and passionate, Isabella Hammad’s highly anticipated second novel is an exquisite feat, an unforgettable story of artistry under occupation.

A finalist for the 2023 National Book Critics Circle AwardWinner of the Women's Prize for NonfictionNEW YORK TIMES BESTSELLER | National Indie BestsellerA New York Times notable book of 2023 | Vulture’s #1 book of 2023One of Slate’s ten best books of 2023 | A Guardian best ideas book of 2023 | One of Time’s ten best books of 2023 | Winner of the Pacific Northwest Book Award“I’ve been raving about Naomi Klein’s Doppelganger . . . I can’t think of another text that better captures the berserk period we’re living through.” ―Michelle Goldberg, The New York Times“If I had to name a single book that makes sense of these last few dark years, it would be this one.” ―Katie Roiphe, The New York Times Book Review (Editors’ Choice)What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against?Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience―she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo?Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror.Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger asks: What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now―and an intellectual adventure story for our times.

An “extraordinary, ambitious” (The Times UK) novel that masterfully explores what constitutes a meaningful life in a violent world—from the award-winning author of Open City\\nNew York Times Book Review Editors’ Choice • “Cole’s mind is so agile that it’s easy to follow him anywhere.”—The New Yorker\\nA PUBLISHERS WEEKLY BEST BOOK OF THE YEAR\\nLife is hopeless but it is not serious. We have to have danced while we could and, later, to have danced again in the telling.\\nA weekend spent antiquing is shadowed by the colonial atrocities that occurred on that land. A walk at dusk is interrupted by casual racism. A loving marriage is riven by mysterious tensions. And a remarkable cascade of voices speaks out from a pulsing metropolis.\\nWe’re invited to experience these events and others through the eyes and ears of Tunde, a West African man working as a teacher of photography on a renowned New England campus. He is a reader, a listener, a traveler, drawn to many different kinds of stories: stories from history and epic; stories of friends, family, and strangers; stories found in books and films. Together these stories make up his days. In aggregate these days comprise a life.\\nTremor is a startling work of realism and invention that engages brilliantly with literature, music, race, and history as it examines the passage of time and how we mark it. It is a reckoning with human survival amidst “history’s own brutality, which refuses symmetries and seldom consoles,” but it is also a testament to the possibility of joy. As he did in his magnificent debut Open City, Teju Cole once again offers narration with all its senses alert, a surprising and deeply essential work from a beacon of contemporary literature.

From the acclaimed author of The Atmospherians--"a Fight Club for the Millennial Generation" (Mat Johnson)--a gender-bending, body-switching novel that explores marriage, identity, and sex, and raises profound questions about the nature of true partnership. When Eli leaves the cramped Bulgarian apartment he shares with Elizabeth, his more organized and successful wife, he discovers that he now inhabits her body. Not only have he and his wife traded bodies but Elizabeth, living as Eli, has disappeared without a trace. What follows is Eli's search across Europe to America for his missing wife--and a roving, no-holds-barred exploration of gender and embodied experience.  As Eli comes closer to finding Elizabeth--while learning to exist in her body--he begins to wonder what effect this metamorphosis will have on their relationship and how long he can maintain the illusion of living as someone he isn't. Will their new marriage wither completely in each other's bodies? Or is this transformation the very thing Eli and Elizabeth need for their marriage to thrive?  A rich, rewarding exploration of ambition and sacrifice, desire and loss, People Collide is a portrait of shared lives that shines a refreshing light on everything we thought we knew about love, sexuality, and the truth of who we are.

Finalist for the Story Prize and the Los Angeles Times Book Prize for FictionNamed a Best Book of the Year by Los Angeles Times, Vulture, Esquire, NPR, and Kirkus ReviewsA new collection―about loss, alienation, aging, and the strangeness of contemporary life―by the award-winning, and inimitable, author of The Book of Goose.A grieving mother makes a spreadsheet of everyone she’s lost. Elsewhere, a professor develops a troubled intimacy with her hairdresser. And every year, a restless woman receives an email from a strange man twice her age and several states away. In the stories of Wednesday’s Child, people strive for an ordinary existence until doing so becomes unsustainable, until the surface cracks and the grand mysterious forces―death, violence, estrangement―come to light. Even before such moments, everyday life is laden with meaning, studded with indelible details: a filched jar of honey, a mound of wounded ants, a photograph kept hidden for many years, until it must be seen.Yiyun Li is a truly original writer, an alchemist of opposites: tender and unsentimental, metaphysical and blunt, funny and horrifying, omniscient and unusually aware of just how much we cannot know. Beloved for her novels and her memoir, she returns here to her earliest form, gathering pieces that have appeared in The New Yorker, Zoetrope, and other publications. Taken together, these stories, written over the span of a decade, articulate the cost, both material and emotional, of living―exile, assimilation, loss, love―with Li’s trademark unnerving beauty and wisdom.

A formally ambitious and intensely felt new volume from the author of 10:04 and The Topeka School. The Lights is a constellation of verse and prose, voice mails and vignettes, songs and felt silences, that brings the personal and the collective into startling relation. Sometimes the scale is intimate, quiet, and sometimes the poems are sweeping, Orphic experiments in the animation of our common world. Written over a span of fifteen years, The Lights registers the pleasures, risks, and absurdities of making art and family and meaning against a backdrop of interlocking, accelerating crises, but for all their insight and critique, Lerner's poems ultimately communicate--in their unpredictability, in their intensities--the promise of mysterious sources of lift and illumination.

“Why run from a haunted house when you can stay and ignore the ghosts? Just when you thought you'd seen everything a haunted house novel could do, The September House comes along and delivers an eerie, darkly funny, and emotionally grounded book about the ghosts that haunt houses and marriages."– Grady Hendrix, New York Times bestselling author of How to Sell a Haunted HouseA woman is determined to stay in her dream home even after it becomes a haunted nightmare in this compulsively readable, twisty, and layered debut novel.When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee.Margaret is not most people.Margaret is staying. It’s her house. But after four years Hal can’t take it anymore, and he leaves abruptly. Now, he’s not returning calls, and their daughter Katherine—who knows nothing about the hauntings—arrives, intent on looking for her missing father. To make things worse, September has just begun, and with every attempt Margaret and Katherine make at finding Hal, the hauntings grow more harrowing, because there are some secrets the house needs to keep.

From the author of the acclaimed novel Temporary, an intimate exploration of time, a fable about love, an epic daydream for a broken-hearted world Annie, Edward, and their young daughter, Rose, live in a cramped apartment. One night, without warning, they find a beautiful terrace hidden in their closet. It wasn't there before, and it seems to only appear when their friend Stephanie visits. A city dweller's dream come true! But every extra bit of space has a hidden cost, and the terrace sets off a seismic chain of events, forever changing the shape of their tiny home, and the shape of the world. Terrace Story follows the characters who suffer these repercussions and reverberations: the little family of three, their future now deeply uncertain, and those who orbit their fragile universe. The distance and love between these characters expands limitlessly, across generations. How far can the mind travel when it's looking for something that is gone? Where do we put our loneliness, longing, and desire? What do we do with the emotions that seem to stretch beyond the body, beyond the boundaries of life and death? Based on the National Magazine Award-winning story, Hilary Leichter's profound second novel asks how we nurture love when death looms over every moment. From one of our most innovative and daring writers, Terrace Story is an astounding meditation on loss, a reverie about extinction, and a map for where to go next.

An enthralling and original first novel about exile, diaspora, and the impossibility of Black refuge in America and beyond.\\nIn the morning, I received a phone call and was told to board a flight. The arrangements had been made on my behalf. I packed no clothes, because my clothes had been packed for me. A car arrived to pick me up.\\nA man returns home to sub-Saharan Africa after twenty-six years in America. When he arrives, he finds that he doesn’t recognize the country or anyone in it. Thankfully, someone recognizes him, a man who calls him brother―setting him on a quest to find his real brother, who is dying.\\nIn Hangman, Maya Binyam tells the story of that search, and of the phantoms, guides, tricksters, bureaucrats, debtors, taxi drivers, relatives, and riddles that will lead to the truth.\\nThis is an uncommonly assured debut: an existential journey; a tragic farce; a slapstick tragedy; and a strange, and strangely honest, story of one man’s stubborn quest to find refuge―in this world and in the world that lies beyond it.

Diane Williams, "godmother of flash fiction" (The Paris Review), returns with 33 short, brilliant stories. In Williams' stories, life is newly alive and dangerous; whether she is writing about an affair, a request for money, an afternoon in a garden, or the simple act of carrying a cake from one room to the next, she offers us beautiful and unsettling new ways of seeing everyday life. In perfectly honed sentences, with a sly and occasionally wild wit, Williams shows us how any moment of any day can open onto disappointment, pleasure, and possibility.

A USA TODAY BESTSELLER • A Best Book of 2023(Vulture) • A Best Horror Book of All Time (Cosmopolitan) • A Best Horror Book of 2023 (Esquire) • An Indie Next Pick • A LibraryReads Hall of Fame Pick!The author of The Last House on Needless Street, Catriona Ward, delivers a masterful story about friendship and betrayal, dark obsessions, and the impossibility of escaping your own story. "Here's your next obsession." (Kelly Link, author of Get In Trouble)In a cottage overlooking the windswept Maine coast, Wilder Harlow has begun the last book he will ever write.It is the story about the sun-drenched summer days of his youth in Whistler Bay, and the blood-stained path of the killer that stalked his small vacation town. About the terrible secret he and his companions, Nat and Harper, discovered entombed in the coves off the bay. And how the pact they swore that day echoed down the decades, forever shaping their lives.But the more Wilder writes, the less he trusts himself and his memory. He starts to see things that can’t be real – notes hidden in the cabin, from an old friend now dead; a woman with dark hair drowning in the icy waters below, calling for help; entire chapters he doesn’t recall typing, appearing overnight. Who, or what, is haunting Wilder?No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does.“An origami puzzle of a book, the mystery so beautifully crafted you don’t see the folds, with edges sharp as a paper cut.”―Lauren Beukes, author of The Shining Girls

From beloved internet icon Chuck Tingle, Camp Damascus is a searing and earnest horror debut about the demons the queer community faces in America, the price of keeping secrets, and finding the courage to burn it all down. They'll scare you straight to hell. Welcome to Neverton, Montana: home to a God-fearing community with a heart of gold. Nestled high up in the mountains is Camp Damascus, the self-proclaimed "most effective" gay conversion camp in the country. Here, a life free from sin awaits. But the secret behind that success is anything but holy.

A celestial overseer observes--and is continually confounded by--a young woman's path into adulthood in this uncanny and darkly humorous novel, unpublished until now and accompanied by a selection of the author's stories. Susan Taubes's novella "Lament for Julia" is the story of a young woman coming of age in the twentieth century as seen through the eyes of a sexless spirit who supposes himself to be charged with her oversight. What is this spirit? An operator from on high (though hardly holy), a narrative I, and a guiding presence that is more than a bit of a voyeur, who remains entirely unknown to Julia herself. About her, the spirit knows both a good deal and very little, since Julia's emotional and physical and sexual being are all baffling, if also fascinating, to an entity that is pure mind. The I and Julia are a mismatched couple, set up for failure from the start, it seems, even if they do somehow manage to deal in their different ways with childhood and Mother and Father Klopps and ugly pink outfits and dances and crushes for a while. After which come love and marriage, not necessarily in that order, at which point things really start to go wrong. Unpublished during Taubes's lifetime, "Lament for Julia" appears here with a selection of her stories. A brilliant metaphorical exploration of a woman's double consciousness that is also a masterpiece of the grotesque, it is a novel like no other, a book, as Samuel Beckett wrote to his French publisher, "full of erotic touches of an emphatic sort [and] raw language," the product of an "authentic talent," adding, "I shall reread it."

A new novel from the Booker Prize finalist Deborah Levy, the celebrated author of The Man Who Saw Everything and The Cost of Living.\\nAt the height of her career, the piano virtuoso Elsa M. Anderson―former child prodigy, now in her thirties―walks off the stage in Vienna, midperformance.\\nNow she is in Athens, watching an uncannily familiar woman purchase a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history.\\nSo begins her journey across Europe, shadowed by the elusive woman who seems to be her double. A dazzling portrait of melancholy and metamorphosis, Deborah Levy’s August Blue uncovers the ways in which we attempt to revise our oldest stories and make ourselves anew.

A NEW YORK TIMES TOP TEN BOOK OF THE YEAR • FINALIST FOR THE NATIONAL BOOK AWARD IN FICTION • A READ WITH JENNA BOOK CLUB PICK • NATIONAL BESTSELLER • Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America’s own in this explosive, hotly-anticipated debut novel from the New York Times bestselling author of Friday Black • LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE“This book is so good. Brutal subject matter, beautiful writing. This one is from the heart.” —Stephen KingA Best Book of the Year: The New York Times, The Washington Post, NPR, Elle, Esquire, Chicago Tribune, Lit Hub, Kirkus Reviews“Like Orwell’s 1984 and Atwood’s The Handmaid’s Tale, Adjei-Brenyah’s book presents a dystopian vision so…illuminating that it should permanently shift our understanding of who we are and what we’re capable of doing.” —The Washington PostShe felt their eyes, all those executioners…Loretta Thurwar and Hamara “Hurricane Staxxx” Stacker are the stars of the Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly popular, highly controversial profit-raising program in America’s increasingly dominant private prison industry. It’s the return of the gladiators, and prisoners are competing for the ultimate prize: their freedom.In CAPE, prisoners travel as Links in Chain-Gangs, competing in death matches before packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, Thurwar considers how she might help preserve their humanity, in defiance of these so-called games. But CAPE’s corporate owners will stop at nothing to protect their status quo, and the obstacles they lay in Thurwar’s path have devastating consequences.Moving from the Links in the field to the protestors, to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system’s unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a “new and necessary American voice” (Tommy Orange, The New York Times Book Review).

A mind-bending speculative thriller in which the sudden appearance of a mountain in the middle of the Pacific Ocean leads a group of scientists to a series of jaw-dropping revelations that challenge the notion of what it means to be human An enormous snow-covered mountain has appeared in the Pacific Ocean. No one knows when exactly it showed up, precisely how big it might be, or how to explain its existence. When Harold Tunmore is contacted by a shadowy organization to help investigate, he has no idea what he is getting into as he and his team set out for the mountain.    The higher Harold's team ascends, the less things make sense. Time moves differently, turning minutes into hours, and hours into days. Amid the whipping cold of higher elevation, the climbers' limbs numb and memories of their lives before the mountain begin to fade. Paranoia quickly turns to violence among the crew, and slithering, ancient creatures pursue them in the snow. Still, as the dangers increase, the mystery of the mountain compels them to its peak, where they are certain they will find their answers. Have they stumbled upon the greatest scientific discovery known to man or the seeds of their own demise?    Framed by the discovery of Harold Tunmore's unsent letters to his family and the chilling and provocative story they tell, Ascension considers the limitations of science and faith and examines both the beautiful and the unsettling sides of human nature.

A meditation on the power and pleasures of the image, from paintings to photographs to migraine auras, by one of Britain's finest literary minds. In Affinities, Brian Dillon, who Joyce Carol Oates has said writes "fascinating prose . . . on virtually any subject," explores images and artists he is drawn to and analyzes the attraction. What does it mean to claim affinity with a picture? What do feelings of affinity imply about the experience of art and of the world? Affinities is a critical and personal study of a sensation that is not exactly taste, desire, or solidarity, but has aspects of all three. Approaching this subject via discrete examples, Dillon examines works by artists such as Dora Maar and Andy Warhol, Rinko Kawauchi and Susan Hiller, as well as scientific or vernacular images of sea creatures and migraine auras. Written as a series of linked essays, Affinities completes a trilogy, with Essayism and Suppose a Sentence, about the intimate and abstract pleasures of reading and looking.

A NEW YORK TIMES NOTABLE BOOK • NATIONAL BESTSELLER • A timely, passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist?"A lively, personal exploration of how one might think about the art of those who do bad things" —Vanity Fair • "[Dederer] breaks new ground, making a complex cultural conversation feel brand new." —Ada Calhoun, author of Also a PoetFrom the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is “part memoir, part treatise, and all treat” (The New York Times). This unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?"Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.“Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." —The Washington PostA Best Book of the Year: The New York Times, NPR, The Washington Post, The New Yorker, Vulture, Elle, Esquire, Kirkus

#1 NEW YORK TIMES BESTSELLER • From the author of Killers of the Flower Moon, a page-turning story of shipwreck, survival, and savagery, culminating in a court martial that reveals a shocking truth. The powerful narrative reveals the deeper meaning of the events on The Wager, showing that it was not only the captain and crew who ended up on trial, but the very idea of empire.A Best Book of the Year: The New York Times, The Wall Street Journal, The New Yorker, TIME, Smithsonian, NPR, Vulture, Kirkus Reviews“Riveting...Reads like a thriller, tackling a multilayered history—and imperialism—with gusto.” —Time"A tour de force of narrative nonfiction.” —The Wall Street JournalOn January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as “the prize of all the oceans,” it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing nearly 3,000 miles of storm-wracked seas. They were greeted as heroes.But then ... six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they told a very different story. The thirty sailors who landed in Brazil were not heroes – they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous senior officer and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death—for whomever the court found guilty could hang.The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann’s recreation of the hidden world on a British warship rivals the work of Patrick O’Brian, his portrayal of the castaways’ desperate straits stands up to the classics of survival writing such as The Endurance, and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann’s work, the incredible twists of the narrative hold the reader spellbound.

"I was in the car the first time music seemed strange: the instruments less distinct, the vocals less crisp."  John Cotter was thirty years old when he first began to notice a ringing in his ears. Soon the ringing became a roar inside his head. Next came partial deafness, then dizziness and vertigo that rendered him unable to walk, work, sleep, or even communicate. At a stage of life when he expected to be emerging fully into adulthood, teaching and writing books, he found himself "crippled and dependent," and in search of care.   When he is first told that his debilitating condition is likely Ménière's Disease, but that there is "no reliable test, no reliable treatment, and no consensus on its cause," Cotter quits teaching, stops writing, and commences upon a series of visits to doctors and treatment centers. What begins as an expedition across the country navigating and battling the limits of the American healthcare system, quickly becomes something else entirely: a journey through hopelessness and adaptation to disability. Along the way, hearing aids become inseparable from his sense of self, as does a growing understanding that the possibilities in his life are narrowing rather than expanding. And with this understanding of his own travails comes reflection on age-old questions around fate, coincidence, and making meaning of inexplicable misfortune.   A devastating memoir that sheds urgent, bracingly honest light on both the taboos surrounding disability and the limits of medical science, Losing Music is refreshingly vulnerable and singularly illuminating--a story that will make readers see their own lives anew.

The critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman). A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past--public ones alongside others that are poignantly personal--with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages, sometimes about language, beauty, memory; sometimes about history, art, photography, and literature--always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life. At the heart of Ordinary Notes is the indelible presence of the author's mother, Ida Wright Sharpe. "I learned to see in my mother's house," writes Sharpe. "I learned how not to see in my mother's house . . . My mother gifted me a love of beauty, a love of words." Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method," collects entries from a community of thinkers toward a "Dictionary of Untranslatable Blackness," and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces. 4-color art throughout

What is motherhood in the midst of uncertainty, buried trauma, and an unraveling America? What it's always been--a love song. Our narrator is a gifted photographer, an uncertain wife, an infertile mother, a biracial woman in an unraveling America. As she grapples with a lifetime of ambivalence about motherhood, yet another act of police brutality makes headlines, and this time the victim is Noah, a boy in her photography class. Unmoored by the grief of a recent devastating miscarriage and Noah's fight for his life, she worries she can no longer chase the hope of having a child, no longer wants to bring a Black body into the world. Yet her husband Asher--contributing white, Jewish genes alongside her Black-Japanese ones for any potential child--is just as desperate to keep trying. Throwing herself into a new documentary on motherhood, and making secret visits to Noah in the hospital, this when she learns she is, impossibly, pregnant. As the future shifts once again, she must decide yet again what she dares hope for the shape of her future to be. Fearless, timely, blazing with voice, Blue Hour is a fragmentary novel with unignorable storytelling power.

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies... a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming. Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. These are the concerns of those confined to land, those with legs. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Ones that called sailors to their doom. Ones that dragged them down and drowned them. Ones that feasted on their flesh. Ones of the creature that she's always longed to become: mermaid. Ren aches to be in the water. She dreams of the scent of chlorine--the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill. 

NATIONAL BESTSELLER • Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles TimesONE OF BOOKPAGE'S TEN BEST BOOKS OF THE YEAR • FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE AND LOCUS AWARD • LONGLISTED FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARDA BEST BOOK OF THE YEAR: The New York Times Book Review, Time, NPR, Chicago Tribune, Los Angeles Times, The Washington Post, Esquire, Vulture, Paste, Tordotcom, Book Riot, Polygon, Chicago Public Library, Kirkus Reviews, Library JournalAdelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear.The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the “lone women” taking advantage of the government’s offer of free land for those who can tame it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing that will help her survive the harsh territory.Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you’ve never seen. And at its heart is the gripping story of a woman desperate to bury her past—or redeem it.

“Alex Mar’s bold yet sensitive account of one of America’s youngest death row inmates—and the people whose lives she forever changed—is intimately reported, deeply moving, and unforgettable.” —Robert Kolker, New York Times bestselling author of Hidden Valley Road\\n“An absorbing work of social history and a story about the mystery and miracle of forgiveness. This is a book of awesome scope, and it deserves to be read with attention.” —Hilary Mantel, Booker Prize–winning author of the Wolf Hall trilogy\\nA masterful, revelatory work of literary non-fiction about a teenage girl’s shocking crime—and its extraordinary aftermath\\nOn a spring afternoon in 1985 in Gary, Indiana, a fifteen-year-old girl kills an elderly woman in a violent home invasion. In a city with a history of racial tensions and white flight, the girl, Paula Cooper, is Black, and her victim, Ruth Pelke, is white and a beloved Bible teacher. The press swoops in.\\nWhen Paula is sentenced to death, no one decries the impending execution of a tenth grader. But the tide begins to shift when the victim’s grandson Bill forgives the girl, against the wishes of his family, and campaigns to spare her life. This tragedy in a midwestern steel town soon reverberates across the United States and around the world—reaching as far away as the Vatican—as newspapers cover the story on their front pages and millions sign petitions in support of Paula.\\nAs Paula waits on death row, her fate sparks a debate that not only animates legal circles but raises vital questions about the value of human life: What are we demanding when we call for justice? Is forgiveness an act of desperation or of profound bravery? As Bill and Paula’s friendship deepens, and as Bill discovers others who have chosen to forgive after terrible violence, their story asks us to consider what radical acts of empathy we might be capable of.\\nIn Seventy Times Seven, Alex Mar weaves an unforgettable narrative of an act of violence and its aftermath. This is a story about the will to live—to survive, to grow, to change—and about what we are willing to accept as justice. Tirelessly researched and told with intimacy and precision, this book brings a haunting chapter in the history of our criminal justice system to astonishing life.

#1 NEW YORK TIMES BESTSELLER • The Pulitzer Prize–winning author of Evicted reimagines the debate on poverty, making a “provocative and compelling” (NPR) argument about why it persists in America: because the rest of us benefit from it.A BEST BOOK OF THE YEAR: The New Yorker, The New York Times Book Review, NPR, Oprah Daily, Time, The Star Tribune, Vulture, The Christian Science Monitor, Chicago Public Library, Esquire, California Review of Books, She Reads, Library Journal“Urgent and accessible . . . Its moral force is a gut punch.”—The New YorkerLonglisted for the Inc. Non-Obvious Book Award • Longlisted for the Andrew Carnegie MedalThe United States, the richest country on earth, has more poverty than any other advanced democracy. Why? Why does this land of plenty allow one in every eight of its children to go without basic necessities, permit scores of its citizens to live and die on the streets, and authorize its corporations to pay poverty wages?In this landmark book, acclaimed sociologist Matthew Desmond draws on history, research, and original reporting to show how affluent Americans knowingly and unknowingly keep poor people poor. Those of us who are financially secure exploit the poor, driving down their wages while forcing them to overpay for housing and access to cash and credit. We prioritize the subsidization of our wealth over the alleviation of poverty, designing a welfare state that gives the most to those who need the least. And we stockpile opportunity in exclusive communities, creating zones of concentrated riches alongside those of concentrated despair. Some lives are made small so that others may grow.Elegantly written and fiercely argued, this compassionate book gives us new ways of thinking about a morally urgent problem. It also helps us imagine solutions. Desmond builds a startlingly original and ambitious case for ending poverty. He calls on us all to become poverty abolitionists, engaged in a politics of collective belonging to usher in a new age of shared prosperity and, at last, true freedom.

Seven survivors of the 1976 Friuli earthquake in northeastern Italy, which left hundreds dead and thousands unhoused, speak of their lives after the catastrophe in this poignant, propulsive work of fiction by a noted poet, translator, and novelist. Il rombo is an Italian term for the subterranean rumble before an earthquake. In May and September 1976, two severe earthquakes ripped through the Friuli region in northeastern Italy, causing extensive damage. About a thousand people died under the rubble, tens of thousands were left without shelter, and many ended up leaving their homes forever. Rombo is a record of this disaster and its aftermath, as told by seven men and women who were children at the time: Anselmo, Mara, Olga, Gigi, Silvia, Lina, and Toni. They speak of portents that preceded the earthquakes and of the complete disorder that followed, the obliteration of all that was familiar and known by heart. Their memories, like the earth, are subject to rifts and abysses. Esther Kinsky splices these indelible, incomplete recollections with exacting descriptions of the alpine region, forgoing a linear narrative for a deftly layered collage that reaches back and forth in time. The brilliantly original book that emerges is both memorial and purgatorial mount.

"Birnam Wood is terrific. As a multilayered, character-driven thriller, it's as good as it gets. Ruth Rendell would have loved it. A beautifully textured work--what a treat." --Stephen King "One of the finest writers of our time." --Jonathan Ruppin, The Independent The Booker Prize-winning author of The Luminaries brings us Birnam Wood, a gripping thriller of high drama and kaleidoscopic insight into what drives us to survive. Birnam Wood is on the move . . . Five years ago, Mira Bunting founded a guerrilla gardening group: Birnam Wood. An undeclared, unregulated, sometimes-criminal, sometimes-philanthropic gathering of friends, this activist collective plants crops wherever no one will notice: on the sides of roads, in forgotten parks and neglected backyards. For years, the group has struggled to break even. Then Mira stumbles on an answer, a way to finally set the group up for the long term: a landslide has closed the Korowai Pass, cutting off the town of Thorndike. Natural disaster has created an opportunity, a sizable farm seemingly abandoned. But Mira is not the only one interested in Thorndike. Robert Lemoine, an enigmatic American billionaire, has snatched it up to build his end-times bunker--or so he tells Mira when he catches her on the property. Intrigued by Mira, Birnam Wood, and their entrepreneurial spirit, he suggests they work this land. But can they trust him? And, as their ideals and ideologies are tested, can they trust each other? A gripping psychological thriller from the Booker Prize-winning author of The Luminaries, Eleanor Catton's Birnam Wood is Shakespearean in its drama, Austenian in its wit, and, like both influences, fascinated by what makes us who we are. A brilliantly constructed study of intentions, actions, and consequences, it is a mesmerizing, unflinching consideration of the human impulse to ensure our own survival.

"The Great Displacement is closely observed, compassionate, and far-sighted." --Elizabeth Kolbert, Pulitzer Prize-winning author of Under a White Sky The untold story of climate migration in the United States--the personal stories of those experiencing displacement, the portraits of communities being torn apart by disaster, and the implications for all of us as we confront a changing future. Even as climate change dominates the headlines, many of us still think about it in the future tense--we imagine that as global warming gets worse over the coming decades, millions of people will scatter around the world fleeing famine and rising seas. What we often don't realize is that the consequences of climate change are already visible, right here in the United States. In communities across the country, climate disasters are pushing thousands of people away from their homes. A human-centered narrative with national scope, The Great Displacement is "a vivid tour of the new human geography just coming into view" (David Wallace-Wells, New York Times bestselling author of The Uninhabitable Earth). From half-drowned Louisiana to fire-scorched California, from the dried-up cotton fields of Arizona to the soaked watersheds of inland North Carolina, people are moving. In the last few decades, the federal government has moved tens of thousands of families away from flood zones, and tens of thousands more have moved of their own accord in the aftermath of natural disasters. Insurance and mortgage markets are already shifting to reflect mounting climate risk, pricing people out of risky areas. Over the next fifty years, millions of Americans will be caught up in this churn of displacement, forced inland and northward in what will be the largest migration in our country's history. The Great Displacement compassionately tells the stories of those who are already experiencing life on the move, while detailing just how radically climate change will transform our lives--erasing historic towns and villages, pushing people toward new areas, and reshaping the geography of the United States.

"Powerful and transcendent" --Chigozie Obioma  "Both epic and intimate" --​Margo Jefferson A deeply moving, lyrical journey through the author's homeland of Nigeria, in search of the truth about his disappeared uncle and the history of a war that shaped him, his family, and a nation In inimitable, rhythmic prose, the author and winner of the prestigious Windham-Campbell Prize Emmanuel Iduma tells the story of his return to Nigeria, where he grew up, after years of living in New York. He traveled home with an elusive mission: to learn the fate of his uncle Emmanuel, his namesake, who disappeared in the Nigerian Civil War in the late 1960s. A conflict that left so many families broken, the war remains at the margins of the history books, almost taboo to discuss. To find answers, Iduma stopped in city after city throughout the former Biafra region, reconnecting with relatives dear and distant to probe their memories, prowling university libraries to furtively photocopy illicit books, and visiting half-abandoned monuments along the highway. Perhaps, he realized, if he could understand how his father grieved the loss of a brother in the war, he might learn how to grieve his late father in turn.   His is also the story of countless families across the country and across the world who will never have answers or proper funerals for their loved ones. It's a story about the birth of an artist, about writing itself as an act both healing and political, even dangerous. And it's a story about family history and legacy, and all the questions the dead leave unanswered. How much of the author's identity is wrapped up in this inheritance? And what does it mean to return home, when the people who define it are gone?   Equal parts memoir, national history, and political reckoning, I Am Still With You is a profoundly personal story of collective loss and making peace with the unknowable.

“An astounding debut.”―Adrienne Raphel, The New York Times Book ReviewA dazzling love story in poems about one woman’s coming-out, coming-of-age, and coming undoneA woman lives an ordinary life in Brooklyn. She has a boyfriend. They share a cat. She writes poems in the prevailing style. She also has dreams: of being seduced by a throng of older women, of kissing a friend in a dorm-room closet. But the dreams are private, not real.One night, she meets another woman at a bar, and an escape hatch swings open in the floor of her life. She falls into a consuming affair―into queerness, polyamory, kink, power and loss, humiliation and freedom, and an enormous surge of desire that lets her leave herself behind.Maggie Millner’s captivating, seductive debut is a love story in poems that explores obsession, gender, identity, and the art and act of literary transformation. In rhyming couplets and prose vignettes, Couplets chronicles the strictures, structures, and pitfalls of relationships―the mirroring, the pleasing, the small jealousies and disappointments―and how the people we love can show us who we truly are."An endlessly inventive, wise, exhilarating book.”―Garth Greenwell, author of Cleanness and What Belongs to You

One of the Books Barack Obama Is Reading This Summer\nOne of Vulture’s Best Books of 2023\nOne of Goodreads’ Buzziest Debut Novels of 2023\nOne of Essence’s 31 Books You Must Read\nOne of the most anticipated books by Town & Country and Elle\\nAmerica is seen through the eyes and ambitions of three characters with ties to Africa in this gripping novel\\nWhen siblings Jacob and Belinda Nti were growing up in Ghana, their goal was simple: to move to America. For them, the United States was both an opportunity and a struggle, a goal and an obstacle.\\nJacob, an awkward computer programmer who still lives with his father, wants a visa so he can move to Virginia to live with his wife—a request that the U.S. government has repeatedly denied. He envies his sister, Belinda, who achieved, as their father put it, “what Napoleon could not do”: she went to college and law school in the United States and even managed to marry Wilder, a wealthy Black businessman from Texas. Wilder’s view of America differs markedly from his wife’s, as he’s spent his life railing against the racism and marginalization that are part of life for every African American living here.\\nFor these three, their desires and ambitions highlight the promise and the disappointment that life in a new country offers. How each character comes to understand this and how each learns from both their dashed hopes and their fulfilled dreams lie at the heart of what makes What Napoleon Could Not Do such a compelling, insightful read.

AN INSTANT NEW YORK TIMES BESTSELLER! • A Today Show #ReadWithJenna Book Club Pick • A February 2023 Indie Next Pick"Sparkling." ―The New York Times"An utterly charming and deeply moving portrait of the joys―and the guilt―of trying to find your own way in life." ―Celeste Ng, #1 New York Times bestselling author of Our Missing Hearts"Lively, funny, poignant . . . Prepare to fall in love with Maddie. I did!" ―Bonnie Garmus, #1 New York Times bestselling author of Lessons in ChemistryMaame (ma-meh) has many meanings in Twi but in my case, it means woman.It’s fair to say that Maddie’s life in London is far from rewarding. With a mother who spends most of her time in Ghana (yet still somehow manages to be overbearing), Maddie is the primary caretaker for her father, who suffers from advanced stage Parkinson’s. At work, her boss is a nightmare and Maddie is tired of always being the only Black person in every meeting.So when her mum returns from her latest trip, Maddie seizes the chance to move out of the family home and finally start living. A self-acknowledged late bloomer, she’s ready to experience some important “firsts”: She finds a flat share, says yes to after-work drinks, pushes for more recognition in her career, and throws herself into the bewildering world of internet dating. But when tragedy strikes, Maddie is forced to face the true nature of her unconventional family, and the perils―and rewards―of putting her heart on the line.Smart, funny, and affecting, Jessica George's Maame deals with the themes of our time with humor and poignancy: from familial duty and racism, to female pleasure, the complexity of love, and the life-saving power of friendship. Most important, it explores what it feels like to be torn between two homes and cultures―and it celebrates finally being able to find where you belong."Meeting Maame feels like falling in love for the first time: warm, awkward, joyous, a little bit heartbreaking and, most of all, unforgettable." ―Xochitl Gonzalez, New York Times bestselling author of Olga Dies Dreaming

"Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard." --Claudia Tate, from the introduction Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the 20th century.  Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margaret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after. Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art. Finally available for a new generation, this classic work has an urgent message for readers and writers today.

For decades, Janet Malcolm's books and dispatches for The New Yorker and The New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life--a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida. Malcolm looks beyond the content of the image and the easy seductions of self-recognition, constructing a memoir from memories that pose questions of their own. Still Pictures begins with the image of a morose young girl on a train, leaving Prague for New York at the age of five in 1939. From her fitful early loves, to evenings at the old Metropolitan Opera House, to her fascination with what it might mean to be a "bad girl," Malcolm assembles a composite portrait of a New York childhood, one that never escapes the tug of Europe and the mysteries of fate and family. Later, Still Pictures delves into her marriage to Gardner Botsford, the world of William Shawn's New Yorker, and the libel trial that led Malcolm to become a character in her own drama. Displaying the sharp wit and astute commentary that are Malcolmian trademarks, this brief volume develops into a memoir like few others in our literature.